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BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T170000
DTEND;TZID=UTC:20191006T180000
DTSTAMP:20260505T012255
CREATED:20190828T104931Z
LAST-MODIFIED:20190901T115856Z
UID:9229-1570381200-1570384800@www.sqiff.org
SUMMARY:DOCMA screening
DESCRIPTION:Following our DOCMA workshop (click here for the workshop listing) – where participants will take part in creating their own 1-minute documentary as part of a 5-minute documentary film made by 5 filmmakers in 5 different documentary styles – we invite audiences to come and view the resulting films. Come and support the filmmakers\, who will have created their masterpieces within 48 hours. Also a chance to learn more about DOCMA and its mission to encourage and support people to have a go and get creative in producing documentary work. \nScreening followed by a Q&A with the filmmakers. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611610/events/129089643′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English audio with English language subtitles/caption. BSL interpretation for Q&A. Hearing loop available. \nWe don’t know how accessible the films will be for blind and partially sighted audiences as yet but please ask a member of staff on the day if you need information about this. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/docma-screening/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Documentary,English language,Films,Hearing loop,Shorts,World premiere
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/DOCMA-screening-e1565798273250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T123000
DTEND;TZID=UTC:20191006T141000
DTSTAMP:20260505T012255
CREATED:20190802T105308Z
LAST-MODIFIED:20190901T120024Z
UID:9089-1570365000-1570371000@www.sqiff.org
SUMMARY:SQIFF Shorts: You Gotta Have Faith
DESCRIPTION:Short films exploring what it means to have faith as a queer person today. A seemingly pious Hasidic man living a secret double life faces a challenge when his two worlds collide. A chaplain from Cheshire sets up a helpline for gay farmers and is inundated with calls. LGBTQIA+ people in Nepal use a Hindu festival as a medium to appear in public. Plus more compelling stories in this captivating selection. \nJoin us for a discussion after the screening with playwright and author of The Gospel According to Jesus\, Queen of Heaven\, Jo Clifford\, LGBTQIA+ Muslim charity Imaan\, and Rev. Jane Clarke from Glasgow’s LGBT+ Metropolitan Community Churches. Part of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610484/events/129085538′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English\, Hebrew\, and Nepali audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAround half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBlack Hat (15m)\nDir: Sarah Smith\, Country: USA\, Year: 2019\, Language/s: English\, Hebrew\nA seemingly pious Hasidic man living a secret double life misplaces his black hat one night causing his two separate lives to collide in a way he never imagined. \nContent note: Sexual content. \nTwo Blinks (8m)\nDir. Bruno Fraga Braz\, Country: UK\, Year: 2018\, Language/s: English\nAfter her father rejects her request to get a haircut\, hijab-wearing Farhana searches the streets of Peckham London for a hair salon where her modesty can be protected. \nContent note: Depiction of homophobia. \nLandline (12m)\nDir. Matt Houghton\, Country: UK\, Year: 2018\, Language/s: English\nLandline is a short documentary about the only helpline in the UK for gay farmers set up by a chaplain from Cheshire. Through a series of recorded telephone conversations and reconstructive visuals\, the film uses the helpline as a lens through which to view the experiences of LGBTQ people in the British farming community. \nContent note: Discussion of homophobia and suicide. \nEden (5m)\nDir. Jędrzej Gorski\, Country: Poland\, Year: 2018\, Language/s: No dialogue\nA story of a young Catholic man who is struggling with his homosexuality. He is in love with another man but also does not want to abandon his religion. He has to choose between love and religion on one rainy day in the countryside. \nContent note: Sexual content. \n21st Century Nuns (10m)\nDir. Tom Stephen\, Country: UK\, Year: 1994\, Language/s: English\nDocumentary about the Sisters of Perpetual Indulgence. The Sisters are an order of queer nuns. Their work covers many areas including: safer sex education\, protests and demonstrations\, outreach to the gay community\, and providing ritual to the gay population. Their goal is to “expiate all stigmatic guilt and promulgate universal joy…” \nContent note: Sexual content and depiction of homophobia. \nThe Visible (4m)\nDir. Atikah Zainidi\, Country: Brunei\, Year: 2019\, Language/s: English\nA short documentary exploring what it’s like to be a girl in Brunei. \nContent note: Discussion of homophobia\, transphobia\, and sexual violence. \nGai Jatra (20m)\nDir. Gopal Shivakoti\, Country: Nepal\, Year: 2019\, Language/s: Nepali\nTraditionally\, Gai Jatra is literally translated as procession of cows and is an age-old festival commemorating the death of loved ones. Since 2001\, LGBTI people in Nepal have been using Gai Jatra festival as a medium to appear in the public\, flaunt their true selves with pride\, and pay tribute to the deceased members of their community. \nContent note: Discussion of mental health issues\, suicide\, homophobia\, and transphobia.
URL:https://www.sqiff.org/event/sqiff-shorts-you-gotta-have-faith/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Discussion,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class,You Gotta Have Faith
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-Shorts-You-Gotta-Have-Faith1-e1564740695980.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T210000
DTEND;TZID=UTC:20191005T222500
DTSTAMP:20260505T012255
CREATED:20190828T105517Z
LAST-MODIFIED:20190901T120137Z
UID:9214-1570309200-1570314300@www.sqiff.org
SUMMARY:SQIFF Shorts: Some Like it Rough
DESCRIPTION:We delve into the varied practices of BDSM and societal attitudes towards this age-old erotic preference\, which continues to be subject to stigmatisation and censorship. In Lasting Marks\, one of sixteen gay men put on trial for taking part in consensual sadomasochism in late 80s England narrates his experience. Berlin-based conscious BDSM practitioner\, Caritia\, explains her spiritual journey through eroticism and life in Rituals + Worship. In French dramedy\, Dressed for Pleasure\, a young disabled woman seeks a more exhilarating sexual satisfaction. Mockumentary No Democracy Here sees a lefty dominatrix employed by right-wing Israeli men to force them into recanting their politics. The programme concludes with super hot non-binary\, lesbian action with a punk boidyke given the rough-tender treatment in Driven. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611616/events/129089648′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English\, French\, Hebrew\, and German audio with English language subtitles/captions. Hearing loop available. \nFilms are moderately accessible to blind and partially sighted audiences with two of them English language with explanatory dialogue and voiceover but the others non-English language\, a fair amount of visual storytelling throughout\, and a mix of dark and bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLasting Marks (14m)\nDir: Charlie Lyne\, Country: UK\, Year: 2018\, Language/s: English\nThe story of sixteen men put on trial for sadomasochism in the dying days of Thatcher’s Britain was told by the police\, the prosecution\, and the tabloid press — but not by those in the dock. Director Charlie Lyne has created an experimental recreation of what happened offered by the men themselves. \nContent note: Discussion of sex including BDSM\, homophobia\, mental health issues\, and police persecution. \nRituals + Worship (13m)\nDir: Morgana Muses\, Country: Germany\, Year: 2015\, Language/s: English\nA short BDSM documentary that explores the workshop culture in Berlin and focuses on conscious BDSM practitioner\, Caritia. \nContent note: Depiction of BDSM. Discussion of racism. \nDressed for Pleasure (17m)\nDir: Marie de Maricourt\, Country: Switzerland\, Year: 2017\, Language/s: French\nSarah\, a young disabled woman\, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner\, Victoria\, a trans woman\, will upset the family balance. \nContent note: Depiction of nudity\, sex including reference to BDSM\, and transphobia. \nNo Democracy Here (25m)\nDir: Liad Hussein Kantorowicz\, Country: Germany\, Palestine\, Israel\, Year: 2017\, Language/s: Hebrew\nNo Democracy Here deals with the topic of political domination. Liad\, a lefty human rights defender dominatrix\, re-educates her Israeli right-wing-leaning obedient submissive slaves to follow upstanding leftist ethos and morals\, like freedom of movement\, economic justice\, direct democracy and human rights by using domination practices such as humiliation\, doggy-training\, coercion\, and administration of pain. \nContent note: Depiction of light BDSM and racism. \nDriven (13m)\nDir: Toni Karat\, Country: Germany\, Year: 2018\, Language/s: German\, English\nA punk boidyke\, handcuffed\, facing the wall in a sparse\, empty room\, breathes heavily with anxiety and expectation. And anxious she should be\, for the rough treatment she will face in the 13 minutes that follow! The film is a contribution to much-needed lesbian visibility – conveying a proud and unashamed image of dyke eroticism and BDSM – also at the age of 50+! \nContent note: Depiction of BDSM including consensual non-consent.
