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BEGIN:VEVENT
DTSTART;TZID=UTC:20211006T183000
DTEND;TZID=UTC:20211006T201500
DTSTAMP:20260504T181449
CREATED:20210916T093907Z
LAST-MODIFIED:20211006T084221Z
UID:10332-1633545000-1633551300@www.sqiff.org
SUMMARY:SQIFF 2021 Opening Night Shorts SOLD OUT
DESCRIPTION:**Please note this event is now sold out – we may be able to release more tickets nearer the screening** \nOur festival opens this year with the first of our 2021 Scottish Shorts programmes\, including multiple works giving a taster of the many themes to expect from the festival. \nFeaturing a poetic film in British Sign Language (Affirmation #6)\, selections from queer Black artists from Fringe of Colour (Ixwa Blue\, Space 2: We’ve Come A Long Way\, black queer nature poem for khadijah (and all of us))\, sweet musings on trans life in Glasgow (You can run)\, and lots more. We hope that there will be something for everyone in our multifaceted queer community on our opening night. \nCurated by Nat Lall. We hope to welcome several of the filmmakers for a Q&A. All ticket holders are invited to join us for a drink at CCA after the screening. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below or call the CCA Box Office on 0141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873627516′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nEnglish and Portuguese audio with English language captions. BSL-English interpretation by Lisa Li and live captioning by Louisa McDaid provided for the intro and Q&A. \nAudio description available. Headsets available at the cinema entrance. \n\n\nThe films are 60 minutes long with opening night speeches at the start and a Q&A afterwards. \nWe have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2021\, please contact info@sqiff.org. \nAudio Description Credits for short film ixwa blue:\nPerformed by Sri Gordon\, written by Elizabeth Capot\, QC by Stephen Christopher\, Production and Sound Engineering by Stephen Kellner \nAudio Description Credits for short film Space 2:\nPerformed by Sri Gordon\, written by Elizabeth Capot\, QC by Stephen Christopher\, Production and Sound Engineering by Stephen Kellner
URL:https://www.sqiff.org/event/sqiff-2021-opening-night-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,Films,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2021/09/EVERYMAN_DUALITY_OF_MAN-e1631414683205.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211003T180000
DTEND;TZID=UTC:20211003T200000
DTSTAMP:20260504T181449
CREATED:20210901T112128Z
LAST-MODIFIED:20210929T140018Z
UID:10313-1633284000-1633291200@www.sqiff.org
SUMMARY:Sanctuary shorts in association with SQIFF + Q+A
DESCRIPTION:This community-curated programme* explores the acceptance of identity\, self\, and of the world around us\, while highlighting the universal experience of being queer–with a special focus on being lesbian. The films’ instinctive narratives show the lows of being ‘othered’\, and the highs of finding a safe space within that\, no matter what age\, country\, or time period. Join us for powerfully diverse stories\, told with heart\, honesty\, and a perfect amount of humour. You’ll leave the event with a new community of queer film-lovers: your very own sanctuary. \n*Back in July\, Sanctuary collaborated with SQIFF producer and co-founder Helen Wright to offer 2 online workshops for LGBTQIA+ people\, aged 18+\, to learn about film programming. Participants worked together to watch a selection of queer short films and make decisions about a final shorts programme. Thanks to Ewan McPherson\, Kate Hammer\, Liam Rees\, JD Stewart\, Merik Tiz\, Ben Cave\, Beth Cooper\, Jonathan McLean\, Vee Smith and Sand Owsnett. \nThis is a free event. Book tickets using the button below. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sanctuary-shorts-in-association-with-sqiff-qa-tickets-167955993899′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nWe’ll be using Zoom Webinar for this screening event and Q&A. Audience members will be able to interact with the discussion through the chat function. Once you book a ticket you’ll be sent a link to access the event\, 24 hours before the event starts. \nThe films are in a mixture of spoken languages with English language captions and the Q&A will have live captions and BSL-English interpretation available. The event is suitable for ages 16+. If you have any questions or access requests for this event\, please get in touch by emailing info@sqiff.org. \nThe total films running time is 1 hour 25 minutes. \nThis film and discussion may include reference to: mental health breakdown\, homophobia\, transphobia\, alcohol or substance addiction. We appreciate this list is not comprehensive and encourage you to confidentially get in touch if there is a particular subject matter not listed you wish to avoid: hello@sanctuaryqueerarts.com. \nPROGRAMME \nThe Way We Are (16m) \nDir: Amanda Ann-Min Wong\, Country: Canada\, Year: 2020\, Language/s: \nEnglish  \n“The Way We Are” shares excerpts of stories from audio interviews with 4 queer Asian women: Katherine Chun\, Wenda Li\, Tamai Kobayashi\, and Nancy Seto. Told in the present-tense\, these stories are arranged in a way that explores the past as the present\, and in doing so\, immersing viewers into the real-lived experiences from a different generation. \n \nA Story of Wedding (27m) \nDir: Wei Zhao\, Country: France\, Year: 2021\, Language/s: Mandarin  \nTo satisfy their families\, Huanlin\, a gay man\, and Ziqiao\, a lesbian\, have agreed to have a marriage of convenience\, which will be held online due to the pandemic. In addition\, they have also agreed to have and raise a baby together. However\, this decision is changing their lives before they know it. \n \nFora de Época | Out of Place (13m) \nDir: Drica Czech\, Laís Catalano Aranha\, Country: Brazil\, Year: 2020\, \nLanguage/s: Portuguese  \n2018: Brazil’s general election. Emotionally shaken by the possibility of Bolsonaro being elected\, a young lesbian takes refuge in her family’s farm. As she tries to understand why her mother spent the last days of her life alone in the old house\, she is faced with revelations about her own story. \n \nSubjekträume (Subject Spaces) (29m) Dir: Kat Voss\, Country: Germany\, Year: 2020\, Language/s: German  \nLeather\, metal\, fur: Pelze Multimedia\, West Berlin 1981-1996\, provided a space for art\, musix\, sex parties\, experiments. A glimpse into an almost forgotten site of lesbian/queer history.  \n 
URL:https://www.sqiff.org/event/sanctuary-shorts-in-association-with-sqiff-qa/
LOCATION:Online
CATEGORIES:BSL,Documentary,Films,Free event,Lesbian,People of colour,Shorts,Speech to Text
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2021/09/Geländer-mit-Arsch-JPG-e1630495182574.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211002T080000
DTEND;TZID=UTC:20211010T233000
DTSTAMP:20260504T181449
CREATED:20211008T122510Z
LAST-MODIFIED:20211008T122510Z
UID:10648-1633161600-1633908600@www.sqiff.org
SUMMARY:SQIFF 2021 Online
DESCRIPTION:Several films from the SQIFF 2021 programme are available to rent online from SQIFF’s Vimeo on Demand channel until 10 October. You can access these films at any time during this period. Films on our Vimeo on Demand will be accessible within the UK only. Click here to access the online programme.\n \nTo watch films on our Vimeo on Demand channel\, you will need to create a Vimeo account\, which is free and quick to set up. Go to vimeo.com and click the option to ‘Join for free.’ You will need access to an email address to be able to join.  \nYou will be asked to choose what you pay for each film or film programme on our Vimeo on \nDemand channel. The default price for films on Vimeo will be set to £8\, and you can click \n‘Apply promo code’ and then enter a discount code of\, for example\, ‘6’ to pay £6\, or ‘4\,’ ‘2\,’ or \n‘free’ to get the pricing you choose. You will have up until 10 October to watch films once \nyou have rented them. \nFilms and programmes available to rent include: \nA New Chapter Begins \nGA(Y)MERS with an audio described version available \nChanging the Game with an audio described version available
URL:https://www.sqiff.org/event/sqiff-2021-online/
CATEGORIES:Audio description,English language,Films,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2021/09/changingthegame_turner_jumonville_3-e1631612538889.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201018T170000
DTEND;TZID=UTC:20201018T190000
DTSTAMP:20260504T181449
CREATED:20200909T114554Z
LAST-MODIFIED:20201018T114536Z
UID:10029-1603040400-1603047600@www.sqiff.org
SUMMARY:Watch Party: Queer Scotland Shorts
DESCRIPTION:We are always proud to present some of the astonishing queer filmmaking made by local talent. This year features meditation on the queer body and its owner’s cultural history\, the potential for zine culture to assist in the recovery from mental health difficulties\, being censored when writing LGBTQ characters\, living as a gay man in the era of 1950s McCarthyism\, feminist sci-fi baby-making adventures\, love on the mind of an admirer\, and Deaf identities. \nThe screening will be followed by a filmmaker Q&A. There will be an award for Best Scottish Short voted for online by audiences. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-queer-scotland-shorts-tickets-120180504123′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nThe films have Arabic and English audio with English language captions. BSL interpretation\, live captioning\, and live audio description are provided for the event. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival. \nThe films will be around 1 hour long with a brief introduction at the start and a 30 minute Q&A. \nContent notes: discussion of homophobia\, misogyny\, ableism\, mental health issues\, and suicide; depiction of homophobia\, nudity\, grief\, and death. \n\n\n\n\nThe films in SQIFF Shorts: Queer Scotland include some abrasive sound effects. \n\n\n\n\nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org. \nTickets \nTickets for most live events are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more\, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going. \nPROGRAMME \nSaturnrania (5m)\nDir: Holly McLean\, Country: UK\, Year: 2019\, Language/s: English\nA feminist sci-fi adventure documentary following an experimental physicist on her quest to have a baby. \nThe Fabric of You (11m)\nDir: Josephine Lohoar Self\, Country: UK\, Year: 2019\, Language/s: English\nSet in the Bronx\, in the era of 1950s McCarthyism\, everybody wants to look the same. Michael a gay\, twenty-something-year old mouse\, hides his true identity while he works as a tailor. \nWhen Isaac enters the shop one day he offers the escapism and love Michael craves. In Michael’s confined apartment\, he becomes tormented by the memories of Isaac’s tragic death. Michael’s memories and flashbacks are triggered when he notices Isaac’s jacket draped on the back of a chair. Haunted by the solace Isaac once offered\, he struggles to come to terms with his loss. \nLet My Body Speak (10m)\nDir: Madonna Adib\, Country: UK\, Year: 2020\, Language/s: Arabic\nThis documentary is a personal and intimate journey exploring the repression experienced by the filmmaker during her childhood when she faced sexual control in a Damascus also experiencing a growing socio-political repression in the late 80s and early 90s. Through the creative use of family archive in Damascus mixed with current footage of her body she reconstructs the pain of the past absorbed by her body. \nWhat is Wrong with Her? (7m)\nDir: Leah Francisco\, Country: UK\, Year: 2020\, Language/s: BSL and English\nLeah finds life and identity by moving past other people’s labels in this British Sign Language poem travelling through time and space. Produced by Solar Bear Theatre company through their digital arts programme\, Solar Flares. \nZine There Done That (8m)\nDir: Fergus Cruickshank\, Ana Hine\, Country: UK\, Year: 2019\, Language/s: English\nAs Ana recovers from a serious mental health breakdown\, she discovers the potential for zines to rebuild her life and rediscover her voice. This intimate documentary is captured on an eclectic mix of formats to mirror the delicate piecing together of Ana and her connection to the underground mental health zine community in the UK. A tender\, creative\, and ultimately empowering look at how art can bring people together to take ownership of their lives. \nBe Seen (2m)\nDir: Sophie Stone\, Country: UK\, Year: 2020\, Language/s: BSL\nLove fully explored in the mind of the admirer. Produced by Solar Bear Theatre company through their digital short programme\, Solar Snaps. \nAll the reasons behind a kiss (3m)\nDir: Aimie Willemse\, Country: UK\, Year: 2020\, Language/s: English\nA theatre student gets rebuked for writing LGBTQ+ characters in her zombie apocalypse play as “following the latest trend”\, however it turns out\, she has a personal reason to do so. \nReal Boy (11m)\nDir: Jamie Rea\, Country: UK\, Year: 2020\, Language/s: BSL\nAll the parts of life from the smallest atom to the meaning of life converge and form into a feeling of completeness within Joe. We share in this journey. Produced by Solar Bear Theatre company through their digital arts programme\, Solar Flares.
