LEAP Sports Scotland presents: Man Made
2019-10-03 18:15 - 20:35 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Trans FitCon is an all-transgender bodybuilding competition held in Atlanta, USA. Man Made follows 4 trans men stepping on the stage to compete. Rese is a young father struggling with periods of homelessness; Dominic seeks out his family of origin, confronting an alternate history for himself; Kennie admits to himself and his loved ones who he is for the first time in his life; and Mason, a loving husband who struggles with mental illness, works daily to be the man he’s always wanted to be. We follow their emotional and physical journeys as they navigate their lives with the very real risks inherent in the current social and political climate. For the men of Man Made, it’s not about winning – it’s about being seen.
In partnership with LEAP Sports Scotland and followed by a discussion about access of trans people to sport.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has English audio with English captions/subtitles. If you would like to attend this event and require a BSL interpreter for the discussion, please contact access@sqiff.org. Hearing loop available.
Film is relatively accessible to English-speaking blind and partially sighted audiences with a fair amount of explanatory voiceover and dialogue. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Black History Month: Fabulous + Father Figure
2019-10-03 18:30 - 20:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
In partnership with Coalition for Racial Equality and Rights (CRER) for Black History Month, we look at the thriving ballroom culture of contemporary Europe. In Fabulous (2019), international legend Lasseindra Ninja returns to her home of Guyana to introduce voguing to its LGBTQ community. Father Figure follows Guilliano, founding father of The Kiki House of Angels, and his friends as they share experiences of homophobia and racism in the Netherlands.
Curated and hosted by artist and researcher Claricia Parinussa, co-founder and organiser of Vogue Scotland. Followed by an introduction to the history of House Ball culture and discussion with guest from the London Ballroom scene, Elijah 007, including on the necessity of prioritising the QTIPOC community in these spaces.
Free. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have Dutch, English, and French audio with English language subtitles/captions. If you would like to attend this event and require BSL interpretation for the discussion, please email access@sqiff.org at least 2 weeks in advance. Hearing loop available.
Films are not very accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and mostly non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Brief Story from the Green Planet
2019-10-03 21:30 - 22:55 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Three childhood friends in Buenos Aires are stuck in a rut. Gutsy trans performer Tania is disillusioned with her profession, club kid Pedro can only connect via dancing, and depressed waitress Daniela has given up on finding love. Their lives are turned upside down when Tania’s grandmother dies, leaving behind a secret. She lived with an extra-terrestrial companion and it is now Tania’s duty to return the creature to its home. The three set out across the countryside of Argentina on a journey that will test their faith in themselves and one another. Told through a mixture of magic and sobering realism, this poetic fable is an examination of selfhood, friendship, and what it means to be ‘other.’
With an introduction by Argentinean comedian and translator, AB Silvera.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Film has Spanish audio with English subtitles/captions. If you would like to attend this screening and require a BSL interpreter for the introduction, please contact access@sqiff.org at least 2 weeks in advance. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with largely visual storytelling, minimal dialogue, and all Spanish language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

See Me Proud presents: Mental Health Shorts
2019-10-04 12:30 - 14:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We know that mental health issues disproportionately affect LGBTQIA+ individuals and communities, who often experience difficulties in accessing support. To create space for discussion and representation of these topics, we’ve curated a collection of insightful and powerful shorts in partnership with See Me Proud. Topics covered include depression, anxiety, loneliness, irrational thoughts, living with bipolar disorder, medication, and queerphobia encountered whilst obtaining treatment. The films incorporate a diversity of identities and styles, including animation, experimental, documentary, and sci-fi.
Followed by a discussion on themes raised in the films with See Me Proud. With refreshments sponsored by Clever Kombucha.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have English and Chinese audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available.
Films are moderately accessible to English-speaking blind and partially sighted audiences with mostly English language, some explanatory dialogue and voiceover, and/or relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Don’t Blame Jack (29m)
Dir. Dale John Allen, Country: UK, Year: 2019, Language/s: English
Don’t Blame Jack follows newly diagnosed manic-depressive, Jack, as he battles with the thought of life without his beloved ‘mania’. Now on a daily cocktail of anti-psychotics and anti-depressants, Jack searches for the adrenaline-fuelled, extraordinary manic highs in the most ordinary of places. He escapes his drab, routine-filled existence by jumping into the arms of strangers, searching for moments of magic.
Content note: Depiction of sex including light BDSM, nudity, self-harming scars, and blood; discussion of mental health issues including self-harming and violence; brief reference to suicide.
Hanging by a Thread (3m)
Dir: Russell Atkinson, Country: UK, Year: 2019, Language/s: English
Hanging by a Thread is director Russell Atkinson’s final BA Animation film, highlighting the struggle of loneliness and irrational thought.
Content note: Depiction of mental health issues; animated, abstract depiction of violence.
My Crazy Boxers (9m)
Dir. Krissy Mahan, Country: USA, Year: 2019, Language/s: English
Suicidal, or a working class butch caught in the wrong underpants? A re-enactment of an actual interview at a mental health facility.
Content note: Discussion of mental health issues including brief reference to suicide; depiction of queerphobia.
My Room 37 (14m)
Dir. Beatrice Wong, Country: Hong Kong, Year: 2018, Language/s: Chinese, English
Will I stay or will I leave this room that has felt the best? A brief first-hand account of my darker days in depression, journeying through my tangled thoughts to the exit.
Content note: Depiction of mental health issues, mild violence, and nudity.
Turning (2m)
Dir. Linnéa Haviland, Country: UK, Year: 2019, Language/s: English
Voices in a crowd stir violent emotions and microaggressions bring up past traumas. Then a turning shifts the emotional landscape…
Content note: Depiction of mental health issues.

SQIFF Shorts: Queer Spaces
2019-10-04 15:00 - 16:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
How does queer visibility transform physical and symbolic space? What roles do specific spaces have in altering the way that we navigate and represent ourselves in public? Why are alternatives to heteronormative space important for our communities? In this collection of shorts, we explore what ‘home’ and ‘public space’ means to the LGBTQIA+ communities of Paris; join a young trans man as he navigates gendered space on the Delhi metro; and follow the campaign to save one of London’s most iconic queer spaces, the Joiner’s Arms.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have English, French, and Hindi audio with English subtitles/captions. Hearing loop available.
Films are not accessible to English-speaking blind and partially sighted audiences with some explanatory dialogue, mostly dark images, and only around half in English. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Les Clefs de Chez Moi (26m)
Dir. Ray Van Huizen and Ella Martin-Gachot, Country: France, Year: 2019, Language/s: French, English
Filmed in Paris while Ray Van Huizen and Ella Martin-Gachot were studying abroad, the documentary explores the relationship that people in the LGBTQIA+ communities of Paris have with the concepts of home and public space.
Content note: Discussion of mental health issues including suicide, violence, transphobia, biphobia, and racism.
Trojan Horse / Rainbow Flag (26m)
Dir: Ian Giles, Country: UK, Year: 2019, Language/s: English
Working directly with members of Friends of the Joiners Arms, Ian Giles’ newly-commissioned film Trojan Horse/Rainbow Flag examines the campaign to save this iconic LGBTQI+ space. The title is inspired by campaigner Amy Roberts, when describing the cynical approach of property developers seeking to push through proposals to erase queer spaces by disingenuously claiming that their LGBTQI+ status would remain unchanged post-development.
Content note: Discussion of abusive relationships, violence, queerphobia, misogyny, and classism.
Please Mind the Gap (20m)
Dir. Mitali Trivedi and Gagandeep Singh, Country: India, Year: 2018, Language/s: Hindi, English
Delhi meets at the metro. The snaking lines of the tube connect the whole city. Passengers board from different places but for a brief moment in time they are all headed in the same direction. We share one such ride with our co-traveller Anshuman, a trans man. As the stations pass by we begin to look at the metro space from his perspective. His is the story of reclaiming public space and one’s own self. The doors will open on the quest. Please mind the gap.
Content note: Discussion of transphobia.

