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X-WR-CALDESC:Events for SQIFF
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DTSTART:20170101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T123000
DTEND;TZID=UTC:20181208T133500
DTSTAMP:20181025T111512Z
CREATED:20181025T092302Z
LAST-MODIFIED:20181025T111512Z
UID:8468-1544272200-1544276100@www.sqiff.org
SUMMARY:East Asia Focus: Until Rainbow Dawn
DESCRIPTION:After meeting at their Deaf school in Central Japan\, Hana and Ayumi become close friends\, and quickly fall in love. But when Hana comes out to her parents\, they throw her out of the house.  Ayumi takes Hana along to a queer Deaf meetup in Tokyo\, where they meet and befriend a supportive group of trans\, gay and lesbian Deaf people who tell them their own personal stories.  Made by a majority Deaf cast and crew\, Until Rainbow Dawn is a remarkable\, authentic story of queer Deaf Japanese culture. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598309′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in Japanese and Japanese sign languages with simultaneous Japanese and English subtitles/captions. Hearing loop available. \nFilm relies a lot on visual material to convey ideas and uses almost all Japanese sign language\, so is less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/east-asia-focus-until-rainbow-dawn/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Deaf,Feature,Films,Gay men,Hearing loop,Lesbian,People of colour,Trans,Woman director
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/until-rainbow-dawn-e1540466104226.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T150000
DTEND;TZID=UTC:20181208T164000
DTSTAMP:20181203T183246Z
CREATED:20181025T091616Z
LAST-MODIFIED:20181203T183246Z
UID:8465-1544281200-1544287200@www.sqiff.org
SUMMARY:DESIRES AND RESISTANCE | UNEARTHING TRANS LEGACIES
DESCRIPTION:Anonymous sexual encounters and flirtations with the camera\, dress-up with Flawless Sabrina\, and a night at the Stonewall Inn with Marsha P. Johnson: this programme proposes alternative modes of retrieving and disseminating a trans* past through an erotic gaze. Addressing an erasure of trans* legacies\, these works place trans* sexual expression and resistances in conversation with a non-linear idea of history that is both real and fabricated\, defiantly looking toward a future of pleasure\, play\, and beauty. \nCurated and presented by Finn Paul in partnership with Outfest LGBTQ Film Festival in LA. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’http://www.cca-glasgow.com/programme/sqiff18-desires-and-resistance-or-unearthing-trans-legacies’ target=’_blank’ size=’medium’ style=’rounded’ collar=’pink’] \n  \nACCESS \nFilms in the English language with English language subtitles/captions. The introduction will be BSL interpreted. Hearing loop available. \nFilms rely on visual material to convey ideas\, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nOutlaw – Excerpt – first 16 min (16m)\nDir: Alisa Lebow\, Year: 1994 \nLeslie Feinberg\, a self-identified “gender outlaw” who has spent much of zir life passing as a man\, speaks with passion and intelligence about zir exp… \nSt Pel (16m)\nDir. Jason Barker\, Year: 1998 \nInterviews with 5 friends and the queer retelling of a story of a medieval saint.\n \nFlyHole (6m)\nDir. Malic Amalya\, Year: 2017 \nFlyHole tells the story of a housefly who transitions into a man in order to cruise gay bars. Text and images are appropriated from the March 1985 issue of the adult\, gay digest magazine\, Manscape\, including illustrations by Mike Kuchar. \nShe Whose Blood is Clotting My Underwear (3m)\nDir. Vika Kirchenbauer\, Year: 2016 \nMade for the performance project Cool For You\, this video follows an artist’s research on thermal vision and the enhanced gazes of modern warfare. She uses these technical means to discuss intimacy and the body. \nAt Least You Know You Exist (16m)\nDir: Zackary Drucker\, Year: 2011 \nMade in collaboration with New York performer and drag queen Flawless Sabrina\, the film At Least You Know You Exist explores the interaction between two artists of different ages. \nFirst Love (5m)\nDir. Alec Butler\, Year: 2002 \nOur trans/2spirit/intersex hero Alick takes a walk in the birch grove with Kay\, the high school siren\, the girl of their dreams\, things get hot and wet\, melting hearts and the cold snow of the Canadian landscape. \nbeside the water\, 1999-2003 (12m)\nDir. Finn Paul\, Year: 2018 \nIn this provocative video essay\, queer artist Finn Paul mixes up sexual discovery\, community formation and the isolation of desert landscapes in a collection of erotic snapshots. \nMighty Real (3m)\nDir. Vicente Ugartechea\, Year: 2018 \nA young trans person embodies confidence and power in this cross-generational sexual encounter. \nHappy Birthday\, Marsha! (14m)\nDir. Reina Gossett and Sasha Wortzel\, Year: 2016 \nHappy Birthday\, Marsha! is a fictional short film that imagines transgender rights pioneers Marsha P. Johnson and Sylvia Rivera in the hours leading to the 1969 Stonewall riots in New York City. The film stars Mya Taylor as Marsha P. Johnson.
