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BEGIN:VEVENT
DTSTART;TZID=UTC:20181206T150000
DTEND;TZID=UTC:20181206T161500
DTSTAMP:20181025T112646Z
CREATED:20181025T112034Z
LAST-MODIFIED:20181025T112646Z
UID:8569-1544108400-1544112900@www.sqiff.org
SUMMARY:Bixa Travesty (Tranny Fag)
DESCRIPTION:The rock documentary and political manifesto Bixa Travesty depicts the life of Brazilian musician and spoken word artist Linn da Quebrada\, a self-proclaimed ‘tranny fag\,’ who uses her body and music as weapons to fight machismo\, transphobia\, racism\, and conformity. Quebrada and performance partner Jup do Bairro speak candidly from their lived experience as queers of colour growing up in the favelas of São Paulo\, and the challenges of breaking into the country’s heteronormative funk scene. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598355/events/128819677′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilm in Portuguese language with English language subtitles/captions. Hearing loop available. \nFilm relies on visual material to convey ideas and non-English language\, so less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/bixa-travesty-tranny-fag/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,Feature,Films,Hearing loop,People of colour,Trans,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/Bixa-Travesty-4-e1540466775385.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181206T153000
DTEND;TZID=UTC:20181206T165000
DTSTAMP:20181113T150810Z
CREATED:20181025T105509Z
LAST-MODIFIED:20181113T150810Z
UID:8541-1544110200-1544115000@www.sqiff.org
SUMMARY:SQIFF Shorts: Overcome
DESCRIPTION:Strong narratives of queer characters who are occasionally overcome but mostly do the overcoming are contained in this programme of gutsy shorts. A trans man is bullied when his gender is outed at a new workplace\, a queer woman faces homophobic banter at her hair salon\, a trans woman visits the family home after her mother’s death and struggles with revealing her true self\, as another trans woman searches for love and community after moving to Berlin from San Francisco. Each protagonist uses courage and determination to express themselves and survive.   \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598353/events/128819675′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English\, German\, and Chinese languages with English language subtitles/captions. Hearing loop available. \nFilms rely on visual material to convey ideas and two out of four films are non-English language\, so less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nMATHIAS (30m)\nDir: Clara Stern\, Year: 2017\nMathias is transgender. Although he is more than sure about his decision to live as a man\, he still has to find his way in his new identity and especially in his new job. And also his relationship with his girlfriend seems to have changed due to the transition. \nLadies Day  (9m)\nDir. Abena Taylor-Smith\, Year: 2018\nAmma arrives at her hair salon\, having fallen out with her girlfriend\, Jade. Inside\, she is greeted like an old friend. But when the conversation suddenly turns homophobic\, Amma has a difficult decision to make: stay silent\, or stick up for herself… \nSunken Plum (20m)\nDir. Roberto F. Canuto & Xu Xiaoxi\, Year: 2017\nWorking at a nightclub in Chengdu\, a transgender Chinese woman receives an unexpected visit from her cousin\, informing her that the mother has died. As the only “son”\, she feels obligated to return to her birthplace for the sake of her family\, even though she’ll have to hide her true self from those that once shared her past. \nAlyha Love (19m)\nDir. Savio Debernardis\, Year: 2017\nAlyha Love is a walking contradiction\, a typical child of the generation Y. Her life oscillates between her passions and others’ expectations\, between the search for love and the struggle to feel completely herself. In her journey\, she overcomes geographical and gender barriers to land in Berlin\, where\, surrounded by like-minded people\, she tries to find herself without getting lost.
