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X-WR-CALDESC:Events for SQIFF
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261019T203000
DTEND;TZID=UTC:20261019T223000
DTSTAMP:20260915T051326Z
CREATED:20260915T051326Z
LAST-MODIFIED:20260915T051326Z
UID:13750-1792441800-1792449000@www.sqiff.org
SUMMARY:Opening Night: Scottish Shorts
DESCRIPTION:Listen to this Event Page\n  \nWe cordially invite you to our Opening Night event\, Scottish Shorts 1. This event showcases the outstanding talent of queer filmmakers here in our homeland\, Scotland. Before we embark on a week exploring queer international cinema\, Scottish Shorts celebrates the diverse range of films coming out of Scotland right now. Expect big muscles\, punk rebellion\, experimental textures\, heartfelt conversations and more. \nThe screening will be followed by a Q&A with local filmmakers. All films in this screening and ‘Scottish Shorts 2’ are in with a chance to win the title of Best Scottish Short. The winner will be announced at the closing screening of SQIFF 2026. \nCurated by Nat Lall & Huss. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and Q&A. The interpreter for this event is TBC.\nBritish Sign Language\, English and Scottish Gaelic audio\, with English language Descriptive Subtitles.\nLive Captioning for the introduction and Q&A.\nAudio Description for all films.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 92 minutes long and has an age recommendation of N/C 18+ \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \n  \nVALLTE – ARPEGGI\, Dir. Reese Leitch\, 2026\, United Kingdom\, 2 min \nA short experimental film about difficulties finding pride as a trans woman. \nAccess notes: Flashing imagery\, flashing lights\, strobes. \nContent notes: Depiction of suggested nudity. Discussion of upsetting themes. \n  \nPang\, Dir. Lara Delmage\, 2026\, United Kingdom\, 12 min \nSurreal\, sexy\, and spectral. The summer before Cam leaves for university\, childhood best friends Cam and Evie are haunted by the breakdown of their grey-area\, queer friendship. As they laze by the pool\, they test the limits of their relationship\, and try to define who they are to each other. \nContent notes: Depiction of animal cruelty\, emotional stress. \n  \nDid I Feel It?\, Dir. Emma McIntyre\, 2026\, United Kingdom\, 12 min \nDid I Feel It? Is a creative documentary that reflects on and through a recent surgery\, convalescing and energies that are vital in living with lifelong disabilities. By sharing this small insight I hope to draw focus to the complexities and expansive journeys of queer disabled lives. \nAccess notes: Flashing imagery\, loud noises. \nContent notes: Depiction of hospitals\, scars. \n  \nThe Muscle Knows Better Than To Wait\, Dir. Erica Monde\, 2025\, United Kingdom\, 4 min \nA portrait of an LGBT weightlifting club in Sheffield\, exploring the embodiment of queer and trans power. \nContent notes: Discussion of transphobia. \n  \nThe Collective\, Dirs. Beth Johnston\, Daniel Archibald\, 2025\, United Kingdom\, 7 min \nIn a dystopian Glasgow\, a feminist punk collective interrupt a government radio broadcast to protest against the fascist regime. \n \n  \nWake and Bake\, Dir. Luca Kerr\, 2026\, United Kingdom\, 5 min \nCousins Fionn and Aonghas bond over their inability to fit into their family of saints at their grandmother’s wake. \nContent notes: Depiction of implied drug use\, smoking. Discussion of bereavement. \n  \nXTalk by HommAges\, Dir. Craig Mulholland\, 2026\, United Kingdom\, 21 min \nOperating as material phenomenon and metaphor\, XTalk reframes autonomy\, objectification and porous boundaries between subject and object within BDSM culture\, fetish materiality and Queer ontology\, foregrounding adjacency\, interference\, surface\, contact and erotic material intersection. \nAccess notes: Flashing imagery\, flashing lights. \nContent notes: Depiction of fetishism. \n  \nThey Bend Stars\, Dir. Diego Migliorini\, 2025\, United Kingdom\, 11 min \nA genderless alien tortured in an underground facility learns that