URL:https://www.sqiff.org/event/desires-and-resistance-unearthing-trans-legacies/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Documentary,English language,Films,Hearing loop,People of colour,Scottish premiere,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/BTW2-e1540467181344.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T153000
DTEND;TZID=UTC:20181208T171000
DTSTAMP:20190326T112300Z
CREATED:20181025T091127Z
LAST-MODIFIED:20190326T112300Z
UID:8462-1544283000-1544289000@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:Our 2018 Scottish shorts programme contains another exciting range of work by and about LGBTQ+ people and communities within our (un)fair land. Among the imagery and themes included are the search for community and intimacy\, trans embodiment\, anti-queer conditioning\, erotic fantasies in rural landscapes\, lost love\, spinsterhood\, tarot cards\, crayfish\, and witches! Featuring a spectrum of narrative and experimental styles encompassing melodrama\, film-poetry\, animation\, collective filmmaking\, documentary\, and diaristic footage. \nWe hope to be joined by a number of the filmmakers for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598307′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English\, Scottish Gaelic\, and British sign languages with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available. \nA mixture of film styles with around half relying on visual material to convey ideas and half conveying ideas via dialogue or voiceover. The large majority of films are English language. So\, the screening is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nMy Loneliness is Killing Me (16m)\nDir: Tim Courtney\, Year: 2018\nA young genderqueer individual searches for community and intimacy\, uncovering an unexpected sexual and emotional connection within the darker edges of the nocturnal metropolis. \nThese Are My Hands (8m)\nDir. Evi Tsiligaridou\, Year: 2018\nThese Are My Hands is a short documentary film-poem written and performed by radical British playwright\, Jo Clifford. It is a deeply moving\, personal account of transgender embodiment in a lifetime\, speaking of wounds\, challenges\, victories\, and the journey towards self-empowerment. The poet’s voice is embraced by a lyrical\, mesmerising soundtrack and together with the graceful and intimate visuals composes a profoundly tender piece. \nEnid & Valerie (2m)\nDir. Matthew Kennedy\, Year: 2018\nEnid & Valerie is a short film about a lone spinster named Valerie. Here we venture in to her dreams\, where she meets Enid (a witch). Could this be the start of an unlikely friendship? \nLong Lost Lover (5m)\nDir. Sandra Alland & Ania Urbanowska\, Year: 2017\nBisexual deaf poet\, Bea Webster\, performs a poem in British Sign Language about her return to Thailand. Poem in English and BSL by Bea Webster; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press\, 2017)\, edited by Sandra Alland\, Khairani Barokka and Daniel Sluman. \nHEARTS (8m)\nDir. Nas Saraei\, Year: 2018\nSarah\, a lost and stuck in a rut 20-something\, ponders and reflects on love in Edinburgh\, after losing the ‘one’ she thought was the ‘one’. \nPouring On House (10m)\nDir. Conor Baird\, Year: 2018\nPouring On House engages with the gradual event of leaving a longtime family home. This strange grief is caught between the familiarity and fascination of interiors and the surrounding suburban sites. Throughout\, a body surveys potential presences of contamination whilst coming to realise a disorientating hopelessness felt from ongoing anti-queer conditioning. \nSubmerged Village (21m)\nDir. Andrew Black\, Year: 2017\nExpanding on elements of Pamela Colman Smith’s drawing for The Moon tarot card – two dogs\, a freshwater crayfish\, a pool of water\, a mountainous landscape – Submerged Village takes discrete moments at rural locations in Yorkshire and the West coast of Scotland and claims them as queer experiences.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-2/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Deaf,Documentary,Films,Gay men,Hearing loop,Lesbian,People of colour,Scottish premiere,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/MLiKM-Bathroom-No-Title-Web-e1540467376929.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T203000
DTEND;TZID=UTC:20181208T221000
DTSTAMP:20181026T021843Z
CREATED:20181025T080617Z
LAST-MODIFIED:20181026T021843Z
UID:8416-1544301000-1544307000@www.sqiff.org
SUMMARY:Tomorrow Never Knows
DESCRIPTION:A sensitive documentary looking at the life and death of Shar Jones\, a transgender person with early onset Alzheimer’s Disease\, and the difficult choice he and his wife Cynthia Vitale faced as the couple struggled to figure out how to proceed amidst his chaotic decline. Tomorrow Never Knows highlights the couple’s journey as they set a course to Shar’s final days. This tragic love story offers profound implications for increasing awareness about choice in living and in dying.  \nWe have a list of content notes on our website for every film in the programme but please be especially aware that this film contains graphic images of death and dying.  \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598280′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilm in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available. \nFilm relies on visual material to convey ideas but has a lot of voiceover and commentary\, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/tomorrow-never-knows/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Disability,Documentary,English language,Feature,Films,Hearing loop,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/mirror-e1540466553847.jpeg
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