URL:https://www.sqiff.org/event/watch-party-queer-scotland-shorts/
CATEGORIES:Audio description,BSL,Deaf,Disability,Films,Shorts,Speech to Text,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/09/02_Open-eye-e1599651604488.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201017T190000
DTEND;TZID=UTC:20201017T203000
DTSTAMP:20260504T181449
CREATED:20200909T112034Z
LAST-MODIFIED:20201012T160701Z
UID:10022-1602961200-1602966600@www.sqiff.org
SUMMARY:Watch Party: Transdimensional Voices
DESCRIPTION:This collection of shorts uplifts trans* voices and showcases a wide range of trans* identifying talent based within Glasgow. Jamie Crewe’s “The Ideal Bar” — “Le Narcisse” — “Alec’s” touches on experiences of transphobia and LGBTQIA+ solidarity and conflict. Sorcha Clelland presents Where the Red Fern Grows\, interrogating performance\, queer club space aesthetics\, and the consistent demolition of community spaces which seek to aid queer voices. Powder Snowdrop Catatonic is a performance featuring various camp characters by Sgàire Wood. The films cover a multitude of themes\, depending on the viewer’s perception of the work. \nCurated and hosted by Glasgow-based artist TAAHLIAH. There will be a Q&A with the filmmakers after the screening. \n\nImage credit: Sorcha Clelland’s Where the Red Fern Grows. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-transdimensional-voices-tickets-120178157103′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nThe films have English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A. \nThe films are 32 minutes long with a brief introduction at the start and a 45 minute Q&A. \nContent notes: depiction of violence\, gruesome imagery\, and an animal in distress. \n\n\n\n\nThe films in Transdimensional Voices include some loud music and abrasive sound effects\, disorientating editing\, and flashing lights. \n\n\n\n\nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org. \nTickets \nTickets for most live events are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more\, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going. \nPROGRAMME \n“The Ideal Bar” – “Le Narcisse” – “Alec’s” (2m)\nDir: Jamie Crewe\, Country: UK\, Year: 2020\, Language/s: No spoken language \n“The Ideal Bar” – “Le Narcisse” – “Alec’s” is a dramatised exchange between two characters in a Glasgow nightclub\, inspired by a sequence in Radclyffe Hall’s The Well of Loneliness in which Stephen Gordon encounters a repellent reflection of herself in a Parisian gay bar. Their exchange is punctuated\, as in Radclyffe Hall’s text\, by the image of a panting\, dying fox. Though it demands compassion\, this fox is not real\, and its blood looks perhaps more like lipstick. The video is scored by a hyperventilating concertina. \nThese characters are portrayed by performance maker and ogre Sorcha Clelland\, and performance artist and music producer TAAHLIAH. In this version\, TAAHLIAH is standing\, and Sorcha is seated. \nPowder Snowdrop Catatonic (17m)\nDir: Sgàire Wood\, Country: Scotland\, Year: 2020\, Language/s: English and French languages \nProduced in one room over the course of a week in the heart of lockdown\, Sgàire Wood’s Powder Snowdrop Catatonic is an irreverent pantomime performance of mental deterioration under mandatory quarantine. Summoning a cast of capricious characters\, Wood runs a Kübler-Ross style gamut of emotions precipitated by self-isolation\, from misanthropic smugness to mind-bending ennui and cabin fever. Seen solely through the narrow lens of a smartphone camera\, she dances before the flimsy trompe l’oeil facade of a Victorian parlour\, existing in the space between coziness and claustrophobia\, flippancy and sincerity. The film’s celebratory intimacy pays tribute to queer\, radicalised or feminised practices which\, being underrepresented in traditional art spaces\, are relegated to the realm of domesticity and how under the circumstances in which the film was produced\, have found a new appreciation and importance. \nWhere the Red Fern Grows (11m)\nDir: Sorcha Clelland\, Country: UK\, Year: 2020\, Language/s: No spoken language \nSorcha Clelland’s Where the Red Fern Grows\, titled after Wilson Rawls’ 1961 children’s book about hunting dogs\, exists as a love letter to a rave and venue in Ibrox\, Glasgow. Filmed at The African Arts Centre in May 2020 during the venue’s demolition and Scotland’s lockdown from COVID-19. The novel begins with an aspiration to heal and a birth of kinship. Character growth is continued through belief in a magic. Performing as SHREK 666\, the embodiment of a demonic ogre shifting through monstrous transformation chained to catholicism\, he revisits a site and performance which was formerly a scene of Queer Intimacy. \n“The Ideal Bar” – “Le Narcisse” – “Alec’s” (2m)\nDir: Jamie Crewe\, Country: UK\, Year: 2020\, Language/s: No spoken language \n“The Ideal Bar” – “Le Narcisse” – “Alec’s” is a dramatised exchange between two characters in a Glasgow nightclub\, inspired by a sequence in Radclyffe Hall’s The Well of Loneliness in which Stephen Gordon encounters a repellent reflection of herself in a Parisian gay bar. Their exchange is punctuated\, as in Radclyffe Hall’s text\, by the image of a panting\, dying fox. Though it demands compassion\, this fox is not real\, and its blood looks perhaps more like lipstick. The video is scored by a hyperventilating concertina. \nThese characters are portrayed by performance maker and ogre Sorcha Clelland\, and performance artist and music producer TAAHLIAH. In this version\, Sorcha is standing\, and TAAHLIAH is seated.
URL:https://www.sqiff.org/event/watch-party-transdimensional-voices/
CATEGORIES:BSL,English language,Films,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/09/Screenshot-2020-07-22-at-16.13.50-1-e1599650120978.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201014T210000
DTEND;TZID=UTC:20201014T220000
DTSTAMP:20260504T181449
CREATED:20200909T102614Z
LAST-MODIFIED:20201014T120738Z
UID:10006-1602709200-1602712800@www.sqiff.org
SUMMARY:Watch Party: Lesbian Shorts by Shu Lea Cheang
DESCRIPTION:Shu Lea Cheang’s work from the early-to-mid 1990s demonstrated an exciting fusion of identity politics and erotic exploration\, making her one of the period’s most prominent queer media artists. \nThis collection presents two of her solo works and two collaborations\, alongside a Q&A with Cheang hosted by scholar and critic B. Ruby Rich. \nPart of our Shu Lea Cheang Retrospective\, Cruising the Future. Cheang is a multi-media artist working in experimental video and net art since the early 1980s. Her work deals with the techno body\, queer erotics and politics\, race relations\, and governmental and institutional power. Click here to access Cheang’s 2000 feature film I.K.U. on our Vimeo on Demand. Click here to access Fluidø  (2017). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. We will send out a Zoom link for the event to ticket holders on the day. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-lesbian-shorts-by-shu-lea-cheang-tickets-120172225361′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nThe films have Japanese and English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A. \nContent notes: discussion of cancer\, death\, and sex; depiction of nudity and sex. \nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org. \n  \nPROGRAMME \nSex Fish (6m)\nDir: Shu Lea Cheang\, Country: USA\, Year: 1993\, Language/s: English\nAn erotic lesbian video involving swimming upstream\, female power\, and fish love. Made as a collaboration under the name E.T. (Ela Troyano) Baby (Jane Castle) Maniac (Cheang). \n“In Sex Fish water provides the common denominator for nature imagery and explicit sex. Unlike 1970s feminist imagery\, however\, nature is sexualized rather than sex naturalized. Dripping from the faucet\, spraying against a shower curtain\, swirling down a toilet\, water leads viewers from one sex scene to another\, private to public and back again. Swimming through the video are various fish\, seemingly unaware of the derogatory pun they enact\, and all gulping enviously as cunnilingus surrounds them.” \n—Chris Straayer\, Deviant Eyes\, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press\, 1996) \nSex Bowl (8m)\nDir: Shu Lea Cheang\, Country: USA\, Year: 1994\, Language/s: English\nAll forms of human sport become sites for sexual play and celebratory eroticism. \n“The tape’s images are quick\, suggestive\, and sexy: fingers moving into bowling balls\, shoe-smelling and toe-sucking\, a dog wearing chain jewelry\, fish being wrapped at the market\, young naked couples having sex…. Edited like a music video\, the image track is a constant flow of fetishes that lure us into the promiscuous pace of girls who keep lists of their sexual encounters.” \n—Chris Straayer\, Deviant Eyes\, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press\, 1996) \nFingers and Kisses (5m)\nDir: Shu Lea Cheang\, Country: Japan\, Year: 1995\, Language/s: Japanese\, English\nCheang has taken her camera to the streets for a candid glimpse of lesbian public sexuality. If Asian women and lesbians share a certain amount of invisibility in the culture\, Fingers and Kisses offers not only a bold representation of both\, but a challenge to the question “What do lesbians do?” Tokyo’s own out-and-loud music by Chu punctuates the narrative as what begins in the streets continues under the sheets. \nComing Home (5m)\nDir: Shu Lea Cheang\, Country: USA\, Year: 1995\, Language/s: Japanese\, English\nThis humorous video begins with two women—one white\, the other Asian—attempting to fit into a Japanese bathtub. The awkward fitting of bodies into a small space is just one of the allegorical scenarios dramatized in a pressing appeal for lesbian rights. In a game of hanafuda (flower cards)\, the terms of lesbian domesticity are cleverly played out according to such legalities as joint property\, social security\, and pensions.