the key to return to their purple planet lies within. They must escape their captor and find their way back to their distant home. \nAccess notes: Flashing lights\, visual effects that may trigger people with photosensitive epilepsy. \n  \nExiled for Existing\, Dir. Vilte Vaitkute\, 2026\, United Kingdom\, 7 min \nLGBTQ+ Refugees living in the UK speak about their experiences and the community they’ve found in Scotland. \nContent notes: Discussion of emotional displacement\, homophobia\, physical violence. \n  \nReconnection\, Dir. Amy Helena\, 2025\, United Kingdom\, 11 min \nA couple’s argument is interrupted by a blackout. In candlelight\, silence gives way to honesty\, helping them reconnect and bridge the emotional distance between them. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: PANG\, 2026\, Dir. Lara Delmage
URL:https://www.sqiff.org/event/opening-night-scottish-shorts/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,Descriptive Subtitles,Films,Live Captioning,Scottish premiere,Shorts,World premiere
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2026/09/PANG-03-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261020T133000
DTEND;TZID=UTC:20261020T151500
DTSTAMP:20260915T051240Z
CREATED:20260915T051240Z
LAST-MODIFIED:20260915T051240Z
UID:13772-1792503000-1792509300@www.sqiff.org
SUMMARY:Collaged
DESCRIPTION:  \nListen to this Event Page\n  \nHand-scratched Super 8\, neon ink bleeding across film strips\, torn paper fragments\, found footage\, and reclaimed archives brought back to life. Collaged is a celebration of tactile experimental filmmaking. Blurring the boundaries between analogue and digital\, memory and imagination\, these films embrace hands-on editing\, resurfacing found footage\, and the creative ways to piece film together. Expect an explosion of colour\, texture\, and sound as filmmakers transport us to vibrant new worlds. Perfect for anyone ready to drift beyond the polished surfaces of high definition and discover the grainy\, acid-washed world of experimental cinema. \nThe films will be followed by a Q&A between Autojektor (A CURE FOR SCARS)\, Marguerite Carson (the bird sings with its fingers) and curator Nat Lall. \nCurated by Nat Lall. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and Q&A. The interpreter for this event is TBC.\nEnglish\, German\, Spanish audio with English language Descriptive Subtitles.\nLive Captioning for for the introduction and Q&A.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 59 minutes long and has an age recommendation of N/C 15+ \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nT4T\, Dir. Avian de Keizer\, 2023\, United States\, 3min. \nT4T is a short Super 8 experimental film about trans love and the medical system. \nAccess notes: Flashing Imagery. \n  \nLC39-A\, Dir. Josipa Anton\, 2026\, United States\, 4min. \nA short experimental documentary about the Space Race by filmmaker Josipa Anton\, LC-39A utilizes NASA archival footage and poetry by Bertolt Brecht to explore the march of history and technological progress as it intersects with ideology and cultural memory. \n  \nLunch Poems (Remix)\, Dir. J Triangular\, 2026\, Colombia\, Taiwan\, NYC\, 4min. \nIn Lunch Poems (Remix)\, J dusts off VHS tapes recorded in 2017 with their friend and collaborator Miss Expanding Universe (Ashley Yang-Thompson). They remix them into a fiery manifesto and intimate video diary — a collage of poetic art adventures in the streets of New York. The film captures the raw energy of poets claiming the city\, blending performance\, diary\, and queer rebellion. A hypnotic soundtrack of fragments sung by the poet threads the work together\, creating a bold\, immersive experience.