Luke+Jack present: Sexxxy Beasts and Wheelchairs
2019-10-04 21:15 - 22:45 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
How we are (un)represented as Deaf and Disabled people has a huge impact on our lives. Exploring such representation, we take a look at queer porn made by and about Deaf and Disabled queer people. With work by DIY queer filmmaker and activist, Loree Erickson, and self-described “bad ass, fat ass, Jew, dyke amputee,” Nomy Lamm. Also featuring films by Morty Diamond, Nikki Silver, and Pandora Blake with Deaf and Disabled performers taking control of their own narratives. Join us for everyday ableism crossed with seductive images of disability; pervy, polyamorous BDSM; sexy nurse roleplay; even sexxxier wheelchairs; and fat-bodied, amputee eroticism.
Filmmaker Loree Erickson will join us after the screening for a Q&A.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
Films have English audio with English language subtitles/captions. BSL interpretation for Q&A. Hearing loop available.
Films are moderatly accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and limited dialogue but all English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Trans Entities: The Nasty Love of Papí and Wil (20m)
Dir: Morty Diamond, Country: USA, Year: 2007, Language/s: English
Papi and Will is a film about a hot, pervy, loving, polyamorous transgender couple. On screen Papi and Will share with the viewer everything from their unique perspective on gender identity to how they negotiate multiple partners in their life. The sex scenes are filled with raw, uninhibited exploration and incorporate BDSM, roleplay, and a lot of hot sex! This scene shows Papi and Will playing with a partner who is Deaf.
Content note: Depiction of graphic sex and consensual non-consent; discussion of racism.
Want (9m)
Dir: Loree Erickson, Country: Canada, Year: 2006, Language/s: English
Want weaves together sexually explicit images with everyday moments and scenes of the ableist world. It works to get people hot and poses an insightful, complex, honest, and sexy image of disability.
Content note: Depiction of sex and ableism.
Sexxxy (3m)
Dir: Loree Erickson, Country: Canada, Year: 2006, Language/s: English
Sexxxy compels the viewer to take a closer look at wheelchairs and the people who use them.
Content note: None.
Waiting for Beast (10m)
Dir: Nikki Silver, Country: USA, Year: 2014, Language/s: English
“Waiting for Beast is at once a whimsical nod at the camp of queer porn and a political, intimate commentary on life. As a wheelchair punk my DIY, my freedom, is mutual aid. We work with what we got! During the making of this film, I was waiting for a new power chair, waiting for folks to meet me as they can, and in turn, people wait for me as I romp around and am pushed in my manual chair. This is wheelchair smut, and we have various ways of getting our chairs and our sexy selves where we need to go.” Lyric Seal
Content note: Depiction of sex including light BDSM.
Sadistic Nurse (11m)
Dir: Pandora Blake, Country: UK, Year: 2015, Language/s: English
This hot and very edgy spanking scenario was written by the performers, real-life couple David Weston and Talia Lane. They wanted to explore a humiliating punishment that incorporates David’s wheelchair, creating a scene in which his character is completely helpless.
Content note: Depiction of sex including BDSM and consensual non-consent.
Wall of Fire (6m)
Dir: Lisa Ganser, Nomy Lamm, Country: USA, Year: unknown, Language/s: English
Roles switch, paddles hit & control shifts when two fat bodied gender queer women, lovers off camera, push limits of pleasure, penetration & trust, engaged in an afternoon of tender making out and consensual amputee sex.
Content note: Depiction of sex including BDSM.

Transfinite
2019-10-05 15:00 - 16:20 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Transfinite is a sci-fi omnibus feature film by Neelu Bhuman composed of seven standalone short stories where supernatural trans and queer people from various cultures use their powers to protect, love, teach, fight, and thrive. Most of us have been in situations where we feel completely powerless and deeply frustrated with the unfairness of it all. Sometimes we have lost control of life and sometimes we find a way to use our rage, resentment, and frustrations to grow a beautiful garden. In Transfinite, the protagonists, like smooth warriors, choose to find that inner power and use it to transform undesirable situations into desirable ones in a snap.
Screening with Tomgirl (10m), in which a young Filipino boy in Australia gets an enchanting crash-course in his homeland culture.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have English, Navajo, Swahili, Spanish, Asura (in Japanese), and Tagalog audio with English language subtitles/captions. Hearing loop available.
Films are not very accessible to blind and partially sighted audiences with visual storytelling, minimal dialogue, and mostly non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Queer Scotland
2019-10-05 15:15 - 17:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We present a round-up of the excellent, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson, Wei Zhang, Siri Rødnes, Eleanor Capaldi, and Natasha Lall, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet, a queer reimagining of a working men’s club, sending naked pics via dating apps, Chinese mythology and human binaries, trans masculine culture, BSL poetry, LGBT people in the asylum system, and loads more are explored in our 2019 Queer Scotland programme.
We hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available.
Audio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Frontiers (4m)
Dir. Eve McConnachie, Year: 2019
Frontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow.
Content note: None.
we were always here (4m)
Dir. Michael Lee Richardson, Garry Mac, Year: 2019
A queer reimagining of the working men’s club. A dance-powered journey through space and time.
Content note: None.
Acceptable Face (6m)
Dir: Holly Summerson, Year: 2019
“The sort of person who someone might say: ‘oh he’s gay, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look, act, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people, this experimental charcoal animation explores the pressure to be a ‘good example’, and the joy of refusing to conform.
Content note: Discussion of homophobia and transphobia.
Dix Pix (4m)
Dir. Steven Fraser, Year: 2019
Dix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity, queerness, solitude, and the body.
Content note: Depiction of animated nudity and sex.
2x+xy=1 (12m)
Dir. Wei Zhang, Year: 2019
Wei Zhang’s practice is an experimental film created by multi post-production technologies, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary, the expression of emotion and the symbol of predicament.
Content note: Depiction of nudity.
None of the Above (16m)
Dir. Siri Rødnes, Year: 2018
Embarking upon a distinctly postmodern cyber experiment, Cassie charts her dating odyssey on her personal vlog, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral, she becomes a media pariah.
Content note: Depiction of homophobia, mental health issues, and suicide (graphic).
Roberta Cowell’s Story (1m)
Dir. Melissa J Clifford, Year: 2019
Roberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge #39 AMBITION. The short was created by Melissa Joan Clifford, a trans woman, and was made in the style of an archival film.
Content note: Reference to transphobia.
A Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)
Dir. Nastia Nikolskaya, Year: 2019
Titled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives, driving our short-term and long-term decisions.
Content note: None.
Glue (4m)
Dir. Eleanor Capaldi, Year: 2019
When you’ve been dreaming of the past for so long, what do you do when she’s finally there? Agnes meets her ex, Anna, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new.
Content note: None.
Possessive Skin (2m)
Dir. Myles McEachan, Year: 2019
“To accept yourself against the face of adversity, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community, and how in an age that prides itself on inclusion, we still find segregation and discrimination within even the most marginalised of people, which reflects us inwards.
Content note: Description of mental health issues and transphobia.
What Is Happiness? (6m)
Dir. Claire Clark, Year: 2019
What Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form.
Content note: None.
The 16mb, Future Sounds & A Mini City (15m)
Dir. Natasha Lall, Year: 2018
The 16mb, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi, lo-fi films shot in Glasgow.
Content note: None.
Crypsis (9m)
Dir. Christopher McGill, Year: 2019
After fleeing for his life, a gay refugee files for asylum in Scotland. Lacking evidence, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them.
Content note: Discussion of homophobic violence; depiction of trauma.