URL:https://www.sqiff.org/event/watch-party-lesbian-shorts-by-shu-lea-cheang/
CATEGORIES:BSL,Films,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/09/shuleacheang_baier-e1599646736308.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201011T170000
DTEND;TZID=UTC:20201011T183000
DTSTAMP:20260504T181449
CREATED:20200908T225813Z
LAST-MODIFIED:20200924T183000Z
UID:9972-1602435600-1602441000@www.sqiff.org
SUMMARY:Watch Party: Online Filmmaking Project
DESCRIPTION:A screening of one minute short films made by participants of our online filmmaking workshops taking place in September. We will invite the filmmakers to take part in a Q&A after the screening of their films. Hosted by filmmaking workshop facilitator Yasmin Al-Hadithi. Hadithi is co-founder of DOCMA_ docs – a global platform for the playful exploration of different doc-filmmaking styles – and DocKlub\, “Scotland’s Support Group for Documentary Filmmakers”. Yasmin also works as a creative producer – most recently developing an international ‘film exchange’ for young people in Scotland and the Arctic called\, Breaking The Ice. \n\n\n\n\n\n\n\n\nTickets are free. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-online-filmmaking-project-tickets-120123088391′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms’ languages tbc with English language captions. BSL interpretation and live captioning provided for introduction and Q&A. \nContent notes tbc. \nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org.
URL:https://www.sqiff.org/event/watch-party-online-filmmaking-project/
CATEGORIES:BSL,Films,Free event,Shorts
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201005T000000
DTEND;TZID=UTC:20201018T233000
DTSTAMP:20260504T181449
CREATED:20201004T195547Z
LAST-MODIFIED:20201005T132943Z
UID:10169-1601856000-1603063800@www.sqiff.org
SUMMARY:All The Feels!: Ultimate Queer Fanvid Playlist
DESCRIPTION:Fanvids are short films using music\, edited by fans in an expression of all the feels around their favourite fandoms. Even with today’s films and television bursting with more queer characters than ever\, we still fight for true recognition\, representation\, and stories that go beyond the sometimes disappointing and limiting storylines we are given. Every fanvid is a DIY work of art\, combining music and clever edits to celebrate favourite shows\, rework plots\, commiserate in collective sadness\, and whatever feels there are to be had! \nCurated by Tara Brown\, queer crip Black fat femme and Fringe! Queer film & arts fest and freelance film curator. \nClick here for Tara’s YouTube playlist. \nACCESS \nThis playlist has an age recommendation of N/C 12+. \nThe fanvids have English audio. Some have English language captions or a transcript. Transcript of the other vids coming soon. With apologies for the lack of captions on all videos thanks to YouTube removing the option for community captions. Click here to sign a petition for YouTube to reverse this decision. \nThe playlist is 34 minutes long. \nContent notes: Discussion of homophobia\, biphobia\, and racism; depiction of brief nudity\, sex\, violence\, and blood. \n\n\n\n\nThe videos in All the Feels!: Ultimate Queer Fanvid Playlist include some loud music and fast editing. \n\n\n\n\nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org.
URL:https://www.sqiff.org/event/all-the-feels-ultimate-queer-fanvid-playlist/
CATEGORIES:Around one hour or less,Bisexual,English language,Films,Free event,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/10/queeringthescript_003_dana_piccoli-e1601841332481.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200715T100000
DTEND;TZID=UTC:20200717T100000
DTSTAMP:20260504T181449
CREATED:20200708T112754Z
LAST-MODIFIED:20200708T114708Z
UID:9813-1594807200-1594980000@www.sqiff.org
SUMMARY:SQIFF Shorts: A is for Asexual
DESCRIPTION:We are taking part in DIVE IN Cinema\, a two-week online screening series in collaboration with other film festivals and exhibitors in Scotland. \nDIVE IN Cinema will offer a mixture of features and short films across fiction\, documentary and experimental work\, as well as a few filmmaker conversations. Each screening will be programmed by one of the contributing exhibitors and will be available on demand for 48 hours from its start time\, with a new programme released at 10am every day. \nSQIFF’s programme is called A is for Asexual and will be available to view online for 48 hours from 10am on Wednesday 15 July. \nHighlighting new work around perhaps the most under-represented identity in queer cinema\, this programme celebrates films by and about asexual people of colour. Garima Kaul’s documentary Desire? explores the wide range of experiences of asexual individuals and communities in India\, whilst multi-award-winning Brazilian film Infinite While It Lasts follows the budding relationship between asexual Danny and allosexual Seiji. \nClick here to register to access all the films in DIVE IN Cinema for free. All screenings are FREE to view\, however DIVE IN are collecting donations for Scottish charities The Unity Centre and Ubuntu Women Shelter. The Unity Centre provides advice and support to asylum seekers and migrants in Scotland. Ubuntu Women Shelter is a Glasgow-based charity that provides emergency accommodation needs for women with no recourse to public funds. There is a payment link to donate when you enter the hub. \nScreenings are captioned for d/Deaf and Hard of Hearing audiences. Content notes per film will be listed on the online platform as appropriate. \nDesire? (30m)\nDir: Garima Kaul\, Country: India\, Year: 2019\nThe everyday realities of some people who identify as asexual\, creating small ruptures in the homogenising culture of hyper and heteronormative sexuality. \nLanguage/s: English\, Hindi\n \nContent note: Depiction of asexual denial and acephobia; discussion of asexual denial\, acephobia\, homophobia\, sexual/emotional abuse\, masturbation\, and caste discrimination.\n \nFixers – Asexuality (3m)\nDir: Fixers\, Country: UK\, Year: 2013\nFixers are young people using their past to fix the future. \nLanguage/s: English \nContent note: Depiction of asexual denial; discussion of asexual denial and suicide.\n \nInfinite While It Lasts (17m) \nDir: Akira Kamiki\, Country: Brazil\, Year: 2019\nAfter falling in love at a party\, Danny and Seiji just want to be together\, but their differences might prove stronger than their feelings. \nLanguage/s: Portuguese\n \nContent note: None
URL:https://www.sqiff.org/event/sqiff-shorts-a-is-for-asexual/
CATEGORIES:Around one hour or less,Asexual,Films,Free event,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/07/Desire-3-e1594207592913.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200622T170000
DTEND;TZID=UTC:20200722T170000
DTSTAMP:20260504T181449
CREATED:20200622T161719Z
LAST-MODIFIED:20200622T161719Z
UID:9793-1592845200-1595437200@www.sqiff.org
SUMMARY:Sqifflix: More Love from Neelu
DESCRIPTION:Click here to access the full programme. \nOur special shorts programme More Love from Neelu showcases films by award-winning artist and filmmaker Neelu Bhuman\, whose feature film TRANSFINITE we are screening online 25 – 28 June. Neelu’s work explores social and political themes as they play out in close relations. Playfully evoking insights into the workings of difference in intimacy\, their films blend viewpoints ranging from race\, gender\, sexuality\, culture\, class\, and romance. \nIn FU377\, the dignity of queer people in India is under attack through Section 377\, which the Supreme Court had recently re-introduced\, re-criminalising ‘gay sex\,’ when the film was made in 2014. Meanwhile\, an adorable Indian mother is totally down with gay sex and wheels out some choice lines for her heartbroken queer daughter in an effort to cheer her up. \nMore Love. Less Prepackaged Bullshit. (2017) is set to the soul beat of Assata Shakur\, and features a trio resisting dystopia with a bowl of joy\, intimacy\, and love. \nNeelu’s 2016 short ṣadāqa is a kaleidoscopic view of friendship transcending borders. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to Neelu Bhuman. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants. Click here to donate to the Wahala Film Fund\, a film completion fund for Queer\, Transgender and Intersex People of Colour filmmakers based in UK\, Europe and the Global South co-founded by Neelu Bhuman.\n \nFU377 (5m) [click here to watch]\nDir: Neelu Bhuman\, Country: UK\, Year: 2014\nBasic dignity of queer people in India is under attack\, yet again. The scorching IPC Section 377 is re-unleashed to police to criminalise “gay sex” in India. While the law and the Supreme Court dated themselves back a few hundred years\, an adorable Indian mother has her knowledge of “gay sex” in mint condition\, wheeling out a tidbit or two for her heartbroken queer daughter in an effort to cheer her up. The pair are shocked into action by the Supreme Court’s latest rejection. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Quite a lot of dialogue with some visual ideas; bright images.\n \nSound design access notes: None\n \nAge recommendation: 15+ \nContent note: Reference to sex.\n \nMore Love. Less Prepackaged Bullshit. (1m) [click here to watch]\nDir: Neelu Bhuman\, Country: USA\, Year: 2017\nSet to the soul beat of Assata Shakur\, a trio resists dystopia with a bowl of joy\, intimacy and love. \nLanguage/s: English \nAccessibility for blind and partially sighted people: No dialogue – only music lyrics and sound effects; quite bright images. \nSound design access notes: None \nAge recommendation: 12+ \nContent note: None\n \nṣadāqa (5m) [click here to watch]\nDir: Neelu Bhuman\, Country: UK\, Year: 2016\nA kaleidoscopic view of friendship transcending borders. \nLanguage/s: English and Arabic\n \nAccessibility for blind and partially sighted people: Small amount of English dialogue and some Arabic but mostly visual ideas; quite bright images. \nSound design access notes: None\n \nAge recommendation: 12+ \nContent note: None