\n \n  \nObjectionable Fruit\, Dirs. Hogan Seidel\, Gabby Follett\, 2026\, United States\, Canada\, Germany\, 15 min. \nObjectionable Fruit is an experimental documentary examining the Ginkgo tree\, a living fossil celebrated for its resilience and unique capacity to change sexes\, defying human-imposed binaries. Using the Ginkgo as a metaphor for fluidity and endurance\, the film weaves together themes of gender identity\, ecological interconnectedness\, and the nuanced complexities of queer existence. \nAccess notes: Flashing Imagery. \n  \nA CURE FOR SCARS\, Dir. Autojektor\, 2026\, United Kingdom\, 3 min. \nRestoration//Cleanses with Fire. The machine reclaims the ugly body. And replaces it with a digestible corpse. A Futile conversion. Pointless violence. \nAccess notes: Flashing Imagery. \n  \nTTT (Tᄐト)\, Dir. kimura byol lemoine\, 2025\, Canada\, 3 min. \n‘In the 100th episode of “Testo du jeudi” (TTT in English)\, Roman\, Korean (Hangeul) and Japanese (Katana) syllabic alphabets feature the word ‘TRANS’ in a sketch by Kě.’  \n  \nMarked\, Dir. Wrik Mead\, 2026\, Canada\, 3 min. \nMarked is an experimental film that merges Super 8 and 16mm formats to examine the presence of queer intimacy. At its center are two shirtless men\, locked in an embrace\, dancing — a quiet yet radical act. Overlaid with hand-inked 16mm film\, their bodies become both seen and obscured\, highlighted and erased. Through this layered process\, Marked reflects on how queer love is shaped\, celebrated\, and scarred by the society that surrounds it. \nAccess notes: Flashing Imagery. \n  \nTrivakra\, Dir. Sofia Angst\, 2025\, Brazil\, 10 min. \nTrivakra moves through the memories of a child\, crossed by gender biotechnologies that reshape their body and their history. The gushing syringe of a travesti ritual of hormonal transmutation opens a glitch in the matrix of gender and video\, where bones and skins are dematerialized into cyberspace. \nAccess notes: Flashing imagery\, flashing lights\, loud noises. \n  \nunbelong\, Dir. Pars Loren\, 2025\, Germany\, Türkiye\, 9 min. \nAt its heart\, unbelong is a philosophical inquiry posed through visceral experience. The narrated poem questions whether we move through time or time moves through us\, capturing the profound stillness of a moment when everything changes. It’s about the act of abandoning a home that abandoned you first\, and the sharp blade hidden in the question\, “Where are you from?“ unbelong is for anyone who understands that migration is not a simple journey but a rupture\, and that for some\, movement is not freedom but a painful necessity for survival. It is a work of grief\, hope\, and transformation. \nContent notes: Discussion of police violence\, transphobia. \n  \nthe bird sings with its fingers\, Dir. Marguerite Carson\, 2025\, Australia\, United Kingdom\, 5 min. \nSeabirds dip in and out of frame drawing on the ancient divination of the flights of birds\, asking when is a prophecy encountered and when is it voiced. \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: Trivakra\, Dir. Sofia Angst\, 2025
URL:https://www.sqiff.org/event/collaged/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:BSL,Descriptive Subtitles,European premiere,Films,Live Captioning,Scottish premiere,Shorts,UK premiere,World premiere
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2026/09/Trivakra-IMG_03-Sofia-Arantes-300dpi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261020T154500
DTEND;TZID=UTC:20261020T173000
DTSTAMP:20260915T051227Z
CREATED:20260915T051227Z
LAST-MODIFIED:20260915T051227Z
UID:13780-1792511100-1792517400@www.sqiff.org
SUMMARY:SATURATE
DESCRIPTION:  \nListen to this Event Page\n  \nScottish queer cinema goes DIY with 9 world premieres of subversive and irreverent shorts made in this years’ SQIFF queer filmmaking course: SATURATE. Positioning queer filmmaking in Scotland as cinematic counterculture\, SATURATE was a Glasgow based filmmaking course that brought together 31 emerging LGBTQIA+ Scotland-based directors to develop zero-budget short films over the summer of 2026.  \nThis eclectic programme of unconventional shorts offers a window into queer imaginaries across Glasgow in 2026\, positioning LGBTQIA+ cinema at the forefront of Scotland’s indie filmmaking culture. Local filmmakers explored everything from camp horror on AI data centres taking over Glasgow flats\, sensorial documentary on the relationship between the queer body and the city centre\, performative reimaginings of the reproductive cycle in a trans revision of Frankenstein\, to magical realist drama exploring migration in the UK\, Chinese folklore\, the endurance of queer love\, and more. \nThe screening will be followed by a Q&A with this year’s SATURATE participants and Erica Monde\, Glasgow based filmmaker and leader of this year’s SATURATE course. \nCurated by Erica Monde & Indigo Korres. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and Q&A. The interpreter for this event is TBC.\nEnglish audio with English language Descriptive Subtitles.\nLive Captioning for the introduction and Q&A.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 66 minutes long and has an age recommendation of N/C 15+ \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \n  \nMADE THINGS\, Dirs. April Stewart\, Jo Hauge\, Betty/Chaoying Rao 饶超颖 / Femme Castratrice\, 2026\, United Kingdom\, 7min. \nDiscover the reproductive process of the species Homo dykefagicus… \nA speculative\, camp mingling of the horror trope of re-animation and the heterosexual marriage plot\, where Mummy\, Daddy and Baby are part of a delicious and slimy circular reproductive cycle that doesn’t progress but goes around and around and around. \nContent notes: Depiction of nudity\, references of sex. \n  \nBuilding Bodies\, Dirs. Lish Adam\, Ilaria Lipperi\, Priscila Froes\, 2026\, United Kingdom\, 11 min. \nSounds\, sights\, touch and memory come together in this sensory and emotional reflection on experiences living in and passing through the City Centre of Glasgow. This experimental documentary uses real testimonies\, voiceover\, footage and sound from the City Centre to convey an experience shared by residents and the built environment itself.  \nContent notes: Depiction of religious march. Discussion of capitalism\, racism\, violence. \n  \nHelp! My Room8te is Trying to Kill Me!\, Dirs. Andy Neilson Smith\, Ophelia Steele Davis\, Yexabel Rivero\, 2026\, United Kingdom\, 10 min. \nSam is anxious around their flatmate Jordan’s imminent move and whether their friendship will survive beyond it. The arrival of Big Tech’s latest invention changes the dynamic in the flat even more so in strange and mysterious ways. Through resisting this physical cyber-attack\, unspoken feelings finally come to the surface. \nContent notes: Depiction of action fighting\, cigarette use. Discussion of data centres. \n  \nA Matter of Record\, Dir. Eleanor Capaldi\, 2026\, United Kingdom\, 8 min. \nFrom early crushes on Hollywood stars to lesbian discos in 1970s Glasgow\, anchored by a 40 year love story at its heart\, Elizabeth Elliott brings to life lesbian experiences that are too easily lost. Through receipts to photographs\, to recollection\, the film questions the archival process\, while becoming a record itself.  \nContent notes: Discussion of homophobia\, police violence. \n  \nIn Transit\, Dir. AAidan (A-A. W. Summers)\, Jessica Payne\, Zebib K. Abraham\, 2026\, United Kingdom\, 6 min. \nA journey through leather\, warmth and light\, and the disembodied fear of catching the last train home. Our film has taken shape through a mix of live action\, stop motion\, and visual programming that connects the rural and the digital to form a journey in transit\, flicking between both spatial planes in this search for home. \nAccess notes: Flashing Imagery\, Flashing Lights. \n  \nHow To Be A Better Serial Killer\, Dirs. Joe Dunn\, Leah Francisco\, Louis Utieyin\, Muratiwa Chinake\, 2026\, United Kingdom\, 6 min. \nIt’s 2026\, the job market is shit. Someone calls into a radio show\, The Unemployment Line\, where you can get tips on how to improve your skills and get help seeking a job. However\, when a bizarre call throws the host off kilter\, the unsuspecting host gives helpful tips and motivates an aspiring serial killer to achieve their dream. Will the caller succeed\, who will be their next victim? \nAccess notes: Depiction of a dead body. \n  \nWhy (Do U) Care?