URL:https://www.sqiff.org/event/sqiff-shorts-some-like-it-rough/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/some_like_it_rough-e1565725913700.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T151500
DTEND;TZID=UTC:20191005T170000
DTSTAMP:20260505T012255
CREATED:20190828T105841Z
LAST-MODIFIED:20190910T144322Z
UID:9202-1570288500-1570294800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:We present a round-up of the excellent\, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson\, Wei Zhang\, Siri Rødnes\, Eleanor Capaldi\, and Natasha Lall\, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet\, a queer reimagining of a working men’s club\, sending naked pics via dating apps\, Chinese mythology and human binaries\, trans masculine culture\, BSL poetry\, LGBT people in the asylum system\, and loads more are explored in our 2019 Queer Scotland programme. \nWe hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611621/events/129089654′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available. \nAudio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nFrontiers (4m)\nDir. Eve McConnachie\, Year: 2019\nFrontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space\, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow. \nContent note: None. \nwe were always here (4m)\nDir. Michael Lee Richardson\, Garry Mac\, Year: 2019\nA queer reimagining of the working men’s club. A dance-powered journey through space and time. \nContent note: None. \nAcceptable Face (6m)\nDir: Holly Summerson\, Year: 2019\n“The sort of person who someone might say: ‘oh he’s gay\, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look\, act\, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people\, this experimental charcoal animation explores the pressure to be a ‘good example’\, and the joy of refusing to conform. \nContent note: Discussion of homophobia and transphobia. \nDix Pix (4m)\nDir. Steven Fraser\, Year: 2019\nDix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity\, queerness\, solitude\, and the body. \nContent note: Depiction of animated nudity and sex. \n2x+xy=1 (12m)\nDir. Wei Zhang\, Year: 2019\nWei Zhang’s practice is an experimental film created by multi post-production technologies\, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary\, the expression of emotion and the symbol of predicament. \nContent note: Depiction of nudity. \nNone of the Above (16m)\nDir. Siri Rødnes\, Year: 2018\nEmbarking upon a distinctly postmodern cyber experiment\, Cassie charts her dating odyssey on her personal vlog\, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral\, she becomes a media pariah. \nContent note: Depiction of homophobia\, mental health issues\, and suicide (graphic). \nRoberta Cowell’s Story (1m)\nDir. Melissa J Clifford\, Year: 2019\nRoberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge  #39 AMBITION. The short was created by Melissa Joan Clifford\, a trans woman\, and was made in the style of an archival film. \nContent note: Reference to transphobia. \nA Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)\nDir. Nastia Nikolskaya\, Year: 2019\nTitled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate\, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes\, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives\, driving our short-term and long-term decisions. \nContent note: None. \nGlue (4m)\nDir. Eleanor Capaldi\, Year: 2019\nWhen you’ve been dreaming of the past for so long\, what do you do when she’s finally there? Agnes meets her ex\, Anna\, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new. \nContent note: None. \nPossessive Skin (2m)\nDir. Myles McEachan\, Year: 2019\n“To accept yourself against the face of adversity\, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community\, and how in an age that prides itself on inclusion\, we still find segregation and discrimination within even the most marginalised of people\, which reflects us inwards. \nContent note: Description of mental health issues and transphobia. \nWhat Is Happiness? (6m)\nDir. Claire Clark\, Year: 2019\nWhat Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form. \nContent note: None. \nThe 16mb\, Future Sounds & A Mini City (15m)\nDir. Natasha Lall\, Year: 2018\nThe 16mb\, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi\, lo-fi films shot in Glasgow. \nContent note: None. \nCrypsis (9m)\nDir. Christopher McGill\, Year: 2019\nAfter fleeing for his life\, a gay refugee files for asylum in Scotland. Lacking evidence\, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process\, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them. \nContent note: Discussion of homophobic violence; depiction of trauma.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-3/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Speech to Text,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/queer_scotland-e1565724436473.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T123000
DTEND;TZID=UTC:20191005T143000
DTSTAMP:20260505T012255
CREATED:20190802T105442Z
LAST-MODIFIED:20190901T120435Z
UID:9084-1570278600-1570285800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Islam with Hidayah
DESCRIPTION:A series of shorts made over several decades following queer Muslim characters as they navigate familial relationships\, romantic love\, and their careers. A budding filmmaker collaborates with his conservative Muslim father on a film about an iconic Muslim actor. The love between a disabled Muslim father and his queer son is tested when love is pitted against religion. Two brothers stand by each other in the face of adversity. An Arab American man learns how to love again post-heartbreak. And a rising martial arts star tries to hides her identity from her family and her small American town when under the spotlight. \nJoin us for a discussion after the screening with members of LGBTQIA+ Muslim charity Hidayah. Part of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610486/events/129085540′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English and Arabic audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAround half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nSurviving Sabu (16m)\nDir: Ian Iqbal Rashid\, Country: UK\, Year: 1997\, Language/s: English\nFunded by the Arts Council of England as part of its Moving Image series of films about ethnic identity in Britain\, Ian Iqbal Rashid’s debut short deservedly won him various industry accolades upon its release. Its sympathetic depiction of a strained relationship between a budding gay filmmaker and his conservative Muslim father as they collaborate on a film about Indian star Sabu – best known for his contribution to British cinema in the 1930s and 40s – is steered by exceptional performances from Suresh Oberoi and Navin Chowdry. \nContent note: Depiction of homophobia; discussion of racism and mental health issues. \nAblution (15m)\nDir: Omar Al Dakheel\, Country: USA\, Year: 2017\, Language/s: English\, Arabic\nWaleed washes his disabled father Khaled five times a day for Muslim prayer. But\, when Waleed’s sexuality is revealed\, both father and son are torn between religion\, duty\, and self. \nContent note: Depiction of homophobia and drug use. \nBrothers (9m)\nDir: Mike Mosallam\, Country: USA\, Year: 2018\, Language/s: None\nBrothers follows a Muslim Arab boy who realizes he is different\, and is fortunate to have an older brother who stands by him and encourages him to be himself in the face of bias and adversity. \nContent note: Depicion of homophobi. \nBreaking Fast (18m)\nDir: Mike Mosallam\, Country: USA\, Year: 2015\, Language/s: English\, Arabic\nBreaking Fast is a romantic comedy drama following Mo\, an Arab American man living in West Hollywood learning how to navigate life post-heartbreak. Enter Kal\, a sweet All-American guy who surprises Mo by offering to break fast with him during the month of Ramadan. As they learn more about each other\, they fall in love over what they have in common\, and what they don’t. \nContent note:  Discussion of suicide. \nChoke (16m)\nDir: Rolla Selbak\, Country: USA\, Year: 2018\, Language/s: English\, Arabic\nA rising MMA star hides her refugee status from her small American town and the world. \nContent note: Depiction of racism\, violence\, sexism\, and homophobia.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-islam-with-hidayah/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Disability,Films,Gay men,Hearing loop,People of colour,Shorts,You Gotta Have Faith
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-Shorts-Queer-Islam-with-Hidayah1-e1564743599388.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T211500
DTEND;TZID=UTC:20191004T224500
DTSTAMP:20260505T012255
CREATED:20190828T110020Z
LAST-MODIFIED:20190901T120530Z
UID:9280-1570223700-1570229100@www.sqiff.org
SUMMARY:Luke+Jack present: Sexxxy Beasts and Wheelchairs
DESCRIPTION:How we are (un)represented as Deaf and Disabled people has a huge impact on our lives. Exploring such representation\, we take a look at queer porn made by and about Deaf and Disabled queer people. With work by DIY queer filmmaker and activist\, Loree Erickson\, and self-described “bad ass\, fat ass\, Jew\, dyke amputee\,” Nomy Lamm. Also featuring films by Morty Diamond\, Nikki Silver\, and Pandora Blake with Deaf and Disabled performers taking control of their own narratives. Join us for everyday ableism crossed with seductive images of disability; pervy\, polyamorous BDSM; sexy nurse roleplay; even sexxxier wheelchairs; and fat-bodied\, amputee eroticism. \nFilmmaker Loree Erickson will join us after the screening for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612022/events/129093023′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n\n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English audio with English language subtitles/captions. BSL interpretation for Q&A. Hearing loop available. \nFilms are moderatly accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and limited dialogue but all English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nTrans Entities: The Nasty Love of Papí and Wil (20m)\nDir: Morty Diamond\, Country: USA\, Year: 2007\, Language/s: English\nPapi and Will is a film about a hot\, pervy\, loving\, polyamorous transgender couple. On screen Papi and Will share with the viewer everything from their unique perspective on gender identity to how they negotiate multiple partners in their life. The sex scenes are filled with raw\, uninhibited exploration and incorporate BDSM\, roleplay\, and a lot of hot sex! This scene shows Papi and Will playing with a partner who is Deaf. \nContent note: Depiction of graphic sex and consensual non-consent; discussion of racism. \nWant (9m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nWant weaves together sexually explicit images with everyday moments and scenes of the ableist world. It works to get people hot and poses an insightful\, complex\, honest\, and sexy image of disability. \nContent note: Depiction of sex and ableism. \nSexxxy (3m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nSexxxy compels the viewer to take a closer look at wheelchairs and the people who use them. \nContent note: None. \nWaiting for Beast (10m)\nDir: Nikki Silver\, Country: USA\, Year: 2014\, Language/s: English\n“Waiting for Beast is at once a whimsical nod at the camp of queer porn and a political\, intimate commentary on life. As a wheelchair punk my DIY\, my freedom\, is mutual aid. We work with what we got! During the making of this film\, I was waiting for a new power chair\, waiting for folks to meet me as they can\, and in turn\, people wait for me as I romp around and am pushed in my manual chair. This is wheelchair smut\, and we have various ways of getting our chairs and our sexy selves where we need to go.” Lyric Seal \nContent note: Depiction of sex including light BDSM. \nSadistic Nurse (11m)\nDir: Pandora Blake\, Country: UK\, Year: 2015\, Language/s: English\nThis hot and very edgy spanking scenario was written by the performers\, real-life couple David Weston and Talia Lane. They wanted to explore a humiliating punishment that incorporates David’s wheelchair\, creating a scene in which his character is completely helpless. \nContent note: Depiction of sex including BDSM and consensual non-consent. \nWall of Fire (6m)\nDir: Lisa Ganser\, Nomy Lamm\, Country: USA\, Year: unknown\, Language/s: English\nRoles switch\, paddles hit & control shifts when two fat bodied gender queer women\, lovers off camera\, push limits of pleasure\, penetration & trust\, engaged in an afternoon of tender making out and consensual amputee sex. \nContent note: Depiction of sex including BDSM.
URL:https://www.sqiff.org/event/lukejack-present-sexxxy-beasts-and-wheelchairs/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,BSL,Deaf,Disability,English language,Films,Hearing loop,Lesbian,Shorts,Speech to Text,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sexxxy_beasts_and_wheelchairs-e1566388218751.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T151500
DTEND;TZID=UTC:20191004T164500
DTSTAMP:20260505T012255
CREATED:20190828T110139Z
LAST-MODIFIED:20190901T120755Z
UID:9187-1570202100-1570207500@www.sqiff.org
SUMMARY:SX presents: What Brings You On Here?
DESCRIPTION:Filmmaker and poet Ross Wilcock presents films focusing on the experiences of gay men with online dating. A history of gay sex and cruising from the 70s to the internet takeover of today. Dissatisfaction with emotionless encounters and the yearning for something more. Meeting up with men online as a way of expressing your queerness when you’re not out. The sometimes all-consuming obsession of people with their phones. Grindr\, swiping left\, hooking up\, insecurities\, getting tested\, and a bit of hot sex are all contained in this challenging selection. \nCurated by Ross Wilcock\, who will host a discussion after the screening with director Sean Lìonadh. In partnership with SX\, Sex Health Wellbeing for Gay & Bisexual Men provided by Waverley Care. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611626/events/129089660′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAudio description available. Films are otherwise relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nHave We Met Before? (12m)\nDir: Oliver Mason\, Country: UK\, Year: 2019\, Language/s: English\nA short docudrama exploring the history of sex in the gay community from the 1970s to the present day\, and how the internet has changed the way queer men meet forever. \nContent note: Depiction of sex. \nFun Only (9m)\nDir: Lukas Revzin\, Country: UK\, Year: 2018\, Language/s: English\nGrowing tired with emotionless digital encounters\, Matt yearns for something more substantial. \nContent note: Depiction of sex. \nJamie (10m)\nDir: Christopher Manning\, Country: UK\, Year: 2016\, Language/s: English\nShy\, quiet Jamie spends a revealing afternoon with Ben after meeting on a dating app. As they chat\, Jamie finds himself opening up and letting loose his hopes and fears in an unexpected awakening. \nContent note: Discussion of homophobia. \nThe Date (15m)\nDir: Christopher Birk\, Country: USA\, Year: 2015\, Language/s: No dialogue\nTwo guys meet on a date – but it is not your ordinary date\, as they both soon discover. \nContent note: None. \nThirst (8m)\nDir: Eoin Maher\, Country: UK\, Year: 2017\, Language/s: English\nDrew leaves another disappointing gay hook up and wonders why he feels so alone. This revealing monologue delves deep into the mind of a lonely gay man. His desires\, his insecurities\, and his wavering belief he’ll find love. \nContent note: Brief depictions of sex and blood. \nTonight (2m)\nDir: Sean McInally\, Country: UK\, Year: 2017\, Language/s: English\nLooking for fun\, looking for home\, looking for assurances\, but maybe not tonight. Tonight is a circular short film by Sean McInally exploring the relationship of a user with his hook-up app. From swiping left to getting tested\, Tonight shows the reality for many. \nContent note: Brief depictions of sex and blood.