URL:https://www.sqiff.org/event/sqifflix-more-love-from-neelu/
CATEGORIES:Around one hour or less,Bisexual,Films,Free event,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/06/MoreLove.LPBS-1-e1592831934478.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200612T170000
DTEND;TZID=UTC:20200712T170000
DTSTAMP:20260504T181449
CREATED:20200613T091255Z
LAST-MODIFIED:20200613T091255Z
UID:9771-1591981200-1594573200@www.sqiff.org
SUMMARY:Sqifflix & Chill
DESCRIPTION:Click here to access the full programme. \nOur shorts programme Sqifflix & Chill\, as the title suggests\, includes a varied bunch of films about romantic love\, its joys\, pain\, and complexities. Sweet stories of intense connection are found in Selina Robertson’s Couple Time and Dickie Heart’s Passengers. Some of the painful and problematic aspects of love and dating are considered in Sam Berliner’s Dating Sucks about seeking love whilst trans\, and Rob Eagle’s Harding & his camera\, which investigates traces of illicit love in archives and the white gaze. Violent and oppressive structures that try to curtail who gets to be with who are the core of Adrian Garcia Gomez’s Mikveh about governments refusing to recognise certain relationships\, and Kiana Kalantar-Hormozi’s Poly Amour\, which decontructs conventional romantic structures. For a dark comedy approach to the madness that sometimes interferes with people’s love life\, Netflix & Chips is about a woman with a hot date who can’t get her chip shop job off her mind. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nCouple Time (6m) [click here to watch]\nDir: Selina Robertson\, Country: UK\, Year: 2015\nA suitcase full of Super 8 memories from Berlin. \nLanguage/s: English (not spoken) and German\n \nAccessibility for blind and partially sighted people: No spoken English; mostly visual ideas and onscreen text; mix of bright and dark images.\n \nSound design access notes: None\n \nAge recommendation: 12+ \nContent note: None\n \nDating Sucks: A Genderqueer Misadventure (13m) [click here to watch]\nDir: Sam Berliner\, Country: USA\, Year: 2013\nDating Sucks: A Genderqueer Misadventure is Episode 1 of an animated documentary webseries about the successes\, failures\, and incredible confusion of trying to date as a genderqueer/trans person. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover; bright images. \nSound design access notes: None \nAge recommendation: 12+ \nContent note: Discussion of sex and queerphobia.\n \nMikveh (6m) [click here to watch]\nDir: Adrian Garcia Gomez\, Country: USA\, Year: 2016\nIn this reinterpretation of the mikveh – a purifying ritual bath performed by Jewish brides about to marry – the filmmaker and his husband’s immersions are disrupted by a government which refuses to recognise their marriage. \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No dialogue – just sound effects; quite bright images. \nSound design access notes: Some abrasive and repetitive sound effects.\n \nAge recommendation: 12+ \nContent note: None\n \nHarding & his camera (12m) [click here to watch]\nDir: Rob Eagle\, Country: Palestine\, Israel\, Year: 2017\nAn ambiguous ‘love story’ documentary told through the 1930s archive of a British archaeologist who took a camera on his digs in the British Mandate for Palestine and fell in love with his Bedouin assistant. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.\n \nSound design access notes: None \nAge recommendation: 18+ \nContent note: Discussion of racism.\n \nPoly Amour (7m) (version with audio description integrated) [click here to watch]\nDir: Kiana Kalantar-Hormozi\, Country: UK\, Year: 2016\nHow capable are we to love boundlessly? This film explores polyamory\, deconstructing conventional stereotypes of the romantic relationship structure. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and quite bright images. Version with integrated audio description.\n \nSound design access notes: Loud\, abrasive sound effects at start of film. \nAge recommendation: 12+ \nContent note: Depiction of anti-polyamory sentiments. \nPassengers (5m) [click here to watch]\nDir: Dickie Hearts\, Country: UK\, Year: 2015\nA cab driver puts up with a series of irksome hearing passengers before picking up a cute guy more on his wavelength. \nLanguage/s: American Sign Language and English\n \nAccessibility for blind and partially sighted people: Limited dialogue\, mostly in ASL with subtitles; mostly bright images.\n \nSound design access notes: None \nAge recommendation: 12+ \nContent note: Depiction of ableism. \nNetflix & Chips (6m) [click here to watch]\nDir: Lock Up Your Daughters\, Country: UK\, Year: 2015\nA woman who works in a chip shop has a hot date but can’t get her job off her mind. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images.\n \nSound design access notes: None \nAge recommendation: 12+ \nContent note: Depiction of mental health issues.
URL:https://www.sqiff.org/event/sqifflix-chill/
CATEGORIES:Around one hour or less,Deaf,Films,Free event,Gay men,Lesbian,Polyamory,Shorts,Trans
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200526T170000
DTEND;TZID=UTC:20200626T170000
DTSTAMP:20260504T181449
CREATED:20200526T210922Z
LAST-MODIFIED:20200526T210922Z
UID:9767-1590512400-1593190800@www.sqiff.org
SUMMARY:Sqifflix: Sexual Content Warning
DESCRIPTION:Click here to access the full programme. \nFor anyone after some slightly xxx-y content to make lockdown more pleasureable\, we bring you Sexual Content Warning. A sweet night cleaner has his work cut out in Canada’s busiest gay bathhouse. Disability activist Andrew Gurza reflects on his first sexual encounter and how the event shaped his identity. Scottish filmmaker John Walter addresses cruising and sexual risk\, in particular around the ‘cottage\,’ a public toilet that is repurposed as a space of sex. Gustavo is a photographer who captures the bodies of naked men in public spaces in Sao Paulo. And writer and poet Aurora Levins Morales\, a.k.a. The Gimp Gourmet\, prepares a very special recipe! \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nThe Night Cleaner (5m) [click here to watch]\nDir: Blair Fukumura\, Country: Canada\, Year: 2016\nAs the night cleaner in Canada’s busiest gay bathhouse\, Travis has his work cut out for him. With good humour he shyly takes us on an amusing and sometimes harrowing tour through his nightly duties. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.\n \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 18+ \nContent note: Discussion of sex\, bodily fluids\, and brief reference to sexual harrassment; depiction of sex and bodily fluids. \n \nBedding Andrew (5m) [click here to watch]\nDir: Blair Fukumura\, Country: USA\, Year: 2014\nOn the eve of his 30th birthday\, Andrew\, a man with Cerebral Palsy\, reflects on his first sexual encounter and how the event shaped his identity as a gay man. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images. \nSound design access notes: Loud and abrasive sound effects. \nAge recommendation: 15+ \nContent note: Discussion of sex and ableism.\n \nCourtship Disorder (5m) [click here to watch]\nDir: John Walter\, Country: UK\, Year: 2015\nCourtship Disorder addresses cruising and sexual risk\, in particular around the ‘cottage\,’ a public toilet that is repurposed as a space of sex. Cruising for sex in real space has not disappeared despite the development of online cruising apps. ‘Courtship Disorder’ refers to a controversial term used by sexologists such as John Money to describe a spectrum of human behaviours\, especially in men\, including exhibitionism\, voyeurism\, toucherism\, rubbing\, and sexual assault. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Film is mostly visual with surreal monologues; bright images. \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 18+ \nContent note: Discussion of sex; depiction of sex and nudity.\n \nLightrapping (22m) [click here to watch]\nDir: Marcio Miranda Perez\, Country: Brazil\, Year: 2016\nGustavo is a photographer who captures the bodies of naked men in public spaces in Sao Paulo. One night\, young Pedro follows him\, curious and undecided about participating in the project. \nLanguage/s: Portuguese\n \nAccessibility for blind and partially sighted people: All in Portuguese with sparse dialogue; very dark images.\n \nAge recommendation: 18+ \nContent note: Discussion of sex; depiction of possible sexual violation.\n \nPussy Vinaigrette (3m) [click here to watch]\nDir: Patty Berne\, Country: USA\, Year: 2011\nThe Gimp Gourmet prepares a very special recipe! Starring\, written by and with fruit carving by Puerto Rican Jewish writer and poet Aurora Levins Morales. Does activist filmmaking have room for this much sexiness…? \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Poetic monologue with some visual ideas. Not very bright images. \nAge recommendation: 15+ \nContent note: Depiction of sexual imagery and suggestiveness.
