BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//SQIFF - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:SQIFF
X-ORIGINAL-URL:https://www.sqiff.org
X-WR-CALDESC:Events for SQIFF
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20180101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20200612T170000
DTEND;TZID=UTC:20200712T170000
DTSTAMP:20260504T195718
CREATED:20200613T091255Z
LAST-MODIFIED:20200613T091255Z
UID:9771-1591981200-1594573200@www.sqiff.org
SUMMARY:Sqifflix & Chill
DESCRIPTION:Click here to access the full programme. \nOur shorts programme Sqifflix & Chill\, as the title suggests\, includes a varied bunch of films about romantic love\, its joys\, pain\, and complexities. Sweet stories of intense connection are found in Selina Robertson’s Couple Time and Dickie Heart’s Passengers. Some of the painful and problematic aspects of love and dating are considered in Sam Berliner’s Dating Sucks about seeking love whilst trans\, and Rob Eagle’s Harding & his camera\, which investigates traces of illicit love in archives and the white gaze. Violent and oppressive structures that try to curtail who gets to be with who are the core of Adrian Garcia Gomez’s Mikveh about governments refusing to recognise certain relationships\, and Kiana Kalantar-Hormozi’s Poly Amour\, which decontructs conventional romantic structures. For a dark comedy approach to the madness that sometimes interferes with people’s love life\, Netflix & Chips is about a woman with a hot date who can’t get her chip shop job off her mind. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nCouple Time (6m) [click here to watch]\nDir: Selina Robertson\, Country: UK\, Year: 2015\nA suitcase full of Super 8 memories from Berlin. \nLanguage/s: English (not spoken) and German\n \nAccessibility for blind and partially sighted people: No spoken English; mostly visual ideas and onscreen text; mix of bright and dark images.\n \nSound design access notes: None\n \nAge recommendation: 12+ \nContent note: None\n \nDating Sucks: A Genderqueer Misadventure (13m) [click here to watch]\nDir: Sam Berliner\, Country: USA\, Year: 2013\nDating Sucks: A Genderqueer Misadventure is Episode 1 of an animated documentary webseries about the successes\, failures\, and incredible confusion of trying to date as a genderqueer/trans person. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover; bright images. \nSound design access notes: None \nAge recommendation: 12+ \nContent note: Discussion of sex and queerphobia.\n \nMikveh (6m) [click here to watch]\nDir: Adrian Garcia Gomez\, Country: USA\, Year: 2016\nIn this reinterpretation of the mikveh – a purifying ritual bath performed by Jewish brides about to marry – the filmmaker and his husband’s immersions are disrupted by a government which refuses to recognise their marriage. \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No dialogue – just sound effects; quite bright images. \nSound design access notes: Some abrasive and repetitive sound effects.\n \nAge recommendation: 12+ \nContent note: None\n \nHarding & his camera (12m) [click here to watch]\nDir: Rob Eagle\, Country: Palestine\, Israel\, Year: 2017\nAn ambiguous ‘love story’ documentary told through the 1930s archive of a British archaeologist who took a camera on his digs in the British Mandate for Palestine and fell in love with his Bedouin assistant. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.\n \nSound design access notes: None \nAge recommendation: 18+ \nContent note: Discussion of racism.\n \nPoly Amour (7m) (version with audio description integrated) [click here to watch]\nDir: Kiana Kalantar-Hormozi\, Country: UK\, Year: 2016\nHow capable are we to love boundlessly? This film explores polyamory\, deconstructing conventional stereotypes of the romantic relationship structure. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and quite bright images. Version with integrated audio description.\n \nSound design access notes: Loud\, abrasive sound effects at start of film. \nAge recommendation: 12+ \nContent note: Depiction of anti-polyamory sentiments. \nPassengers (5m) [click here to watch]\nDir: Dickie Hearts\, Country: UK\, Year: 2015\nA cab driver puts up with a series of irksome hearing passengers before picking up a cute guy more on his wavelength. \nLanguage/s: American Sign Language and English\n \nAccessibility for blind and partially sighted people: Limited dialogue\, mostly in ASL with subtitles; mostly bright images.\n \nSound design access notes: None \nAge recommendation: 12+ \nContent note: Depiction of ableism. \nNetflix & Chips (6m) [click here to watch]\nDir: Lock Up Your Daughters\, Country: UK\, Year: 2015\nA woman who works in a chip shop has a hot date but can’t get her job off her mind. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images.\n \nSound design access notes: None \nAge recommendation: 12+ \nContent note: Depiction of mental health issues.
URL:https://www.sqiff.org/event/sqifflix-chill/
CATEGORIES:Around one hour or less,Deaf,Films,Free event,Gay men,Lesbian,Polyamory,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/06/Mikveh-e1592039560949.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200526T170000
DTEND;TZID=UTC:20200626T170000
DTSTAMP:20260504T195718
CREATED:20200526T210922Z
LAST-MODIFIED:20200526T210922Z
UID:9767-1590512400-1593190800@www.sqiff.org
SUMMARY:Sqifflix: Sexual Content Warning
DESCRIPTION:Click here to access the full programme. \nFor anyone after some slightly xxx-y content to make lockdown more pleasureable\, we bring you Sexual Content Warning. A sweet night cleaner has his work cut out in Canada’s busiest gay bathhouse. Disability activist Andrew Gurza reflects on his first sexual encounter and how the event shaped his identity. Scottish filmmaker John Walter addresses cruising and sexual risk\, in particular around the ‘cottage\,’ a public toilet that is repurposed as a space of sex. Gustavo is a photographer who captures the bodies of naked men in public spaces in Sao Paulo. And writer and poet Aurora Levins Morales\, a.k.a. The Gimp Gourmet\, prepares a very special recipe! \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nThe Night Cleaner (5m) [click here to watch]\nDir: Blair Fukumura\, Country: Canada\, Year: 2016\nAs the night cleaner in Canada’s busiest gay bathhouse\, Travis has his work cut out for him. With good humour he shyly takes us on an amusing and sometimes harrowing tour through his nightly duties. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.\n \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 18+ \nContent note: Discussion of sex\, bodily fluids\, and brief reference to sexual harrassment; depiction of sex and bodily fluids. \n \nBedding Andrew (5m) [click here to watch]\nDir: Blair Fukumura\, Country: USA\, Year: 2014\nOn the eve of his 30th birthday\, Andrew\, a man with Cerebral Palsy\, reflects on his first sexual encounter and how the event shaped his identity as a gay man. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images. \nSound design access notes: Loud and abrasive sound effects. \nAge recommendation: 15+ \nContent note: Discussion of sex and ableism.\n \nCourtship Disorder (5m) [click here to watch]\nDir: John Walter\, Country: UK\, Year: 2015\nCourtship Disorder addresses cruising and sexual risk\, in particular around the ‘cottage\,’ a public toilet that is repurposed as a space of sex. Cruising for sex in real space has not disappeared despite the development of online cruising apps. ‘Courtship Disorder’ refers to a controversial term used by sexologists such as John Money to describe a spectrum of human behaviours\, especially in men\, including exhibitionism\, voyeurism\, toucherism\, rubbing\, and sexual assault. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Film is mostly visual with surreal monologues; bright images. \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 18+ \nContent note: Discussion of sex; depiction of sex and nudity.\n \nLightrapping (22m) [click here to watch]\nDir: Marcio Miranda Perez\, Country: Brazil\, Year: 2016\nGustavo is a photographer who captures the bodies of naked men in public spaces in Sao Paulo. One night\, young Pedro follows him\, curious and undecided about participating in the project. \nLanguage/s: Portuguese\n \nAccessibility for blind and partially sighted people: All in Portuguese with sparse dialogue; very dark images.\n \nAge recommendation: 18+ \nContent note: Discussion of sex; depiction of possible sexual violation.\n \nPussy Vinaigrette (3m) [click here to watch]\nDir: Patty Berne\, Country: USA\, Year: 2011\nThe Gimp Gourmet prepares a very special recipe! Starring\, written by and with fruit carving by Puerto Rican Jewish writer and poet Aurora Levins Morales. Does activist filmmaking have room for this much sexiness…? \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Poetic monologue with some visual ideas. Not very bright images. \nAge recommendation: 15+ \nContent note: Depiction of sexual imagery and suggestiveness.
URL:https://www.sqiff.org/event/sqifflix-sexual-content-warning/
CATEGORIES:Around one hour or less,Disability,Documentary,Films,Free event,Gay men,People of colour,Shorts,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/05/Lightrapping-1-1.2MB-e1590527354873.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200515T170000
DTEND;TZID=UTC:20200615T170000
DTSTAMP:20260504T195718
CREATED:20200515T181717Z
LAST-MODIFIED:20200515T183324Z
UID:9759-1589562000-1592240400@www.sqiff.org
SUMMARY:Sqifflix: Queer Horror Stories
DESCRIPTION:Click here to access the full programme. \nIn Queer Horror Stories we showcase provocative\, bizarre\, sometimes gory\, sometimes scary films that delve into the terror of queerness and oppression. In a dystopian 2064\, a federation of African States initiate an annual cull of men; a young gay man in Russia has a surprise in store for the ultranationalists who attack him; the unbearable weight of family expectations and difficulty of being stuck in unhealthy relationships are explored through formal film experiments; the movies of horror director Kang-Chien Chui are given a queer reading; and two queer feminist crews tackle violent forces in a surreal present. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \n2064 (12m) [click here to watch]\nDir: Joseph Adesunloye\, Country: Botswana\, Year: 2019\nDevastating population growth\, famine\, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting\, ever-warming climate\, and a ballooning population.  A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful\, and the continent’s wildlife begins to flourish again. In 2064\, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull. \nLanguage/s: Tswana\n \nAccessibility for blind and partially sighted people: Only Tswana spoken and mostly visual storytelling; relatively bright images.\n \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 15+ \nContent note: Discussion and depiction of death and suicide.\n \nCheat (2m) [click here to watch]\nDir: Ania Urbanowska\, Country: UK\, Year: 2015\nAt what cost to ourselves are we complicit in our families’ expectations for us? This is a film about breaking that unspoken contract; about the moment when cheating them of the person they want us to be stops feeling like a choice. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Small amount of surreal and poetic voiceover; dark images. \nSound design access notes: Loud and abrasive sound effects. \nAge recommendation: 15+ \nContent note: Discussion of suicide.\n \nPYOTR495 (15m) [click here to watch]\nDir: Blake Mawson\, Country: Canada\, Year: 2016\nSet in present-day Moscow\, 16-year-old Pyotr is baited by an ultranationalist group known for their violent abductions and attacks bolstered by Russia’s LGBT propaganda law\, but Pyotr has a dangerous secret his attackers haven’t accounted for. \nLanguage/s: Russian\n \nAccessibility for blind and partially sighted people: All Russian language with some dialogue and some image-based filmmaking; quite dark images. \nSound design access notes: Abrasive horror sound effects.\n \nAge recommendation: 18+ \nContent note: Discussion of sex including BDSM; depiction of homophobia\, xenophobia\, and graphic\, degrading\, and gory violence.\n \nStuck (11m) [click here to watch]\nDir: Ania Urbanowska\, Country: UK\, Year: 2013\nHave you ever been in relationship where you can’t see its problems…? \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No dialogue\, only music and sound effects; quite dark images.\n \nAge recommendation: 15+ \nContent note: Depiction of drug-taking.\n \nYi-Ren (the person of whom I think) (14m) [click here to watch]\nDir: Tzuan Wu\, Country: Taiwan\, Year: 2015\nA love letter in collage style\, consisting of found footage and a queer reading of the work of Kang-Chien Chui\, screenwriter of classic East Asian movies such as The Bells of Death and Twin Blades of Doom. \nLanguage/s: Mandarin\n \nAccessibility for blind and partially sighted people: All in Mandarin\, poetic voiceover; dark images. \nSound design access notes: Abrasive sound effects. \nAge recommendation: 15+ \nContent note: Suggestion of distress and violence.\n \nSwarm of Selenium (23m) [click here to watch]\nDir: Maude Matton & SJ Rahatoka\, Country: Germany\, Year: 2015\nIn the surreal dystopian present\, two queer feminist crews cohabit the shells of an abandoned malt factory. As a troubling pattern begins to emerge from their mouths in the form of shattered glass\, all are shaken\, but some are hit harder than others. Through dance\, visual work\, and anti-work\, they merge forces to try to care for one another and combat the insidious violent process which seems to increasingly come from within. \nSwarm of Selenium is a queer sci fi short film about collective healing\, trauma\, and other world-making. It was shot in Berlin in spring 2016 by a crew of more than 40 women\, nonbinary\, and trans artists. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Sparse and surreal dialogue; relatively dark images.\n \nSound design access notes: Lots of loud and abrasive sound effects and music. \nAge recommendation: 15+ \nContent note: Depiction of violence.