URL:https://www.sqiff.org/event/sx-presents-what-brings-you-on-here/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Audio description,BSL,Discussion,English language,Films,Gay men,Hearing loop,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_what_brings_you_on_here-e1565721966210.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T150000
DTEND;TZID=UTC:20191004T161500
DTSTAMP:20260505T012255
CREATED:20190828T110202Z
LAST-MODIFIED:20190901T120821Z
UID:9184-1570201200-1570205700@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Spaces
DESCRIPTION:How does queer visibility transform physical and symbolic space? What roles do specific spaces have in altering the way that we navigate and represent ourselves in public? Why are alternatives to heteronormative space important for our communities? In this collection of shorts\, we explore what ‘home’ and ‘public space’ means to the LGBTQIA+ communities of Paris; join a young trans man as he navigates gendered space on the Delhi metro; and follow the campaign to save one of London’s most iconic queer spaces\, the Joiner’s Arms. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611627/events/129089661′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English\, French\, and Hindi audio with English subtitles/captions. Hearing loop available. \nFilms are not accessible to English-speaking blind and partially sighted audiences with some explanatory dialogue\, mostly dark images\, and only around half in English. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLes Clefs de Chez Moi (26m)\nDir. Ray Van Huizen and Ella Martin-Gachot\, Country: France\, Year: 2019\, Language/s: French\, English\nFilmed in Paris while Ray Van Huizen and Ella Martin-Gachot were studying abroad\, the documentary explores the relationship that people in the LGBTQIA+ communities of Paris have with the concepts of home and public space. \nContent note: Discussion of mental health issues including suicide\, violence\, transphobia\, biphobia\, and racism. \nTrojan Horse / Rainbow Flag (26m)\nDir: Ian Giles\, Country: UK\, Year: 2019\, Language/s: English\nWorking directly with members of Friends of the Joiners Arms\, Ian Giles’ newly-commissioned film Trojan Horse/Rainbow Flag examines the campaign to save this iconic LGBTQI+ space. The title is inspired by campaigner Amy Roberts\, when describing the cynical approach of property developers seeking to push through proposals to erase queer spaces by disingenuously claiming that their LGBTQI+ status would remain unchanged post-development. \nContent note: Discussion of abusive relationships\, violence\, queerphobia\, misogyny\, and classism. \nPlease Mind the Gap (20m)\nDir. Mitali Trivedi and Gagandeep Singh\, Country: India\, Year: 2018\, Language/s: Hindi\, English\nDelhi meets at the metro. The snaking lines of the tube connect the whole city. Passengers board from different places but for a brief moment in time they are all headed in the same direction. We share one such ride with our co-traveller Anshuman\, a trans man. As the stations pass by we begin to look at the metro space from his perspective. His is the story of reclaiming public space and one’s own self. The doors will open on the quest. Please mind the gap. \nContent note: Discussion of transphobia.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-spaces/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,Films,Hearing loop,People of colour,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_queer_spaces-e1565721423807.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T123000
DTEND;TZID=UTC:20191004T140000
DTSTAMP:20260505T012255
CREATED:20190828T110225Z
LAST-MODIFIED:20190901T120849Z
UID:9181-1570192200-1570197600@www.sqiff.org
SUMMARY:See Me Proud presents: Mental Health Shorts
DESCRIPTION:We know that mental health issues disproportionately affect LGBTQIA+ individuals and communities\, who often experience difficulties in accessing support. To create space for discussion and representation of these topics\, we’ve curated a collection of insightful and powerful shorts in partnership with See Me Proud. Topics covered include depression\, anxiety\, loneliness\, irrational thoughts\, living with bipolar disorder\, medication\, and queerphobia encountered whilst obtaining treatment. The films incorporate a diversity of identities and styles\, including animation\, experimental\, documentary\, and sci-fi. \nFollowed by a discussion on themes raised in the films with See Me Proud. With refreshments sponsored by Clever Kombucha. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611628/events/129089662′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English and Chinese audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nFilms are moderately accessible to English-speaking blind and partially sighted audiences with mostly English language\, some explanatory dialogue and voiceover\, and/or relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nDon’t Blame Jack (29m)\nDir. Dale John Allen\, Country: UK\, Year: 2019\, Language/s: English\nDon’t Blame Jack follows newly diagnosed manic-depressive\, Jack\, as he battles with the thought of life without his beloved ‘mania’. Now on a daily cocktail of anti-psychotics and anti-depressants\, Jack searches for the adrenaline-fuelled\, extraordinary manic highs in the most ordinary of places. He escapes his drab\, routine-filled existence by jumping into the arms of strangers\, searching for moments of magic. \nContent note: Depiction of sex including light BDSM\, nudity\, self-harming scars\, and blood; discussion of mental health issues including self-harming and violence; brief reference to suicide. \nHanging by a Thread (3m)\nDir: Russell Atkinson\, Country: UK\, Year: 2019\, Language/s: English\nHanging by a Thread is director Russell Atkinson’s final BA Animation film\, highlighting the struggle of loneliness and irrational thought. \nContent note: Depiction of mental health issues; animated\, abstract depiction of violence. \nMy Crazy Boxers (9m)\nDir. Krissy Mahan\, Country: USA\, Year: 2019\, Language/s: English\nSuicidal\, or a working class butch caught in the wrong underpants? A re-enactment of an actual interview at a mental health facility. \nContent note: Discussion of mental health issues including brief reference to suicide; depiction of queerphobia. \nMy Room 37 (14m)\nDir. Beatrice Wong\, Country: Hong Kong\, Year: 2018\, Language/s: Chinese\, English\nWill I stay or will I leave this room that has felt the best? A brief first-hand account of my darker days in depression\, journeying through my tangled thoughts to the exit. \nContent note: Depiction of mental health issues\, mild violence\, and nudity. \nTurning (2m)\nDir. Linnéa Haviland\, Country: UK\, Year: 2019\, Language/s: English\nVoices in a crowd stir violent emotions and microaggressions bring up past traumas. Then a turning shifts the emotional landscape… \nContent note: Depiction of mental health issues.
URL:https://www.sqiff.org/event/see-me-proud-presents-mental-health-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Disability,Discussion,Films,Gay men,Hearing loop,Lesbian,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_mental_health-e1565720228708.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T173000
DTEND;TZID=UTC:20191003T193000
DTSTAMP:20260505T012255
CREATED:20190822T092848Z
LAST-MODIFIED:20190911T140548Z
UID:9298-1570123800-1570131000@www.sqiff.org
SUMMARY:VR & Interactive Exhibition
DESCRIPTION:Our VR & Interactive Exhibition showcases stories from around the world told using the latest technology and innovative techniques. Experience the lives of trans people in Japan through the nostalgic style of early gaming\, share eight LGBTQI+ individuals in Australia’s intimate memories of their mother’s kitchens via an interactive documentary\, observe a mother and son discuss homophobia in Russia in 360 degree video\, and lots more. No prior knowledge required – the SQIFF team will be on hand to guide your experience! \nThe exhibition will launch with a special event on Thursday 3 October 5.30- 7.30pm and will be open Friday 4 October 12-5pm and Saturday 5 October 12-3pm. \nClick here to sign up for the Exhibition Launch on Thursday 3 October. Free and unticketed for other Exhibition days. Please note you may need to join a waiting list to try out some projects when you come along. \n  \n\nACCESS \nThe projects have different age recommendations but the exhibition will have experiences suitable for ages 12+. \nWe will have full details online soon of the accessibility of the different projects featured in the exhibition. A portable induction loop is available in the library – please let a member of staff know if you require this when you visit the Library or send us an email to info@womenslibrary.org.uk to arrange this in advance. \nLarge print versions of handouts available. \nGlasgow Women’s Library has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for Glasgow Women’s Library’s Accessibility Guide. \nProgramme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org.
URL:https://www.sqiff.org/event/vr-interactive-exhibition/
LOCATION:Glasgow Women’s Library\, 23 Landressy Street\, Glasgow\, G40 1BP\, United Kingdom
CATEGORIES:Exhibition,Free event,Hearing loop,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-VR-Interactive-Exhibition-41-e1566466041363.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T150000
DTEND;TZID=UTC:20191003T161000
DTSTAMP:20260505T012255
CREATED:20190828T110549Z
LAST-MODIFIED:20190901T121345Z
UID:9158-1570114800-1570119000@www.sqiff.org
SUMMARY:SQIFF Shorts: Come Out Fighting
DESCRIPTION:Pushed into corners through marginalisation and oppression\, the characters in these short films come out fighting for their bodily autonomy\, rights\, and liberation. YaliniDream performs a poem of refugee/migrant love for self and the world. Artist Liberty Antonia Sadler uses poetry to celebrate larger bodies in a fatphobic society. In Ponyboi\, an intersex runaway and sex worker finds self-redemption and love. The Wind on your Skin sees a young Namibian woman fighting back after her girlfriend is murdered for being lesbian. Eyes explores moving through the world as a gender non-conforming person choosing between being visible versus being safe. And BLACKN3SS dives into the journey of black queer youth in São Paulo. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611635/events/129089766′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English and Portuguese audio with English captions/subtitles. Hearing loop available. \nMost of the films are relatively accessible to English-speaking blind and partially sighted audiences with poetic voiceover or explanatory dialogue and majority English language and/or quite bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nI Am / YaliniDream (2m)\nDir: YaliniDream\, Krissy Mahan\, Country: USA\, Year: 2019\, Language/s: English\nYaliniDream — Lankan Tamil Blood\, Manchester-Born\, Texas-Bred and Brooklyn-Brewed\, performs a poem of refugee/migrant love for self and the world\, through dance and a hiphop beat. \nContent note: None. \ntenderfluid (3m)\nDir: Liberty Antonia Sadler\, Country: UK\, Year: 2019\, Language/s: English\nCelebrating the hypnotic plasticity of a larger body\, tenderfluid is visible softness as protest; a counterpoint to the rigidity of diet culture\, cis-heteronormativity and toxic dogmas of weight gain & queerness as failure. \nContent note: Discussion of fatphobia. \nPonyboi (19m)\nDir: River Gallo\, Sade Clacken Joseph\, Country: USA\, Year: 2019\, Language/s: English\nPonyboi is an intersex runaway. He works at a laundromat and hustles as a sex worker. But after a mysterious encounter with a man from his dreams\, he learns that perhaps he is worthy of leaving his seedy life in New Jersey behind. Ponyboi is a queer film about discovering self-redemption and love. \nContent note: Non-graphic sex scenes; depiction of violence including suggestion of sexual violence. \nThe Wind on your Skin (18m)\nDir: Naomi Beukes\, Country: Namibia\, Year: 2018\, Language/s: English\nA community is shaken when a young woman is murdered because of whom she loved. This is the 4th short story in the award winning series The Centre-Stories about the lives and loves of African Women in Berlin created by Namibian Filmmaker\, Naomi Beukes. \nContent note: Depiction and discussion of violence and death; discussion of sexual assault. \nEyes (5m)\nDir: Lily Ash Sakula\, Country: UK\, Year: 2019\, Language/s: English\nEyes is about moving through the world as a gender non-conforming person and the tension between our fierce desire to be seen and an equally strong need for safety. Both are crucial to our survival as trans people\, and yet they are often at odds: forcing us to choose. \nContent note: Depiction of mental health issues. \nBLACKN3SS (22m)\nDir: Diego Paulino\, Country: Brazil\, Year: 2018\, Language/s: Portuguese\nBetween melanin and far away planets\, BLACKN3SS proposes a dive into the journey of the black youth of São Paulo city. A documentary on blackness\, queerness\, and spacial aspirations of the diaspora’s children. \nContent note: Discussion and depiction of anti-black racism; brief visual and spoken references to sexual violence. \nMy Spine is a Beautiful Sea Monster (2m)\nDir: Theresa Heath-Ellul\, Country: UK\, Year: 2019\, Language/s: English\nThe idea for this film developed at a 2017 SQIFF filmmaking workshop which encouraged attendees to embrace a part of their bodies or selves they found challenging or difficult\, and to turn it into something beautiful. I have always found my scoliosis very unattractive and never wear clothing which reveals my back. However\, I do love the sea\, glitter and sequins. I therefore decided to create a beautiful\, be-sequinned sea monster out of my spine which would then dance according to my curvature. \nContent note: None.