URL:https://www.sqiff.org/event/sqiff-shorts-overcome/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,Films,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/Ladies-Day_-Still-1-e1540465380207.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181206T180000
DTEND;TZID=UTC:20181206T193000
DTSTAMP:20181025T110100Z
CREATED:20181025T105059Z
LAST-MODIFIED:20181025T110100Z
UID:8536-1544119200-1544124600@www.sqiff.org
SUMMARY:Outitude
DESCRIPTION:Featuring interviews and discussions with members of the Irish LGBTQI+ community of all ages and walks of life\, Outitude delves into the lives of rural and urban lesbians\, poets\, writers\, activists\, self-professed bar dykes\, and queer and curious women. Telling tales of coming out\, experiences of homophobia and the varied types of activism that demonstrate the richness of the Irish lesbian community\, this film is an important document for posterity\, and celebrates the diversity of voices of this community for both current and future generations. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598352/events/128819673′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilm in the English language with English language subtitles/captions. Hearing loop available. \nFilm uses visual material to convey ideas but has a lot of voiceover and commentary\, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/outitude/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,English language,Feature,Films,Hearing loop,Lesbian,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/dykes-on-a-bike-e1540465252745.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181207T120000
DTEND;TZID=UTC:20181207T132000
DTSTAMP:20181107T222506Z
CREATED:20181025T102445Z
LAST-MODIFIED:20181107T222506Z
UID:8504-1544184000-1544188800@www.sqiff.org
SUMMARY:SQIFF Shorts: Bodies and Borders
DESCRIPTION:The most urgent issues surrounding identity and oppression revolve around bodies and borders. In Being Okey\, a gay Nigerian man is denied asylum in Switzerland and consequently caught between the constant fear of being sent home and hope of a life in safety. ABEO is an animation by Latinx artist Brenda M. Lopez Zepeda depicting the journey of two immigrants risking their lives to cross the Arizona desert. My Shoreline is an experimental film-poem about a disabled queer body in water\, and My Own Wings documents intersex people from around the world. Working class queer bodies and class borders are forefronted in Krissy Mahan’s All in a Day’s Work and the implication of supposed sexual boundaries is explored in Patricia Silva’s bisexual ode\, A Feeling More Than a Picture. Finally\, legendary lesbian filmmaker Barbara Hammer’s new short\, Evidentiary Bodies\, is a plea for empathy and compassion generated through the viewing of other beings.  \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598338/events/128819651′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English and Spanish languages with English language subtitles/captions. Hearing loop available. \nFilms are mixed with some relying on visual material to convey ideas and some using more dialogue. The majority are English language. So\, the event is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBeing Okey (34m)\nDir: Nadia Lanfranchi\, Nina Oppliger\, Corinne Pfister\, Year: 2017\nNigerian Okey describes seeking asylum in Switzerland after narrowly escaping death when a mob tried to kill him because he is gay. \nMy Shoreline (4m)\nDir. Aimee Louw\, Year: 2016\nAttempting to reach the Saint Laurence River boardwalk in Montreal proves to be an impossible task for Aimee in this film-poem on the everyday trials of a Disabled queer. \nABEO (7m)\nDir. Brenda M. Lopez Zepeda\, Year: 2018\nA hard-hitting mixed media animated short that depicts the journey of Nadia and Lupe\, two immigrants who risked their lives to cross the Arizona desert in search of a better life. \nMy Own Wings (8m)\nDir. Katia Repina\, Year: 2018\nMy Own Wings is a transmedia project that aims to explore intersex identity. \nAll in a Day’s Work (10m)\nDir. Krissy Mahan & Patricia Silva\, Year: 2018\nAll in a Day’s Work is a series of vignettes about two working class queers who each present as women. \nEvidentiary Bodies (9m)\nDir. Barbara Hammer\, Year: 2018\nA one screen version of an originally three screen immersion exploring illness\, time\, and the isolation of the material body. \nA Feeling More Than a Picture (5m)\nDir. Patricia Silva\, Year: 2017\nA queer reordering of cinematic gestures\, A Feeling More Than a Picture is a formal experiment with the bisexual vocabularies inherently present in the canon of cinema.