URL:https://www.sqiff.org/event/sqifflix-queer-horror-stories/
CATEGORIES:Films,Free event,Gay men,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/05/swarm_img_1-e1589566525244.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200507T170000
DTEND;TZID=UTC:20200607T170000
DTSTAMP:20260504T195718
CREATED:20200507T190808Z
LAST-MODIFIED:20200507T194555Z
UID:9751-1588870800-1591549200@www.sqiff.org
SUMMARY:Sqifflix: Gender Revealing
DESCRIPTION:Click here to access the full programme. \nIn our programme Gender Revealing filmmakers and characters play with and question gender norms and expectations. A genderqueer AFAB person experiments with male-pattern baldness\, Exa Zim narrates their life growing up trans\, ‘faux’ drag queens Sergina and Venus Dimilo strut their stuff\, and trans and genderless bodies float and move in unusual ways. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nJean (6m) [click here to watch]\nDir: Anna Stypko\, Country: USA\, Year: 2013\nA delightful eccentric has a haircut that transcends age and gender expectations. Set in the run-down Kensington neighbourhood of Philadelphia\, local artist Jean talks about her shoes\, hairstyle choices\, and why she changed her name. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Limited voiceover/dialogue and mixture of bright and dark images. \nSound design access notes: Some loud and abrasive music.\n \nAge recommendation: 12+ \nContent note: Depiction of misogyny\, homophobia\, ableism\, and mild violence.\n \nPhone Me Don’t Write (3m) [click here to watch]\nDir: Elly Clarke\, Country: USA/Germany\, Year: 2013-15\nA short film (and song) about love\, sex\, loneliness\, and relationships in the era of instant communications. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics\, otherwise all visual\, mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of sex\n \nAlexa to Exa (17m) [click here to watch]\nDir: Exa Zim\, Christian Marsh\, Country: USA\, Year: 2015\nA very personal documentary film about about transcending assigned identity. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover; mostly bright images. \nSound design access notes: Sudden loud music and abrasive sound effects.\n \nAge recommendation: 15+ \nContent note: Discussion of homophobia\, illness\, mental health issues\, and suicide.\n \nI Want to See You from a Different Perspective (3m) [click here to watch]\nDir: Elly Clarke\, Country: Canada/UK\, Year: 2014\nA song about trying and failing to change a person you are in a relationship with. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics\, otherwise all visual\, mix of bright and dark images.\n \nAge recommendation: 12+ \nContent note: None \nVenus (6m) [click here to watch]\nDir: Faye Carr-Wilson\, Magenta Sharp\, Country: UK\, Year: 2016\nVenus is a short documentary exploring gender roles within the drag community. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Some voiceover/dialogue and some visual ideas and storytelling; mixture of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of ableism\n \nInstantaneous Culture (3m) [click here to watch]\nDir: Elly Clarke\, Country: Germany\, Year: 2013-14\nA ballad about love in a time of mobile phones\, about wanting\, longing\, desiring but not really getting. Talk versus action\, song versus stillness\, and some great lingerie to go with it. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics\, otherwise all visual\, mix of bright and dark images.\n \nAge recommendation: 12+ \nContent note: None \nLeg\, Arm\, Head (11m) [click here to watch]\nDir: Scout Stuart\, Country: UK\, Year: 2016\nA highly controlled dancer moves away from the discipline and uniformity of ballet to explore her own identity. \nLanguage/s: English \nAccessibility for blind and partially sighted people: No dialogue – just sound effects and music; bright images. \nAge recommendation: 15+ \nContent note: Depiction of sex.\n \nFloat (5m) [click here to watch]\nDir: Sam Berliner\, Country: USA\, Year: 2015\nFloat is a celebratory experiment shot completely underwater and depicting trans and genderqueer folk swimming naked set to music by musician Rae Spoon. \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No spoken language\, only music and sound effects; quite bright images. \nAge recommendation: 12+ \nContent note: Depiction of nudity\n \nThe Race (4m) [click here to watch]\nDir: Soyoon Kim\, Country: South Korea\, Year: 2015\nTiny\, genderless figurines dance to J S Bach as their environment gives way and glitches out. \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No spoken language\, only music and sound effects; bright images. \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 12+ \nContent note: Depiction of homophobia\, misogyny\, biphobia\, butchphobia\, and classism.
URL:https://www.sqiff.org/event/sqifflix-gender-revealing/
CATEGORIES:Bisexual,Disability,Documentary,Films,Free event,Lesbian,Shorts,Trans,Woman director,Working class
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/05/Float-e1588878459978.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200428T173000
DTEND;TZID=UTC:20200527T173000
DTSTAMP:20260504T195718
CREATED:20200428T170145Z
LAST-MODIFIED:20200428T171448Z
UID:9725-1588095000-1590600600@www.sqiff.org
SUMMARY:Sqifflix: Funny Stuff
DESCRIPTION:Click here to access the full programme. \nFunny Stuff features comedy shorts with queer narratives and musings involving love potions\, a mystery trail of takeaway food\, Fisher Price characters brought to life\, cyborgs\, and zombies! \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nFloozy Suzy (25m) [click here to watch]\nDir: Otavio Chamorro\, Country: Brazil\, Year: 2015\nA hilarious-love-potion-gone-wrong tale where the aim is to win the love of the hottest guy at school. \nLanguage/s: Portuguese \nAccessibility for blind and partially sighted people: All in Portuguese; bright images. \nSound design access notes: Loud music and sound effects. \nAge recommendation: 18+ \nContent note: Depiction of misogyny\, homophobia\, ableism\, and mild violence.\n \nThe Usual (5m) [click here to watch]\nDir: Ruth McNally\, Country: Ireland\, Year: 2014\nIn a small country pub\, three Irish farmers are enjoying an afternoon’s drink when an unusual stranger walks in. His curious behaviour entertains them for a while but they won’t want someone like him hanging around their local for too long. \nLanguage/s: English (Irish dialect)\n \nAccessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images. \nAge recommendation: 12+ \nContent note: Reference to homophobia.\n \nBig Queer Failure (7m) [click here to watch]\nDir: Rebecca Tritschler and Ellie Fawcett\, Country: UK\, Year: 2017\nA DIY film celebrating and asserting our right to fail at life as individuals and communities. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover and bright images. \nAge recommendation: 12+ \nContent note: None \nMy Aunt Mame (9m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2015\nA funny/sad dramatization of a woman’s childhood visits to her working-class butch great aunt\, and what happened when she came out to her mom\, told through Fisher-Price people in homemade sets. \nLanguage/s: English with one line in Irish Gaelic \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images. \nSound design access notes: Some loud music \nAge recommendation: 12+ \nContent note: Discussion of sex\, the AIDS crisis\, and hospitalisation; depiction of hospitalisation.\n \nMymy (14m) [click here to watch]\nDir: Anna Helme\, Country: Australia\, Year: 2014\nIn a mythic cyberfeminist universe\, a frustrated young man yearns for affinity and connection. In an age of digital avatars\, he crafts a version of himself that is far more corporeal – by stitching together parts of himself to become his own cyborg twin. However\, his new clone has been corrupted by a techno-magick virus… \nLanguage/s: English \nAccessibility for blind and partially sighted people: Little spoken dialogue\, mostly image-based storytelling; mix of light and dark images. \nSound design access notes: Some loud and abrasive sound effects \nAge recommendation: 12+ \nContent note: Depiction of sex and nudity.\n \nThe Deaf vs The Dead – Episode 1: “Outbreak” (7m) [click here to watch]\nDir: Dickie Hearts\, Country: USA\, Year: 2017\nWhen the undead apocalypse breaks out in Los Angeles\, an out Deaf man must find a way to survive and protect his loved ones\, even if it means teaming up with some unlikely people. \nLanguage/s: ASL and English \nAccessibility for blind and partially sighted people: Limited spoken dialogue\, lots of visual storytelling; quite bright images. \nAge recommendation: 12+ \nContent note: Depiction of ableism and comedy violence.
URL:https://www.sqiff.org/event/sqifflix-funny-stuff/
CATEGORIES:Deaf,Free event,Gay men,Lesbian,People of colour,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/04/Floozy-Suzy-image-1-e1587937734702.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200427T173000
DTEND;TZID=UTC:20200527T173000
DTSTAMP:20260504T195718
CREATED:20200427T163702Z
LAST-MODIFIED:20200427T163702Z
UID:9729-1588008600-1590600600@www.sqiff.org
SUMMARY:Sqifflix: Fighting for Justice
DESCRIPTION:Click here to access the full programme. \nIn our very first Sqifflix outing we showcase activist short films in which people fight for their right to exist and against oppressive forces. The movies cover identities including Deaf\, Disabled\, and Two Spirit\, battle against patriarchy\, white supremacy\, and ableism\, and feature hip-hop\, a robot\, and superhero finger puppets. \nAll films have English language subtitles or captions. See notes below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nRegalia: Pride in Two Spirits (5m) [click here to watch]\nDir: David Ng\, Jen Sungshine\, Country: Canada\, Year: 2016\nThe story of Duane and his journey as someone who identifies as Two Spirit – a queer Aboriginal person. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover; mostly bright images. \nAge recommendation: 12+ \nContent note: Discussion of homophobia.\n \nLike a Riot (2m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2016\n“Like anyone who grew up with the Muppets and Fraggle Rock\, I have always wanted to have a puppet self. And of course I want my puppet self to hang out with Campbell X’s puppet self. Krissy Mahan has made it happen!” So Mayer \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mostly bright images \nAge recommendation: 12+ \nContent note: None\n \nTrans*march (2m) [click here to watch]\nDir: Simon Schultz von Dratzig\, Country: Germany/Canada\, Year: 2013\, Language/s: English\nAs the most politicized of the three marches during Pride week in San Francisco\, trans*march\, which had been running for ten years at the time this film was made\, has a tradition of raising visibility of a marginalised group within queer culture. This documentary records queer voices during the 2013 march and reflects political discussions concerning trans* and LGBT movements. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue; bright images. \nAge recommendation: 12+ \nContent note: Discussion of transphobia and racism.\n \nAmar: Deaf is an Identity (4m) [click here to watch]\nDir: David Ng\, Jen Sungshine\, Country: Canada\, Year: 2016\nAmar shares his journey as a queer South Asian activist\, and explains how it intersects with his identity and culture as a Deaf person. \nLanguage/s: ASL \nAccessibility for blind and partially sighted people: No spoken sound\, all in ASL with subtitles; mostly bright images. \nAge recommendation: 12+ \nContent note: None\n \nTax on Me (4m) [click here to watch]\nDir: Kiana Kalantar-Hormozi\, Country: UK\, Year: 2017\nLocal authorities in Scotland charge people for their care costs\, obliging people with disabilities to pay more than others to achieve the same basic human rights. Tax on Me is a hip-hop music video by filmmaker Kiana Kalantar-Hormozi and media coop responding to the Care Tax and the effect it has on people who need support. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Quite a lot of voiceover and dialogue; mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of ableism.\n \nUntil Justice Rolls (4m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2013\nFaggotgirl\, a butch dyke superhero action figure\, and her friend Robot want to meet for a drink. But the New York City public transportation system is barely accessible for people with different kinds of bodies and their journey is thwarted by stairs\, gaps\, and poorly maintained curbs. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mix of bright and dark images \nAge recommendation: 12+ \nContent note: Discussion of ableism. \nDisability Justice for Palestine (1m) [click here to watch]\nDir: Sins Invalid and Micah Bazant\, Country: USA\, Year: 2014\nDisability Justice for Palestine is a Public Service Announcement created by Sins Invalid during the extended attacks on Gaza in the Summer of 2014. “We add our words and faces to a movement for global solidarity with the people of Palestine\, articulating the struggle for Palestinian liberation as a disability justice issue.” \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue; mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of violence.