URL:https://www.sqiff.org/event/sqiff-shorts-come-out-fighting/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Films,Hearing loop,Intersex,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_come_out_fighting-e1565717185697.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T120000
DTEND;TZID=UTC:20191003T131500
DTSTAMP:20260505T012255
CREATED:20190828T110654Z
LAST-MODIFIED:20190906T204522Z
UID:9151-1570104000-1570108500@www.sqiff.org
SUMMARY:SQIFF Shorts: Luv Sucks
DESCRIPTION:Romantic relationships can be tough. SQIFF offers up an alternative to punching walls and texting your ex when pished with these shorts from the heart – as in stomping all over it and dumping it in the trash. A bisexual trio have a bust up in a toilet. A boy in a bath pines over his unavailable roommate. A woman has a near-but-not-quite romantic encounter with a fellow deafie. The vast power of the cosmos can’t prevent a bickering lesbian couple from breaking up. A sex worker has his hopes dashed by the man he loves. And in 2033 Botswana\, a man loses his lover to dystopian despair. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611637/events/129089814′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have a mixture of Arabic\, English\, Spanish\, Portuguese\, and Tswana audio and BSL with English subtitles/captions. Hearing loop available. \nMost of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling\, minimal dialogue\, and majority non-English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nTo Starboard\, I Vomit (6m)\nDir: Tarek Sardi\, Country: Tunisia\, Year: 2019\, Language/s: Arabic\nZarga\, Dorra\, and Mohammed find themselves after years of separation together\, reunited in a club’s toilet. Between betrayal and unspoken truths\, the old classmates reveal their deepest secrets and taboos. \nContent note: Depiction of homophobia\, misogyny\, and violence; discussion of sex. \nYour Towel (3m)\nDir: Zhizi Hao\, Country: UK\, Year: 2017\, Language/s: English\nA young gay man and his roommate’s intimate moment in the bathtub. \nContent note: Discussion of sex. \nAlmost… (5m)\nDir: Teresa Garratty\, Country: UK\, Year: 2019\, Language/s: BSL\, English\nA chance encounter between two girls sparks an unspoken connection. Everything seems so effortless\, so perfect… Almost. Written and directed by award winning filmmaker\, Teresa Garratty\, produced by Flashing Lights Media\, and funded by BSLBT. \nContent note: None. \nSolarity (8m)\nDir: Marianne Verrone\, Country: USA\, Year: 2019\, Language/s: English\nAn exploration of perception\, proximity\, and intimacy within a queer cosmos. \nContent note: None. \nLast Words [sic] (6m)\nDir: Hugo Ljungbäck\, Country: USA\, Sweden\, Year: 2017\, Language/s: No spoken language\nLast Words [sic] revisits an angry email the artist received from an ex-boyfriend. The text is taken verbatim from his goodbye-letter\, and tells a humorously painful story of lost love\, betrayal\, and desire\, as the writer grows increasingly delusional\, defensive\, and passive-aggressive with each paragraph. \nContent note: Discussion of sex. \nFree Fall (14m)\nDir: Santiago Henao Vélez\, Country: Colombia\, Year: 2018\, Language/s: Spanish\nOut of the hunting shadows of sexual underground Medellin\, sixteen-year-old Jhony is excitedly hopeful about a date with the boy he loves. \nContent note: Depiction of sex and drug-taking. \nTea for Two (20m)\nDir: Julia Katharine\, Country: Brazil\, Year: 2018\, Language/s: Portuguese\nSilvia is a middle-aged filmmaker having a life crisis. The same night that she is surprised by the visit of her ex-wife\, who left her a few years ago\, she meets another woman who fascinates her. Tea For Two is thought to be the first film directed by a trans person to ever be commercially released in Brazilian cinemas. \nContent note: Depiction of transphobia. \n2064 (12m)\nDir: Joseph Adesunloye\, Country: Botswana\, Year: 2019\, Language/s: Tswana\nDevastating population growth\, famine\, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting\, ever-warming climate\, and a ballooning population.  A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful\, and the continent’s wildlife begins to flourish again. In 2064\, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull. \nContent note: Discussion and depiction of death and suicide.
URL:https://www.sqiff.org/event/sqiff-shorts-luv-sucks/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Deaf,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_luv_sucks-e1565716193434.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T190000
DTEND;TZID=UTC:20191002T210000
DTSTAMP:20260505T012255
CREATED:20190802T105823Z
LAST-MODIFIED:20191001T095036Z
UID:9074-1570042800-1570050000@www.sqiff.org
SUMMARY:SQIFF 2019 Opening Night Shorts
DESCRIPTION:Sold Out – we can’t guarantee but there’s a good chance of returns if you come on the night 15 minutes before the event \nWe launch the Festival with a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. Adam and the Alphas depicts the camaraderie of gay rugby team\, the Glasgow Alphas. Bodies Like Oceans follows self-described queer fat freak and photographer\, Shoog McDaniel. I AM! We are Here! presents portraits of Queer\, Trans* and Gender Non Conforming People of Colour in the Bronx\, whilst Unspoken sees queer and trans Asian Americans writing emotional letters to their families. We Are Here follows members of the Manchester House of the Sisters of Perpetual Indulgence\, and Button OUT! is an animated homage to Canadian filmmaker Kathleen Mullen’s history of protest through the Canadian Lesbian and Gay Archives’ massive button collection. \nWe hope to welcome several of the filmmakers for a Q&A. Followed by a drinks reception at CCA sponsored by Drygate Brewing Co. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610489/events/129085543′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nAll films have English audio with English language subtitles/captions. The introduction and Q&A will be BSL interpreted. Hearing loop available. \nAudio description available. Films are otherwise largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBodies Like Oceans (13m)\nDir. Kat Cory\, Country: USA\, Year: 2019\, Language/s: English\nA dreamy portrait of photographer Shoog McDaniel\, a self-described queer fat freak\, whose work with fat bodies in nature transgresses reality. \nContent note: Discussion of racism\, misogyny\, and fatphobia. \nAdam and the Alphas (12m)\nDir. Stuart Thomas Graham\, Country: UK\, Year: 2019\, Language/s: English\nMade by students on the 2019 Documentary Production course at Stirling University. \nContent note: Discussion of homophobia. \nI AM! We Are Here! (7m)\nDir: Seyi Adebanjo\, Country: USA\, Year: 2018\, Language/s: English\nI AM! We Are Here! multimedia project documents the vitality and spirit of Queer\, Trans* and Gender Non Conforming People of Color in the Bronx. \nContent note: None. \nUnspoken (17m)\nDir: Patrick G. Lee\, Country: USA\, Year: 2019\, Language/s: English\nUnspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents\, and this film is their way of doing so. \nContent note: Discussion of homophobia and transphobia. \nWe Are Here (12m)\nDir. Ellie Hodgetts\, Country: UK\, Year: 2019\, Language/s: English\nThis documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go. \nContent note: Discussion and depiction of homophobia and transphobia\, including scenes of violence. \nButton OUT! (4m)\nDir: Kathleen Mullen\, Country: Canada\, Year: 2018\, Language/s: English\nButton OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto. \nContent note: Reference to sex\, homophobia\, transphobia\, and racism.
URL:https://www.sqiff.org/event/sqiff-2019-opening-night-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,Bisexual,BSL,Documentary,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/07/opening_shorts-e1564741728235.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T183000
DTEND;TZID=UTC:20191002T193000
DTSTAMP:20260505T012255
CREATED:20190802T105844Z
LAST-MODIFIED:20190922T110341Z
UID:9078-1570041000-1570044600@www.sqiff.org
SUMMARY:Autism-friendly Opening Night Shorts
DESCRIPTION:We are putting on an autism-friendly screening of our Opening Night Shorts programme. Autism-friendly screenings are designed to make the cinema more inclusive and accessible for people with sensory sensitivities\, and others who can benefit from this environment. We will not book the cinema more than half full. Lights will be left on low and sound turned down. People are welcome to make noise and move around. We will have a Quiet Space in the Intermedia Gallery on the top floor of CCA available for anyone to take some time out. \nThe programme features a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610490/events/129085544′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nAll films have English audio with English language subtitles/captions. Hearing loop available. \nFilms are largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBodies Like Oceans (13m)\nDir. Kat Cory\, Country: USA\, Year: 2019\, Language/s: English\nA dreamy portrait of photographer Shoog McDaniel\, a self-described queer fat freak\, whose work with fat bodies in nature transgresses reality. \nContent note: Discussion of racism\, misogyny\, and fatphobia. \nAdam and the Alphas (12m)\nDir. Stuart Thomas Graham\, Country: UK\, Year: 2019\, Language/s: English\nMade by students on the 2019 Documentary Production course at Stirling University. \nContent note: Discussion of homophobia. \nI AM! We Are Here! (7m)\nDir: Seyi Adebanjo\, Country: USA\, Year: 2018\, Language/s: English\nI AM! We Are Here! multimedia project documents the vitality and spirit of Queer\, Trans* and Gender Non Conforming People of Color in the Bronx. \nContent note: None. \nUnspoken (17m)\nDir: Patrick G. Lee\, Country: USA\, Year: 2019\, Language/s: English\nUnspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents\, and this film is their way of doing so. \nContent note: Discussion of homophobia and transphobia. \nWe Are Here (12m)\nDir. Ellie Hodgetts\, Country: UK\, Year: 2019\, Language/s: English\nThis documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go. \nContent note: Discussion and depiction of homophobia and transphobia\, including scenes of violence. \nButton OUT! (4m)\nDir: Kathleen Mullen\, Country: Canada\, Year: 2018\, Language/s: English\nButton OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto. \nContent note: Reference to sex\, homophobia\, transphobia\, and racism.