URL:https://www.sqiff.org/event/sqifflix-sexual-content-warning/
CATEGORIES:Around one hour or less,Disability,Documentary,Films,Free event,Gay men,People of colour,Shorts,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/05/Lightrapping-1-1.2MB-e1590527354873.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200515T170000
DTEND;TZID=UTC:20200615T170000
DTSTAMP:20260504T181449
CREATED:20200515T181717Z
LAST-MODIFIED:20200515T183324Z
UID:9759-1589562000-1592240400@www.sqiff.org
SUMMARY:Sqifflix: Queer Horror Stories
DESCRIPTION:Click here to access the full programme. \nIn Queer Horror Stories we showcase provocative\, bizarre\, sometimes gory\, sometimes scary films that delve into the terror of queerness and oppression. In a dystopian 2064\, a federation of African States initiate an annual cull of men; a young gay man in Russia has a surprise in store for the ultranationalists who attack him; the unbearable weight of family expectations and difficulty of being stuck in unhealthy relationships are explored through formal film experiments; the movies of horror director Kang-Chien Chui are given a queer reading; and two queer feminist crews tackle violent forces in a surreal present. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \n2064 (12m) [click here to watch]\nDir: Joseph Adesunloye\, Country: Botswana\, Year: 2019\nDevastating population growth\, famine\, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting\, ever-warming climate\, and a ballooning population.  A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful\, and the continent’s wildlife begins to flourish again. In 2064\, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull. \nLanguage/s: Tswana\n \nAccessibility for blind and partially sighted people: Only Tswana spoken and mostly visual storytelling; relatively bright images.\n \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 15+ \nContent note: Discussion and depiction of death and suicide.\n \nCheat (2m) [click here to watch]\nDir: Ania Urbanowska\, Country: UK\, Year: 2015\nAt what cost to ourselves are we complicit in our families’ expectations for us? This is a film about breaking that unspoken contract; about the moment when cheating them of the person they want us to be stops feeling like a choice. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Small amount of surreal and poetic voiceover; dark images. \nSound design access notes: Loud and abrasive sound effects. \nAge recommendation: 15+ \nContent note: Discussion of suicide.\n \nPYOTR495 (15m) [click here to watch]\nDir: Blake Mawson\, Country: Canada\, Year: 2016\nSet in present-day Moscow\, 16-year-old Pyotr is baited by an ultranationalist group known for their violent abductions and attacks bolstered by Russia’s LGBT propaganda law\, but Pyotr has a dangerous secret his attackers haven’t accounted for. \nLanguage/s: Russian\n \nAccessibility for blind and partially sighted people: All Russian language with some dialogue and some image-based filmmaking; quite dark images. \nSound design access notes: Abrasive horror sound effects.\n \nAge recommendation: 18+ \nContent note: Discussion of sex including BDSM; depiction of homophobia\, xenophobia\, and graphic\, degrading\, and gory violence.\n \nStuck (11m) [click here to watch]\nDir: Ania Urbanowska\, Country: UK\, Year: 2013\nHave you ever been in relationship where you can’t see its problems…? \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No dialogue\, only music and sound effects; quite dark images.\n \nAge recommendation: 15+ \nContent note: Depiction of drug-taking.\n \nYi-Ren (the person of whom I think) (14m) [click here to watch]\nDir: Tzuan Wu\, Country: Taiwan\, Year: 2015\nA love letter in collage style\, consisting of found footage and a queer reading of the work of Kang-Chien Chui\, screenwriter of classic East Asian movies such as The Bells of Death and Twin Blades of Doom. \nLanguage/s: Mandarin\n \nAccessibility for blind and partially sighted people: All in Mandarin\, poetic voiceover; dark images. \nSound design access notes: Abrasive sound effects. \nAge recommendation: 15+ \nContent note: Suggestion of distress and violence.\n \nSwarm of Selenium (23m) [click here to watch]\nDir: Maude Matton & SJ Rahatoka\, Country: Germany\, Year: 2015\nIn the surreal dystopian present\, two queer feminist crews cohabit the shells of an abandoned malt factory. As a troubling pattern begins to emerge from their mouths in the form of shattered glass\, all are shaken\, but some are hit harder than others. Through dance\, visual work\, and anti-work\, they merge forces to try to care for one another and combat the insidious violent process which seems to increasingly come from within. \nSwarm of Selenium is a queer sci fi short film about collective healing\, trauma\, and other world-making. It was shot in Berlin in spring 2016 by a crew of more than 40 women\, nonbinary\, and trans artists. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Sparse and surreal dialogue; relatively dark images.\n \nSound design access notes: Lots of loud and abrasive sound effects and music. \nAge recommendation: 15+ \nContent note: Depiction of violence.
URL:https://www.sqiff.org/event/sqifflix-queer-horror-stories/
CATEGORIES:Films,Free event,Gay men,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/05/swarm_img_1-e1589566525244.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200507T170000
DTEND;TZID=UTC:20200607T170000
DTSTAMP:20260504T181449
CREATED:20200507T190808Z
LAST-MODIFIED:20200507T194555Z
UID:9751-1588870800-1591549200@www.sqiff.org
SUMMARY:Sqifflix: Gender Revealing
DESCRIPTION:Click here to access the full programme. \nIn our programme Gender Revealing filmmakers and characters play with and question gender norms and expectations. A genderqueer AFAB person experiments with male-pattern baldness\, Exa Zim narrates their life growing up trans\, ‘faux’ drag queens Sergina and Venus Dimilo strut their stuff\, and trans and genderless bodies float and move in unusual ways. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nJean (6m) [click here to watch]\nDir: Anna Stypko\, Country: USA\, Year: 2013\nA delightful eccentric has a haircut that transcends age and gender expectations. Set in the run-down Kensington neighbourhood of Philadelphia\, local artist Jean talks about her shoes\, hairstyle choices\, and why she changed her name. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Limited voiceover/dialogue and mixture of bright and dark images. \nSound design access notes: Some loud and abrasive music.\n \nAge recommendation: 12+ \nContent note: Depiction of misogyny\, homophobia\, ableism\, and mild violence.\n \nPhone Me Don’t Write (3m) [click here to watch]\nDir: Elly Clarke\, Country: USA/Germany\, Year: 2013-15\nA short film (and song) about love\, sex\, loneliness\, and relationships in the era of instant communications. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics\, otherwise all visual\, mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of sex\n \nAlexa to Exa (17m) [click here to watch]\nDir: Exa Zim\, Christian Marsh\, Country: USA\, Year: 2015\nA very personal documentary film about about transcending assigned identity. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover; mostly bright images. \nSound design access notes: Sudden loud music and abrasive sound effects.\n \nAge recommendation: 15+ \nContent note: Discussion of homophobia\, illness\, mental health issues\, and suicide.\n \nI Want to See You from a Different Perspective (3m) [click here to watch]\nDir: Elly Clarke\, Country: Canada/UK\, Year: 2014\nA song about trying and failing to change a person you are in a relationship with. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics\, otherwise all visual\, mix of bright and dark images.\n \nAge recommendation: 12+ \nContent note: None \nVenus (6m) [click here to watch]\nDir: Faye Carr-Wilson\, Magenta Sharp\, Country: UK\, Year: 2016\nVenus is a short documentary exploring gender roles within the drag community. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Some voiceover/dialogue and some visual ideas and storytelling; mixture of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of ableism\n \nInstantaneous Culture (3m) [click here to watch]\nDir: Elly Clarke\, Country: Germany\, Year: 2013-14\nA ballad about love in a time of mobile phones\, about wanting\, longing\, desiring but not really getting. Talk versus action\, song versus stillness\, and some great lingerie to go with it. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics\, otherwise all visual\, mix of bright and dark images.\n \nAge recommendation: 12+ \nContent note: None \nLeg\, Arm\, Head (11m) [click here to watch]\nDir: Scout Stuart\, Country: UK\, Year: 2016\nA highly controlled dancer moves away from the discipline and uniformity of ballet to explore her own identity. \nLanguage/s: English \nAccessibility for blind and partially sighted people: No dialogue – just sound effects and music; bright images. \nAge recommendation: 15+ \nContent note: Depiction of sex.\n \nFloat (5m) [click here to watch]\nDir: Sam Berliner\, Country: USA\, Year: 2015\nFloat is a celebratory experiment shot completely underwater and depicting trans and genderqueer folk swimming naked set to music by musician Rae Spoon. \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No spoken language\, only music and sound effects; quite bright images. \nAge recommendation: 12+ \nContent note: Depiction of nudity\n \nThe Race (4m) [click here to watch]\nDir: Soyoon Kim\, Country: South Korea\, Year: 2015\nTiny\, genderless figurines dance to J S Bach as their environment gives way and glitches out. \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No spoken language\, only music and sound effects; bright images. \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 12+ \nContent note: Depiction of homophobia\, misogyny\, biphobia\, butchphobia\, and classism.