URL:https://www.sqiff.org/event/sqifflix-fighting-for-justice/
CATEGORIES:Around one hour or less,Deaf,Disability,Films,Free event,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/04/Disability-Justice-For-Palestine-e1588003723981.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200208T180000
DTEND;TZID=UTC:20200228T200000
DTSTAMP:20260504T195718
CREATED:20200115T184204Z
LAST-MODIFIED:20200224T185550Z
UID:9677-1581184800-1582920000@www.sqiff.org
SUMMARY:SQIFF Shorts: Out of the Archives!
DESCRIPTION:As part of LGBT History Month Scotland 2020\, SQIFF presents a programme of short films looking back into largely unseen and undiscovered aspects of the history of queer Scottish representation in the 20th century. \nFeaturing archival documentaries and short films by queer filmmakers\, screenings will be accompanied by discussions examining whether these films are a fair representation of the past\, and asking what they may be able to contribute to an understanding of the future. Films include Bongo Erotico\, a surreal nightmare of bisexual lust from 1950s’ Wishaw; groundbreaking documentary of Edinburgh queer life in the 80s\, Coming Out; and Pratibha Parmar’s experimental 1990 short\, Bhangra Jig\, which follows a young Asian woman walking the streets of Glasgow with signs of colonialism ever-present. \nAges 12+. All screenings are in the English language with English language captions for D/deaf and Hard of Hearing access. A BSL interpreter will be available at the Glasgow event on 8th February. All venues have wheelchair access. Please get in touch via info[at]sqiff.org if you have any questions about access at any of the events. \nSupported by Film Hub Scotland\, part of the BFI’s Film Audience Network\, and funded by Screen Scotland and Lottery funding from the BFI. \nTo book\, see list of screenings and links below. \nCCA\, Glasgow\, Saturday 8th February\, 6pm. Tickets on a sliding scale of free to £8. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’http://www.cca-glasgow.com/programme/sqiff-shorts-out-of-the-archives’ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \nDundee Contemporary Arts\, Tuesday 11th February\, 6pm. Tickets £5-8. To book\, please use the button below or call DCA box office on +44 (0)1382 432 444. \n[bra_button text=’Buy Tickets’ url=’https://www.dca.org.uk/whats-on/event/sqiff-shorts-on-tour1′ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \n50 George Square\, University of Edinburgh in partnership with MSc Film\, Exhibition and Curation\, Tuesday 18th February\, 6pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below\, or cash payments will be taken on the night.\n \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqiff-shorts-out-of-the-archives-in-edinburgh-tickets-90926637019′ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \nAyr Town Hall in partnership with Ayr Film Society and Ayrshire LGBTQ\, Wednesday 19th February\, 7 pm. Free\, unticketed – just come along. \nMacArts\, Galashiels in partnership with Scottish Borders LGBT Equality. Sunday 23rd February\, 2pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below\, or cash payments will be taken on the day.\n \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqiff-shorts-out-of-the-archives-in-galashiels-tickets-91306838211′ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \nEden Court\, Inverness in partnership with Highland Winter Pride\, Friday 28th February\, 6.30pm. Tickets £3.50-5.50. To book\, please use the button below or call Eden Court box office on +44 (0)1463 234 234. \n[bra_button text=’Buy Tickets’ url=’https://eden-court.co.uk/event/sqiff-shorts-out-of-the-archives’ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \nOban Phoenix Cinema\, Saturday 29th February\, 6.15pm. Free. To book\, please use the button below or call Oban Phoenix box office on +44 (0)1631 562 905. \n[bra_button text=’Buy Tickets’ url=’https://www.obanphoenix.com/movie/out-of-the-archive-sqiff’ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’]
URL:https://www.sqiff.org/event/out-of-the-archives-tour/
CATEGORIES:Bisexual,Discussion,Documentary,English language,Gay men,Lesbian,LGBT History Month,Shorts,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/01/ComingOut-e1579113391921.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191022T190000
DTEND;TZID=UTC:20191022T203000
DTSTAMP:20260504T195718
CREATED:20190828T104704Z
LAST-MODIFIED:20200115T184302Z
UID:9294-1571770800-1571776200@www.sqiff.org
SUMMARY:Black History Month: Calalai: In Betweenness + shorts
DESCRIPTION:Calalai: In Betweenness by filmmaker Kiki Febriyanti depicts women in South Sulawesi Bugis culture\, which for centuries has accepted gender diversity as implicit\, believing humans consist of 5 genders\, one of them being calalai. The film takes a closer look at the definition of femininity and masculinity in the Bugis culture. What or who is calalai? What are the dynamics of gender\, spirituality\, and performance? How do these dynamics define the everyday life of the Bugis people? \nScreening with accompanying short films and discussion on queerness in Indonesian cultures outside of white\, colonialist impositions. \nCurated and hosted by artist and researcher Claricia Parinussa. Presented as part of Black History Month in partnership with Coalition for Racial Equality and Rights (CRER). \nFree. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612018/events/129093019′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilm languages tbc with English language subtitles/captions. If you would like to attend this event and require BSL interpretation for the discussion\, please email access@sqiff.org at least 2 weeks in advance. \nAccessibility of films to English-speaking blind and partially sighted audiences tbc. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nProgramme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org.
URL:https://www.sqiff.org/event/black-history-month-calalai-in-betweenness-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Black History Month,Discussion,Documentary,Films,Free event,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/Calalai-In-Betweenness-e1566394995971.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T200000
DTEND;TZID=UTC:20191006T210000
DTSTAMP:20260504T195718
CREATED:20190828T104755Z
LAST-MODIFIED:20190901T115701Z
UID:9240-1570392000-1570395600@www.sqiff.org
SUMMARY:SQIFF Shorts: Gross Out
DESCRIPTION:With supposed tolerance and acceptance of LGBT people in western public life comes enforced sanitisation and respectability. Straight society pats itself on the back for allowing (some of) us to get married and feature in shiny corporate advertising but is still repelled by our bodies and sex lives. To counter the continued suppression of fleshly and carnal appetites and practices\, we went on a hunt for the grossest\, most yucky films we could find. Featuring experimental musing on why we find our bodies disgusting and scary; some gay sex-tinged body horror; literal shit in a variety of forms; and a performance involving an empty stomach and a large jar of honey. Please note this programme requires resilience for what some would consider stomach-churning and gruesome imagery. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611604/events/129089634′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English and Spanish audio with English language subtitles/captions. Hearing loop available. \nFilms are not very accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and ideas and dark images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nÄmber (6m)\nDir: Remmi E. Välja\, Country: UK\, Year: 2019\, Language/s: No spoken sound\nÄmber is an experimental film about the basic functions of the human body. The film studies affect; it seeks to raise the question of why we sometimes find our own bodies and their natural existence to be unpleasant\, disgusting\, and scary. The aim of the film is to make the audience uncomfortable in a humorous way. \nContent note: Depiction of bleeding. \nEstigma (14m)\nDir: David Velduque\, Country: Spain\, Year: 2018\, Language/s: Spanish\nIt’s Friday night\, the bell rings and Alex opens the door to the worst of his fears. “Estigma speaks to us about that inner prison we build because of fear of rejection and not being loved for who we are. This is the starting point of a story that I’ve intended to face as a personal matter\, dealing with my complex relationship with illness and rejection.” David Velduque \nContent note: Depiction of injury with body horror elements. \nNext Level Shit (11m)\nDir: Gary Jaffe\, Country: USA\, Year: 2018\, Language/s: English\nTaylor wants to be squeaky clean downstairs before his big third date with dreamboat Chris\, but his efforts backfire\, sending the relationship spiralling to a whole new level of intimacy. \nContent note: None. \nBear (13m)\nDir: Fred Guerrier\, Country: USA\, Year: 2018\, Language/s: English\nA bear-suit wearing dancer ignores the news of his estranged father’s death but begins to see his ghost. Meanwhile\, an ex-lover’s infatuation quickly devolves into something more sinister (and stinky). The line between reality and fiction get blurred during the terrifying showdown between the Bear\, the ghost\, and the lover. \nContent note: Depiction of death. \nForce Feed (15m)\nDir: Alan Vincent\, Country: USA\, Year: 2018\, Language/s: No spoken sound\nPerformance for video. One empty stomach\, one pound of honey. \nContent note: Depiction of overeating.