URL:https://www.sqiff.org/event/autism-friendly-opening-night-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Autism-friendly,Bisexual,Documentary,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/07/opening_shorts_autism-e1564742015859.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T153000
DTEND;TZID=UTC:20191002T165000
DTSTAMP:20260505T012255
CREATED:20190828T110726Z
LAST-MODIFIED:20190906T122302Z
UID:9147-1570030200-1570035000@www.sqiff.org
SUMMARY:LUX Scotland presents: where did we land + Fi Dem I & II
DESCRIPTION:London-based curator and artist Rabz Lansiquot screens their new moving image essay where did we land\, an ongoing experiment interrogating the effect of images of anti-black violence produced and reproduced in film and media\, and parts 1 and 2 of artist Zinzi Minott’s Fi Dem Series\, a continued investigation into Blackness and Diaspora made annually on the anniversary of the Empire Windrush docking in the UK on June 22nd 1948. The screening will be followed by a discussion with Rabz Lansiquot about their research on moving beyond representation and towards liberation in Black film\, and how queerness informs their approach. \nIn partnership with LUX Scotland\, a non-profit agency dedicated to supporting\, developing\, and promoting artists’ moving image practices in Scotland. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611638/events/129089883′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English and Patois audio with English language subtitles/captions. Hearing loop available. If you would like to attend this event and require BSL interpretation for the discussion\, please email access@sqiff.org at least 2 weeks in advance. \nFilms are not very accessible to English-speaking blind and partially sighted audiences with mostly image-based ideas. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLUX Scotland is a non-profit agency dedicated to supporting\, developing and promoting artists’ moving image practices in Scotland. Working at the intersection of the contemporary visual arts and film sectors\, its core activities include public exhibition and touring projects\, learning and professional development for artists and arts professionals\, distribution\, commissioning and production support\, research and sector advocacy. From its offices based in Glasgow\, it works with a growing network of national and international partners\, including museums\, contemporary art organisations\, film festivals and educational institutions\, to deliver its programme. Established in 2014\, LUX Scotland is a part of LUX and is supported by Creative Scotland.
URL:https://www.sqiff.org/event/lux-scotland-presents-where-did-we-land-fi-dem-i-ii/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Discussion,Films,Hearing loop,Non-narrative,People of colour,Shorts,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/lux_scotland-e1565715172800.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T123000
DTEND;TZID=UTC:20191002T135000
DTSTAMP:20260505T012255
CREATED:20190828T110818Z
LAST-MODIFIED:20190909T123927Z
UID:9129-1570019400-1570024200@www.sqiff.org
SUMMARY:SQIFF Shorts: Intimacies
DESCRIPTION:Touch\, connection\, sensuality\, bonding. Sharing of solidarity\, friendship\, grief\, and (com)passion. This selection of short films from the UK\, US\, Brazil\, and the Amazon trace intimacies between friends\, family\, communities\, and lovers. The revolutionary potential of femme for femme relationships. Upholding trans and immigrant identities and memory across generations. Busting childhood isolation and fear of being queer. Leaving your life behind due to youthful yearning. A slow-paced and tactile assortment of stories embracing many different faces and places. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611641/events/129089955′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English\, Persian\, French\, Spanish\, and Portuguese audio and ASL with English captions/subtitles. Hearing loop available. \nMost of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling\, minimal dialogue\, and majority non-English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \n#Familiar #Touch #Lost #Figures (13m)\nDir: Katy Jalili\, Country: UK\, Year: 2017\, Language/s: English\, Persian\n#Familiar #Touch #Lost #Figures is an exploration of queer ancestry and diaspora\, the hybrids between cultural traditions and contemporary queer identity. It explores brown bodies and femme for femme intimacies\, and the feeling of being between a search for home and finding home in a familiar stranger. \nContent note: Depiction of nudity. \nSilvia in the waves (13m)\nDir: Gio Olmos\, Country: Canada\, Year: 2018\, Language/s: French\nNoa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure\, identity and memory. \nContent note: Depiction of queerphobia. \nWelcome to the Ball (5m)\nDir: Adam Vincent Wright\, Country: USA\, Year: 2019\, Language/s: English\, ASL\nA child learns sign language in hopes of making a new friend. \nContent note: None. \nMy Grandson\, Charlotte (13m)\nDir: Tyler Pierreson\, Country: UK\, Year: 2019\, Language/s: English\nA transgender teen and his immigrant granddad\, a Sapeur from the Congo\, bond over their shared understanding of the importance of identity and of always being true to one’s self. \nContent note: Depiction of death. \nCarlito se va Para Siempre (13m)\nDir: Quentin Lazzarotto\, Country: UK\, Year: 2018\, Language/s: Spanish\nIn the Amazonian jungle\, the village of Palma Real resists the modern world. Carlito\, a silent young man\, decides to leave. On the muddy bed of the immense river\, an encounter reveals the secret that Carlito has hidden from his community. \nContent note: None. \nInfinite While It Lasts (19m)\nDir: Akira Kamiki\, Country: Brazil\, Year: 2019\, Language/s: Portuguese\nAfter falling in love at a party\, Danny and Seiji just want to be together. However\, their differences might prove stronger than their feelings. A fiction film about asexuality. \nContent note: Reference to sex.
URL:https://www.sqiff.org/event/sqiff-shorts-intimacies/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Asexual,Deaf,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_intimacies-e1565713848146.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190823
DTEND;VALUE=DATE:20190827
DTSTAMP:20260505T012255
CREATED:20190710T135110Z
LAST-MODIFIED:20190710T135856Z
UID:9054-1566532800-1566791999@www.sqiff.org
SUMMARY:SQIFF at Jupiter Rising
DESCRIPTION:We are really pleased to be taking part in Jupiter Rising music festival with 2 programmes of short films during the 3-day festival. Jupiter Rising takes place at Jupiter Artland near Edinburgh 23 to 25 August with a line-up including music\, performance\, film and moving image\, artist-led workshops\, wild swimming\, and more! \nTo find out more about Jupiter Rising and how to book tickets\, click here. \nFor information about Jupiter Artland\, how to get there\, and access information\, click here. \n  \nACCESS \nJupiter Rising is an outdoor festival\, two stages are undercover in large marquees\, one stage is located in the woods. \nEach stage will include a reserved viewing area for wheelchair users and their carers. Other areas include a bar\, cinema\, workshops and activities tent\, all of which are wheelchair accessible and undercover. \nThe ground at Jupiter Artland is grass\, paths\, natural woodland and meadow\, which can sometimes be uneven underfoot or for wheelchair users. \nAccessible camping is located in a meadow\, a short distance away from the main stages. An accessible toilet is provided. \nA quiet space will be provided throughout the event and will be highlighted on the site map. \nThere will be gender-neutral toilets and two accessible toilets located in various locations\, highlighted on the site map. \nAssistance dogs are welcome provided they are on a lead (Jupiter Artland has livestock on site). \nPlease get in touch to let us know if you require a large print version of the printed programme\, which will be available to pick up from the Box Office. \nEar plugs will be available from the Box Office. \nStrobe lighting may feature in some performances and film screenings. \nSQIFF film screenings are in a variety of languages with English language captions for D/deaf and Hard of Hearing audiences. Many of the films are based largely on visual ideas with little spoken language. \nJupiter Rising is committed to improving accessibility. If there is anything we can do to make it easier for you to attend\, or if you have any questions\, thoughts or feedback about access for this event\, please email enquiries@jupiterartland.org or call 01506 889900.
URL:https://www.sqiff.org/event/sqiff-at-jupiter-rising-music-festival/
LOCATION:Jupiter Artland\, Bonnington House Steadings\, Near Wilkieston\, Edinburgh\, EH27 8BY\, United Kingdom
CATEGORIES:Around one hour or less,Deaf,Disability,Documentary,Films,Gay men,Lesbian,Non-narrative,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/07/Black-is-me_ElliotBlue2-e1562766476648.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190601T190000
DTEND;TZID=UTC:20190601T210000
DTSTAMP:20260505T012255
CREATED:20190527T204803Z
LAST-MODIFIED:20190527T204803Z
UID:9022-1559415600-1559422800@www.sqiff.org
SUMMARY:Portraits of Artists as Young Men (& Women & Other)
DESCRIPTION:SQIFF curates a screening as part of Glasgow School of Art’s Degree Show programme\, Dress Rehearsal. Portraits of Artists as Young Men (& Women & Other) takes a look at the earlier\, formative days of queer artists who have gone on to make significant bodies of work. Featuring documentation and experimental meanderings by and/or about photographer Ajamu X\, circus performer Jennifer Miller\, and filmmakers Thomas Allen Harris and Barbara Hammer\, amongst others. Common themes emerge of hitting back against oppression and searching for identity through the creative process. \nThis event is free and unticketed. Just come along on the night. \nClick here for GSA’s full Dress Rehearsal Degree Show programme. \nACCESS \nFilms are in the English language with English language captions. \nFilms are experimental so some are quite visual-based but there is a relatively good amount of explanatory dialogue for blind and partially sighted audiences. Large print versions of handouts available. \nThe Art School has good access for wheelchair users. Click here for more details on venue access.
URL:https://www.sqiff.org/event/portraits-of-artists-as-young-men-women-other/
LOCATION:The Art School\, 20 Scott Street\, Glasgow\, G3 6PE\, United Kingdom
CATEGORIES:Documentary,English language,Films,Free event,Gay men,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/05/60781531_2435987289786519_2320778272654229504_o-e1558990069228.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190222T190000
DTEND;TZID=UTC:20190222T210000
DTSTAMP:20260505T012255
CREATED:20190215T155854Z
LAST-MODIFIED:20190216T182329Z
UID:8967-1550862000-1550869200@www.sqiff.org
SUMMARY:QTIPOC shorts for LGBT History Month
DESCRIPTION:For LGBT History Month\, SQIFF and the Coalition for Racial Equality and Rights (CRER) are partnering to showcase short films focusing on QTIPOC representation and ideas. \nMy Loneliness is Killing Me features a femme man of colour who invites a white man to his apartment for a hook-up\, unexpectedly unearthing a dark emotional connection. Clash is a short experimental documentary by queer Iraqi non-binary filmmaker Amrou Al-Khadi critiquing the lack of diversity in on-screen representation in Britain today. Iconic transgender artist and activist\, Marsha “Pay it No Mind” Johnson\, and her life in the hours before she ignited the 1969 Stonewall Riots in New York City are depicted in Happy Birthday\, Marsha!. \nThe event will be hosted by Samar Ziadat\, curator\, activist\, and co-founder of Dardishi\, with a discussion with local QTIPOC artists and activists following the screening. \nFREE ENTRY (no need to sign up\, just come along on the night) \nACCESS \nFilms in the English language with captions for Deaf and Hard of Hearing access. BSL interpretation for the discussion. Our venue\, Kelvin Hall\, is wheelchair accessible with accessible toilet facilities. For more information on the venue\, click here. Please get in touch via helen@sqiff.org with any questions about access. \nContent note: reference to violence and scenes of a sexual nature.