SQIFF Shorts: You Gotta Have Faith
2019-10-06 12:30 - 14:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Short films exploring what it means to have faith as a queer person today. A seemingly pious Hasidic man living a secret double life faces a challenge when his two worlds collide. A chaplain from Cheshire sets up a helpline for gay farmers and is inundated with calls. LGBTQIA+ people in Nepal use a Hindu festival as a medium to appear in public. Plus more compelling stories in this captivating selection.
Join us for a discussion after the screening with playwright and author of The Gospel According to Jesus, Queen of Heaven, Jo Clifford, LGBTQIA+ Muslim charity Imaan, and Rev. Jane Clarke from Glasgow’s LGBT+ Metropolitan Community Churches. Part of our strand on queerness and religion, You Gotta Have Faith.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English, Hebrew, and Nepali audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available.
Around half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Black Hat (15m)
Dir: Sarah Smith, Country: USA, Year: 2019, Language/s: English, Hebrew
A seemingly pious Hasidic man living a secret double life misplaces his black hat one night causing his two separate lives to collide in a way he never imagined.
Content note: Sexual content.
Two Blinks (8m)
Dir. Bruno Fraga Braz, Country: UK, Year: 2018, Language/s: English
After her father rejects her request to get a haircut, hijab-wearing Farhana searches the streets of Peckham London for a hair salon where her modesty can be protected.
Content note: Depiction of homophobia.
Landline (12m)
Dir. Matt Houghton, Country: UK, Year: 2018, Language/s: English
Landline is a short documentary about the only helpline in the UK for gay farmers set up by a chaplain from Cheshire. Through a series of recorded telephone conversations and reconstructive visuals, the film uses the helpline as a lens through which to view the experiences of LGBTQ people in the British farming community.
Content note: Discussion of homophobia and suicide.
Eden (5m)
Dir. Jędrzej Gorski, Country: Poland, Year: 2018, Language/s: No dialogue
A story of a young Catholic man who is struggling with his homosexuality. He is in love with another man but also does not want to abandon his religion. He has to choose between love and religion on one rainy day in the countryside.
Content note: Sexual content.
21st Century Nuns (10m)
Dir. Tom Stephen, Country: UK, Year: 1994, Language/s: English
Documentary about the Sisters of Perpetual Indulgence. The Sisters are an order of queer nuns. Their work covers many areas including: safer sex education, protests and demonstrations, outreach to the gay community, and providing ritual to the gay population. Their goal is to “expiate all stigmatic guilt and promulgate universal joy…”
Content note: Sexual content and depiction of homophobia.
The Visible (4m)
Dir. Atikah Zainidi, Country: Brunei, Year: 2019, Language/s: English
A short documentary exploring what it’s like to be a girl in Brunei.
Content note: Discussion of homophobia, transphobia, and sexual violence.
Gai Jatra (20m)
Dir. Gopal Shivakoti, Country: Nepal, Year: 2019, Language/s: Nepali
Traditionally, Gai Jatra is literally translated as procession of cows and is an age-old festival commemorating the death of loved ones. Since 2001, LGBTI people in Nepal have been using Gai Jatra festival as a medium to appear in the public, flaunt their true selves with pride, and pay tribute to the deceased members of their community.
Content note: Discussion of mental health issues, suicide, homophobia, and transphobia.

Kat Lindner Tribute: Tomboy
2019-10-06 15:00 - 16:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
French queer filmmaker Celine Sciamma’s naturalistic drama about childhood gender identity is touching, painful, and humorous all at once. Ten-year-old Laure has moved with her family to a new neighbourhood. The local kids take her for a boy and instead of correcting them, Laure introduces herself as Mikael and starts living a double life, with her parents unaware of her secret and her young sister persuaded to play along.
Screening in celebration of Festival co-founder Kat Lindner, who passed away earlier this year. We screened Tomboy at the first ever SQIFF event alongside an intro from Kat, who also wrote about the film in her academic work. We’ll read out Kat’s original intro and share our memories of her.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age certification of U.
Film has French audio with English language subtitles/captions. BSL interpretation for the introduction. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with all French language and visual storytelling and minimal dialogue. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

LGBT Health & Wellbeing Community Filmmaking
2019-10-06 17:15 - 18:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
LGBT Health & Wellbeing is a charity promoting the health, wellbeing, and equality of lesbian, gay, bisexual, and transgender people in Scotland and providing support, services, and information. Two of the organisation’s groups have recently created collectively-made short films, which we will showcase at this event. Return to the Closet? was created as part of a collaboration between Luminate, LGBT Health and Wellbeing, artist Glenda Rome, and participating community filmmakers. Luminate commissioned the film with support from LGBT Health and Wellbeing. This is a documentary exploring issues around care for older LGBT people. Everything Just Collapsed is an experimental short reflecting on stigma and survival by Tim Knights in collaboration with participants of The LGBT Mental Wellbeing Collective. Come and watch both movies and join in an open discussion on the process and value of community filmmaking.
Click here to find out more about Luminate. Click here for more information about LGBT Health & Wellbeing.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have English audio with English language subtitles/captions. BSL interpretation for discussion. Hearing loop available.
Films are relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Black History Month: Calalai: In Betweenness + shorts
2019-10-22 19:00 - 20:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Calalai: In Betweenness by filmmaker Kiki Febriyanti depicts women in South Sulawesi Bugis culture, which for centuries has accepted gender diversity as implicit, believing humans consist of 5 genders, one of them being calalai. The film takes a closer look at the definition of femininity and masculinity in the Bugis culture. What or who is calalai? What are the dynamics of gender, spirituality, and performance? How do these dynamics define the everyday life of the Bugis people?
Screening with accompanying short films and discussion on queerness in Indonesian cultures outside of white, colonialist impositions.
Curated and hosted by artist and researcher Claricia Parinussa. Presented as part of Black History Month in partnership with Coalition for Racial Equality and Rights (CRER).
Free. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film languages tbc with English language subtitles/captions. If you would like to attend this event and require BSL interpretation for the discussion, please email access@sqiff.org at least 2 weeks in advance.
Accessibility of films to English-speaking blind and partially sighted audiences tbc. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
Programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.

Sqifflix: Fighting for Justice
2020-04-27 17:30 - 2020-05-27 17:30
Click here to access the full programme.
In our very first Sqifflix outing we showcase activist short films in which people fight for their right to exist and against oppressive forces. The movies cover identities including Deaf, Disabled, and Two Spirit, battle against patriarchy, white supremacy, and ableism, and feature hip-hop, a robot, and superhero finger puppets.
All films have English language subtitles or captions. See notes below for each film’s language/s, level of accessibility for blind and partially sighted people, age recommendation, content notes, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo.
The films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees, asylum seekers, and other migrants.

Regalia: Pride in Two Spirits (5m) [click here to watch]
Dir: David Ng, Jen Sungshine, Country: Canada, Year: 2016
The story of Duane and his journey as someone who identifies as Two Spirit – a queer Aboriginal person.
Language/s: English

Accessibility for blind and partially sighted people: Lots of voiceover; mostly bright images.
Age recommendation: 12+
Content note: Discussion of homophobia.

Like a Riot (2m) [click here to watch]
Dir: Krissy Mahan, Country: USA, Year: 2016
“Like anyone who grew up with the Muppets and Fraggle Rock, I have always wanted to have a puppet self. And of course I want my puppet self to hang out with Campbell X’s puppet self. Krissy Mahan has made it happen!” So Mayer
Language/s: English
Accessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mostly bright images
Age recommendation: 12+
Content note: None

Trans*march (2m) [click here to watch]
Dir: Simon Schultz von Dratzig, Country: Germany/Canada, Year: 2013, Language/s: English
As the most politicized of the three marches during Pride week in San Francisco, trans*march, which had been running for ten years at the time this film was made, has a tradition of raising visibility of a marginalised group within queer culture. This documentary records queer voices during the 2013 march and reflects political discussions concerning trans* and LGBT movements.
Language/s: English
Accessibility for blind and partially sighted people: Lots of voiceover/dialogue; bright images.
Age recommendation: 12+
Content note: Discussion of transphobia and racism.