URL:https://www.sqiff.org/event/sqiff-shorts-gross-out/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Films,Gay men,Hearing loop,People of colour,Performance,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_gross_out-e1565730600612.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T171500
DTEND;TZID=UTC:20191006T181500
DTSTAMP:20260504T195718
CREATED:20190828T104856Z
LAST-MODIFIED:20190901T115807Z
UID:9231-1570382100-1570385700@www.sqiff.org
SUMMARY:LGBT Health & Wellbeing Community Filmmaking
DESCRIPTION:LGBT Health & Wellbeing is a charity promoting the health\, wellbeing\, and equality of lesbian\, gay\, bisexual\, and transgender people in Scotland and providing support\, services\, and information. Two of the organisation’s groups have recently created collectively-made short films\, which we will showcase at this event. Return to the Closet? was created as part of a collaboration between Luminate\, LGBT Health and Wellbeing\, artist Glenda Rome\, and participating community filmmakers. Luminate commissioned the film with support from LGBT Health and Wellbeing. This is a documentary exploring issues around care for older LGBT people. Everything Just Collapsed is an experimental short reflecting on stigma and survival by Tim Knights in collaboration with participants of The LGBT Mental Wellbeing Collective. Come and watch both movies and join in an open discussion on the process and value of community filmmaking. \nClick here to find out more about Luminate. Click here for more information about LGBT Health & Wellbeing. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611609/events/129089639′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English audio with English language subtitles/captions. BSL interpretation for discussion. Hearing loop available. \nFilms are relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/lgbt-health-wellbeing-community-filmmaking/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Disability,Discussion,Documentary,English language,Films,Gay men,Hearing loop,Lesbian,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/health_and_wellbeing_filmmaking-e1565729453946.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T170000
DTEND;TZID=UTC:20191006T180000
DTSTAMP:20260504T195718
CREATED:20190828T104931Z
LAST-MODIFIED:20190901T115856Z
UID:9229-1570381200-1570384800@www.sqiff.org
SUMMARY:DOCMA screening
DESCRIPTION:Following our DOCMA workshop (click here for the workshop listing) – where participants will take part in creating their own 1-minute documentary as part of a 5-minute documentary film made by 5 filmmakers in 5 different documentary styles – we invite audiences to come and view the resulting films. Come and support the filmmakers\, who will have created their masterpieces within 48 hours. Also a chance to learn more about DOCMA and its mission to encourage and support people to have a go and get creative in producing documentary work. \nScreening followed by a Q&A with the filmmakers. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611610/events/129089643′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English audio with English language subtitles/caption. BSL interpretation for Q&A. Hearing loop available. \nWe don’t know how accessible the films will be for blind and partially sighted audiences as yet but please ask a member of staff on the day if you need information about this. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/docma-screening/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Documentary,English language,Films,Hearing loop,Shorts,World premiere
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/DOCMA-screening-e1565798273250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T123000
DTEND;TZID=UTC:20191006T141000
DTSTAMP:20260504T195718
CREATED:20190802T105308Z
LAST-MODIFIED:20190901T120024Z
UID:9089-1570365000-1570371000@www.sqiff.org
SUMMARY:SQIFF Shorts: You Gotta Have Faith
DESCRIPTION:Short films exploring what it means to have faith as a queer person today. A seemingly pious Hasidic man living a secret double life faces a challenge when his two worlds collide. A chaplain from Cheshire sets up a helpline for gay farmers and is inundated with calls. LGBTQIA+ people in Nepal use a Hindu festival as a medium to appear in public. Plus more compelling stories in this captivating selection. \nJoin us for a discussion after the screening with playwright and author of The Gospel According to Jesus\, Queen of Heaven\, Jo Clifford\, LGBTQIA+ Muslim charity Imaan\, and Rev. Jane Clarke from Glasgow’s LGBT+ Metropolitan Community Churches. Part of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610484/events/129085538′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English\, Hebrew\, and Nepali audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAround half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBlack Hat (15m)\nDir: Sarah Smith\, Country: USA\, Year: 2019\, Language/s: English\, Hebrew\nA seemingly pious Hasidic man living a secret double life misplaces his black hat one night causing his two separate lives to collide in a way he never imagined. \nContent note: Sexual content. \nTwo Blinks (8m)\nDir. Bruno Fraga Braz\, Country: UK\, Year: 2018\, Language/s: English\nAfter her father rejects her request to get a haircut\, hijab-wearing Farhana searches the streets of Peckham London for a hair salon where her modesty can be protected. \nContent note: Depiction of homophobia. \nLandline (12m)\nDir. Matt Houghton\, Country: UK\, Year: 2018\, Language/s: English\nLandline is a short documentary about the only helpline in the UK for gay farmers set up by a chaplain from Cheshire. Through a series of recorded telephone conversations and reconstructive visuals\, the film uses the helpline as a lens through which to view the experiences of LGBTQ people in the British farming community. \nContent note: Discussion of homophobia and suicide. \nEden (5m)\nDir. Jędrzej Gorski\, Country: Poland\, Year: 2018\, Language/s: No dialogue\nA story of a young Catholic man who is struggling with his homosexuality. He is in love with another man but also does not want to abandon his religion. He has to choose between love and religion on one rainy day in the countryside. \nContent note: Sexual content. \n21st Century Nuns (10m)\nDir. Tom Stephen\, Country: UK\, Year: 1994\, Language/s: English\nDocumentary about the Sisters of Perpetual Indulgence. The Sisters are an order of queer nuns. Their work covers many areas including: safer sex education\, protests and demonstrations\, outreach to the gay community\, and providing ritual to the gay population. Their goal is to “expiate all stigmatic guilt and promulgate universal joy…” \nContent note: Sexual content and depiction of homophobia. \nThe Visible (4m)\nDir. Atikah Zainidi\, Country: Brunei\, Year: 2019\, Language/s: English\nA short documentary exploring what it’s like to be a girl in Brunei. \nContent note: Discussion of homophobia\, transphobia\, and sexual violence. \nGai Jatra (20m)\nDir. Gopal Shivakoti\, Country: Nepal\, Year: 2019\, Language/s: Nepali\nTraditionally\, Gai Jatra is literally translated as procession of cows and is an age-old festival commemorating the death of loved ones. Since 2001\, LGBTI people in Nepal have been using Gai Jatra festival as a medium to appear in the public\, flaunt their true selves with pride\, and pay tribute to the deceased members of their community. \nContent note: Discussion of mental health issues\, suicide\, homophobia\, and transphobia.
URL:https://www.sqiff.org/event/sqiff-shorts-you-gotta-have-faith/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Discussion,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class,You Gotta Have Faith
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-Shorts-You-Gotta-Have-Faith1-e1564740695980.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T210000
DTEND;TZID=UTC:20191005T222500
DTSTAMP:20260504T195718
CREATED:20190828T105517Z
LAST-MODIFIED:20190901T120137Z
UID:9214-1570309200-1570314300@www.sqiff.org
SUMMARY:SQIFF Shorts: Some Like it Rough
DESCRIPTION:We delve into the varied practices of BDSM and societal attitudes towards this age-old erotic preference\, which continues to be subject to stigmatisation and censorship. In Lasting Marks\, one of sixteen gay men put on trial for taking part in consensual sadomasochism in late 80s England narrates his experience. Berlin-based conscious BDSM practitioner\, Caritia\, explains her spiritual journey through eroticism and life in Rituals + Worship. In French dramedy\, Dressed for Pleasure\, a young disabled woman seeks a more exhilarating sexual satisfaction. Mockumentary No Democracy Here sees a lefty dominatrix employed by right-wing Israeli men to force them into recanting their politics. The programme concludes with super hot non-binary\, lesbian action with a punk boidyke given the rough-tender treatment in Driven. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611616/events/129089648′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English\, French\, Hebrew\, and German audio with English language subtitles/captions. Hearing loop available. \nFilms are moderately accessible to blind and partially sighted audiences with two of them English language with explanatory dialogue and voiceover but the others non-English language\, a fair amount of visual storytelling throughout\, and a mix of dark and bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLasting Marks (14m)\nDir: Charlie Lyne\, Country: UK\, Year: 2018\, Language/s: English\nThe story of sixteen men put on trial for sadomasochism in the dying days of Thatcher’s Britain was told by the police\, the prosecution\, and the tabloid press — but not by those in the dock. Director Charlie Lyne has created an experimental recreation of what happened offered by the men themselves. \nContent note: Discussion of sex including BDSM\, homophobia\, mental health issues\, and police persecution. \nRituals + Worship (13m)\nDir: Morgana Muses\, Country: Germany\, Year: 2015\, Language/s: English\nA short BDSM documentary that explores the workshop culture in Berlin and focuses on conscious BDSM practitioner\, Caritia. \nContent note: Depiction of BDSM. Discussion of racism. \nDressed for Pleasure (17m)\nDir: Marie de Maricourt\, Country: Switzerland\, Year: 2017\, Language/s: French\nSarah\, a young disabled woman\, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner\, Victoria\, a trans woman\, will upset the family balance. \nContent note: Depiction of nudity\, sex including reference to BDSM\, and transphobia. \nNo Democracy Here (25m)\nDir: Liad Hussein Kantorowicz\, Country: Germany\, Palestine\, Israel\, Year: 2017\, Language/s: Hebrew\nNo Democracy Here deals with the topic of political domination. Liad\, a lefty human rights defender dominatrix\, re-educates her Israeli right-wing-leaning obedient submissive slaves to follow upstanding leftist ethos and morals\, like freedom of movement\, economic justice\, direct democracy and human rights by using domination practices such as humiliation\, doggy-training\, coercion\, and administration of pain. \nContent note: Depiction of light BDSM and racism. \nDriven (13m)\nDir: Toni Karat\, Country: Germany\, Year: 2018\, Language/s: German\, English\nA punk boidyke\, handcuffed\, facing the wall in a sparse\, empty room\, breathes heavily with anxiety and expectation. And anxious she should be\, for the rough treatment she will face in the 13 minutes that follow! The film is a contribution to much-needed lesbian visibility – conveying a proud and unashamed image of dyke eroticism and BDSM – also at the age of 50+! \nContent note: Depiction of BDSM including consensual non-consent.
URL:https://www.sqiff.org/event/sqiff-shorts-some-like-it-rough/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/some_like_it_rough-e1565725913700.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T151500
DTEND;TZID=UTC:20191005T170000
DTSTAMP:20260504T195718
CREATED:20190828T105841Z
LAST-MODIFIED:20190910T144322Z
UID:9202-1570288500-1570294800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:We present a round-up of the excellent\, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson\, Wei Zhang\, Siri Rødnes\, Eleanor Capaldi\, and Natasha Lall\, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet\, a queer reimagining of a working men’s club\, sending naked pics via dating apps\, Chinese mythology and human binaries\, trans masculine culture\, BSL poetry\, LGBT people in the asylum system\, and loads more are explored in our 2019 Queer Scotland programme. \nWe hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611621/events/129089654′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available. \nAudio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nFrontiers (4m)\nDir. Eve McConnachie\, Year: 2019\nFrontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space\, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow. \nContent note: None. \nwe were always here (4m)\nDir. Michael Lee Richardson\, Garry Mac\, Year: 2019\nA queer reimagining of the working men’s club. A dance-powered journey through space and time. \nContent note: None. \nAcceptable Face (6m)\nDir: Holly Summerson\, Year: 2019\n“The sort of person who someone might say: ‘oh he’s gay\, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look\, act\, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people\, this experimental charcoal animation explores the pressure to be a ‘good example’\, and the joy of refusing to conform. \nContent note: Discussion of homophobia and transphobia. \nDix Pix (4m)\nDir. Steven Fraser\, Year: 2019\nDix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity\, queerness\, solitude\, and the body. \nContent note: Depiction of animated nudity and sex. \n2x+xy=1 (12m)\nDir. Wei Zhang\, Year: 2019\nWei Zhang’s practice is an experimental film created by multi post-production technologies\, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary\, the expression of emotion and the symbol of predicament. \nContent note: Depiction of nudity. \nNone of the Above (16m)\nDir. Siri Rødnes\, Year: 2018\nEmbarking upon a distinctly postmodern cyber experiment\, Cassie charts her dating odyssey on her personal vlog\, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral\, she becomes a media pariah. \nContent note: Depiction of homophobia\, mental health issues\, and suicide (graphic). \nRoberta Cowell’s Story (1m)\nDir. Melissa J Clifford\, Year: 2019\nRoberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge  #39 AMBITION. The short was created by Melissa Joan Clifford\, a trans woman\, and was made in the style of an archival film. \nContent note: Reference to transphobia. \nA Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)\nDir. Nastia Nikolskaya\, Year: 2019\nTitled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate\, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes\, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives\, driving our short-term and long-term decisions. \nContent note: None. \nGlue (4m)\nDir. Eleanor Capaldi\, Year: 2019\nWhen you’ve been dreaming of the past for so long\, what do you do when she’s finally there? Agnes meets her ex\, Anna\, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new. \nContent note: None. \nPossessive Skin (2m)\nDir. Myles McEachan\, Year: 2019\n“To accept yourself against the face of adversity\, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community\, and how in an age that prides itself on inclusion\, we still find segregation and discrimination within even the most marginalised of people\, which reflects us inwards. \nContent note: Description of mental health issues and transphobia. \nWhat Is Happiness? (6m)\nDir. Claire Clark\, Year: 2019\nWhat Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form. \nContent note: None. \nThe 16mb\, Future Sounds & A Mini City (15m)\nDir. Natasha Lall\, Year: 2018\nThe 16mb\, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi\, lo-fi films shot in Glasgow. \nContent note: None. \nCrypsis (9m)\nDir. Christopher McGill\, Year: 2019\nAfter fleeing for his life\, a gay refugee files for asylum in Scotland. Lacking evidence\, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process\, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them. \nContent note: Discussion of homophobic violence; depiction of trauma.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-3/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Speech to Text,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/queer_scotland-e1565724436473.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T123000
DTEND;TZID=UTC:20191005T143000
DTSTAMP:20260504T195718
CREATED:20190802T105442Z
LAST-MODIFIED:20190901T120435Z
UID:9084-1570278600-1570285800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Islam with Hidayah