URL:https://www.sqiff.org/event/sqiff-shorts-bodies-and-borders/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Disability,Documentary,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/BeingOkey_2-e1540464087157.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181207T150000
DTEND;TZID=UTC:20181207T161000
DTSTAMP:20181113T210034Z
CREATED:20181025T095043Z
LAST-MODIFIED:20181113T210034Z
UID:8487-1544194800-1544199000@www.sqiff.org
SUMMARY:SQIFF Shorts: Weird and Wild
DESCRIPTION:An encounter with a strange funeral procession in Bethnal Green\, a family losing the plot after meeting their son’s trans girlfriend\, a middle-aged gay man seemingly eerily affected by a forest camping trip\, and queer feminist gangs doing battle in a violent\, dystopian present. Weird and Wild consists of work by filmmakers expert in creating tense atmospheres and queer moods whilst recounting their gripping tall tales. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598316′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English\, French\, and Norwegian languages with English language subtitles/captions. Hearing loop available. \nFilms rely on visual material to convey ideas and two out of four films are non-English language\, so less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nThe Brother (4m)\nDir: Kai Fi’ain\, Year: 2018\nOn a bleary eyed morning in Bethnal Green\, you never know who you might bump into. \nCalamity (22m)\nDir. Séverine De Streyker & Maxime Feyers\, Year: 2017\nFrance meets her son’s girlfriend for the first time. She loses control… \nSkogen (The Forest) (20m)\nDir. Magnus Mork\, Year: 2018\nA middle aged couple is tenting in a forest. Bjørn seems more used to the setting than Lars\, but they are both influenced by the nature. Surrounded by the trees they talk about big and small questions in life. A lovestory. \nSwarm of Selenium (23m)\nDir. Maude Matton & SJ Rahatoka\, Year: 2018\nIn the surreal dystopian present\, two queer feminist crews cohabit the shells of an abandoned malt factory. As a troubling pattern begins to emerge from their mouths in the form of shattered glass\, all are shaken\, but some are hit harder than others. Through dance\, visual work\, and anti-work\, they merge forces to try to care for one another and combat the insidious violent process which seems to increasingly come from within.
URL:https://www.sqiff.org/event/sqiff-shorts-weird-and-wild/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/swarm_img_1-e1540464797374.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181209T173000
DTEND;TZID=UTC:20181209T184500
DTSTAMP:20181207T162228Z
CREATED:20181025T082651Z
LAST-MODIFIED:20181207T162228Z
UID:8435-1544376600-1544381100@www.sqiff.org
SUMMARY:Document presents: The Gospel of Eureka
DESCRIPTION:Evangelical Christians and drag queens collide in the southern\, Arkansas town of Eureka Springs\, home to both a massive amphitheatre performing the Passion Play every year and a local gay bar with a tradition of gospel-inspired drag. Despite chasms in political and religious viewpoints\, the townspeople are universally charming and warm\, even whilst battling over a historic vote on an anti-discrimination ordinance. The Gospel of Eureka takes a personal and often comical look at negotiating differences between religion and belief through performance\, political action\, and partnership. Narrated by artist and performer\, Mx Justin Vivian Bond. \nIn partnership with Document Human Rights Film Festival\, which takes place 30 November to 2 December at Scottish Youth Theatre in Glasgow’s Merchant City. See documentfilmfestival.org for more details. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598289′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilm in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available. \nFilm relies on visual material to convey ideas but has a lot of voiceover and commentary\, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/the-gospel-of-eureka/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Documentary,English language,Feature,Films,Gay men,Hearing loop,Pride,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/Gospel-1-e1540469915977.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181209T180000
DTEND;TZID=UTC:20181209T195500
DTSTAMP:20181030T160708Z
CREATED:20181025T082248Z
LAST-MODIFIED:20181030T160708Z
UID:8430-1544378400-1544385300@www.sqiff.org
SUMMARY:Queer Arab Lives: My Brother The Devil
