All The Feels!: Ultimate Queer Fanvid Playlist
Fanvids are short films using music, edited by fans in an expression of all the feels around their favourite fandoms. Even with today’s films and television bursting with more queer […]
Fanvids are short films using music, edited by fans in an expression of all the feels around their favourite fandoms. Even with today’s films and television bursting with more queer […]
Time as it is Queer. Blackness as it is Queer. What comes next after the end of the world? A digital exhibition programme of Afrofuturist films and writings in response […]
Pride & Protest is a documentary about QTIPOC communities and activists in Britain today and struggles surrounding the politics of desire, self-care, and found family. In the wake of the […]
Tchindas explores queer identity and acceptance in the Cape Verde archipelago, and follows Tchinda, a transgender woman who is a national heroine, as she prepares for Carnival month. The camera […]
Wahala Film Fund is a short film completion fund for Queer, Transgender, and Intersex People of Colour filmmakers based in UK, Europe, and the Global South. Wahala’s aim is to […]
In his own words, Marlon Riggs aimed to shatter the “nation’s brutalizing silence on matters of sexual and racial difference” with his 1989 film Tongues Untied. A challenging and captivating […]
Despite a rich queer history and long fight to guarantee the rights of queer people under the first democratic government of Nelson Mandela, queer and trans South Africans face many […]
Katalina Watt is an Edinburgh-based author and publisher with a background in digital publishing, copywriting, and bookselling. A champion of representative voices and stories, she has been published in various […]
Shu Lea Cheang’s work from the early-to-mid 1990s demonstrated an exciting fusion of identity politics and erotic exploration, making her one of the period’s most prominent queer media artists. This […]
A conversation with QTIPOC film programmers from across the UK. We’ll be tackling questions such as: What does it mean to programme for us, by us? What unique and specific […]