URL:https://www.sqiff.org/event/qtipoc-shorts-for-lgbt-history-month/
LOCATION:Kelvin Hall\, 1445 Argyle Street\, Glasgow\, G3 8AW\, United Kingdom
CATEGORIES:BSL,Discussion,English language,Films,Free event,Gay men,LGBT History Month,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/02/Clash-e1550246322786.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190209T130000
DTEND;TZID=UTC:20190306T230000
DTSTAMP:20260505T012255
CREATED:20190116T172150Z
LAST-MODIFIED:20190303T162705Z
UID:8914-1549717200-1551913200@www.sqiff.org
SUMMARY:SQIFF Shorts on Tour
DESCRIPTION:We present on tour an inclusive selection of LGBTQ+ short films from our 2018 Festival Opening Night. Headlining the programme is VISIBLE\, created by Campbell X and Kayza Rose\, who explore QTIPOC (queer\, trans\, and intersex people of colour) histories\, challenging mainstream perceptions and sanitisation of legacies\, and celebrating complexity\, multiplicity\, myths\, gossip\, and legends. Also featuring a lesbian sports star coming out\, being gay in the Maldives\, queer working class vulnerability\, and more. \nScreenings are taking place across Scotland for LGBT History Month. We are pleased director of VISIBLE\, Campbell X\, will join us for Q&As in Dundee\, Hawick\, Ayr\, Edinburgh\, and Stirling. \nSupported by Film Hub Scotland\, part of the BFI’s Film Audience Network. \nTo book\, see list of screenings and booking links below. \nCCA\, Glasgow in partnership with STUC LGBT+ Committee\, Saturday 9th February\, 1pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873601860/events/128926862′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nDundee Contemporary Arts\, Wednesday 13th February\, 6.15pm. Tickets £5-7.50. To book\, please use the button below or call DCA box office on +44 (0)1382 432 444. \n[bra_button text=’Buy Tickets’ url=’https://www.dca.org.uk/whats-on/event/sqiff-shorts-on-tour’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nThe Byre Theatre\, St. Andrews part of Queerfest with Saints LGBT+\, Friday 15th February\, 6pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/queerfest-sqiff-shorts-on-tour-tickets-55762679676′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nCornucopia\, Hawick in partnership with Scottish Borders LGBT Equality\, Saturday 23rd February\, 4pm. Free\, unticketed – just come along. \n  \nAyr Town Hall in partnership with Ayr Film Society and Ayrshire LGBTQ\, Sunday 24th February\, 6.30pm. Free\, unticketed – just come along. \n  \n50 George Square\, University of Edinburgh with MSc Film\, Exhibition and Curation\, Tuesday 26th February\, 7pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqiff-shorts-on-tour-in-edinburgh-tickets-55762331635′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nMacrobert\, Stirling in partnership with Stirling University LGBTQ+ Society\, Friday 1st March\, 7.30pm. Tickets £6. To book\, please use the button below or call Macrobert box office on +44 (0)1786 466 666. \n[bra_button text=’Buy Tickets’ url=’https://macrobertartscentre.org/event/sqiff-2018-opening-night-shorts-on-tour/’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nEden Court\, Inverness\, Monday 4th March\, 6.15pm. Tickets £3.50-5.50. To book\, please use the button below or call Eden Court box office on +44 (0)1463 234 234. \n[bra_button text=’Buy Tickets’ url=’https://eden-court.co.uk/event/sqiff-shorts-on-tour’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nBelmont Filmhouse\, Aberdeen in partnership with Grampian Pride\, Wednesday 6th March\, 7.30pm. Tickets £5. To book\, please use the button below or call Belmont Filmhouse box office on +44 (0)1224 343 500. \n[bra_button text=’Buy Tickets’ url=’https://www.belmontfilmhouse.com/showing/kino-bar-sqiff-shorts-tour’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nRound One (4m)\nDir: Ella Sowinska\, Year: 2017\nRound One creates a portrait of Nicola Stevens\, who played in the first professional Australian Football League women’s game in 2017. \nThere You Are (15m)\nDir. Lisa Donato\, Year: 2018\nA trans woman must dress like a boy to say goodbye to her dying grandmother. \nBlooming Night (9m)\nDir. Bell Zhong\, Year: 2017\nMesmerised by a pair of red heels\, a lonely street guy in Shanghai follows their owner into a club\, where he discovers a forbidden community that he has never experienced before. \nMedulla Oblongata (8m)\nDir. Roberto Nascimento\, Year: 2017\n“Life can be horrible. But it also can be beautiful. Really f***ing beautiful.” Abraham Naim aka drag queen Medulla Oblongata relates their story of escaping persecution for being gay in the Maldives and finding acceptance and community. \nCrashing Waves (4m)\nDir. Emma Gilbertson\, Year: 2018\nTwo young working-class men explore the intimacy and vulnerability of relationships in a combative dance against the backdrop of an inner city estate\, risking all under the scrutiny of a tight-knit community. \nTop 10 Places to Visit in São Paulo (14m)\nDir. Akira Kamiki\, Year: 2018\nOn a dreamy Sunday\, two photographers walk around São Paulo trying to connect with the city\, and slowly fall in love with each other. \nVISIBLE (20m)\nDir. Campbell X\, Year: 2018\nVISIBLE digs in and shreds misconceptions that LGBTQ+ people of colour have no history – and no story to tell. Weaving together the tales of inspirational ancestors\, contemporary artists\, political activists\, and community leaders – VISIBLE challenges mainstream perception and the sanitisation of LGBTQ+ legacies by celebrating complexity\, multiplicity\, and the myths\, gossips\, legends\, and truths of QTIPOC histories.
URL:https://www.sqiff.org/event/sqiff-shorts-on-tour/
CATEGORIES:Films,Gay men,Lesbian,LGBT History Month,People of colour,Shorts,Trans,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/01/CRASHINGWAVES_STILL02-e1547659300214.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181209T201500
DTEND;TZID=UTC:20181209T212500
DTSTAMP:20260505T012255
CREATED:20181025T081849Z
LAST-MODIFIED:20181113T223503Z
UID:8427-1544386500-1544390700@www.sqiff.org
SUMMARY:SQIFF Shorts: Tender Anguish
DESCRIPTION:Harika Özer is an impoverished trans sex worker whose family sought refuge from Siirt to Manisa in Turkey in the 80s. Raf\, a young queer man in the UK\, struggles to find his place amongst the crowd in a dive gay bar. Icarus arrives in a new city in Brazil and begins an affair with a man that soon goes agonisingly wrong. Real historical figure Mary MacLane cuts a forlorn queer figure in her lonely Montana hometown at the turn of the 20th Century. And Fetish is a Black man in the streets reclaiming his body through magic\, fire\, and defiance. Each character experiences pain and vulnerability and must negotiate how to cope in these stories of tenderness and anguish. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598286′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms are in English\, Portuguese\, and Turkish languages with English language subtitles/captions. Hearing loop available. \nFilms rely a lot on visual material to convey ideas and/or are non-English language\, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nThe Wonderful Affair (5m)\nDir: Tahir Ün\, Year: 2016\nHarika Özer is a child whose Kurdish family sought refuge from Siirt to Manisa at the end of 1980s. In his own words\, he is a transsexual feeling female spirit in his own body since early childhood. He has lived in Izmir since 2000 and makes a living through prostitution. This work is a documentary project realised by Harika (literally translated as ‘wonderful’)\, posing for the camera with all his self-confidence and courage. It gives the audience a non-judgemental stance against homophobia. \nFour Quartets (10m)\nDir. Marco Alessi\, Year: 2018\nOver the course of a night out in a gay dive bar\, Raf struggles to find his place amongst the crowd. Four Quartets is a short film about queer community\, and how the anxieties and conditioning we face sometimes stop us from letting ourselves belong. \nAdeus Estrada de Tijolos Amarelos (19m)\nDir. Hiran Matheus\, Year: 2018\nIcarus arrives in another city to try life as a telemarketer\, but when he goes out at night he is caught by a boy. Screenplay based on a Elton John song and filmed with a cell phone. \nBetween my flesh and the world’s fingers (31m)\nDir. Talena Sanders\, Year: 2018\nMary MacLane\, the Wild Woman of Butte\, Montana\, published her diaries in 1902 and 1917. As an out queer and proto-feminist at the turn of the century\, MacLane became notorious upon the publication of her 1902 diary\, I Await the Devil’s Coming. She was whisked away from the industrial hellscape of her copper mining Montana hometown to a life in the public eye as an author\, journalist\, female film pioneer and always a provocateur – sending up social norms throughout her career\, with a special focus on staid notions about women and sexuality. \nBetween my flesh and the world’s fingers is an experimental essay and diary film primarily based on her published diaries and her film work. \nFETISH (16m)\nDir. Topher Campbell\, Year: 2018\nThe character of Fetish is a representation of so many things. He is at once a clear form – a body – and formless\, like the bodies of Basquiat. As a Black man in the streets\, he is both positioned by othering and places himself in a world of looking\, power\, strength\, harassment\, fashion\, sexual objectification\, invisibility\, visibility\, admiration\, CCTV\, selfies\, vulnerability\, humour\, performance\, protest\, danger\, violence and humour. If you have ever been stopped by police for being Black\, embarrassment\, futility and vulnerability are at the apex of the experience. Or\, as is the case with Tamir\, Philando\, Freddy\, Sandra and so on\, being dead and treated like shit is what happens. Fetish in this film experiences and represents this painful embarrassment and vulnerability. It’s hard to watch and painful to experience. \nBy the end of the film through magic\, through fire\, through defiance\, through being a multi-dimensional being in touch with the elements\, Fetish reclaims his body and stands like a colossus in The City.
URL:https://www.sqiff.org/event/sqiff-shorts-tender-anguish/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/still_01-e1540470245873.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181209T150000
DTEND;TZID=UTC:20181209T170000
DTSTAMP:20260505T012255
CREATED:20181002T184621Z
LAST-MODIFIED:20181113T223559Z
UID:8286-1544367600-1544374800@www.sqiff.org
SUMMARY:SQIFF Shorts: Gay as in Hysterically Funny
DESCRIPTION:What does it mean to make fun of yourself and your community as an LGBTQ+ person? This programme examines queerness and onscreen comedy\, including short films by Raymond Yeung\, Jordan Firstman\, and Alli Logout\, and episodes from Ingrid Jungermann’s classic webseries\, F to 7th. Featuring self-loathing and loathable gay men\, butch lesbians in denial\, and queer femmes in their own carefree universe. \nFollowed by a panel discussion on queerness and comedy featuring comedian Rosie Jones and more guests tbc. \nScreening as part of QFN’s Gay as in Hysterically Funny tour for BFI Comedy Genius.  \nComedy Genius is a celebration of comedy on screen\, led by BFI\, the Independent Cinema Office and BFI Film Audience network\, supported by funds from the National Lottery. QFN is a strategic Film Hub Wales project and receives support from the BFI Film Audience Network.  \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqiff-shorts-gay-as-in-hysterically-funny-tickets-50921241805′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms are in the English language with English language subtitles/captions. BSL interpretation for panel discussion. \nFilms contains some visual ideas but have a lot of dialogue\, so are relatively suitable for blind and partially sighted audiences. Large print versions of handouts available. \nScottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nYellow Fever (27m)\nDir: Raymond Yeung\, Year: 1998\nA fun and astute look at the self-imposed prejudices of a gay Chinese-British man. Anglophile Monty is looking for his perfect man\, but only white British men need apply. That is until the attractive Jai Ming moves in next door and the two men seem to connect. Can Monty overcome his prejudices? Writer-director Raymond Yeung’s debut short is a light-hearted comedy of manners. \nF to 7th: Season 1\, Episode 2 “Tweener” (5m)\nDir. Ingrid Jungermann\, Year: 2013\nAn internally homophobic gay struggles to find herself in a world where sexuality and gender have left her old-fashioned lesbianism behind. In “Tweener\,” Ingrid tries to deny her butchness when barred from a lesbian bachelorette party\, whilst cheering on her softball team\, the Wet Lips\, alongside her misogynistic dyke friend.  \nCall Your Father (20m)\nDir. Jordan Firstman\, Year: 2016\nOn Josh and Greg’s first date\, they quickly realize that the generational divide between them is the least of their worries. The infuriatingly mixed messages from a cute but potentially sociopathic millennial force an older man to choose between hopping into bed with him and bailing\, in this darkly comical satire on entitled twenty-somethings. \nF to 7th: Season 1\, Episode 3 “Interchangeable” (12m)\nDir. Ingrid Jungermann\, Year: 2013\nGeeky and sensible Ingrid meets a woman online\, who invites herself over for a hot night of passion\, but what happens when both of them want to ‘be the man’? \nLucid Noon\, Sunset Blush (32m)\nDir. Alli Logout\, Year: 2015\n17-year-old bb gay Micha has just moved into The Palace – a basement full of queer femme Dominatrix\, lovers and misfits. They are beautiful\, carefree and as young as the night. An alternative\, comedy narrative of queer sex workers of colour.