URL:https://www.sqiff.org/event/sqifflix-gender-revealing/
CATEGORIES:Bisexual,Disability,Documentary,Films,Free event,Lesbian,Shorts,Trans,Woman director,Working class
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/05/Float-e1588878459978.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200428T173000
DTEND;TZID=UTC:20200527T173000
DTSTAMP:20260504T181449
CREATED:20200428T170145Z
LAST-MODIFIED:20200428T171448Z
UID:9725-1588095000-1590600600@www.sqiff.org
SUMMARY:Sqifflix: Funny Stuff
DESCRIPTION:Click here to access the full programme. \nFunny Stuff features comedy shorts with queer narratives and musings involving love potions\, a mystery trail of takeaway food\, Fisher Price characters brought to life\, cyborgs\, and zombies! \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nFloozy Suzy (25m) [click here to watch]\nDir: Otavio Chamorro\, Country: Brazil\, Year: 2015\nA hilarious-love-potion-gone-wrong tale where the aim is to win the love of the hottest guy at school. \nLanguage/s: Portuguese \nAccessibility for blind and partially sighted people: All in Portuguese; bright images. \nSound design access notes: Loud music and sound effects. \nAge recommendation: 18+ \nContent note: Depiction of misogyny\, homophobia\, ableism\, and mild violence.\n \nThe Usual (5m) [click here to watch]\nDir: Ruth McNally\, Country: Ireland\, Year: 2014\nIn a small country pub\, three Irish farmers are enjoying an afternoon’s drink when an unusual stranger walks in. His curious behaviour entertains them for a while but they won’t want someone like him hanging around their local for too long. \nLanguage/s: English (Irish dialect)\n \nAccessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images. \nAge recommendation: 12+ \nContent note: Reference to homophobia.\n \nBig Queer Failure (7m) [click here to watch]\nDir: Rebecca Tritschler and Ellie Fawcett\, Country: UK\, Year: 2017\nA DIY film celebrating and asserting our right to fail at life as individuals and communities. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover and bright images. \nAge recommendation: 12+ \nContent note: None \nMy Aunt Mame (9m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2015\nA funny/sad dramatization of a woman’s childhood visits to her working-class butch great aunt\, and what happened when she came out to her mom\, told through Fisher-Price people in homemade sets. \nLanguage/s: English with one line in Irish Gaelic \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images. \nSound design access notes: Some loud music \nAge recommendation: 12+ \nContent note: Discussion of sex\, the AIDS crisis\, and hospitalisation; depiction of hospitalisation.\n \nMymy (14m) [click here to watch]\nDir: Anna Helme\, Country: Australia\, Year: 2014\nIn a mythic cyberfeminist universe\, a frustrated young man yearns for affinity and connection. In an age of digital avatars\, he crafts a version of himself that is far more corporeal – by stitching together parts of himself to become his own cyborg twin. However\, his new clone has been corrupted by a techno-magick virus… \nLanguage/s: English \nAccessibility for blind and partially sighted people: Little spoken dialogue\, mostly image-based storytelling; mix of light and dark images. \nSound design access notes: Some loud and abrasive sound effects \nAge recommendation: 12+ \nContent note: Depiction of sex and nudity.\n \nThe Deaf vs The Dead – Episode 1: “Outbreak” (7m) [click here to watch]\nDir: Dickie Hearts\, Country: USA\, Year: 2017\nWhen the undead apocalypse breaks out in Los Angeles\, an out Deaf man must find a way to survive and protect his loved ones\, even if it means teaming up with some unlikely people. \nLanguage/s: ASL and English \nAccessibility for blind and partially sighted people: Limited spoken dialogue\, lots of visual storytelling; quite bright images. \nAge recommendation: 12+ \nContent note: Depiction of ableism and comedy violence.
URL:https://www.sqiff.org/event/sqifflix-funny-stuff/
CATEGORIES:Deaf,Free event,Gay men,Lesbian,People of colour,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/04/Floozy-Suzy-image-1-e1587937734702.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200427T173000
DTEND;TZID=UTC:20200527T173000
DTSTAMP:20260504T181449
CREATED:20200427T163702Z
LAST-MODIFIED:20200427T163702Z
UID:9729-1588008600-1590600600@www.sqiff.org
SUMMARY:Sqifflix: Fighting for Justice
DESCRIPTION:Click here to access the full programme. \nIn our very first Sqifflix outing we showcase activist short films in which people fight for their right to exist and against oppressive forces. The movies cover identities including Deaf\, Disabled\, and Two Spirit\, battle against patriarchy\, white supremacy\, and ableism\, and feature hip-hop\, a robot\, and superhero finger puppets. \nAll films have English language subtitles or captions. See notes below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nRegalia: Pride in Two Spirits (5m) [click here to watch]\nDir: David Ng\, Jen Sungshine\, Country: Canada\, Year: 2016\nThe story of Duane and his journey as someone who identifies as Two Spirit – a queer Aboriginal person. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover; mostly bright images. \nAge recommendation: 12+ \nContent note: Discussion of homophobia.\n \nLike a Riot (2m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2016\n“Like anyone who grew up with the Muppets and Fraggle Rock\, I have always wanted to have a puppet self. And of course I want my puppet self to hang out with Campbell X’s puppet self. Krissy Mahan has made it happen!” So Mayer \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mostly bright images \nAge recommendation: 12+ \nContent note: None\n \nTrans*march (2m) [click here to watch]\nDir: Simon Schultz von Dratzig\, Country: Germany/Canada\, Year: 2013\, Language/s: English\nAs the most politicized of the three marches during Pride week in San Francisco\, trans*march\, which had been running for ten years at the time this film was made\, has a tradition of raising visibility of a marginalised group within queer culture. This documentary records queer voices during the 2013 march and reflects political discussions concerning trans* and LGBT movements. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue; bright images. \nAge recommendation: 12+ \nContent note: Discussion of transphobia and racism.\n \nAmar: Deaf is an Identity (4m) [click here to watch]\nDir: David Ng\, Jen Sungshine\, Country: Canada\, Year: 2016\nAmar shares his journey as a queer South Asian activist\, and explains how it intersects with his identity and culture as a Deaf person. \nLanguage/s: ASL \nAccessibility for blind and partially sighted people: No spoken sound\, all in ASL with subtitles; mostly bright images. \nAge recommendation: 12+ \nContent note: None\n \nTax on Me (4m) [click here to watch]\nDir: Kiana Kalantar-Hormozi\, Country: UK\, Year: 2017\nLocal authorities in Scotland charge people for their care costs\, obliging people with disabilities to pay more than others to achieve the same basic human rights. Tax on Me is a hip-hop music video by filmmaker Kiana Kalantar-Hormozi and media coop responding to the Care Tax and the effect it has on people who need support. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Quite a lot of voiceover and dialogue; mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of ableism.\n \nUntil Justice Rolls (4m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2013\nFaggotgirl\, a butch dyke superhero action figure\, and her friend Robot want to meet for a drink. But the New York City public transportation system is barely accessible for people with different kinds of bodies and their journey is thwarted by stairs\, gaps\, and poorly maintained curbs. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mix of bright and dark images \nAge recommendation: 12+ \nContent note: Discussion of ableism. \nDisability Justice for Palestine (1m) [click here to watch]\nDir: Sins Invalid and Micah Bazant\, Country: USA\, Year: 2014\nDisability Justice for Palestine is a Public Service Announcement created by Sins Invalid during the extended attacks on Gaza in the Summer of 2014. “We add our words and faces to a movement for global solidarity with the people of Palestine\, articulating the struggle for Palestinian liberation as a disability justice issue.” \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue; mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of violence.
URL:https://www.sqiff.org/event/sqifflix-fighting-for-justice/
CATEGORIES:Around one hour or less,Deaf,Disability,Films,Free event,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/04/Disability-Justice-For-Palestine-e1588003723981.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200208T180000
DTEND;TZID=UTC:20200228T200000
DTSTAMP:20260504T181449
CREATED:20200115T184204Z
LAST-MODIFIED:20200224T185550Z
UID:9677-1581184800-1582920000@www.sqiff.org
SUMMARY:SQIFF Shorts: Out of the Archives!
DESCRIPTION:As part of LGBT History Month Scotland 2020\, SQIFF presents a programme of short films looking back into largely unseen and undiscovered aspects of the history of queer Scottish representation in the 20th century. \nFeaturing archival documentaries and short films by queer filmmakers\, screenings will be accompanied by discussions examining whether these films are a fair representation of the past\, and asking what they may be able to contribute to an understanding of the future. Films include Bongo Erotico\, a surreal nightmare of bisexual lust from 1950s’ Wishaw; groundbreaking documentary of Edinburgh queer life in the 80s\, Coming Out; and Pratibha Parmar’s experimental 1990 short\, Bhangra Jig\, which follows a young Asian woman walking the streets of Glasgow with signs of colonialism ever-present. \nAges 12+. All screenings are in the English language with English language captions for D/deaf and Hard of Hearing access. A BSL interpreter will be available at the Glasgow event on 8th February. All venues have wheelchair access. Please get in touch via info[at]sqiff.org if you have any questions about access at any of the events. \nSupported by Film Hub Scotland\, part of the BFI’s Film Audience Network\, and funded by Screen Scotland and Lottery funding from the BFI. \nTo book\, see list of screenings and links below. \nCCA\, Glasgow\, Saturday 8th February\, 6pm. Tickets on a sliding scale of free to £8. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’http://www.cca-glasgow.com/programme/sqiff-shorts-out-of-the-archives’ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \nDundee Contemporary Arts\, Tuesday 11th February\, 6pm. Tickets £5-8. To book\, please use the button below or call DCA box office on +44 (0)1382 432 444. \n[bra_button text=’Buy Tickets’ url=’https://www.dca.org.uk/whats-on/event/sqiff-shorts-on-tour1′ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \n50 George Square\, University of Edinburgh in partnership with MSc Film\, Exhibition and Curation\, Tuesday 18th February\, 6pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below\, or cash payments will be taken on the night.\n \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqiff-shorts-out-of-the-archives-in-edinburgh-tickets-90926637019′ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \nAyr Town Hall in partnership with Ayr Film Society and Ayrshire LGBTQ\, Wednesday 19th February\, 7 pm. Free\, unticketed – just come along. \nMacArts\, Galashiels in partnership with Scottish Borders LGBT Equality. Sunday 23rd February\, 2pm. Tickets offered on a sliding scale of free to £8. To book\, please use the button below\, or cash payments will be taken on the day.\n \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqiff-shorts-out-of-the-archives-in-galashiels-tickets-91306838211′ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \nEden Court\, Inverness in partnership with Highland Winter Pride\, Friday 28th February\, 6.30pm. Tickets £3.50-5.50. To book\, please use the button below or call Eden Court box office on +44 (0)1463 234 234. \n[bra_button text=’Buy Tickets’ url=’https://eden-court.co.uk/event/sqiff-shorts-out-of-the-archives’ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’] \n  \nOban Phoenix Cinema\, Saturday 29th February\, 6.15pm. Free. To book\, please use the button below or call Oban Phoenix box office on +44 (0)1631 562 905. \n[bra_button text=’Buy Tickets’ url=’https://www.obanphoenix.com/movie/out-of-the-archive-sqiff’ target=’_blank’ size=’medium’ style=’rounded’ color=‘pink’]
URL:https://www.sqiff.org/event/out-of-the-archives-tour/
CATEGORIES:Bisexual,Discussion,Documentary,English language,Gay men,Lesbian,LGBT History Month,Shorts,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/01/ComingOut-e1579113391921.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191022T190000
DTEND;TZID=UTC:20191022T203000
DTSTAMP:20260504T181449
CREATED:20190828T104704Z
LAST-MODIFIED:20200115T184302Z
UID:9294-1571770800-1571776200@www.sqiff.org
SUMMARY:Black History Month: Calalai: In Betweenness + shorts
DESCRIPTION:Calalai: In Betweenness by filmmaker Kiki Febriyanti depicts women in South Sulawesi Bugis culture\, which for centuries has accepted gender diversity as implicit\, believing humans consist of 5 genders\, one of them being calalai. The film takes a closer look at the definition of femininity and masculinity in the Bugis culture. What or who is calalai? What are the dynamics of gender\, spirituality\, and performance? How do these dynamics define the everyday life of the Bugis people? \nScreening with accompanying short films and discussion on queerness in Indonesian cultures outside of white\, colonialist impositions. \nCurated and hosted by artist and researcher Claricia Parinussa. Presented as part of Black History Month in partnership with Coalition for Racial Equality and Rights (CRER). \nFree. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612018/events/129093019′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilm languages tbc with English language subtitles/captions. If you would like to attend this event and require BSL interpretation for the discussion\, please email access@sqiff.org at least 2 weeks in advance. \nAccessibility of films to English-speaking blind and partially sighted audiences tbc. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nProgramme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org.