Amar: Deaf is an Identity (4m) [click here to watch]
Dir: David Ng, Jen Sungshine, Country: Canada, Year: 2016
Amar shares his journey as a queer South Asian activist, and explains how it intersects with his identity and culture as a Deaf person.
Language/s: ASL
Accessibility for blind and partially sighted people: No spoken sound, all in ASL with subtitles; mostly bright images.
Age recommendation: 12+
Content note: None

Tax on Me (4m) [click here to watch]
Dir: Kiana Kalantar-Hormozi, Country: UK, Year: 2017
Local authorities in Scotland charge people for their care costs, obliging people with disabilities to pay more than others to achieve the same basic human rights. Tax on Me is a hip-hop music video by filmmaker Kiana Kalantar-Hormozi and media coop responding to the Care Tax and the effect it has on people who need support.
Language/s: English
Accessibility for blind and partially sighted people: Quite a lot of voiceover and dialogue; mix of bright and dark images.
Age recommendation: 12+
Content note: Discussion of ableism.

Until Justice Rolls (4m) [click here to watch]
Dir: Krissy Mahan, Country: USA, Year: 2013
Faggotgirl, a butch dyke superhero action figure, and her friend Robot want to meet for a drink. But the New York City public transportation system is barely accessible for people with different kinds of bodies and their journey is thwarted by stairs, gaps, and poorly maintained curbs.
Language/s: English
Accessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mix of bright and dark images
Age recommendation: 12+
Content note: Discussion of ableism.
Disability Justice for Palestine (1m) [click here to watch]
Dir: Sins Invalid and Micah Bazant, Country: USA, Year: 2014
Disability Justice for Palestine is a Public Service Announcement created by Sins Invalid during the extended attacks on Gaza in the Summer of 2014. “We add our words and faces to a movement for global solidarity with the people of Palestine, articulating the struggle for Palestinian liberation as a disability justice issue.”
Language/s: English
Accessibility for blind and partially sighted people: Lots of voiceover/dialogue; mix of bright and dark images.
Age recommendation: 12+
Content note: Discussion of violence.

Sqifflix: Funny Stuff
2020-04-28 17:30 - 2020-05-27 17:30
Click here to access the full programme.
Funny Stuff features comedy shorts with queer narratives and musings involving love potions, a mystery trail of takeaway food, Fisher Price characters brought to life, cyborgs, and zombies!
All films have English language subtitles or captions. See notes for below for each film’s language/s, level of accessibility for blind and partially sighted people, age recommendation, content notes, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo.
The films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees, asylum seekers, and other migrants.

Floozy Suzy (25m) [click here to watch]
Dir: Otavio Chamorro, Country: Brazil, Year: 2015
A hilarious-love-potion-gone-wrong tale where the aim is to win the love of the hottest guy at school.
Language/s: Portuguese
Accessibility for blind and partially sighted people: All in Portuguese; bright images.
Sound design access notes: Loud music and sound effects.
Age recommendation: 18+
Content note: Depiction of misogyny, homophobia, ableism, and mild violence.

The Usual (5m) [click here to watch]
Dir: Ruth McNally, Country: Ireland, Year: 2014
In a small country pub, three Irish farmers are enjoying an afternoon’s drink when an unusual stranger walks in. His curious behaviour entertains them for a while but they won’t want someone like him hanging around their local for too long.
Language/s: English (Irish dialect)

Accessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images.
Age recommendation: 12+
Content note: Reference to homophobia.

Big Queer Failure (7m) [click here to watch]
Dir: Rebecca Tritschler and Ellie Fawcett, Country: UK, Year: 2017
A DIY film celebrating and asserting our right to fail at life as individuals and communities.
Language/s: English
Accessibility for blind and partially sighted people: Lots of voiceover and bright images.
Age recommendation: 12+
Content note: None
My Aunt Mame (9m) [click here to watch]
Dir: Krissy Mahan, Country: USA, Year: 2015
A funny/sad dramatization of a woman’s childhood visits to her working-class butch great aunt, and what happened when she came out to her mom, told through Fisher-Price people in homemade sets.
Language/s: English with one line in Irish Gaelic
Accessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.
Sound design access notes: Some loud music
Age recommendation: 12+
Content note: Discussion of sex, the AIDS crisis, and hospitalisation; depiction of hospitalisation.

Mymy (14m) [click here to watch]
Dir: Anna Helme, Country: Australia, Year: 2014
In a mythic cyberfeminist universe, a frustrated young man yearns for affinity and connection. In an age of digital avatars, he crafts a version of himself that is far more corporeal – by stitching together parts of himself to become his own cyborg twin. However, his new clone has been corrupted by a techno-magick virus…
Language/s: English
Accessibility for blind and partially sighted people: Little spoken dialogue, mostly image-based storytelling; mix of light and dark images.
Sound design access notes: Some loud and abrasive sound effects
Age recommendation: 12+
Content note: Depiction of sex and nudity.

The Deaf vs The Dead – Episode 1: “Outbreak” (7m) [click here to watch]
Dir: Dickie Hearts, Country: USA, Year: 2017
When the undead apocalypse breaks out in Los Angeles, an out Deaf man must find a way to survive and protect his loved ones, even if it means teaming up with some unlikely people.
Language/s: ASL and English
Accessibility for blind and partially sighted people: Limited spoken dialogue, lots of visual storytelling; quite bright images.
Age recommendation: 12+
Content note: Depiction of ableism and comedy violence.

Sqifflix: Gender Revealing
2020-05-07 17:00 - 2020-06-07 17:00
Click here to access the full programme.
In our programme Gender Revealing filmmakers and characters play with and question gender norms and expectations. A genderqueer AFAB person experiments with male-pattern baldness, Exa Zim narrates their life growing up trans, ‘faux’ drag queens Sergina and Venus Dimilo strut their stuff, and trans and genderless bodies float and move in unusual ways.
All films have English language subtitles or captions. See notes for below for each film’s language/s, level of accessibility for blind and partially sighted people, age recommendation, content notes, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo.
The films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees, asylum seekers, and other migrants.

Jean (6m) [click here to watch]
Dir: Anna Stypko, Country: USA, Year: 2013
A delightful eccentric has a haircut that transcends age and gender expectations. Set in the run-down Kensington neighbourhood of Philadelphia, local artist Jean talks about her shoes, hairstyle choices, and why she changed her name.
Language/s: English
Accessibility for blind and partially sighted people: Limited voiceover/dialogue and mixture of bright and dark images.
Sound design access notes: Some loud and abrasive music.

Age recommendation: 12+
Content note: Depiction of misogyny, homophobia, ableism, and mild violence.

Phone Me Don’t Write (3m) [click here to watch]
Dir: Elly Clarke, Country: USA/Germany, Year: 2013-15
A short film (and song) about love, sex, loneliness, and relationships in the era of instant communications.
Language/s: English
Accessibility for blind and partially sighted people: Only song lyrics, otherwise all visual, mix of bright and dark images.
Age recommendation: 12+
Content note: Discussion of sex

Alexa to Exa (17m) [click here to watch]
Dir: Exa Zim, Christian Marsh, Country: USA, Year: 2015
A very personal documentary film about about transcending assigned identity.
Language/s: English
Accessibility for blind and partially sighted people: Lots of voiceover; mostly bright images.
Sound design access notes: Sudden loud music and abrasive sound effects.

Age recommendation: 15+
Content note: Discussion of homophobia, illness, mental health issues, and suicide.