URL:https://www.sqiff.org/event/sqiff-shorts-gay-as-in-hysterically-funny/
CATEGORIES:BSL,Discussion,English language,Gay men,Lesbian,People of colour,Shorts,Web series,Woman director
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2018/10/Screen-Shot-2016-08-10-at-5.27.00-PM-e1538505443299.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T210000
DTEND;TZID=UTC:20181208T230000
DTSTAMP:20260505T012255
CREATED:20181025T083917Z
LAST-MODIFIED:20181113T222429Z
UID:8445-1544302800-1544310000@www.sqiff.org
SUMMARY:Luke & Jack present: Bishop Black Retrospective
DESCRIPTION:We are excited to bring Berlin-based actor and performer Bishop Black to SQIFF to present a retrospective of his amazing and varied work. Bishop has worked with some of the most prodigious and provocative directors in queer porn including Shu Lea Cheang\, Erika Lust\, Morgana Muses\, and Bruce LaBruce. He has handpicked for us a selection of films central to the development of his career and approach\, exploring his transition from gay male to queer porn and his identity as a black queer performer amongst other themes. Join us for a stimulating and seductive evening of x-rated shorts followed by Bishop in conversation about his art with Drew Bigglestone and Ian Diamond of Luke & Jack.  \nIn partnership with Luke & Jack\, Scotland’s premiere sex boutique.  \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598294′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilm in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available. \nFilm relies on visual material to convey ideas but has a lot of voiceover and commentary\, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nHaving My Cake (20m)\nDir: Morgana Muses\, Year: 2015\nHaving My Cake is a sumptuous film detailing a woman’s journey to Paris where she manages to not only have her cake\, but eat it as well. Starring Morgana Muses and Bishop Black. \nDominate Me (12m)\nDir. Erika Lust\, Year: 2016\nCan you handle this one\, guys and girls? This is a story dripping with lust. A story about ecstasy in the land between pleasure and pain\, where restriction can feel like the warmest embrace\, and the lash of a whip like the softest kiss… Erika Lust’s latest release in XConfessions is a BDSM story about a man who longs to be dominated by a woman.  \nThe End (22m)\nDir. Noel Alejandro\, Year: 2018\nJavier is an obsessed artist who is grieving the end of a relationship. His sorrow comes as a combination of memories\, instinct and denial\, and the mourning’s harsh feelings will compromise his sense of reality. Surrounded by doubt\, and subjected to several addictions\, Javier fights to find peace – until his lattermost move take him to a surrealistic emotional purgatory. \nGloaming (12m)\nDir. Vex Ashley & Four Chambers\, Year: 2017\nThe period of time when the sun falls below the horizon line and tears of blue and orange gradiate the sky. I’ve always called this indigo hour but apparently it’s more commonly called blue hour and the Scottish call it the gloaming. \nThe indigo in the sky isn’t exactly black or blue\, it’s not quite day or night. It exists in a gap\, without definition. \nZombie Queer Punk Urban Post Porn Horror Show (5m)\nDir. Tchivett\, Year: 2017\nBasically a crazy romp through industrial Berlin by porn stars made up as zombies\, all of them licking and humping anything in sight like they’re fresh brains.
URL:https://www.sqiff.org/event/luke-jack-present-bishop-black-retrospective/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,BSL,English language,Films,Gay men,Hearing loop,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/D_60-e1540469119873.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T180000
DTEND;TZID=UTC:20181208T190000
DTSTAMP:20260505T012255
CREATED:20181025T085945Z
LAST-MODIFIED:20181113T220828Z
UID:8456-1544292000-1544295600@www.sqiff.org
SUMMARY:SQIFF Shorts: Deaf Perspectives
DESCRIPTION:A showcase of work by and about Deaf queer filmmakers and artists. Films include Dickie Hearts’ latest short\, zombie spectacular The Deaf vs The Dead; a documentary about Deaf gay porn actor\, Rick; a film-poem\, featuring Donna Williams\, about translation between British Sign Language and English\, Bilingual Poet’s Dilemma; and The Unlimited House of Krip\, a doc exploring the fusion of D/deaf and disabled performers with the extravagant world of vogue culture. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598305′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English and German as well as British\, American\, and German sign languages with English language subtitles/captions. Hearing loop available. \nFilms rely to some extent on visual material but most have explanatory dialogue and voiceover\, so are relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nThe Deaf vs The Dead – Episode 1: “Outbreak” (7m)\nDir: Dickie Hearts\, Year: 2017\nWhen the undead apocalypse breaks out in Los Angeles\, an out Deaf man must find a way to survive and protect his loved ones\, even if it means teaming up with some unlikely people. \nRick (16m)\nDir. Jan-Peter Horstmann\, Year: 2017\nRicco Muller was crowned Mr Gay Switzerland in 2009 and now finds a home under the bright lights of the adult film set as Rick Louis\, coming into himself away from the limitations that society has tried to put on him as a gay\, D/deaf person. \nBilingual Poet’s Dilemma (4m)\nDir. Sandra Alland & Ania Urbanowska\, Year: 2017\nDeaf poet Donna Williams playfully shows the difficulties of translation between British Sign Language and English. Poem in English and BSL by Donna Williams; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press\, 2017)\, edited by Sandra Alland\, Khairani Barokka and Daniel Sluman. \nThe Unlimited House of Krip  (26m)\nDir. Garry Robson & Jane Farley\, Year: 2018\nExploring the fusion of D/deaf and disabled performers with the extravagant world of vogue culture. Fittings Multimedia Arts formed a “House” of Deaf performers to walk in the Legendary House of Suarez Vogue Ball and the process – from auditions to performance – was recorded as a celebration of diversity.
URL:https://www.sqiff.org/event/sqiff-shorts-deaf-perspectives/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Deaf,Disability,Documentary,Films,Gay men,Hearing loop,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/06jpgRICK2-e1540475407573.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T153000
DTEND;TZID=UTC:20181208T171000
DTSTAMP:20260505T012255
CREATED:20181025T091127Z
LAST-MODIFIED:20190326T112300Z
UID:8462-1544283000-1544289000@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:Our 2018 Scottish shorts programme contains another exciting range of work by and about LGBTQ+ people and communities within our (un)fair land. Among the imagery and themes included are the search for community and intimacy\, trans embodiment\, anti-queer conditioning\, erotic fantasies in rural landscapes\, lost love\, spinsterhood\, tarot cards\, crayfish\, and witches! Featuring a spectrum of narrative and experimental styles encompassing melodrama\, film-poetry\, animation\, collective filmmaking\, documentary\, and diaristic footage. \nWe hope to be joined by a number of the filmmakers for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598307′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English\, Scottish Gaelic\, and British sign languages with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available. \nA mixture of film styles with around half relying on visual material to convey ideas and half conveying ideas via dialogue or voiceover. The large majority of films are English language. So\, the screening is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nMy Loneliness is Killing Me (16m)\nDir: Tim Courtney\, Year: 2018\nA young genderqueer individual searches for community and intimacy\, uncovering an unexpected sexual and emotional connection within the darker edges of the nocturnal metropolis. \nThese Are My Hands (8m)\nDir. Evi Tsiligaridou\, Year: 2018\nThese Are My Hands is a short documentary film-poem written and performed by radical British playwright\, Jo Clifford. It is a deeply moving\, personal account of transgender embodiment in a lifetime\, speaking of wounds\, challenges\, victories\, and the journey towards self-empowerment. The poet’s voice is embraced by a lyrical\, mesmerising soundtrack and together with the graceful and intimate visuals composes a profoundly tender piece. \nEnid & Valerie (2m)\nDir. Matthew Kennedy\, Year: 2018\nEnid & Valerie is a short film about a lone spinster named Valerie. Here we venture in to her dreams\, where she meets Enid (a witch). Could this be the start of an unlikely friendship? \nLong Lost Lover (5m)\nDir. Sandra Alland & Ania Urbanowska\, Year: 2017\nBisexual deaf poet\, Bea Webster\, performs a poem in British Sign Language about her return to Thailand. Poem in English and BSL by Bea Webster; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press\, 2017)\, edited by Sandra Alland\, Khairani Barokka and Daniel Sluman. \nHEARTS (8m)\nDir. Nas Saraei\, Year: 2018\nSarah\, a lost and stuck in a rut 20-something\, ponders and reflects on love in Edinburgh\, after losing the ‘one’ she thought was the ‘one’. \nPouring On House (10m)\nDir. Conor Baird\, Year: 2018\nPouring On House engages with the gradual event of leaving a longtime family home. This strange grief is caught between the familiarity and fascination of interiors and the surrounding suburban sites. Throughout\, a body surveys potential presences of contamination whilst coming to realise a disorientating hopelessness felt from ongoing anti-queer conditioning. \nSubmerged Village (21m)\nDir. Andrew Black\, Year: 2017\nExpanding on elements of Pamela Colman Smith’s drawing for The Moon tarot card – two dogs\, a freshwater crayfish\, a pool of water\, a mountainous landscape – Submerged Village takes discrete moments at rural locations in Yorkshire and the West coast of Scotland and claims them as queer experiences.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-2/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Deaf,Documentary,Films,Gay men,Hearing loop,Lesbian,People of colour,Scottish premiere,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/MLiKM-Bathroom-No-Title-Web-e1540467376929.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T150000
DTEND;TZID=UTC:20181208T164000
DTSTAMP:20260505T012255
CREATED:20181025T091616Z
LAST-MODIFIED:20181203T183246Z
UID:8465-1544281200-1544287200@www.sqiff.org
SUMMARY:DESIRES AND RESISTANCE | UNEARTHING TRANS LEGACIES
DESCRIPTION:Anonymous sexual encounters and flirtations with the camera\, dress-up with Flawless Sabrina\, and a night at the Stonewall Inn with Marsha P. Johnson: this programme proposes alternative modes of retrieving and disseminating a trans* past through an erotic gaze. Addressing an erasure of trans* legacies\, these works place trans* sexual expression and resistances in conversation with a non-linear idea of history that is both real and fabricated\, defiantly looking toward a future of pleasure\, play\, and beauty. \nCurated and presented by Finn Paul in partnership with Outfest LGBTQ Film Festival in LA. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’http://www.cca-glasgow.com/programme/sqiff18-desires-and-resistance-or-unearthing-trans-legacies’ target=’_blank’ size=’medium’ style=’rounded’ collar=’pink’] \n  \nACCESS \nFilms in the English language with English language subtitles/captions. The introduction will be BSL interpreted. Hearing loop available. \nFilms rely on visual material to convey ideas\, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nOutlaw – Excerpt – first 16 min (16m)\nDir: Alisa Lebow\, Year: 1994 \nLeslie Feinberg\, a self-identified “gender outlaw” who has spent much of zir life passing as a man\, speaks with passion and intelligence about zir exp… \nSt Pel (16m)\nDir. Jason Barker\, Year: 1998 \nInterviews with 5 friends and the queer retelling of a story of a medieval saint.\n \nFlyHole (6m)\nDir. Malic Amalya\, Year: 2017 \nFlyHole tells the story of a housefly who transitions into a man in order to cruise gay bars. Text and images are appropriated from the March 1985 issue of the adult\, gay digest magazine\, Manscape\, including illustrations by Mike Kuchar. \nShe Whose Blood is Clotting My Underwear (3m)\nDir. Vika Kirchenbauer\, Year: 2016 \nMade for the performance project Cool For You\, this video follows an artist’s research on thermal vision and the enhanced gazes of modern warfare. She uses these technical means to discuss intimacy and the body. \nAt Least You Know You Exist (16m)\nDir: Zackary Drucker\, Year: 2011 \nMade in collaboration with New York performer and drag queen Flawless Sabrina\, the film At Least You Know You Exist explores the interaction between two artists of different ages. \nFirst Love (5m)\nDir. Alec Butler\, Year: 2002 \nOur trans/2spirit/intersex hero Alick takes a walk in the birch grove with Kay\, the high school siren\, the girl of their dreams\, things get hot and wet\, melting hearts and the cold snow of the Canadian landscape. \nbeside the water\, 1999-2003 (12m)\nDir. Finn Paul\, Year: 2018 \nIn this provocative video essay\, queer artist Finn Paul mixes up sexual discovery\, community formation and the isolation of desert landscapes in a collection of erotic snapshots. \nMighty Real (3m)\nDir. Vicente Ugartechea\, Year: 2018 \nA young trans person embodies confidence and power in this cross-generational sexual encounter. \nHappy Birthday\, Marsha! (14m)\nDir. Reina Gossett and Sasha Wortzel\, Year: 2016 \nHappy Birthday\, Marsha! is a fictional short film that imagines transgender rights pioneers Marsha P. Johnson and Sylvia Rivera in the hours leading to the 1969 Stonewall riots in New York City. The film stars Mya Taylor as Marsha P. Johnson.