URL:https://www.sqiff.org/event/black-history-month-calalai-in-betweenness-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Black History Month,Discussion,Documentary,Films,Free event,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/Calalai-In-Betweenness-e1566394995971.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T200000
DTEND;TZID=UTC:20191006T210000
DTSTAMP:20260504T181449
CREATED:20190828T104755Z
LAST-MODIFIED:20190901T115701Z
UID:9240-1570392000-1570395600@www.sqiff.org
SUMMARY:SQIFF Shorts: Gross Out
DESCRIPTION:With supposed tolerance and acceptance of LGBT people in western public life comes enforced sanitisation and respectability. Straight society pats itself on the back for allowing (some of) us to get married and feature in shiny corporate advertising but is still repelled by our bodies and sex lives. To counter the continued suppression of fleshly and carnal appetites and practices\, we went on a hunt for the grossest\, most yucky films we could find. Featuring experimental musing on why we find our bodies disgusting and scary; some gay sex-tinged body horror; literal shit in a variety of forms; and a performance involving an empty stomach and a large jar of honey. Please note this programme requires resilience for what some would consider stomach-churning and gruesome imagery. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611604/events/129089634′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English and Spanish audio with English language subtitles/captions. Hearing loop available. \nFilms are not very accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and ideas and dark images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nÄmber (6m)\nDir: Remmi E. Välja\, Country: UK\, Year: 2019\, Language/s: No spoken sound\nÄmber is an experimental film about the basic functions of the human body. The film studies affect; it seeks to raise the question of why we sometimes find our own bodies and their natural existence to be unpleasant\, disgusting\, and scary. The aim of the film is to make the audience uncomfortable in a humorous way. \nContent note: Depiction of bleeding. \nEstigma (14m)\nDir: David Velduque\, Country: Spain\, Year: 2018\, Language/s: Spanish\nIt’s Friday night\, the bell rings and Alex opens the door to the worst of his fears. “Estigma speaks to us about that inner prison we build because of fear of rejection and not being loved for who we are. This is the starting point of a story that I’ve intended to face as a personal matter\, dealing with my complex relationship with illness and rejection.” David Velduque \nContent note: Depiction of injury with body horror elements. \nNext Level Shit (11m)\nDir: Gary Jaffe\, Country: USA\, Year: 2018\, Language/s: English\nTaylor wants to be squeaky clean downstairs before his big third date with dreamboat Chris\, but his efforts backfire\, sending the relationship spiralling to a whole new level of intimacy. \nContent note: None. \nBear (13m)\nDir: Fred Guerrier\, Country: USA\, Year: 2018\, Language/s: English\nA bear-suit wearing dancer ignores the news of his estranged father’s death but begins to see his ghost. Meanwhile\, an ex-lover’s infatuation quickly devolves into something more sinister (and stinky). The line between reality and fiction get blurred during the terrifying showdown between the Bear\, the ghost\, and the lover. \nContent note: Depiction of death. \nForce Feed (15m)\nDir: Alan Vincent\, Country: USA\, Year: 2018\, Language/s: No spoken sound\nPerformance for video. One empty stomach\, one pound of honey. \nContent note: Depiction of overeating.
URL:https://www.sqiff.org/event/sqiff-shorts-gross-out/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Films,Gay men,Hearing loop,People of colour,Performance,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_gross_out-e1565730600612.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T171500
DTEND;TZID=UTC:20191006T181500
DTSTAMP:20260504T181449
CREATED:20190828T104856Z
LAST-MODIFIED:20190901T115807Z
UID:9231-1570382100-1570385700@www.sqiff.org
SUMMARY:LGBT Health & Wellbeing Community Filmmaking
DESCRIPTION:LGBT Health & Wellbeing is a charity promoting the health\, wellbeing\, and equality of lesbian\, gay\, bisexual\, and transgender people in Scotland and providing support\, services\, and information. Two of the organisation’s groups have recently created collectively-made short films\, which we will showcase at this event. Return to the Closet? was created as part of a collaboration between Luminate\, LGBT Health and Wellbeing\, artist Glenda Rome\, and participating community filmmakers. Luminate commissioned the film with support from LGBT Health and Wellbeing. This is a documentary exploring issues around care for older LGBT people. Everything Just Collapsed is an experimental short reflecting on stigma and survival by Tim Knights in collaboration with participants of The LGBT Mental Wellbeing Collective. Come and watch both movies and join in an open discussion on the process and value of community filmmaking. \nClick here to find out more about Luminate. Click here for more information about LGBT Health & Wellbeing. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611609/events/129089639′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English audio with English language subtitles/captions. BSL interpretation for discussion. Hearing loop available. \nFilms are relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/lgbt-health-wellbeing-community-filmmaking/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Disability,Discussion,Documentary,English language,Films,Gay men,Hearing loop,Lesbian,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/health_and_wellbeing_filmmaking-e1565729453946.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T170000
DTEND;TZID=UTC:20191006T180000
DTSTAMP:20260504T181449
CREATED:20190828T104931Z
LAST-MODIFIED:20190901T115856Z
UID:9229-1570381200-1570384800@www.sqiff.org
SUMMARY:DOCMA screening
DESCRIPTION:Following our DOCMA workshop (click here for the workshop listing) – where participants will take part in creating their own 1-minute documentary as part of a 5-minute documentary film made by 5 filmmakers in 5 different documentary styles – we invite audiences to come and view the resulting films. Come and support the filmmakers\, who will have created their masterpieces within 48 hours. Also a chance to learn more about DOCMA and its mission to encourage and support people to have a go and get creative in producing documentary work. \nScreening followed by a Q&A with the filmmakers. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611610/events/129089643′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English audio with English language subtitles/caption. BSL interpretation for Q&A. Hearing loop available. \nWe don’t know how accessible the films will be for blind and partially sighted audiences as yet but please ask a member of staff on the day if you need information about this. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/docma-screening/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Documentary,English language,Films,Hearing loop,Shorts,World premiere
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/DOCMA-screening-e1565798273250.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T123000
DTEND;TZID=UTC:20191006T141000
DTSTAMP:20260504T181449
CREATED:20190802T105308Z
LAST-MODIFIED:20190901T120024Z
UID:9089-1570365000-1570371000@www.sqiff.org
SUMMARY:SQIFF Shorts: You Gotta Have Faith
DESCRIPTION:Short films exploring what it means to have faith as a queer person today. A seemingly pious Hasidic man living a secret double life faces a challenge when his two worlds collide. A chaplain from Cheshire sets up a helpline for gay farmers and is inundated with calls. LGBTQIA+ people in Nepal use a Hindu festival as a medium to appear in public. Plus more compelling stories in this captivating selection. \nJoin us for a discussion after the screening with playwright and author of The Gospel According to Jesus\, Queen of Heaven\, Jo Clifford\, LGBTQIA+ Muslim charity Imaan\, and Rev. Jane Clarke from Glasgow’s LGBT+ Metropolitan Community Churches. Part of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610484/events/129085538′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English\, Hebrew\, and Nepali audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAround half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBlack Hat (15m)\nDir: Sarah Smith\, Country: USA\, Year: 2019\, Language/s: English\, Hebrew\nA seemingly pious Hasidic man living a secret double life misplaces his black hat one night causing his two separate lives to collide in a way he never imagined. \nContent note: Sexual content. \nTwo Blinks (8m)\nDir. Bruno Fraga Braz\, Country: UK\, Year: 2018\, Language/s: English\nAfter her father rejects her request to get a haircut\, hijab-wearing Farhana searches the streets of Peckham London for a hair salon where her modesty can be protected. \nContent note: Depiction of homophobia. \nLandline (12m)\nDir. Matt Houghton\, Country: UK\, Year: 2018\, Language/s: English\nLandline is a short documentary about the only helpline in the UK for gay farmers set up by a chaplain from Cheshire. Through a series of recorded telephone conversations and reconstructive visuals\, the film uses the helpline as a lens through which to view the experiences of LGBTQ people in the British farming community. \nContent note: Discussion of homophobia and suicide. \nEden (5m)\nDir. Jędrzej Gorski\, Country: Poland\, Year: 2018\, Language/s: No dialogue\nA story of a young Catholic man who is struggling with his homosexuality. He is in love with another man but also does not want to abandon his religion. He has to choose between love and religion on one rainy day in the countryside. \nContent note: Sexual content. \n21st Century Nuns (10m)\nDir. Tom Stephen\, Country: UK\, Year: 1994\, Language/s: English\nDocumentary about the Sisters of Perpetual Indulgence. The Sisters are an order of queer nuns. Their work covers many areas including: safer sex education\, protests and demonstrations\, outreach to the gay community\, and providing ritual to the gay population. Their goal is to “expiate all stigmatic guilt and promulgate universal joy…” \nContent note: Sexual content and depiction of homophobia. \nThe Visible (4m)\nDir. Atikah Zainidi\, Country: Brunei\, Year: 2019\, Language/s: English\nA short documentary exploring what it’s like to be a girl in Brunei. \nContent note: Discussion of homophobia\, transphobia\, and sexual violence. \nGai Jatra (20m)\nDir. Gopal Shivakoti\, Country: Nepal\, Year: 2019\, Language/s: Nepali\nTraditionally\, Gai Jatra is literally translated as procession of cows and is an age-old festival commemorating the death of loved ones. Since 2001\, LGBTI people in Nepal have been using Gai Jatra festival as a medium to appear in the public\, flaunt their true selves with pride\, and pay tribute to the deceased members of their community. \nContent note: Discussion of mental health issues\, suicide\, homophobia\, and transphobia.