I Want to See You from a Different Perspective (3m) [click here to watch]
Dir: Elly Clarke, Country: Canada/UK, Year: 2014
A song about trying and failing to change a person you are in a relationship with.
Language/s: English
Accessibility for blind and partially sighted people: Only song lyrics, otherwise all visual, mix of bright and dark images.

Age recommendation: 12+
Content note: None
Venus (6m) [click here to watch]
Dir: Faye Carr-Wilson, Magenta Sharp, Country: UK, Year: 2016
Venus is a short documentary exploring gender roles within the drag community.
Language/s: English
Accessibility for blind and partially sighted people: Some voiceover/dialogue and some visual ideas and storytelling; mixture of bright and dark images.
Age recommendation: 12+
Content note: Discussion of ableism

Instantaneous Culture (3m) [click here to watch]
Dir: Elly Clarke, Country: Germany, Year: 2013-14
A ballad about love in a time of mobile phones, about wanting, longing, desiring but not really getting. Talk versus action, song versus stillness, and some great lingerie to go with it.
Language/s: English
Accessibility for blind and partially sighted people: Only song lyrics, otherwise all visual, mix of bright and dark images.

Age recommendation: 12+
Content note: None
Leg, Arm, Head (11m) [click here to watch]
Dir: Scout Stuart, Country: UK, Year: 2016
A highly controlled dancer moves away from the discipline and uniformity of ballet to explore her own identity.
Language/s: English
Accessibility for blind and partially sighted people: No dialogue – just sound effects and music; bright images.
Age recommendation: 15+
Content note: Depiction of sex.

Float (5m) [click here to watch]
Dir: Sam Berliner, Country: USA, Year: 2015
Float is a celebratory experiment shot completely underwater and depicting trans and genderqueer folk swimming naked set to music by musician Rae Spoon.
Language/s: No spoken language

Accessibility for blind and partially sighted people: No spoken language, only music and sound effects; quite bright images.
Age recommendation: 12+
Content note: Depiction of nudity

The Race (4m) [click here to watch]
Dir: Soyoon Kim, Country: South Korea, Year: 2015
Tiny, genderless figurines dance to J S Bach as their environment gives way and glitches out.
Language/s: No spoken language

Accessibility for blind and partially sighted people: No spoken language, only music and sound effects; bright images.
Sound design access notes: Some abrasive sound effects.

Age recommendation: 12+
Content note: Depiction of homophobia, misogyny, biphobia, butchphobia, and classism.

Sqifflix & Chill
2020-06-12 17:00 - 2020-07-12 17:00
Click here to access the full programme.
Our shorts programme Sqifflix & Chill, as the title suggests, includes a varied bunch of films about romantic love, its joys, pain, and complexities. Sweet stories of intense connection are found in Selina Robertson’s Couple Time and Dickie Heart’s Passengers. Some of the painful and problematic aspects of love and dating are considered in Sam Berliner’s Dating Sucks about seeking love whilst trans, and Rob Eagle’s Harding & his camera, which investigates traces of illicit love in archives and the white gaze. Violent and oppressive structures that try to curtail who gets to be with who are the core of Adrian Garcia Gomez’s Mikveh about governments refusing to recognise certain relationships, and Kiana Kalantar-Hormozi’s Poly Amour, which decontructs conventional romantic structures. For a dark comedy approach to the madness that sometimes interferes with people’s love life, Netflix & Chips is about a woman with a hot date who can’t get her chip shop job off her mind.
All films have English language subtitles or captions. See notes for below for each film’s language/s, level of accessibility for blind and partially sighted people, age recommendation, content notes, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo.
The films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees, asylum seekers, and other migrants.

Couple Time (6m) [click here to watch]
Dir: Selina Robertson, Country: UK, Year: 2015
A suitcase full of Super 8 memories from Berlin.
Language/s: English (not spoken) and German

Accessibility for blind and partially sighted people: No spoken English; mostly visual ideas and onscreen text; mix of bright and dark images.

Sound design access notes: None

Age recommendation: 12+
Content note: None

Dating Sucks: A Genderqueer Misadventure (13m) [click here to watch]
Dir: Sam Berliner, Country: USA, Year: 2013
Dating Sucks: A Genderqueer Misadventure is Episode 1 of an animated documentary webseries about the successes, failures, and incredible confusion of trying to date as a genderqueer/trans person.
Language/s: English
Accessibility for blind and partially sighted people: Lots of voiceover; bright images.
Sound design access notes: None
Age recommendation: 12+
Content note: Discussion of sex and queerphobia.

Mikveh (6m) [click here to watch]
Dir: Adrian Garcia Gomez, Country: USA, Year: 2016
In this reinterpretation of the mikveh – a purifying ritual bath performed by Jewish brides about to marry – the filmmaker and his husband’s immersions are disrupted by a government which refuses to recognise their marriage.
Language/s: No spoken language

Accessibility for blind and partially sighted people: No dialogue – just sound effects; quite bright images.
Sound design access notes: Some abrasive and repetitive sound effects.

Age recommendation: 12+
Content note: None

Harding & his camera (12m) [click here to watch]
Dir: Rob Eagle, Country: Palestine, Israel, Year: 2017
An ambiguous ‘love story’ documentary told through the 1930s archive of a British archaeologist who took a camera on his digs in the British Mandate for Palestine and fell in love with his Bedouin assistant.
Language/s: English

Accessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.

Sound design access notes: None
Age recommendation: 18+
Content note: Discussion of racism.

Poly Amour (7m) (version with audio description integrated) [click here to watch]
Dir: Kiana Kalantar-Hormozi, Country: UK, Year: 2016
How capable are we to love boundlessly? This film explores polyamory, deconstructing conventional stereotypes of the romantic relationship structure.
Language/s: English

Accessibility for blind and partially sighted people: Lots of voiceover/dialogue and quite bright images. Version with integrated audio description.

Sound design access notes: Loud, abrasive sound effects at start of film.
Age recommendation: 12+
Content note: Depiction of anti-polyamory sentiments.
Passengers (5m) [click here to watch]
Dir: Dickie Hearts, Country: UK, Year: 2015
A cab driver puts up with a series of irksome hearing passengers before picking up a cute guy more on his wavelength.
Language/s: American Sign Language and English

Accessibility for blind and partially sighted people: Limited dialogue, mostly in ASL with subtitles; mostly bright images.

Sound design access notes: None
Age recommendation: 12+
Content note: Depiction of ableism.
Netflix & Chips (6m) [click here to watch]
Dir: Lock Up Your Daughters, Country: UK, Year: 2015
A woman who works in a chip shop has a hot date but can’t get her job off her mind.
Language/s: English

Accessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images.

Sound design access notes: None
Age recommendation: 12+
Content note: Depiction of mental health issues.

Sqifflix: More Love from Neelu
2020-06-22 17:00 - 2020-07-22 17:00
Click here to access the full programme.
Our special shorts programme More Love from Neelu showcases films by award-winning artist and filmmaker Neelu Bhuman, whose feature film TRANSFINITE we are screening online 25 – 28 June. Neelu’s work explores social and political themes as they play out in close relations. Playfully evoking insights into the workings of difference in intimacy, their films blend viewpoints ranging from race, gender, sexuality, culture, class, and romance.
In FU377, the dignity of queer people in India is under attack through Section 377, which the Supreme Court had recently re-introduced, re-criminalising ‘gay sex,’ when the film was made in 2014. Meanwhile, an adorable Indian mother is totally down with gay sex and wheels out some choice lines for her heartbroken queer daughter in an effort to cheer her up.
More Love. Less Prepackaged Bullshit. (2017) is set to the soul beat of Assata Shakur, and features a trio resisting dystopia with a bowl of joy, intimacy, and love.
Neelu’s 2016 short ṣadāqa is a kaleidoscopic view of friendship transcending borders.
All films have English language subtitles or captions. See notes for below for each film’s language/s, level of accessibility for blind and partially sighted people, age recommendation, content notes, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo.
The films are all free to watch with thanks to Neelu Bhuman. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees, asylum seekers, and other migrants. Click here to donate to the Wahala Film Fund, a film completion fund for Queer, Transgender and Intersex People of Colour filmmakers based in UK, Europe and the Global South co-founded by Neelu Bhuman.