\, Dir. Cameron Prince\, Sara Bucheeri\, Ashley Wolf\, 2026\, United Kingdom\, 6 min. \nOn the run after battering a couple of bigots with his skateboard\, Bo climbs through a window into the flat of his ex-lover\, who holds resentment towards him since their messy separation. She is now a trad-wife\, and he is a rogue transsexual. Why (Do U) Care? explores lost queerness. \nContent notes: Depiction of deadnaming\, strong language. \n  \nDrift\, Dirs. ACE V!S!ON\, Elsa Kerscher\, Jo Lee\, 2026\, United Kingdom\, 6 min. \nDrift is an intimate exploration of what it means to be trapped in the sick body. This collaborative film tries to make the edges of the body visible and gesture towards the in-between state of sickness\, loneliness and the domestic. \nAccess notes: Flickering TV Screen. \n  \nAcross the Magpie Bridge\, Dirs. Angela/Anqi Sun\, Fatima\, Matin Cheng\, Shivani Krishna\, 2026\, United Kingdom\, 6 min. \nIn a retelling of old Chinese folklore about two lovers separated by the Gods\, Kuhu\, a queer immigrant\, navigates her way through Glasgow and the UK immigration system\, dreaming of reuniting with her lover\, Qiqi. \nAccess notes: Distorted Imagery. \nContent notes: Depiction of police\, strong language use. Discussion of home office bureaucracy. \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: Made Things\, Dirs. April Stewart\, Jo Hauge\, Betty/Chaoying Rao 饶超颖 / Femme Castratrice\, 2026
URL:https://www.sqiff.org/event/saturate/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:BSL,Deaf,Descriptive Subtitles,Films,Live Captioning,Shorts,Trans,World premiere
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2026/09/3-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261020T204500
DTEND;TZID=UTC:20261020T223000
DTSTAMP:20260915T051201Z
CREATED:20260915T051201Z
LAST-MODIFIED:20260915T051201Z
UID:13791-1792529100-1792535400@www.sqiff.org
SUMMARY:Night Time
DESCRIPTION:Listen to this Event Page\n  \nStep into the shadows with Nighttime\, a trio of films exploring the eerie creatures\, uncanny encounters\, and mysterious worlds that emerge after dark. Blending live action and 3D animation\, these works present unsettling figures\, haunting silences\, and an ominous sense that anything could happen. Moving between familiar Glaswegian backdrops and more distant\, imagined realms\, the films challenge our perceptions of everyday life and reveal the strangeness hidden beneath the surface. Fear and fantasy blur together and our imaginations run wild. Through striking visuals and haunting soundscapes\, Nighttime lets us indulge in our curiosity about the unknown. \nThis screening will end with a Q&A with Gwen Hall (Kiss on the Shore by Moonlight) and curator Nat Lall. \nCurated by Nat Lall. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and Q&A. The interpreter for this event is TBC.\nAymara\, English\, Persian\, Spanish audio with English language Descriptive Subtitles\nLive Captioning for the introduction and Q&A.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 69 minutes long and has an age recommendation of N/C 18+ \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \nKiss on the Shore by Moonlight\,  Dir. Gwen Hall\, 2025\, United Kingdom\, 40 min. \nA silent vampire film set in gothic Glasgow\, visually (re)animated by Gwen Hall and scored by dj peanut. Loosely adapted from passages of Jalal Toufic’s ‘Vampires: An Uneasy Essay on the Undead in Film\,’ the film crudely inserts a sultry digital character into live-action footage in an exploration of personal duality set to a dark experimental soundtrack. \nAccess notes: Flashing imagery\, flashing lights. \nContent notes: Depiction of mild blood\, threatening images. \n  \nThe Night\,  Dir. Hera Khanmirzaei\, 2025\, Iran\, 15 min. \nIn a surreal world\, a rebellious teenage girl steals her father’s secret car key and escapes into the night. Reunited with her friend\, they dive into a forbidden void where laughter and darkness collide\, passengers transform into animals\, and a strange journey begins\, one that leads them beyond the boundaries of identity. \nAccess notes: Flashing lights. \n  \nGaucha\,  Dir. Daira Ronzoni\, 2026\, United Kingdom\, 1 min. \nA wandering queer mestiza crosses deserts and underworlds guided by signs and snakes; when a rupture into susto separates her from herself\, she moves through ancestral memory and earthly ritual\, seeking a return through offerings and reciprocity. \n \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: Kiss on the Shore by Moonlight\, Dir. Gwen Hall\, 2025