DESCRIPTION:A series of shorts made over several decades following queer Muslim characters as they navigate familial relationships\, romantic love\, and their careers. A budding filmmaker collaborates with his conservative Muslim father on a film about an iconic Muslim actor. The love between a disabled Muslim father and his queer son is tested when love is pitted against religion. Two brothers stand by each other in the face of adversity. An Arab American man learns how to love again post-heartbreak. And a rising martial arts star tries to hides her identity from her family and her small American town when under the spotlight. \nJoin us for a discussion after the screening with members of LGBTQIA+ Muslim charity Hidayah. Part of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610486/events/129085540′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English and Arabic audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAround half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nSurviving Sabu (16m)\nDir: Ian Iqbal Rashid\, Country: UK\, Year: 1997\, Language/s: English\nFunded by the Arts Council of England as part of its Moving Image series of films about ethnic identity in Britain\, Ian Iqbal Rashid’s debut short deservedly won him various industry accolades upon its release. Its sympathetic depiction of a strained relationship between a budding gay filmmaker and his conservative Muslim father as they collaborate on a film about Indian star Sabu – best known for his contribution to British cinema in the 1930s and 40s – is steered by exceptional performances from Suresh Oberoi and Navin Chowdry. \nContent note: Depiction of homophobia; discussion of racism and mental health issues. \nAblution (15m)\nDir: Omar Al Dakheel\, Country: USA\, Year: 2017\, Language/s: English\, Arabic\nWaleed washes his disabled father Khaled five times a day for Muslim prayer. But\, when Waleed’s sexuality is revealed\, both father and son are torn between religion\, duty\, and self. \nContent note: Depiction of homophobia and drug use. \nBrothers (9m)\nDir: Mike Mosallam\, Country: USA\, Year: 2018\, Language/s: None\nBrothers follows a Muslim Arab boy who realizes he is different\, and is fortunate to have an older brother who stands by him and encourages him to be himself in the face of bias and adversity. \nContent note: Depicion of homophobi. \nBreaking Fast (18m)\nDir: Mike Mosallam\, Country: USA\, Year: 2015\, Language/s: English\, Arabic\nBreaking Fast is a romantic comedy drama following Mo\, an Arab American man living in West Hollywood learning how to navigate life post-heartbreak. Enter Kal\, a sweet All-American guy who surprises Mo by offering to break fast with him during the month of Ramadan. As they learn more about each other\, they fall in love over what they have in common\, and what they don’t. \nContent note:  Discussion of suicide. \nChoke (16m)\nDir: Rolla Selbak\, Country: USA\, Year: 2018\, Language/s: English\, Arabic\nA rising MMA star hides her refugee status from her small American town and the world. \nContent note: Depiction of racism\, violence\, sexism\, and homophobia.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-islam-with-hidayah/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Disability,Films,Gay men,Hearing loop,People of colour,Shorts,You Gotta Have Faith
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-Shorts-Queer-Islam-with-Hidayah1-e1564743599388.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T211500
DTEND;TZID=UTC:20191004T224500
DTSTAMP:20260504T195718
CREATED:20190828T110020Z
LAST-MODIFIED:20190901T120530Z
UID:9280-1570223700-1570229100@www.sqiff.org
SUMMARY:Luke+Jack present: Sexxxy Beasts and Wheelchairs
DESCRIPTION:How we are (un)represented as Deaf and Disabled people has a huge impact on our lives. Exploring such representation\, we take a look at queer porn made by and about Deaf and Disabled queer people. With work by DIY queer filmmaker and activist\, Loree Erickson\, and self-described “bad ass\, fat ass\, Jew\, dyke amputee\,” Nomy Lamm. Also featuring films by Morty Diamond\, Nikki Silver\, and Pandora Blake with Deaf and Disabled performers taking control of their own narratives. Join us for everyday ableism crossed with seductive images of disability; pervy\, polyamorous BDSM; sexy nurse roleplay; even sexxxier wheelchairs; and fat-bodied\, amputee eroticism. \nFilmmaker Loree Erickson will join us after the screening for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612022/events/129093023′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n\n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English audio with English language subtitles/captions. BSL interpretation for Q&A. Hearing loop available. \nFilms are moderatly accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and limited dialogue but all English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nTrans Entities: The Nasty Love of Papí and Wil (20m)\nDir: Morty Diamond\, Country: USA\, Year: 2007\, Language/s: English\nPapi and Will is a film about a hot\, pervy\, loving\, polyamorous transgender couple. On screen Papi and Will share with the viewer everything from their unique perspective on gender identity to how they negotiate multiple partners in their life. The sex scenes are filled with raw\, uninhibited exploration and incorporate BDSM\, roleplay\, and a lot of hot sex! This scene shows Papi and Will playing with a partner who is Deaf. \nContent note: Depiction of graphic sex and consensual non-consent; discussion of racism. \nWant (9m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nWant weaves together sexually explicit images with everyday moments and scenes of the ableist world. It works to get people hot and poses an insightful\, complex\, honest\, and sexy image of disability. \nContent note: Depiction of sex and ableism. \nSexxxy (3m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nSexxxy compels the viewer to take a closer look at wheelchairs and the people who use them. \nContent note: None. \nWaiting for Beast (10m)\nDir: Nikki Silver\, Country: USA\, Year: 2014\, Language/s: English\n“Waiting for Beast is at once a whimsical nod at the camp of queer porn and a political\, intimate commentary on life. As a wheelchair punk my DIY\, my freedom\, is mutual aid. We work with what we got! During the making of this film\, I was waiting for a new power chair\, waiting for folks to meet me as they can\, and in turn\, people wait for me as I romp around and am pushed in my manual chair. This is wheelchair smut\, and we have various ways of getting our chairs and our sexy selves where we need to go.” Lyric Seal \nContent note: Depiction of sex including light BDSM. \nSadistic Nurse (11m)\nDir: Pandora Blake\, Country: UK\, Year: 2015\, Language/s: English\nThis hot and very edgy spanking scenario was written by the performers\, real-life couple David Weston and Talia Lane. They wanted to explore a humiliating punishment that incorporates David’s wheelchair\, creating a scene in which his character is completely helpless. \nContent note: Depiction of sex including BDSM and consensual non-consent. \nWall of Fire (6m)\nDir: Lisa Ganser\, Nomy Lamm\, Country: USA\, Year: unknown\, Language/s: English\nRoles switch\, paddles hit & control shifts when two fat bodied gender queer women\, lovers off camera\, push limits of pleasure\, penetration & trust\, engaged in an afternoon of tender making out and consensual amputee sex. \nContent note: Depiction of sex including BDSM.
URL:https://www.sqiff.org/event/lukejack-present-sexxxy-beasts-and-wheelchairs/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,BSL,Deaf,Disability,English language,Films,Hearing loop,Lesbian,Shorts,Speech to Text,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sexxxy_beasts_and_wheelchairs-e1566388218751.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T151500
DTEND;TZID=UTC:20191004T164500
DTSTAMP:20260504T195718
CREATED:20190828T110139Z
LAST-MODIFIED:20190901T120755Z
UID:9187-1570202100-1570207500@www.sqiff.org
SUMMARY:SX presents: What Brings You On Here?
DESCRIPTION:Filmmaker and poet Ross Wilcock presents films focusing on the experiences of gay men with online dating. A history of gay sex and cruising from the 70s to the internet takeover of today. Dissatisfaction with emotionless encounters and the yearning for something more. Meeting up with men online as a way of expressing your queerness when you’re not out. The sometimes all-consuming obsession of people with their phones. Grindr\, swiping left\, hooking up\, insecurities\, getting tested\, and a bit of hot sex are all contained in this challenging selection. \nCurated by Ross Wilcock\, who will host a discussion after the screening with director Sean Lìonadh. In partnership with SX\, Sex Health Wellbeing for Gay & Bisexual Men provided by Waverley Care. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611626/events/129089660′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAudio description available. Films are otherwise relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nHave We Met Before? (12m)\nDir: Oliver Mason\, Country: UK\, Year: 2019\, Language/s: English\nA short docudrama exploring the history of sex in the gay community from the 1970s to the present day\, and how the internet has changed the way queer men meet forever. \nContent note: Depiction of sex. \nFun Only (9m)\nDir: Lukas Revzin\, Country: UK\, Year: 2018\, Language/s: English\nGrowing tired with emotionless digital encounters\, Matt yearns for something more substantial. \nContent note: Depiction of sex. \nJamie (10m)\nDir: Christopher Manning\, Country: UK\, Year: 2016\, Language/s: English\nShy\, quiet Jamie spends a revealing afternoon with Ben after meeting on a dating app. As they chat\, Jamie finds himself opening up and letting loose his hopes and fears in an unexpected awakening. \nContent note: Discussion of homophobia. \nThe Date (15m)\nDir: Christopher Birk\, Country: USA\, Year: 2015\, Language/s: No dialogue\nTwo guys meet on a date – but it is not your ordinary date\, as they both soon discover. \nContent note: None. \nThirst (8m)\nDir: Eoin Maher\, Country: UK\, Year: 2017\, Language/s: English\nDrew leaves another disappointing gay hook up and wonders why he feels so alone. This revealing monologue delves deep into the mind of a lonely gay man. His desires\, his insecurities\, and his wavering belief he’ll find love. \nContent note: Brief depictions of sex and blood. \nTonight (2m)\nDir: Sean McInally\, Country: UK\, Year: 2017\, Language/s: English\nLooking for fun\, looking for home\, looking for assurances\, but maybe not tonight. Tonight is a circular short film by Sean McInally exploring the relationship of a user with his hook-up app. From swiping left to getting tested\, Tonight shows the reality for many. \nContent note: Brief depictions of sex and blood.
URL:https://www.sqiff.org/event/sx-presents-what-brings-you-on-here/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Audio description,BSL,Discussion,English language,Films,Gay men,Hearing loop,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_what_brings_you_on_here-e1565721966210.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T150000
DTEND;TZID=UTC:20191004T161500
DTSTAMP:20260504T195718
CREATED:20190828T110202Z
LAST-MODIFIED:20190901T120821Z
UID:9184-1570201200-1570205700@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Spaces
DESCRIPTION:How does queer visibility transform physical and symbolic space? What roles do specific spaces have in altering the way that we navigate and represent ourselves in public? Why are alternatives to heteronormative space important for our communities? In this collection of shorts\, we explore what ‘home’ and ‘public space’ means to the LGBTQIA+ communities of Paris; join a young trans man as he navigates gendered space on the Delhi metro; and follow the campaign to save one of London’s most iconic queer spaces\, the Joiner’s Arms. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611627/events/129089661′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English\, French\, and Hindi audio with English subtitles/captions. Hearing loop available. \nFilms are not accessible to English-speaking blind and partially sighted audiences with some explanatory dialogue\, mostly dark images\, and only around half in English. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLes Clefs de Chez Moi (26m)\nDir. Ray Van Huizen and Ella Martin-Gachot\, Country: France\, Year: 2019\, Language/s: French\, English\nFilmed in Paris while Ray Van Huizen and Ella Martin-Gachot were studying abroad\, the documentary explores the relationship that people in the LGBTQIA+ communities of Paris have with the concepts of home and public space. \nContent note: Discussion of mental health issues including suicide\, violence\, transphobia\, biphobia\, and racism. \nTrojan Horse / Rainbow Flag (26m)\nDir: Ian Giles\, Country: UK\, Year: 2019\, Language/s: English\nWorking directly with members of Friends of the Joiners Arms\, Ian Giles’ newly-commissioned film Trojan Horse/Rainbow Flag examines the campaign to save this iconic LGBTQI+ space. The title is inspired by campaigner Amy Roberts\, when describing the cynical approach of property developers seeking to push through proposals to erase queer spaces by disingenuously claiming that their LGBTQI+ status would remain unchanged post-development. \nContent note: Discussion of abusive relationships\, violence\, queerphobia\, misogyny\, and classism. \nPlease Mind the Gap (20m)\nDir. Mitali Trivedi and Gagandeep Singh\, Country: India\, Year: 2018\, Language/s: Hindi\, English\nDelhi meets at the metro. The snaking lines of the tube connect the whole city. Passengers board from different places but for a brief moment in time they are all headed in the same direction. We share one such ride with our co-traveller Anshuman\, a trans man. As the stations pass by we begin to look at the metro space from his perspective. His is the story of reclaiming public space and one’s own self. The doors will open on the quest. Please mind the gap. \nContent note: Discussion of transphobia.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-spaces/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,Films,Hearing loop,People of colour,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_queer_spaces-e1565721423807.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T123000
DTEND;TZID=UTC:20191004T140000
DTSTAMP:20260504T195718
CREATED:20190828T110225Z
LAST-MODIFIED:20190901T120849Z
UID:9181-1570192200-1570197600@www.sqiff.org
SUMMARY:See Me Proud presents: Mental Health Shorts
DESCRIPTION:We know that mental health issues disproportionately affect LGBTQIA+ individuals and communities\, who often experience difficulties in accessing support. To create space for discussion and representation of these topics\, we’ve curated a collection of insightful and powerful shorts in partnership with See Me Proud. Topics covered include depression\, anxiety\, loneliness\, irrational thoughts\, living with bipolar disorder\, medication\, and queerphobia encountered whilst obtaining treatment. The films incorporate a diversity of identities and styles\, including animation\, experimental\, documentary\, and sci-fi. \nFollowed by a discussion on themes raised in the films with See Me Proud. With refreshments sponsored by Clever Kombucha. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611628/events/129089662′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English and Chinese audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nFilms are moderately accessible to English-speaking blind and partially sighted audiences with mostly English language\, some explanatory dialogue and voiceover\, and/or relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nDon’t Blame Jack (29m)\nDir. Dale John Allen\, Country: UK\, Year: 2019\, Language/s: English\nDon’t Blame Jack follows newly diagnosed manic-depressive\, Jack\, as he battles with the thought of life without his beloved ‘mania’. Now on a daily cocktail of anti-psychotics and anti-depressants\, Jack searches for the adrenaline-fuelled\, extraordinary manic highs in the most ordinary of places. He escapes his drab\, routine-filled existence by jumping into the arms of strangers\, searching for moments of magic. \nContent note: Depiction of sex including light BDSM\, nudity\, self-harming scars\, and blood; discussion of mental health issues including self-harming and violence; brief reference to suicide. \nHanging by a Thread (3m)\nDir: Russell Atkinson\, Country: UK\, Year: 2019\, Language/s: English\nHanging by a Thread is director Russell Atkinson’s final BA Animation film\, highlighting the struggle of loneliness and irrational thought. \nContent note: Depiction of mental health issues; animated\, abstract depiction of violence. \nMy Crazy Boxers (9m)\nDir. Krissy Mahan\, Country: USA\, Year: 2019\, Language/s: English\nSuicidal\, or a working class butch caught in the wrong underpants? A re-enactment of an actual interview at a mental health facility. \nContent note: Discussion of mental health issues including brief reference to suicide; depiction of queerphobia. \nMy Room 37 (14m)\nDir. Beatrice Wong\, Country: Hong Kong\, Year: 2018\, Language/s: Chinese\, English\nWill I stay or will I leave this room that has felt the best? A brief first-hand account of my darker days in depression\, journeying through my tangled thoughts to the exit. \nContent note: Depiction of mental health issues\, mild violence\, and nudity. \nTurning (2m)\nDir. Linnéa Haviland\, Country: UK\, Year: 2019\, Language/s: English\nVoices in a crowd stir violent emotions and microaggressions bring up past traumas. Then a turning shifts the emotional landscape… \nContent note: Depiction of mental health issues.