FU377 (5m) [click here to watch]
Dir: Neelu Bhuman, Country: UK, Year: 2014
Basic dignity of queer people in India is under attack, yet again. The scorching IPC Section 377 is re-unleashed to police to criminalise “gay sex” in India. While the law and the Supreme Court dated themselves back a few hundred years, an adorable Indian mother has her knowledge of “gay sex” in mint condition, wheeling out a tidbit or two for her heartbroken queer daughter in an effort to cheer her up. The pair are shocked into action by the Supreme Court’s latest rejection.
Language/s: English

Accessibility for blind and partially sighted people: Quite a lot of dialogue with some visual ideas; bright images.

Sound design access notes: None

Age recommendation: 15+
Content note: Reference to sex.

More Love. Less Prepackaged Bullshit. (1m) [click here to watch]
Dir: Neelu Bhuman, Country: USA, Year: 2017
Set to the soul beat of Assata Shakur, a trio resists dystopia with a bowl of joy, intimacy and love.
Language/s: English
Accessibility for blind and partially sighted people: No dialogue – only music lyrics and sound effects; quite bright images.
Sound design access notes: None
Age recommendation: 12+
Content note: None

ṣadāqa (5m) [click here to watch]
Dir: Neelu Bhuman, Country: UK, Year: 2016
A kaleidoscopic view of friendship transcending borders.
Language/s: English and Arabic

Accessibility for blind and partially sighted people: Small amount of English dialogue and some Arabic but mostly visual ideas; quite bright images.
Sound design access notes: None

Age recommendation: 12+
Content note: None

Sqifflix: TRANSFINITE + shorts
2020-06-25 00:00 - 2020-06-28 23:30
TRANSFINITE is a sci-fi omnibus feature film by Neelu Bhuman composed of seven standalone short stories where supernatural trans and queer people from various cultures use their powers to protect, love, teach, fight, and thrive. Most of us have been in situations where we feel completely powerless and deeply frustrated with the unfairness of it all. Sometimes we have lost control of life and sometimes we find a way to use our rage, resentment, and frustrations to grow a beautiful garden. In TRANSFINITE, the protagonists, like smooth warriors, choose to find that inner power and use it to transform undesirable situations into desirable ones in a snap.
Screening with shorts FETISH and Something In The Closet. In Topher Campbell’s FETISH a multi-dimensional being bestrides the streets of New York in defiance and celebration as he embodies the past, present and future of Blackness. Featuring a mesmerising original score by Mercury Prize Award Winner’s Young fathers. Something In The Closet directed by Nosa Eke is about a queer teenager struggling with her sexuality, as desires manifest their way from the depths of her eerie closet into reality.
We are pleased to be hosting a live discussion with Black queer UK artists’ responses to the films on Saturday 27 June at 7pm. The discussion will take place on SQIFF’s Facebook page at facebook.com/sqiff. Hosted by writer and programmer Harvey Dimond with filmmaker Nosa Eke and other guests tbc.

In partnership with LGBT Health & Wellbeing. Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.
TRANSFINITE + shorts will be available online 25 to 28 June. Tickets are priced on a sliding scale £0-£8 on a pay what you can basis. Films are viewable within UK and Ireland only. To book, please use the button below. We will email a link to the film to ticket holders and this will be available to view at any time between 25 to 28 June.

Access
Films have English, Navajo, Swahili, Spanish, Asura (in Japanese), and Tagalog audio with English language subtitles or captions.
Films are less accessible to blind and partially sighted audiences with lots of visual storytelling and large non-English language sections.
Loud and abrasive sound effects throughout the films.
Age recommendation of N/C 15+.
Content note: Discussion of racism including anti-blackness and violence; depiction of homophobia, transphobia, racism including anti-blackness, mild and/or animated violence, nudity, sex, vomit, and urine.
Live discussion with BSL interpretation and live captioning.

Watch Party: Tchindas
2020-10-06 19:00 - 21:30
Tchindas explores queer identity and acceptance in the Cape Verde archipelago, and follows Tchinda, a transgender woman who is a national heroine, as she prepares for Carnival month. The camera closely follows Tchinda and her cohorts – an engaging, closely knit group of trans women and gay men – as they take the lead in preparing their neighbourhood for the festivities. Screening with short The Whole World is Turning (21m) by Ada M. Patterson.
Followed by a conversation with Ada M. Patterson examining the themes raised. Ada M. Patterson (Bridgetown, 1994) is a visual artist and writer based between Barbados, London and Rotterdam. They work with masquerade, textiles, performance, video and poetry, telling new stories or rethinking old stories in new recuperative ways. Click here for Ada’s Instagram.
Part of Islands and Oceans curated by Harvey Dimond. Tchindas and The Whole World is Turning will also be available on SQIFF’s Vimeo on Demand channel between 5 and 18 October. Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.
Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have Cape Verdean Creole audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
The films are 115 minutes long with a brief introduction at the start, a 5 minute comfort break after the film, and a discussion lasting approximately 30 minutes.
Content notes: discussion of homophobia, transphobia, and swearing.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info[at]sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info[at]sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Watch Party: Cracks in the Patriarchy
2020-10-07 20:30 - 22:20
Through comprehensive interviews focused on seven individuals from different backgrounds, this documentary examines the LGBTQI+ community in Buenos Aires, Argentina. History and biography meld with the fiercely political as we learn of several overlapping struggles in the vast city. From the fight for gender recognition by the trans community to ongoing struggles to fight racism both within the LGBTQI+ scene and beyond; from the experiences of travestis in art and theatre to the massive movement to decriminalise abortion; the history, culture and politics of the LGBTQI+ community are drawn into sharp focus. Yet in this great variety of perspectives and histories lies a shared goal: a safer, freer society for all.
Followed by a filmmaker Q&A. Part of Daydreams and Testimonials: Queer South America, curated by lesbian Argentinian translator, writer, and comedian A.B. Silvera. Cracks in the Patriarchy will also be available on SQIFF’s Vimeo on Demand channel between 5 and 18 October.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 12+.
The film has Spanish audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
The film is 78 minutes long with a brief introduction at the start, a 5 minute comfort break after the film, and a Q&A lasting approximately 30 minutes.
Content notes: discussion of homophobia, transphobia, misogyny, racism including anti-Blackness, xenophobia, classism, violence, police brutality, and death.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Watch Party: Fabiana
2020-10-10 17:00 - 19:00
For over three decades, Fabiana has lived a nomadic life as a trans woman trucker in Brazil. She has crossed the vast country hundreds of times over, never staying anywhere for too long. Confident and adventurous, she’s at home amongst the mostly-male truckers she encounters, and often hooks up with other women in her travels. But is she ready to finally settle down, when the open road has been her life? This documentary joins her on her last few journeys on the eve of retirement, sharing the connections and intimacies of her life.

Followed by a filmmaker Q&A. Part of Daydreams and Testimonials: Queer South America, curated by lesbian Argentinian translator, writer, and comedian A.B. Silvera. Fabiana will also be available on SQIFF’s Vimeo on Demand channel between 5 and 18 October.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 12+.
The film has Portuguese audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
The film is 89 minutes long with a brief introduction at the start, a 5 minute comfort break after the film, and a Q&A lasting approximately 30 minutes.
Content notes: discussion of homophobia, sex, surgery, and death.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Q&A: Game on: queer disruptions in sport
2020-10-12 18:00 - 18:45
Game on: Queer Disruptions in Sport is a documentary which shines a light on the experiences of those with diverse identities within grassroots sport. The film features the stories of gay runners Csaba and Benjamin from Hungary; Natalie, a Scottish lesbian boxer; Pol, an intersex rower from Bulgaria, and a German trans woman footballer called Jessi. Join us for a live Q&A with the film’s director Maria Takacs, protagonists from the film, and LEAP Sports.
Presented in partnership with LEAP Sports Scotland, promoting LGBTI participation and ending LGBTI-phobia in sport. The Q&A will also be live-streamed to Facebook.