URL:https://www.sqiff.org/event/night-time/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:BSL,Descriptive Subtitles,Films,Live Captioning,Shorts,World premiere
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2026/09/5-ART-SCHOOL.00_09_48_15.Still017-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261021T131500
DTEND;TZID=UTC:20261021T150000
DTSTAMP:20260915T051148Z
CREATED:20260915T051148Z
LAST-MODIFIED:20260915T051148Z
UID:13797-1792588500-1792594800@www.sqiff.org
SUMMARY:Mini Docs
DESCRIPTION:  \nListen to this Event Page\n  \nThis screening showcases compelling short documentaries all under 12 minutes in length. It proves that big\, powerful stories can be told in even the tiniest films. From intimate personal portraits and participatory filmmaking\, to more experimental works\, this eclectic programme spans a number of styles\, genres\, and perspectives. Together\, these works highlight the fact that filmmakers don’t need a lot of time\, or budget\, to get their story across. Come and be inspired by this multi-faceted screening that educates\, humbles and wows in many ways. \nThe documentaries will be followed by a Q&A between Maddie Lock (Family Tides)\, Olivia Hird (Intermittent & Continuous)\, Rosie Bowyer (Listen)\, and curator Nat Lall. \nCurated by Nat Lall. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and Q&A. The interpreter for this event is TBC.\nEnglish\, French\, German\, Polish\, Russian\, Tagalog audio with English language Descriptive Subtitles\nLive Captioning for the introduction and Q&A.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 66 minutes long and has an age recommendation of N/C 15+  \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \nDrag Kings: Question Time. A Day with the Fans\, Dir. Orlando Myxx\, 2025\, United Kingdom\, 9 min. \nAfter 10 years on the stage\, PECS Drag Kings Collective gathers for a one-day festival in London to celebrate their anniversary with the queer community. Critical thinker and Drag King fan Diana G. penetrates Shoreditch Town Hall to ask the audience a crucial question. Have Drag Kings and Things changed the landscape of Gender and Sexuality? In this short documentary the camera turns towards the audience of a London Drag Kings Festival to understand what Drag Kinging means to them\, how it has evolved and what challenges it faces. \n  \nSome of us really can’t\, Dir. Noa Meli\, 2026\, Germany\, Poland\, Switzerland\, 10 min. \nThis film is about the fear of prejudice\, heteronormative posters and statues\, binary clothing stores… and a coming-out that never happened. In 2019\, places in Poland became known in the media as “LGBT-free zones”. This film\, set in one of these zones\, explores why LGBTQAI+ people are invisible. Is it possible to remain invisible for a lifetime? After the filmmaker fails to find affected individuals\, they start looking for the reasons behind their invisibility. \nContent notes: Depiction of queerphobia. Discussion of isolation\, suicide. \n  \nThe Beat in my Chest\, Dir. Ramona Bendig\, 2025\, Germany\, Spain\, 7 min \nSerhii\, a young deaf Ukrainian rebuilding his life in Barcelona after fleeing war and homophobia\, experiences music beyond sound. Through techno’s bass and vibrations\, rhythm becomes something felt deep within his body. Between friends\, work and nights of techno\, the film discovers a life lived with an infectious appetite for being alive. \nContent notes: Discussion of displacement\, mental health\, police brutality. \n  \nAll the Worlds I Could Lift\, Dir. Samantha Lee\, 2026\, Philippines\, 6 min. \nA group of queer women use weightlifting to reclaim bodies and