URL:https://www.sqiff.org/event/see-me-proud-presents-mental-health-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Disability,Discussion,Films,Gay men,Hearing loop,Lesbian,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_mental_health-e1565720228708.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T173000
DTEND;TZID=UTC:20191003T193000
DTSTAMP:20260504T195718
CREATED:20190822T092848Z
LAST-MODIFIED:20190911T140548Z
UID:9298-1570123800-1570131000@www.sqiff.org
SUMMARY:VR & Interactive Exhibition
DESCRIPTION:Our VR & Interactive Exhibition showcases stories from around the world told using the latest technology and innovative techniques. Experience the lives of trans people in Japan through the nostalgic style of early gaming\, share eight LGBTQI+ individuals in Australia’s intimate memories of their mother’s kitchens via an interactive documentary\, observe a mother and son discuss homophobia in Russia in 360 degree video\, and lots more. No prior knowledge required – the SQIFF team will be on hand to guide your experience! \nThe exhibition will launch with a special event on Thursday 3 October 5.30- 7.30pm and will be open Friday 4 October 12-5pm and Saturday 5 October 12-3pm. \nClick here to sign up for the Exhibition Launch on Thursday 3 October. Free and unticketed for other Exhibition days. Please note you may need to join a waiting list to try out some projects when you come along. \n  \n\nACCESS \nThe projects have different age recommendations but the exhibition will have experiences suitable for ages 12+. \nWe will have full details online soon of the accessibility of the different projects featured in the exhibition. A portable induction loop is available in the library – please let a member of staff know if you require this when you visit the Library or send us an email to info@womenslibrary.org.uk to arrange this in advance. \nLarge print versions of handouts available. \nGlasgow Women’s Library has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for Glasgow Women’s Library’s Accessibility Guide. \nProgramme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org.
URL:https://www.sqiff.org/event/vr-interactive-exhibition/
LOCATION:Glasgow Women’s Library\, 23 Landressy Street\, Glasgow\, G40 1BP\, United Kingdom
CATEGORIES:Exhibition,Free event,Hearing loop,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-VR-Interactive-Exhibition-41-e1566466041363.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T150000
DTEND;TZID=UTC:20191003T161000
DTSTAMP:20260504T195718
CREATED:20190828T110549Z
LAST-MODIFIED:20190901T121345Z
UID:9158-1570114800-1570119000@www.sqiff.org
SUMMARY:SQIFF Shorts: Come Out Fighting
DESCRIPTION:Pushed into corners through marginalisation and oppression\, the characters in these short films come out fighting for their bodily autonomy\, rights\, and liberation. YaliniDream performs a poem of refugee/migrant love for self and the world. Artist Liberty Antonia Sadler uses poetry to celebrate larger bodies in a fatphobic society. In Ponyboi\, an intersex runaway and sex worker finds self-redemption and love. The Wind on your Skin sees a young Namibian woman fighting back after her girlfriend is murdered for being lesbian. Eyes explores moving through the world as a gender non-conforming person choosing between being visible versus being safe. And BLACKN3SS dives into the journey of black queer youth in São Paulo. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611635/events/129089766′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English and Portuguese audio with English captions/subtitles. Hearing loop available. \nMost of the films are relatively accessible to English-speaking blind and partially sighted audiences with poetic voiceover or explanatory dialogue and majority English language and/or quite bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nI Am / YaliniDream (2m)\nDir: YaliniDream\, Krissy Mahan\, Country: USA\, Year: 2019\, Language/s: English\nYaliniDream — Lankan Tamil Blood\, Manchester-Born\, Texas-Bred and Brooklyn-Brewed\, performs a poem of refugee/migrant love for self and the world\, through dance and a hiphop beat. \nContent note: None. \ntenderfluid (3m)\nDir: Liberty Antonia Sadler\, Country: UK\, Year: 2019\, Language/s: English\nCelebrating the hypnotic plasticity of a larger body\, tenderfluid is visible softness as protest; a counterpoint to the rigidity of diet culture\, cis-heteronormativity and toxic dogmas of weight gain & queerness as failure. \nContent note: Discussion of fatphobia. \nPonyboi (19m)\nDir: River Gallo\, Sade Clacken Joseph\, Country: USA\, Year: 2019\, Language/s: English\nPonyboi is an intersex runaway. He works at a laundromat and hustles as a sex worker. But after a mysterious encounter with a man from his dreams\, he learns that perhaps he is worthy of leaving his seedy life in New Jersey behind. Ponyboi is a queer film about discovering self-redemption and love. \nContent note: Non-graphic sex scenes; depiction of violence including suggestion of sexual violence. \nThe Wind on your Skin (18m)\nDir: Naomi Beukes\, Country: Namibia\, Year: 2018\, Language/s: English\nA community is shaken when a young woman is murdered because of whom she loved. This is the 4th short story in the award winning series The Centre-Stories about the lives and loves of African Women in Berlin created by Namibian Filmmaker\, Naomi Beukes. \nContent note: Depiction and discussion of violence and death; discussion of sexual assault. \nEyes (5m)\nDir: Lily Ash Sakula\, Country: UK\, Year: 2019\, Language/s: English\nEyes is about moving through the world as a gender non-conforming person and the tension between our fierce desire to be seen and an equally strong need for safety. Both are crucial to our survival as trans people\, and yet they are often at odds: forcing us to choose. \nContent note: Depiction of mental health issues. \nBLACKN3SS (22m)\nDir: Diego Paulino\, Country: Brazil\, Year: 2018\, Language/s: Portuguese\nBetween melanin and far away planets\, BLACKN3SS proposes a dive into the journey of the black youth of São Paulo city. A documentary on blackness\, queerness\, and spacial aspirations of the diaspora’s children. \nContent note: Discussion and depiction of anti-black racism; brief visual and spoken references to sexual violence. \nMy Spine is a Beautiful Sea Monster (2m)\nDir: Theresa Heath-Ellul\, Country: UK\, Year: 2019\, Language/s: English\nThe idea for this film developed at a 2017 SQIFF filmmaking workshop which encouraged attendees to embrace a part of their bodies or selves they found challenging or difficult\, and to turn it into something beautiful. I have always found my scoliosis very unattractive and never wear clothing which reveals my back. However\, I do love the sea\, glitter and sequins. I therefore decided to create a beautiful\, be-sequinned sea monster out of my spine which would then dance according to my curvature. \nContent note: None.
URL:https://www.sqiff.org/event/sqiff-shorts-come-out-fighting/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Films,Hearing loop,Intersex,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_come_out_fighting-e1565717185697.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T120000
DTEND;TZID=UTC:20191003T131500
DTSTAMP:20260504T195719
CREATED:20190828T110654Z
LAST-MODIFIED:20190906T204522Z
UID:9151-1570104000-1570108500@www.sqiff.org
SUMMARY:SQIFF Shorts: Luv Sucks
DESCRIPTION:Romantic relationships can be tough. SQIFF offers up an alternative to punching walls and texting your ex when pished with these shorts from the heart – as in stomping all over it and dumping it in the trash. A bisexual trio have a bust up in a toilet. A boy in a bath pines over his unavailable roommate. A woman has a near-but-not-quite romantic encounter with a fellow deafie. The vast power of the cosmos can’t prevent a bickering lesbian couple from breaking up. A sex worker has his hopes dashed by the man he loves. And in 2033 Botswana\, a man loses his lover to dystopian despair. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611637/events/129089814′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have a mixture of Arabic\, English\, Spanish\, Portuguese\, and Tswana audio and BSL with English subtitles/captions. Hearing loop available. \nMost of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling\, minimal dialogue\, and majority non-English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nTo Starboard\, I Vomit (6m)\nDir: Tarek Sardi\, Country: Tunisia\, Year: 2019\, Language/s: Arabic\nZarga\, Dorra\, and Mohammed find themselves after years of separation together\, reunited in a club’s toilet. Between betrayal and unspoken truths\, the old classmates reveal their deepest secrets and taboos. \nContent note: Depiction of homophobia\, misogyny\, and violence; discussion of sex. \nYour Towel (3m)\nDir: Zhizi Hao\, Country: UK\, Year: 2017\, Language/s: English\nA young gay man and his roommate’s intimate moment in the bathtub. \nContent note: Discussion of sex. \nAlmost… (5m)\nDir: Teresa Garratty\, Country: UK\, Year: 2019\, Language/s: BSL\, English\nA chance encounter between two girls sparks an unspoken connection. Everything seems so effortless\, so perfect… Almost. Written and directed by award winning filmmaker\, Teresa Garratty\, produced by Flashing Lights Media\, and funded by BSLBT. \nContent note: None. \nSolarity (8m)\nDir: Marianne Verrone\, Country: USA\, Year: 2019\, Language/s: English\nAn exploration of perception\, proximity\, and intimacy within a queer cosmos. \nContent note: None. \nLast Words [sic] (6m)\nDir: Hugo Ljungbäck\, Country: USA\, Sweden\, Year: 2017\, Language/s: No spoken language\nLast Words [sic] revisits an angry email the artist received from an ex-boyfriend. The text is taken verbatim from his goodbye-letter\, and tells a humorously painful story of lost love\, betrayal\, and desire\, as the writer grows increasingly delusional\, defensive\, and passive-aggressive with each paragraph. \nContent note: Discussion of sex. \nFree Fall (14m)\nDir: Santiago Henao Vélez\, Country: Colombia\, Year: 2018\, Language/s: Spanish\nOut of the hunting shadows of sexual underground Medellin\, sixteen-year-old Jhony is excitedly hopeful about a date with the boy he loves. \nContent note: Depiction of sex and drug-taking. \nTea for Two (20m)\nDir: Julia Katharine\, Country: Brazil\, Year: 2018\, Language/s: Portuguese\nSilvia is a middle-aged filmmaker having a life crisis. The same night that she is surprised by the visit of her ex-wife\, who left her a few years ago\, she meets another woman who fascinates her. Tea For Two is thought to be the first film directed by a trans person to ever be commercially released in Brazilian cinemas. \nContent note: Depiction of transphobia. \n2064 (12m)\nDir: Joseph Adesunloye\, Country: Botswana\, Year: 2019\, Language/s: Tswana\nDevastating population growth\, famine\, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting\, ever-warming climate\, and a ballooning population.  A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful\, and the continent’s wildlife begins to flourish again. In 2064\, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull. \nContent note: Discussion and depiction of death and suicide.