Free event. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
The event has BSL interpretation and live captioning.
The event is 45 minutes long.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.

Watch Party: The Wound + South African Shorts
2020-10-13 19:00 - 21:30
Despite a rich queer history and long fight to guarantee the rights of queer people under the first democratic government of Nelson Mandela, queer and trans South Africans face many challenges, which intersect with class and cultural identities. This screening attests to those challenges but demonstrates that love and support comes from surprising and subversive places. The Wound explores the relationship between traditional Xhosa initiation rituals and queer identity, also alluded to in My Transgender Life (12m) by Yonela Simetu. The Men Who Speak Gayle (11m) celebrates a secret language used during the apartheid era to hide queer identities from the authorities.
Curated by Harvey Dimond and followed by a Q&A with Yonela Simetu, a Cape Town-based filmmaker and the director of My Transgender Life. Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have Xhosa and English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
The films are 2 hours long with a brief introduction at the start and a 30 minute Q&A after the films.
Content notes: discussion of racism, homophobia, transphobia, misogyny, swearing, and violence; depiction of nudity, sex, violence, blood, death, and graphic depictions of animal slaughter.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Watch Party: Transdimensional Voices
2020-10-17 19:00 - 20:30
This collection of shorts uplifts trans* voices and showcases a wide range of trans* identifying talent based within Glasgow. Jamie Crewe’s “The Ideal Bar” — “Le Narcisse” — “Alec’s” touches on experiences of transphobia and LGBTQIA+ solidarity and conflict. Sorcha Clelland presents Where the Red Fern Grows, interrogating performance, queer club space aesthetics, and the consistent demolition of community spaces which seek to aid queer voices. Powder Snowdrop Catatonic is a performance featuring various camp characters by Sgàire Wood. The films cover a multitude of themes, depending on the viewer’s perception of the work.
Curated and hosted by Glasgow-based artist TAAHLIAH. There will be a Q&A with the filmmakers after the screening.

Image credit: Sorcha Clelland’s Where the Red Fern Grows.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
The films are 32 minutes long with a brief introduction at the start and a 45 minute Q&A.
Content notes: depiction of violence, gruesome imagery, and an animal in distress.

The films in Transdimensional Voices include some loud music and abrasive sound effects, disorientating editing, and flashing lights.

We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.
PROGRAMME
“The Ideal Bar” – “Le Narcisse” – “Alec’s” (2m)
Dir: Jamie Crewe, Country: UK, Year: 2020, Language/s: No spoken language
“The Ideal Bar” – “Le Narcisse” – “Alec’s” is a dramatised exchange between two characters in a Glasgow nightclub, inspired by a sequence in Radclyffe Hall’s The Well of Loneliness in which Stephen Gordon encounters a repellent reflection of herself in a Parisian gay bar. Their exchange is punctuated, as in Radclyffe Hall’s text, by the image of a panting, dying fox. Though it demands compassion, this fox is not real, and its blood looks perhaps more like lipstick. The video is scored by a hyperventilating concertina.
These characters are portrayed by performance maker and ogre Sorcha Clelland, and performance artist and music producer TAAHLIAH. In this version, TAAHLIAH is standing, and Sorcha is seated.
Powder Snowdrop Catatonic (17m)
Dir: Sgàire Wood, Country: Scotland, Year: 2020, Language/s: English and French languages
Produced in one room over the course of a week in the heart of lockdown, Sgàire Wood’s Powder Snowdrop Catatonic is an irreverent pantomime performance of mental deterioration under mandatory quarantine. Summoning a cast of capricious characters, Wood runs a Kübler-Ross style gamut of emotions precipitated by self-isolation, from misanthropic smugness to mind-bending ennui and cabin fever. Seen solely through the narrow lens of a smartphone camera, she dances before the flimsy trompe l’oeil facade of a Victorian parlour, existing in the space between coziness and claustrophobia, flippancy and sincerity. The film’s celebratory intimacy pays tribute to queer, radicalised or feminised practices which, being underrepresented in traditional art spaces, are relegated to the realm of domesticity and how under the circumstances in which the film was produced, have found a new appreciation and importance.
Where the Red Fern Grows (11m)
Dir: Sorcha Clelland, Country: UK, Year: 2020, Language/s: No spoken language
Sorcha Clelland’s Where the Red Fern Grows, titled after Wilson Rawls’ 1961 children’s book about hunting dogs, exists as a love letter to a rave and venue in Ibrox, Glasgow. Filmed at The African Arts Centre in May 2020 during the venue’s demolition and Scotland’s lockdown from COVID-19. The novel begins with an aspiration to heal and a birth of kinship. Character growth is continued through belief in a magic. Performing as SHREK 666, the embodiment of a demonic ogre shifting through monstrous transformation chained to catholicism, he revisits a site and performance which was formerly a scene of Queer Intimacy.
“The Ideal Bar” – “Le Narcisse” – “Alec’s” (2m)
Dir: Jamie Crewe, Country: UK, Year: 2020, Language/s: No spoken language
“The Ideal Bar” – “Le Narcisse” – “Alec’s” is a dramatised exchange between two characters in a Glasgow nightclub, inspired by a sequence in Radclyffe Hall’s The Well of Loneliness in which Stephen Gordon encounters a repellent reflection of herself in a Parisian gay bar. Their exchange is punctuated, as in Radclyffe Hall’s text, by the image of a panting, dying fox. Though it demands compassion, this fox is not real, and its blood looks perhaps more like lipstick. The video is scored by a hyperventilating concertina.
These characters are portrayed by performance maker and ogre Sorcha Clelland, and performance artist and music producer TAAHLIAH. In this version, Sorcha is standing, and TAAHLIAH is seated.

Watch Party: Queer Scotland Shorts
2020-10-18 17:00 - 19:00
We are always proud to present some of the astonishing queer filmmaking made by local talent. This year features meditation on the queer body and its owner’s cultural history, the potential for zine culture to assist in the recovery from mental health difficulties, being censored when writing LGBTQ characters, living as a gay man in the era of 1950s McCarthyism, feminist sci-fi baby-making adventures, love on the mind of an admirer, and Deaf identities.
The screening will be followed by a filmmaker Q&A. There will be an award for Best Scottish Short voted for online by audiences.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have Arabic and English audio with English language captions. BSL interpretation, live captioning, and live audio description are provided for the event. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival.
The films will be around 1 hour long with a brief introduction at the start and a 30 minute Q&A.
Content notes: discussion of homophobia, misogyny, ableism, mental health issues, and suicide; depiction of homophobia, nudity, grief, and death.

The films in SQIFF Shorts: Queer Scotland include some abrasive sound effects.