spaces that have excluded them as they redefine strength and use female masculinity as an act of resistance. \n  \nlisten\, Dir. Rosie Bowyer\, 2026\, United Kingdom\, 11 min. \nlisten is a short film about Listen Gallery\, an experimental sound arts gallery and communal listening space run by Riah Naief. As the security of DIY spaces becomes increasingly precarious\, how can we work together and fight to build a future that supports community-centred\, free spaces such as Listen Gallery? \nAccess notes: Flashing imagery\, flashing lights. \n  \nIntermittent & Continuous\,  Dir. Olivia Hird\, 2025\, United Kingdom\, 11 min. \nIn the Peak District\, Rita is living out a childhood dream: working in a quarry. In a male-dominated industry\, she carves out her place through determination and persistence. Listening closely to the machinery\, past and present unexpectedly converge\, transporting her towards the irretrievable. \nContent notes: Discussion of bereavement. \n  \nFamily Tides\, Dir. Maddie Lock\, 2026\, United Kingdom\, 10 min. \nEveryone deserves to feel like they belong in their hometown. Family Tides is a documentary that explores growing up queer and trans in small seaside towns\, opening up the conversation about what it feels like to lack a traditional sense of home\, and how that can be found in community. \nAccess notes: Flashing imagery. \nContent notes: Discussion of homophobia\, transphobia. \n  \nWhile construction is in progress\, shops will remain open\, Dir. Mordred Guadagno\, 2026\, France\, 2 min. \nBetween 2021 and 2025\, the city was under massive construction to prepare for a new streetcar line. As the works finally come to an end\, I grapple with the ending of a construction of my own. \nContent notes: Depiction of needles. \n \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: The Beat in my Chest\, Dir. Ramona Bendig\, 2025
URL:https://www.sqiff.org/event/mini-docs/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:BSL,Deaf,Descriptive Subtitles,European premiere,Films,Live Captioning,Scottish premiere,Shorts,World premiere
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DTSTART;TZID=UTC:20261024T160000
DTEND;TZID=UTC:20261024T174500
DTSTAMP:20260915T050809Z
CREATED:20260915T050809Z
LAST-MODIFIED:20260915T050809Z
UID:13892-1792857600-1792863900@www.sqiff.org
SUMMARY:Enchanted Ecologies
DESCRIPTION:Listen to this Event Page\n  \nEnchanted ecologies include performance-based and experimental moving image works by queer and trans visual artists from the Brazilian Amazon. Together\, these films approach nature as a living being and highlight the role of cities in ecological conversations. They engage local non-human and spiritual beings through queer and trans perspectives that discuss environmental degradation\, colonial history\, community building\, and gender-based violence. In this collection\, we see the pervasiveness of non-human-oriented\, but humanly responsible\, practices in the collective imaginary of the Brazilian Amazon. \nThe programme invites us to reconsider what it means to relate to our local and global environments as a tactic to tackle environmental challenges and resist contemporary conservative and colonial forces. The screening includes a short introduction by the curators Danilo Baraúna and Xuanlin Tham\, and will be followed by a conversation with Fi Halliday\, a community gardener from the Govanhill LGBTQIA+ Gardening Group. \nCurated by Danilo Baraúna and Xuanlin Tham. Presented in partnership with Amazônia EcoQueer and Take One Action Film Festivals.  \nThis programme was partially funded by an International Fellowship (IF24\100830) of the British Academy. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and panel discussion. The interpreter for this event is TBC.\nPortuguese audio with English language Descriptive Subtitles.\nLive Captioning for the introduction and panel discussion.