DESCRIPTION:A life of crime for Hackney gang member\, Rash\, looks set to change after a chance meeting with a successful photographer shows him a more honest existence away from drugs and fast cash. However\, as he looks for a way out of the game\, younger brother Mo is chancing for a way in. The teenage brothers must come to terms with their racial and sexual identities while navigating gang violence in Welsh-Egyptian writer-director Sally El Hosaini’s cinematic debut. \nCurated by Samar Ziadat in partnership with Dardishi\, a zine and Festival of Arab womxn’s art. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598288′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilm in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available. \nFilm relies on visual material to convey ideas but has a lot of voiceover and commentary\, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/queer-arab-lives-my-brother-the-devil/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Feature,Films,Gay men,Hearing loop,People of colour,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/My-Brother-the-Devil-3-e1540470119424.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181209T201500
DTEND;TZID=UTC:20181209T212500
DTSTAMP:20181113T223503Z
CREATED:20181025T081849Z
LAST-MODIFIED:20181113T223503Z
UID:8427-1544386500-1544390700@www.sqiff.org
SUMMARY:SQIFF Shorts: Tender Anguish
DESCRIPTION:Harika Özer is an impoverished trans sex worker whose family sought refuge from Siirt to Manisa in Turkey in the 80s. Raf\, a young queer man in the UK\, struggles to find his place amongst the crowd in a dive gay bar. Icarus arrives in a new city in Brazil and begins an affair with a man that soon goes agonisingly wrong. Real historical figure Mary MacLane cuts a forlorn queer figure in her lonely Montana hometown at the turn of the 20th Century. And Fetish is a Black man in the streets reclaiming his body through magic\, fire\, and defiance. Each character experiences pain and vulnerability and must negotiate how to cope in these stories of tenderness and anguish. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598286′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms are in English\, Portuguese\, and Turkish languages with English language subtitles/captions. Hearing loop available. \nFilms rely a lot on visual material to convey ideas and/or are non-English language\, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nThe Wonderful Affair (5m)\nDir: Tahir Ün\, Year: 2016\nHarika Özer is a child whose Kurdish family sought refuge from Siirt to Manisa at the end of 1980s. In his own words\, he is a transsexual feeling female spirit in his own body since early childhood. He has lived in Izmir since 2000 and makes a living through prostitution. This work is a documentary project realised by Harika (literally translated as ‘wonderful’)\, posing for the camera with all his self-confidence and courage. It gives the audience a non-judgemental stance against homophobia. \nFour Quartets (10m)\nDir. Marco Alessi\, Year: 2018\nOver the course of a night out in a gay dive bar\, Raf struggles to find his place amongst the crowd. Four Quartets is a short film about queer community\, and how the anxieties and conditioning we face sometimes stop us from letting ourselves belong. \nAdeus Estrada de Tijolos Amarelos (19m)\nDir. Hiran Matheus\, Year: 2018\nIcarus arrives in another city to try life as a telemarketer\, but when he goes out at night he is caught by a boy. Screenplay based on a Elton John song and filmed with a cell phone. \nBetween my flesh and the world’s fingers (31m)\nDir. Talena Sanders\, Year: 2018\nMary MacLane\, the Wild Woman of Butte\, Montana\, published her diaries in 1902 and 1917. As an out queer and proto-feminist at the turn of the century\, MacLane became notorious upon the publication of her 1902 diary\, I Await the Devil’s Coming. She was whisked away from the industrial hellscape of her copper mining Montana hometown to a life in the public eye as an author\, journalist\, female film pioneer and always a provocateur – sending up social norms throughout her career\, with a special focus on staid notions about women and sexuality. \nBetween my flesh and the world’s fingers is an experimental essay and diary film primarily based on her published diaries and her film work. \nFETISH (16m)\nDir. Topher Campbell\, Year: 2018\nThe character of Fetish is a representation of so many things. He is at once a clear form – a body – and formless\, like the bodies of Basquiat. As a Black man in the streets\, he is both positioned by othering and places himself in a world of looking\, power\, strength\, harassment\, fashion\, sexual objectification\, invisibility\, visibility\, admiration\, CCTV\, selfies\, vulnerability\, humour\, performance\, protest\, danger\, violence and humour. If you have ever been stopped by police for being Black\, embarrassment\, futility and vulnerability are at the apex of the experience. Or\, as is the case with Tamir\, Philando\, Freddy\, Sandra and so on\, being dead and treated like shit is what happens. Fetish in this film experiences and represents this painful embarrassment and vulnerability. It’s hard to watch and painful to experience. \nBy the end of the film through magic\, through fire\, through defiance\, through being a multi-dimensional being in touch with the elements\, Fetish reclaims his body and stands like a colossus in The City.
URL:https://www.sqiff.org/event/sqiff-shorts-tender-anguish/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class
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