URL:https://www.sqiff.org/event/desires-and-resistance-unearthing-trans-legacies/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Documentary,English language,Films,Hearing loop,People of colour,Scottish premiere,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/BTW2-e1540467181344.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181207T183000
DTEND;TZID=UTC:20181207T193000
DTSTAMP:20260505T012255
CREATED:20181025T093601Z
LAST-MODIFIED:20181025T110717Z
UID:8477-1544207400-1544211000@www.sqiff.org
SUMMARY:on the tips of our tongues
DESCRIPTION:on the tips of our tongues intertwines artist film and sound works\, readings and new writing. Concerned with illegible archives and embodied gestures this thing stems from Camara Taylor’s ongoing practice based research project\, wet blue embrace(s)\, which explores strategies and aesthetic practices amidst the Black Queer Atlantic.  \nCurated and presented by artist and researcher Camara Taylor. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598312′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English with English language subtitles/captions. BSL interpretation for readings. Hearing loop available. \nPlease contact access@sqiff.org to find out more about the films and level of suitability for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/on-the-tips-of-our-tongues/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Discussion,English language,Films,Hearing loop,Non-narrative,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/Untitled-Facepalm-_-2015-e1540465629297.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181207T153000
DTEND;TZID=UTC:20181207T163500
DTSTAMP:20260505T012255
CREATED:20181025T094537Z
LAST-MODIFIED:20181113T210408Z
UID:8483-1544196600-1544200500@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Arab Lives
DESCRIPTION:A series of shorts that reveal the social intricacies of queer Arab life. Nazem\, a genderqueer Egyptian-Iraqi drag-queen\, prepares for a performance informed by childhood memories of her mother. A lesbian woman from Lebanon takes a fairground ride with her friends where their conversation turns to sex\, relationships\, and desire. And a Syrian trans woman navigates everyday life in 90s Beirut. \nCurated by Samar Ziadat in partnership with Dardishi\, a zine and Festival of Arab womxn’s art. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598315′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in Arabic\, English\, and French languages with English language subtitles/captions. Hearing loop available. \nFilms rely on visual material to convey ideas and are majority non-English language\, so less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nThree Centimetres (9m)\nDir: Lara Zeidan\, Year: 2018\nIn the oldest fun park of Beirut\, four young female friends go on a Ferris Wheel ride. During this claustrophobic open-air journey\, they touch on intimate subjects\, from making best use of three centimetres to Joanna’s recent breakup. However\, Suzie’s breakup advice leads to an unexpected confession. \nRUN(A)WAY ARAB (12m)\nDir. Amrou Al-Khadi\, Year: 2017\nNazeem is a 26 year old Middle Eastern drag queen who names herself QUEEN ZA DREAM – she is preparing for a show with the utmost gravity\, with an outfit evocative of an Egyptian deity.
 Interwoven with this is the story of Nazeem as a genderqueer 8 year-old boy\, and the close bond he has with his Iraqi-Egyptian mother\, Halima. Whilst flamboyant and in many ways a drag queen herself on the surface\, Halima is governed by the strict expectations of gender in Arab society. \nCinema Fouad (41m)\nDir. Mohamed Soueid\, Year: 1994\nKhaled\, a Syrian transgender migrant dreams of undergoing gender transition surgery. While trying to make a living from various menial jobs\, she falls in love with a Palestinian freedom fighter and joins his resistance. Gently\, compassionately\, Cinema Fouad draws a portrait of Khaled and introduces the viewer to one of Beirut’s rarely seen netherworlds.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-arab-lives/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Films,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/run-a-way-arab-22-e1540465026590.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181207T150000
DTEND;TZID=UTC:20181207T161000
DTSTAMP:20260505T012255
CREATED:20181025T095043Z
LAST-MODIFIED:20181113T210034Z
UID:8487-1544194800-1544199000@www.sqiff.org
SUMMARY:SQIFF Shorts: Weird and Wild
DESCRIPTION:An encounter with a strange funeral procession in Bethnal Green\, a family losing the plot after meeting their son’s trans girlfriend\, a middle-aged gay man seemingly eerily affected by a forest camping trip\, and queer feminist gangs doing battle in a violent\, dystopian present. Weird and Wild consists of work by filmmakers expert in creating tense atmospheres and queer moods whilst recounting their gripping tall tales. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598316′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English\, French\, and Norwegian languages with English language subtitles/captions. Hearing loop available. \nFilms rely on visual material to convey ideas and two out of four films are non-English language\, so less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nThe Brother (4m)\nDir: Kai Fi’ain\, Year: 2018\nOn a bleary eyed morning in Bethnal Green\, you never know who you might bump into. \nCalamity (22m)\nDir. Séverine De Streyker & Maxime Feyers\, Year: 2017\nFrance meets her son’s girlfriend for the first time. She loses control… \nSkogen (The Forest) (20m)\nDir. Magnus Mork\, Year: 2018\nA middle aged couple is tenting in a forest. Bjørn seems more used to the setting than Lars\, but they are both influenced by the nature. Surrounded by the trees they talk about big and small questions in life. A lovestory. \nSwarm of Selenium (23m)\nDir. Maude Matton & SJ Rahatoka\, Year: 2018\nIn the surreal dystopian present\, two queer feminist crews cohabit the shells of an abandoned malt factory. As a troubling pattern begins to emerge from their mouths in the form of shattered glass\, all are shaken\, but some are hit harder than others. Through dance\, visual work\, and anti-work\, they merge forces to try to care for one another and combat the insidious violent process which seems to increasingly come from within.
URL:https://www.sqiff.org/event/sqiff-shorts-weird-and-wild/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/swarm_img_1-e1540464797374.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181207T120000
DTEND;TZID=UTC:20181207T132000
DTSTAMP:20260505T012255
CREATED:20181025T102445Z
LAST-MODIFIED:20181107T222506Z
UID:8504-1544184000-1544188800@www.sqiff.org
SUMMARY:SQIFF Shorts: Bodies and Borders
DESCRIPTION:The most urgent issues surrounding identity and oppression revolve around bodies and borders. In Being Okey\, a gay Nigerian man is denied asylum in Switzerland and consequently caught between the constant fear of being sent home and hope of a life in safety. ABEO is an animation by Latinx artist Brenda M. Lopez Zepeda depicting the journey of two immigrants risking their lives to cross the Arizona desert. My Shoreline is an experimental film-poem about a disabled queer body in water\, and My Own Wings documents intersex people from around the world. Working class queer bodies and class borders are forefronted in Krissy Mahan’s All in a Day’s Work and the implication of supposed sexual boundaries is explored in Patricia Silva’s bisexual ode\, A Feeling More Than a Picture. Finally\, legendary lesbian filmmaker Barbara Hammer’s new short\, Evidentiary Bodies\, is a plea for empathy and compassion generated through the viewing of other beings.  \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598338/events/128819651′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English and Spanish languages with English language subtitles/captions. Hearing loop available. \nFilms are mixed with some relying on visual material to convey ideas and some using more dialogue. The majority are English language. So\, the event is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBeing Okey (34m)\nDir: Nadia Lanfranchi\, Nina Oppliger\, Corinne Pfister\, Year: 2017\nNigerian Okey describes seeking asylum in Switzerland after narrowly escaping death when a mob tried to kill him because he is gay. \nMy Shoreline (4m)\nDir. Aimee Louw\, Year: 2016\nAttempting to reach the Saint Laurence River boardwalk in Montreal proves to be an impossible task for Aimee in this film-poem on the everyday trials of a Disabled queer. \nABEO (7m)\nDir. Brenda M. Lopez Zepeda\, Year: 2018\nA hard-hitting mixed media animated short that depicts the journey of Nadia and Lupe\, two immigrants who risked their lives to cross the Arizona desert in search of a better life. \nMy Own Wings (8m)\nDir. Katia Repina\, Year: 2018\nMy Own Wings is a transmedia project that aims to explore intersex identity. \nAll in a Day’s Work (10m)\nDir. Krissy Mahan & Patricia Silva\, Year: 2018\nAll in a Day’s Work is a series of vignettes about two working class queers who each present as women. \nEvidentiary Bodies (9m)\nDir. Barbara Hammer\, Year: 2018\nA one screen version of an originally three screen immersion exploring illness\, time\, and the isolation of the material body. \nA Feeling More Than a Picture (5m)\nDir. Patricia Silva\, Year: 2017\nA queer reordering of cinematic gestures\, A Feeling More Than a Picture is a formal experiment with the bisexual vocabularies inherently present in the canon of cinema.
URL:https://www.sqiff.org/event/sqiff-shorts-bodies-and-borders/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Disability,Documentary,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/BeingOkey_2-e1540464087157.jpg
END:VEVENT
END:VCALENDAR