URL:https://www.sqiff.org/event/sqiff-shorts-luv-sucks/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Deaf,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_luv_sucks-e1565716193434.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T190000
DTEND;TZID=UTC:20191002T210000
DTSTAMP:20260504T195719
CREATED:20190802T105823Z
LAST-MODIFIED:20191001T095036Z
UID:9074-1570042800-1570050000@www.sqiff.org
SUMMARY:SQIFF 2019 Opening Night Shorts
DESCRIPTION:Sold Out – we can’t guarantee but there’s a good chance of returns if you come on the night 15 minutes before the event \nWe launch the Festival with a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. Adam and the Alphas depicts the camaraderie of gay rugby team\, the Glasgow Alphas. Bodies Like Oceans follows self-described queer fat freak and photographer\, Shoog McDaniel. I AM! We are Here! presents portraits of Queer\, Trans* and Gender Non Conforming People of Colour in the Bronx\, whilst Unspoken sees queer and trans Asian Americans writing emotional letters to their families. We Are Here follows members of the Manchester House of the Sisters of Perpetual Indulgence\, and Button OUT! is an animated homage to Canadian filmmaker Kathleen Mullen’s history of protest through the Canadian Lesbian and Gay Archives’ massive button collection. \nWe hope to welcome several of the filmmakers for a Q&A. Followed by a drinks reception at CCA sponsored by Drygate Brewing Co. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610489/events/129085543′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nAll films have English audio with English language subtitles/captions. The introduction and Q&A will be BSL interpreted. Hearing loop available. \nAudio description available. Films are otherwise largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBodies Like Oceans (13m)\nDir. Kat Cory\, Country: USA\, Year: 2019\, Language/s: English\nA dreamy portrait of photographer Shoog McDaniel\, a self-described queer fat freak\, whose work with fat bodies in nature transgresses reality. \nContent note: Discussion of racism\, misogyny\, and fatphobia. \nAdam and the Alphas (12m)\nDir. Stuart Thomas Graham\, Country: UK\, Year: 2019\, Language/s: English\nMade by students on the 2019 Documentary Production course at Stirling University. \nContent note: Discussion of homophobia. \nI AM! We Are Here! (7m)\nDir: Seyi Adebanjo\, Country: USA\, Year: 2018\, Language/s: English\nI AM! We Are Here! multimedia project documents the vitality and spirit of Queer\, Trans* and Gender Non Conforming People of Color in the Bronx. \nContent note: None. \nUnspoken (17m)\nDir: Patrick G. Lee\, Country: USA\, Year: 2019\, Language/s: English\nUnspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents\, and this film is their way of doing so. \nContent note: Discussion of homophobia and transphobia. \nWe Are Here (12m)\nDir. Ellie Hodgetts\, Country: UK\, Year: 2019\, Language/s: English\nThis documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go. \nContent note: Discussion and depiction of homophobia and transphobia\, including scenes of violence. \nButton OUT! (4m)\nDir: Kathleen Mullen\, Country: Canada\, Year: 2018\, Language/s: English\nButton OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto. \nContent note: Reference to sex\, homophobia\, transphobia\, and racism.
URL:https://www.sqiff.org/event/sqiff-2019-opening-night-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,Bisexual,BSL,Documentary,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/07/opening_shorts-e1564741728235.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T183000
DTEND;TZID=UTC:20191002T193000
DTSTAMP:20260504T195719
CREATED:20190802T105844Z
LAST-MODIFIED:20190922T110341Z
UID:9078-1570041000-1570044600@www.sqiff.org
SUMMARY:Autism-friendly Opening Night Shorts
DESCRIPTION:We are putting on an autism-friendly screening of our Opening Night Shorts programme. Autism-friendly screenings are designed to make the cinema more inclusive and accessible for people with sensory sensitivities\, and others who can benefit from this environment. We will not book the cinema more than half full. Lights will be left on low and sound turned down. People are welcome to make noise and move around. We will have a Quiet Space in the Intermedia Gallery on the top floor of CCA available for anyone to take some time out. \nThe programme features a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610490/events/129085544′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nAll films have English audio with English language subtitles/captions. Hearing loop available. \nFilms are largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBodies Like Oceans (13m)\nDir. Kat Cory\, Country: USA\, Year: 2019\, Language/s: English\nA dreamy portrait of photographer Shoog McDaniel\, a self-described queer fat freak\, whose work with fat bodies in nature transgresses reality. \nContent note: Discussion of racism\, misogyny\, and fatphobia. \nAdam and the Alphas (12m)\nDir. Stuart Thomas Graham\, Country: UK\, Year: 2019\, Language/s: English\nMade by students on the 2019 Documentary Production course at Stirling University. \nContent note: Discussion of homophobia. \nI AM! We Are Here! (7m)\nDir: Seyi Adebanjo\, Country: USA\, Year: 2018\, Language/s: English\nI AM! We Are Here! multimedia project documents the vitality and spirit of Queer\, Trans* and Gender Non Conforming People of Color in the Bronx. \nContent note: None. \nUnspoken (17m)\nDir: Patrick G. Lee\, Country: USA\, Year: 2019\, Language/s: English\nUnspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents\, and this film is their way of doing so. \nContent note: Discussion of homophobia and transphobia. \nWe Are Here (12m)\nDir. Ellie Hodgetts\, Country: UK\, Year: 2019\, Language/s: English\nThis documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go. \nContent note: Discussion and depiction of homophobia and transphobia\, including scenes of violence. \nButton OUT! (4m)\nDir: Kathleen Mullen\, Country: Canada\, Year: 2018\, Language/s: English\nButton OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto. \nContent note: Reference to sex\, homophobia\, transphobia\, and racism.
URL:https://www.sqiff.org/event/autism-friendly-opening-night-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Autism-friendly,Bisexual,Documentary,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/07/opening_shorts_autism-e1564742015859.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T153000
DTEND;TZID=UTC:20191002T165000
DTSTAMP:20260504T195719
CREATED:20190828T110726Z
LAST-MODIFIED:20190906T122302Z
UID:9147-1570030200-1570035000@www.sqiff.org
SUMMARY:LUX Scotland presents: where did we land + Fi Dem I & II
DESCRIPTION:London-based curator and artist Rabz Lansiquot screens their new moving image essay where did we land\, an ongoing experiment interrogating the effect of images of anti-black violence produced and reproduced in film and media\, and parts 1 and 2 of artist Zinzi Minott’s Fi Dem Series\, a continued investigation into Blackness and Diaspora made annually on the anniversary of the Empire Windrush docking in the UK on June 22nd 1948. The screening will be followed by a discussion with Rabz Lansiquot about their research on moving beyond representation and towards liberation in Black film\, and how queerness informs their approach. \nIn partnership with LUX Scotland\, a non-profit agency dedicated to supporting\, developing\, and promoting artists’ moving image practices in Scotland. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611638/events/129089883′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English and Patois audio with English language subtitles/captions. Hearing loop available. If you would like to attend this event and require BSL interpretation for the discussion\, please email access@sqiff.org at least 2 weeks in advance. \nFilms are not very accessible to English-speaking blind and partially sighted audiences with mostly image-based ideas. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLUX Scotland is a non-profit agency dedicated to supporting\, developing and promoting artists’ moving image practices in Scotland. Working at the intersection of the contemporary visual arts and film sectors\, its core activities include public exhibition and touring projects\, learning and professional development for artists and arts professionals\, distribution\, commissioning and production support\, research and sector advocacy. From its offices based in Glasgow\, it works with a growing network of national and international partners\, including museums\, contemporary art organisations\, film festivals and educational institutions\, to deliver its programme. Established in 2014\, LUX Scotland is a part of LUX and is supported by Creative Scotland.
URL:https://www.sqiff.org/event/lux-scotland-presents-where-did-we-land-fi-dem-i-ii/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Discussion,Films,Hearing loop,Non-narrative,People of colour,Shorts,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/lux_scotland-e1565715172800.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T123000
DTEND;TZID=UTC:20191002T135000
DTSTAMP:20260504T195719
CREATED:20190828T110818Z
LAST-MODIFIED:20190909T123927Z
UID:9129-1570019400-1570024200@www.sqiff.org
SUMMARY:SQIFF Shorts: Intimacies
DESCRIPTION:Touch\, connection\, sensuality\, bonding. Sharing of solidarity\, friendship\, grief\, and (com)passion. This selection of short films from the UK\, US\, Brazil\, and the Amazon trace intimacies between friends\, family\, communities\, and lovers. The revolutionary potential of femme for femme relationships. Upholding trans and immigrant identities and memory across generations. Busting childhood isolation and fear of being queer. Leaving your life behind due to youthful yearning. A slow-paced and tactile assortment of stories embracing many different faces and places. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611641/events/129089955′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English\, Persian\, French\, Spanish\, and Portuguese audio and ASL with English captions/subtitles. Hearing loop available. \nMost of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling\, minimal dialogue\, and majority non-English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \n#Familiar #Touch #Lost #Figures (13m)\nDir: Katy Jalili\, Country: UK\, Year: 2017\, Language/s: English\, Persian\n#Familiar #Touch #Lost #Figures is an exploration of queer ancestry and diaspora\, the hybrids between cultural traditions and contemporary queer identity. It explores brown bodies and femme for femme intimacies\, and the feeling of being between a search for home and finding home in a familiar stranger. \nContent note: Depiction of nudity. \nSilvia in the waves (13m)\nDir: Gio Olmos\, Country: Canada\, Year: 2018\, Language/s: French\nNoa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure\, identity and memory. \nContent note: Depiction of queerphobia. \nWelcome to the Ball (5m)\nDir: Adam Vincent Wright\, Country: USA\, Year: 2019\, Language/s: English\, ASL\nA child learns sign language in hopes of making a new friend. \nContent note: None. \nMy Grandson\, Charlotte (13m)\nDir: Tyler Pierreson\, Country: UK\, Year: 2019\, Language/s: English\nA transgender teen and his immigrant granddad\, a Sapeur from the Congo\, bond over their shared understanding of the importance of identity and of always being true to one’s self. \nContent note: Depiction of death. \nCarlito se va Para Siempre (13m)\nDir: Quentin Lazzarotto\, Country: UK\, Year: 2018\, Language/s: Spanish\nIn the Amazonian jungle\, the village of Palma Real resists the modern world. Carlito\, a silent young man\, decides to leave. On the muddy bed of the immense river\, an encounter reveals the secret that Carlito has hidden from his community. \nContent note: None. \nInfinite While It Lasts (19m)\nDir: Akira Kamiki\, Country: Brazil\, Year: 2019\, Language/s: Portuguese\nAfter falling in love at a party\, Danny and Seiji just want to be together. However\, their differences might prove stronger than their feelings. A fiction film about asexuality. \nContent note: Reference to sex.