We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.
PROGRAMME
Saturnrania (5m)
Dir: Holly McLean, Country: UK, Year: 2019, Language/s: English
A feminist sci-fi adventure documentary following an experimental physicist on her quest to have a baby.
The Fabric of You (11m)
Dir: Josephine Lohoar Self, Country: UK, Year: 2019, Language/s: English
Set in the Bronx, in the era of 1950s McCarthyism, everybody wants to look the same. Michael a gay, twenty-something-year old mouse, hides his true identity while he works as a tailor.
When Isaac enters the shop one day he offers the escapism and love Michael craves. In Michael’s confined apartment, he becomes tormented by the memories of Isaac’s tragic death. Michael’s memories and flashbacks are triggered when he notices Isaac’s jacket draped on the back of a chair. Haunted by the solace Isaac once offered, he struggles to come to terms with his loss.
Let My Body Speak (10m)
Dir: Madonna Adib, Country: UK, Year: 2020, Language/s: Arabic
This documentary is a personal and intimate journey exploring the repression experienced by the filmmaker during her childhood when she faced sexual control in a Damascus also experiencing a growing socio-political repression in the late 80s and early 90s. Through the creative use of family archive in Damascus mixed with current footage of her body she reconstructs the pain of the past absorbed by her body.
What is Wrong with Her? (7m)
Dir: Leah Francisco, Country: UK, Year: 2020, Language/s: BSL and English
Leah finds life and identity by moving past other people’s labels in this British Sign Language poem travelling through time and space. Produced by Solar Bear Theatre company through their digital arts programme, Solar Flares.
Zine There Done That (8m)
Dir: Fergus Cruickshank, Ana Hine, Country: UK, Year: 2019, Language/s: English
As Ana recovers from a serious mental health breakdown, she discovers the potential for zines to rebuild her life and rediscover her voice. This intimate documentary is captured on an eclectic mix of formats to mirror the delicate piecing together of Ana and her connection to the underground mental health zine community in the UK. A tender, creative, and ultimately empowering look at how art can bring people together to take ownership of their lives.
Be Seen (2m)
Dir: Sophie Stone, Country: UK, Year: 2020, Language/s: BSL
Love fully explored in the mind of the admirer. Produced by Solar Bear Theatre company through their digital short programme, Solar Snaps.
All the reasons behind a kiss (3m)
Dir: Aimie Willemse, Country: UK, Year: 2020, Language/s: English
A theatre student gets rebuked for writing LGBTQ+ characters in her zombie apocalypse play as “following the latest trend”, however it turns out, she has a personal reason to do so.
Real Boy (11m)
Dir: Jamie Rea, Country: UK, Year: 2020, Language/s: BSL
All the parts of life from the smallest atom to the meaning of life converge and form into a feeling of completeness within Joe. We share in this journey. Produced by Solar Bear Theatre company through their digital arts programme, Solar Flares.

Pride & Protest: Live Watch Party + Q&A with director Blaise Singh
2021-02-20 18:00 - 20:00
Pride & Protest is a documentary about QTIPOC communities and activists in Britain today and struggles surrounding the politics of desire, self-care, and found family. In the wake of the Birmingham protests against LGBTIQ+ relationship education in primary schools, director Blaise Singh follows various queer people of colour as they challenge homophobia and racism in their communities. They speak out against internalised shame and lack of representation, and we follow them trying to figure out their place in the world in the build up to UK Black Pride.
The film will screen on Zoom as a live watch party followed by a Q&A with director Blaise Singh and other members of the cast and crew. We will send out a Zoom link for the event to ticket holders on the day. We are partnering with An Lanntair to host this event to mark LGBT History Month 2021 this February.
This event is a ‘Pay What You Can’ event – come for free or pay what you can afford. To book, click the button below or call An Lanntair on 01851 708 480.

ACCESS
The film is English language with captions and the Q&A will have live captions available. The event is suitable for ages 12+. If you have any questions or access requests for this event, please get in touch by emailing info@sqiff.org.
Content notes: Discussion of racism, homophobia, biphobia, and transphobia; depiction of homophobia, transphobia, biphobia, and brief racist violence.

SQIFF 2021 Opening Night Shorts SOLD OUT
2021-10-06 18:30 - 20:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
**Please note this event is now sold out – we may be able to release more tickets nearer the screening**
Our festival opens this year with the first of our 2021 Scottish Shorts programmes, including multiple works giving a taster of the many themes to expect from the festival.
Featuring a poetic film in British Sign Language (Affirmation #6), selections from queer Black artists from Fringe of Colour (Ixwa Blue, Space 2: We’ve Come A Long Way, black queer nature poem for khadijah (and all of us)), sweet musings on trans life in Glasgow (You can run), and lots more. We hope that there will be something for everyone in our multifaceted queer community on our opening night.
Curated by Nat Lall. We hope to welcome several of the filmmakers for a Q&A. All ticket holders are invited to join us for a drink at CCA after the screening.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below or call the CCA Box Office on 0141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
English and Portuguese audio with English language captions. BSL-English interpretation by Lisa Li and live captioning by Louisa McDaid provided for the intro and Q&A.
Audio description available. Headsets available at the cinema entrance.

The films are 60 minutes long with opening night speeches at the start and a Q&A afterwards.
We have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2021, please contact info@sqiff.org.
Audio Description Credits for short film ixwa blue:
Performed by Sri Gordon, written by Elizabeth Capot, QC by Stephen Christopher, Production and Sound Engineering by Stephen Kellner
Audio Description Credits for short film Space 2:
Performed by Sri Gordon, written by Elizabeth Capot, QC by Stephen Christopher, Production and Sound Engineering by Stephen Kellner

Aspects of the Embodied Self
2021-10-09 15:00 - 16:45 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
In each of the films in this screening, people take centre stage as they offer us insight and a more challenging way of thinking about body image. Exploring the theme of perceptions of our bodies that challenge normative thinking, these films are platforms for discussions on disability, mental health, and body image in relation to our sense of ourselves as sexual beings.
Featuring Aorta Films’ intersectional view of queer bodies in formations and digital genitals.
Curated by Jamie Rea.
Followed by a conversation with trans artist Ivor MacAskill and non-binary artist Rosana Cade about the themes in the films.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below or call the CCA Box Office on 0141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
English and French audio with English language captions. BSL-English interpretation by Catherine King and Yvonne Strain and live captioning by Louisa McDaid for intro and post-film conversation.

The films are 76 minutes long with a 30 minute conversation afterwards.
We have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2021, please contact info@sqiff.org.

Poetics of the Visual SOLD OUT
2021-10-09 20:45 - 22:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly to be added to this!**
An evening of visually striking films that offer us a space to explore what it is to be a human being through a visual poetic medium. Each work uses a diverse way to express ideas of human feelings, thoughts, and voices in beautiful and startling ways. Dialogues, monologues, and poetry fill this programme. Featuring Em Johrden’s poetic documentary on trans folks’ relationship with their own bodies and identities focusing on aspects of euphoria and joy in it belongs to me.
Curated by Jamie Rea.
Followed by a conversation about the ideas raised in the screening.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below or call the CCA Box Office on 0141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
English audio and British Sign Language with English language captions. BSL-English interpretation by Catherine King and Yvonne Strain and live captioning by Louisa McDaid for intro and post-film conversation.
Audio description available. Headsets available at the cinema entrance.
54 minutes long with a post-film conversation.
We have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2021, please contact info@sqiff.org.

GA(Y)MERS
2021-10-10 12:45 - 14:25 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
There is a freedom that comes with gaming; an ability to exist in another realm without necessarily leaving the real world. For some the realm of a game exists as an alternate reality and for others it synthesises with the physical world. For queer and trans gamers, it can function as a space to trial and error other bodies. It can be a space to transition. And with that comes various highs and lows. From moments of ecstasy to steep learning curves to some uh…‘reality checks.’
GA(Y)MERS showcases a series of shorts on gender and gaming, including Jamie Jankowic’s a woman on the internet. The screening will be followed by a Q&A on the films and the importance of virtual queer spaces.
Curated by Nat Lall. This short film programme will also be available to rent online from SQIFF’s Vimeo on Demand channel 2 to 10 October.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below or call the CCA Box Office on 0141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
English audio with English language captions. BSL-English interpretation by Lisa Li and live captioning by Louisa McDaid provided for the intro and Q&A.
Audio description available. Headsets available at the cinema entrance.

73 minutes long with a Q&A afterwards.
We have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2021, please contact info@sqiff.org.