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 42 minutes long and has an age recommendation of N/C 15+ \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \nFever\, Dir. Rafa Bqueer\, 2023\, Brazil\, 7min. \nA green zentai-mermaid travels along the rivers of the Amazon until they confront the architecture that endangers their life. It offers a critical discussion about bodies\, monuments\, the Portuguese invasion\, colonial wounds\, and non-official representations of the Amazon. Produced during the ‘Casa Comum’ artistic residency. \nContent notes: Depiction of references to blood. \n  \nThe Island of Self-Contemplation\, Dir. Allyster Fagundes \, 2020\, Brazil\, 3 min. \nIn a world of playfulness\, an enchanted being strives to reconstruct their hybrid body\, fragile from a long-running identity struggle. When their identity emerges\, the being discovers they are stranded on an island of rocks that functions as a metaphor for their battles. In that moment of revelation\, a mysterious creature gives them comfort. \nAccess notes: Disorientating aerial images\, loud noises. \n  \nIdyllic Enchantments\, Dirs. Rafael Matheus Moreira\, João Lucas Pedrosa\, 2022\, Brazil\, 3 min.  \nA reinterpretation of Brazilian mythology that centres LGBTQIAPN+ bodies and friendship within a popular imaginary. Two complementary beings move across different spatial dimensions through a mirror\, seeking comfort within each other’s bodies. \nAccess notes: Disorientating aerial images\, loud noises. \n  \nThe Island of Shadows\, Dir. Allyster Fagundes\, 2020\, Brazil\, 3 min.  \nAn autobiographical film exploring the mermaid myth as a metaphor to express psychological characteristics of the author/performer. This film is based on the archetype of Shadow\, one of the psychological structures formulated by Carl Gustav Jung about the collective unconscious. \nAccess notes: Flashing Lights\, Loud Noises. \n  \nCaipora\, Dir. Rafaela Correia\, 2019\, Brazil\, 8min. \nThis film merges audiovisual experimentation with riverside cultures to tell the histories of Caipora\, the rainforest’s protector\, while discussing local modes of living\, gender-based violence and the recovery of local identities. \nAccess notes: Flashing lights. \nContent notes: Discussion of gender-based violence. \n  \nHeritage\, Dir. Keila-Sankofa\, Music Rafa Militão\, 2025\, Brazil\, 6 min. \n‘Herança’ is a project born between dark waters and enchantments. A musical short film that weaves together cinema\, sound and ancestry\, guiding the narrative whilst keeping a watchful eye on the secrets of the gourd and the enchantments rooted in the Amazon. \n  \n(In)finite body?\, Dir. Ramon Reis\, 2023\, Brazil\, 7 min. \nAn aesthetic and political manifesto that mobilises symbolic struggles to approach ancestry and spatiality. A film about life and death in relation to the urban Amazon and filmed in Belém on the Day of the Dead. \nAccess notes: Disorientating Images\, Flashing Imagery. \nContent notes: Discussion of death. \n  \nI am a crab\, Dir. Nay Jinknss\, 2023\, Brazil\, 2 min. \nThis film portrays a traditional and ecological carnival parade created in 1989 in Curuçá (Brazilian Amazon). During the parade\, people use the mud (tijuco) from local mangroves as costumes\, covering their full bodies before they walk in the streets. On this day\, everyone is a crab\, and Matinta Perêra is around the city. \nAccess notes: Fast camera movement. \n  \nOur Steps Overflow with Thirst\, Dir. Danielle Fonseca\, 2009\, Brazil\, 3 min. \nA performance in which the artist offers her words to the river as a living being. This film is a free adaptation of the poem ‘Water’\, by Edmond Jabés (Cairo\, Egypt\, 1991)\, and is part of the project ‘The fate of language is to become water’. \nAccess notes: Disorientating blurred images. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: Idyllic Enchantments\, Dirs. Rafael Matheus Moreira and João Lucas Pedrosa\, 2022
URL:https://www.sqiff.org/event/enchanted-ecologies/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:BIPOC,BSL,Descriptive Subtitles,European premiere,Films,Live Captioning,Scottish premiere,Shorts,Trans,UK premiere,World premiere
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