URL:https://www.sqiff.org/event/sqiff-shorts-intimacies/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Asexual,Deaf,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_intimacies-e1565713848146.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190823
DTEND;VALUE=DATE:20190827
DTSTAMP:20260504T195719
CREATED:20190710T135110Z
LAST-MODIFIED:20190710T135856Z
UID:9054-1566532800-1566791999@www.sqiff.org
SUMMARY:SQIFF at Jupiter Rising
DESCRIPTION:We are really pleased to be taking part in Jupiter Rising music festival with 2 programmes of short films during the 3-day festival. Jupiter Rising takes place at Jupiter Artland near Edinburgh 23 to 25 August with a line-up including music\, performance\, film and moving image\, artist-led workshops\, wild swimming\, and more! \nTo find out more about Jupiter Rising and how to book tickets\, click here. \nFor information about Jupiter Artland\, how to get there\, and access information\, click here. \n  \nACCESS \nJupiter Rising is an outdoor festival\, two stages are undercover in large marquees\, one stage is located in the woods. \nEach stage will include a reserved viewing area for wheelchair users and their carers. Other areas include a bar\, cinema\, workshops and activities tent\, all of which are wheelchair accessible and undercover. \nThe ground at Jupiter Artland is grass\, paths\, natural woodland and meadow\, which can sometimes be uneven underfoot or for wheelchair users. \nAccessible camping is located in a meadow\, a short distance away from the main stages. An accessible toilet is provided. \nA quiet space will be provided throughout the event and will be highlighted on the site map. \nThere will be gender-neutral toilets and two accessible toilets located in various locations\, highlighted on the site map. \nAssistance dogs are welcome provided they are on a lead (Jupiter Artland has livestock on site). \nPlease get in touch to let us know if you require a large print version of the printed programme\, which will be available to pick up from the Box Office. \nEar plugs will be available from the Box Office. \nStrobe lighting may feature in some performances and film screenings. \nSQIFF film screenings are in a variety of languages with English language captions for D/deaf and Hard of Hearing audiences. Many of the films are based largely on visual ideas with little spoken language. \nJupiter Rising is committed to improving accessibility. If there is anything we can do to make it easier for you to attend\, or if you have any questions\, thoughts or feedback about access for this event\, please email enquiries@jupiterartland.org or call 01506 889900.
URL:https://www.sqiff.org/event/sqiff-at-jupiter-rising-music-festival/
LOCATION:Jupiter Artland\, Bonnington House Steadings\, Near Wilkieston\, Edinburgh\, EH27 8BY\, United Kingdom
CATEGORIES:Around one hour or less,Deaf,Disability,Documentary,Films,Gay men,Lesbian,Non-narrative,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/07/Black-is-me_ElliotBlue2-e1562766476648.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190601T190000
DTEND;TZID=UTC:20190601T210000
DTSTAMP:20260504T195719
CREATED:20190527T204803Z
LAST-MODIFIED:20190527T204803Z
UID:9022-1559415600-1559422800@www.sqiff.org
SUMMARY:Portraits of Artists as Young Men (& Women & Other)
DESCRIPTION:SQIFF curates a screening as part of Glasgow School of Art’s Degree Show programme\, Dress Rehearsal. Portraits of Artists as Young Men (& Women & Other) takes a look at the earlier\, formative days of queer artists who have gone on to make significant bodies of work. Featuring documentation and experimental meanderings by and/or about photographer Ajamu X\, circus performer Jennifer Miller\, and filmmakers Thomas Allen Harris and Barbara Hammer\, amongst others. Common themes emerge of hitting back against oppression and searching for identity through the creative process. \nThis event is free and unticketed. Just come along on the night. \nClick here for GSA’s full Dress Rehearsal Degree Show programme. \nACCESS \nFilms are in the English language with English language captions. \nFilms are experimental so some are quite visual-based but there is a relatively good amount of explanatory dialogue for blind and partially sighted audiences. Large print versions of handouts available. \nThe Art School has good access for wheelchair users. Click here for more details on venue access.
URL:https://www.sqiff.org/event/portraits-of-artists-as-young-men-women-other/
LOCATION:The Art School\, 20 Scott Street\, Glasgow\, G3 6PE\, United Kingdom
CATEGORIES:Documentary,English language,Films,Free event,Gay men,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/05/60781531_2435987289786519_2320778272654229504_o-e1558990069228.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190222T190000
DTEND;TZID=UTC:20190222T210000
DTSTAMP:20260504T195719
CREATED:20190215T155854Z
LAST-MODIFIED:20190216T182329Z
UID:8967-1550862000-1550869200@www.sqiff.org
SUMMARY:QTIPOC shorts for LGBT History Month
DESCRIPTION:For LGBT History Month\, SQIFF and the Coalition for Racial Equality and Rights (CRER) are partnering to showcase short films focusing on QTIPOC representation and ideas. \nMy Loneliness is Killing Me features a femme man of colour who invites a white man to his apartment for a hook-up\, unexpectedly unearthing a dark emotional connection. Clash is a short experimental documentary by queer Iraqi non-binary filmmaker Amrou Al-Khadi critiquing the lack of diversity in on-screen representation in Britain today. Iconic transgender artist and activist\, Marsha “Pay it No Mind” Johnson\, and her life in the hours before she ignited the 1969 Stonewall Riots in New York City are depicted in Happy Birthday\, Marsha!. \nThe event will be hosted by Samar Ziadat\, curator\, activist\, and co-founder of Dardishi\, with a discussion with local QTIPOC artists and activists following the screening. \nFREE ENTRY (no need to sign up\, just come along on the night) \nACCESS \nFilms in the English language with captions for Deaf and Hard of Hearing access. BSL interpretation for the discussion. Our venue\, Kelvin Hall\, is wheelchair accessible with accessible toilet facilities. For more information on the venue\, click here. Please get in touch via helen@sqiff.org with any questions about access. \nContent note: reference to violence and scenes of a sexual nature.
URL:https://www.sqiff.org/event/qtipoc-shorts-for-lgbt-history-month/
LOCATION:Kelvin Hall\, 1445 Argyle Street\, Glasgow\, G3 8AW\, United Kingdom
CATEGORIES:BSL,Discussion,English language,Films,Free event,Gay men,LGBT History Month,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/02/Clash-e1550246322786.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190209T130000
DTEND;TZID=UTC:20190306T230000
DTSTAMP:20260504T195719
CREATED:20190116T172150Z
LAST-MODIFIED:20190303T162705Z
UID:8914-1549717200-1551913200@www.sqiff.org
SUMMARY:SQIFF Shorts on Tour
DESCRIPTION:We present on tour an inclusive selection of LGBTQ+ short films from our 2018 Festival Opening Night. Headlining the programme is VISIBLE\, created by Campbell X and Kayza Rose\, who explore QTIPOC (queer\, trans\, and intersex people of colour) histories\, challenging mainstream perceptions and sanitisation of legacies\, and celebrating complexity\, multiplicity\, myths\, gossip\, and legends. Also featuring a lesbian sports star coming out\, being gay in the Maldives\, queer working class vulnerability\, and more. \nScreenings are taking place across Scotland for LGBT History Month. We are pleased director of VISIBLE\, Campbell X\, will join us for Q&As in Dundee\, Hawick\, Ayr\, Edinburgh\, and Stirling. \nSupported by Film Hub Scotland\, part of the BFI’s Film Audience Network. \nTo book\, see list of screenings and booking links below. \nCCA\, Glasgow in partnership with STUC LGBT+ Committee\, Saturday 9th February\, 1pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873601860/events/128926862′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nDundee Contemporary Arts\, Wednesday 13th February\, 6.15pm. Tickets £5-7.50. To book\, please use the button below or call DCA box office on +44 (0)1382 432 444. \n[bra_button text=’Buy Tickets’ url=’https://www.dca.org.uk/whats-on/event/sqiff-shorts-on-tour’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nThe Byre Theatre\, St. Andrews part of Queerfest with Saints LGBT+\, Friday 15th February\, 6pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/queerfest-sqiff-shorts-on-tour-tickets-55762679676′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nCornucopia\, Hawick in partnership with Scottish Borders LGBT Equality\, Saturday 23rd February\, 4pm. Free\, unticketed – just come along. \n  \nAyr Town Hall in partnership with Ayr Film Society and Ayrshire LGBTQ\, Sunday 24th February\, 6.30pm. Free\, unticketed – just come along. \n  \n50 George Square\, University of Edinburgh with MSc Film\, Exhibition and Curation\, Tuesday 26th February\, 7pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqiff-shorts-on-tour-in-edinburgh-tickets-55762331635′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nMacrobert\, Stirling in partnership with Stirling University LGBTQ+ Society\, Friday 1st March\, 7.30pm. Tickets £6. To book\, please use the button below or call Macrobert box office on +44 (0)1786 466 666. \n[bra_button text=’Buy Tickets’ url=’https://macrobertartscentre.org/event/sqiff-2018-opening-night-shorts-on-tour/’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nEden Court\, Inverness\, Monday 4th March\, 6.15pm. Tickets £3.50-5.50. To book\, please use the button below or call Eden Court box office on +44 (0)1463 234 234. \n[bra_button text=’Buy Tickets’ url=’https://eden-court.co.uk/event/sqiff-shorts-on-tour’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nBelmont Filmhouse\, Aberdeen in partnership with Grampian Pride\, Wednesday 6th March\, 7.30pm. Tickets £5. To book\, please use the button below or call Belmont Filmhouse box office on +44 (0)1224 343 500. \n[bra_button text=’Buy Tickets’ url=’https://www.belmontfilmhouse.com/showing/kino-bar-sqiff-shorts-tour’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nRound One (4m)\nDir: Ella Sowinska\, Year: 2017\nRound One creates a portrait of Nicola Stevens\, who played in the first professional Australian Football League women’s game in 2017. \nThere You Are (15m)\nDir. Lisa Donato\, Year: 2018\nA trans woman must dress like a boy to say goodbye to her dying grandmother. \nBlooming Night (9m)\nDir. Bell Zhong\, Year: 2017\nMesmerised by a pair of red heels\, a lonely street guy in Shanghai follows their owner into a club\, where he discovers a forbidden community that he has never experienced before. \nMedulla Oblongata (8m)\nDir. Roberto Nascimento\, Year: 2017\n“Life can be horrible. But it also can be beautiful. Really f***ing beautiful.” Abraham Naim aka drag queen Medulla Oblongata relates their story of escaping persecution for being gay in the Maldives and finding acceptance and community. \nCrashing Waves (4m)\nDir. Emma Gilbertson\, Year: 2018\nTwo young working-class men explore the intimacy and vulnerability of relationships in a combative dance against the backdrop of an inner city estate\, risking all under the scrutiny of a tight-knit community. \nTop 10 Places to Visit in São Paulo (14m)\nDir. Akira Kamiki\, Year: 2018\nOn a dreamy Sunday\, two photographers walk around São Paulo trying to connect with the city\, and slowly fall in love with each other. \nVISIBLE (20m)\nDir. Campbell X\, Year: 2018\nVISIBLE digs in and shreds misconceptions that LGBTQ+ people of colour have no history – and no story to tell. Weaving together the tales of inspirational ancestors\, contemporary artists\, political activists\, and community leaders – VISIBLE challenges mainstream perception and the sanitisation of LGBTQ+ legacies by celebrating complexity\, multiplicity\, and the myths\, gossips\, legends\, and truths of QTIPOC histories.
URL:https://www.sqiff.org/event/sqiff-shorts-on-tour/
CATEGORIES:Films,Gay men,Lesbian,LGBT History Month,People of colour,Shorts,Trans,Woman director,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/01/CRASHINGWAVES_STILL02-e1547659300214.jpg
END:VEVENT
END:VCALENDAR