URL:https://www.sqiff.org/event/sqiff-shorts-you-gotta-have-faith/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Discussion,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class,You Gotta Have Faith
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-Shorts-You-Gotta-Have-Faith1-e1564740695980.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T210000
DTEND;TZID=UTC:20191005T222500
DTSTAMP:20260504T181449
CREATED:20190828T105517Z
LAST-MODIFIED:20190901T120137Z
UID:9214-1570309200-1570314300@www.sqiff.org
SUMMARY:SQIFF Shorts: Some Like it Rough
DESCRIPTION:We delve into the varied practices of BDSM and societal attitudes towards this age-old erotic preference\, which continues to be subject to stigmatisation and censorship. In Lasting Marks\, one of sixteen gay men put on trial for taking part in consensual sadomasochism in late 80s England narrates his experience. Berlin-based conscious BDSM practitioner\, Caritia\, explains her spiritual journey through eroticism and life in Rituals + Worship. In French dramedy\, Dressed for Pleasure\, a young disabled woman seeks a more exhilarating sexual satisfaction. Mockumentary No Democracy Here sees a lefty dominatrix employed by right-wing Israeli men to force them into recanting their politics. The programme concludes with super hot non-binary\, lesbian action with a punk boidyke given the rough-tender treatment in Driven. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611616/events/129089648′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English\, French\, Hebrew\, and German audio with English language subtitles/captions. Hearing loop available. \nFilms are moderately accessible to blind and partially sighted audiences with two of them English language with explanatory dialogue and voiceover but the others non-English language\, a fair amount of visual storytelling throughout\, and a mix of dark and bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLasting Marks (14m)\nDir: Charlie Lyne\, Country: UK\, Year: 2018\, Language/s: English\nThe story of sixteen men put on trial for sadomasochism in the dying days of Thatcher’s Britain was told by the police\, the prosecution\, and the tabloid press — but not by those in the dock. Director Charlie Lyne has created an experimental recreation of what happened offered by the men themselves. \nContent note: Discussion of sex including BDSM\, homophobia\, mental health issues\, and police persecution. \nRituals + Worship (13m)\nDir: Morgana Muses\, Country: Germany\, Year: 2015\, Language/s: English\nA short BDSM documentary that explores the workshop culture in Berlin and focuses on conscious BDSM practitioner\, Caritia. \nContent note: Depiction of BDSM. Discussion of racism. \nDressed for Pleasure (17m)\nDir: Marie de Maricourt\, Country: Switzerland\, Year: 2017\, Language/s: French\nSarah\, a young disabled woman\, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner\, Victoria\, a trans woman\, will upset the family balance. \nContent note: Depiction of nudity\, sex including reference to BDSM\, and transphobia. \nNo Democracy Here (25m)\nDir: Liad Hussein Kantorowicz\, Country: Germany\, Palestine\, Israel\, Year: 2017\, Language/s: Hebrew\nNo Democracy Here deals with the topic of political domination. Liad\, a lefty human rights defender dominatrix\, re-educates her Israeli right-wing-leaning obedient submissive slaves to follow upstanding leftist ethos and morals\, like freedom of movement\, economic justice\, direct democracy and human rights by using domination practices such as humiliation\, doggy-training\, coercion\, and administration of pain. \nContent note: Depiction of light BDSM and racism. \nDriven (13m)\nDir: Toni Karat\, Country: Germany\, Year: 2018\, Language/s: German\, English\nA punk boidyke\, handcuffed\, facing the wall in a sparse\, empty room\, breathes heavily with anxiety and expectation. And anxious she should be\, for the rough treatment she will face in the 13 minutes that follow! The film is a contribution to much-needed lesbian visibility – conveying a proud and unashamed image of dyke eroticism and BDSM – also at the age of 50+! \nContent note: Depiction of BDSM including consensual non-consent.
URL:https://www.sqiff.org/event/sqiff-shorts-some-like-it-rough/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/some_like_it_rough-e1565725913700.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T151500
DTEND;TZID=UTC:20191005T170000
DTSTAMP:20260504T181449
CREATED:20190828T105841Z
LAST-MODIFIED:20190910T144322Z
UID:9202-1570288500-1570294800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:We present a round-up of the excellent\, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson\, Wei Zhang\, Siri Rødnes\, Eleanor Capaldi\, and Natasha Lall\, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet\, a queer reimagining of a working men’s club\, sending naked pics via dating apps\, Chinese mythology and human binaries\, trans masculine culture\, BSL poetry\, LGBT people in the asylum system\, and loads more are explored in our 2019 Queer Scotland programme. \nWe hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611621/events/129089654′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available. \nAudio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nFrontiers (4m)\nDir. Eve McConnachie\, Year: 2019\nFrontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space\, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow. \nContent note: None. \nwe were always here (4m)\nDir. Michael Lee Richardson\, Garry Mac\, Year: 2019\nA queer reimagining of the working men’s club. A dance-powered journey through space and time. \nContent note: None. \nAcceptable Face (6m)\nDir: Holly Summerson\, Year: 2019\n“The sort of person who someone might say: ‘oh he’s gay\, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look\, act\, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people\, this experimental charcoal animation explores the pressure to be a ‘good example’\, and the joy of refusing to conform. \nContent note: Discussion of homophobia and transphobia. \nDix Pix (4m)\nDir. Steven Fraser\, Year: 2019\nDix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity\, queerness\, solitude\, and the body. \nContent note: Depiction of animated nudity and sex. \n2x+xy=1 (12m)\nDir. Wei Zhang\, Year: 2019\nWei Zhang’s practice is an experimental film created by multi post-production technologies\, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary\, the expression of emotion and the symbol of predicament. \nContent note: Depiction of nudity. \nNone of the Above (16m)\nDir. Siri Rødnes\, Year: 2018\nEmbarking upon a distinctly postmodern cyber experiment\, Cassie charts her dating odyssey on her personal vlog\, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral\, she becomes a media pariah. \nContent note: Depiction of homophobia\, mental health issues\, and suicide (graphic). \nRoberta Cowell’s Story (1m)\nDir. Melissa J Clifford\, Year: 2019\nRoberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge  #39 AMBITION. The short was created by Melissa Joan Clifford\, a trans woman\, and was made in the style of an archival film. \nContent note: Reference to transphobia. \nA Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)\nDir. Nastia Nikolskaya\, Year: 2019\nTitled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate\, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes\, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives\, driving our short-term and long-term decisions. \nContent note: None. \nGlue (4m)\nDir. Eleanor Capaldi\, Year: 2019\nWhen you’ve been dreaming of the past for so long\, what do you do when she’s finally there? Agnes meets her ex\, Anna\, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new. \nContent note: None. \nPossessive Skin (2m)\nDir. Myles McEachan\, Year: 2019\n“To accept yourself against the face of adversity\, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community\, and how in an age that prides itself on inclusion\, we still find segregation and discrimination within even the most marginalised of people\, which reflects us inwards. \nContent note: Description of mental health issues and transphobia. \nWhat Is Happiness? (6m)\nDir. Claire Clark\, Year: 2019\nWhat Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form. \nContent note: None. \nThe 16mb\, Future Sounds & A Mini City (15m)\nDir. Natasha Lall\, Year: 2018\nThe 16mb\, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi\, lo-fi films shot in Glasgow. \nContent note: None. \nCrypsis (9m)\nDir. Christopher McGill\, Year: 2019\nAfter fleeing for his life\, a gay refugee files for asylum in Scotland. Lacking evidence\, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process\, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them. \nContent note: Discussion of homophobic violence; depiction of trauma.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-3/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Speech to Text,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/queer_scotland-e1565724436473.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T123000
DTEND;TZID=UTC:20191005T143000
DTSTAMP:20260504T181449
CREATED:20190802T105442Z
LAST-MODIFIED:20190901T120435Z
UID:9084-1570278600-1570285800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Islam with Hidayah
DESCRIPTION:A series of shorts made over several decades following queer Muslim characters as they navigate familial relationships\, romantic love\, and their careers. A budding filmmaker collaborates with his conservative Muslim father on a film about an iconic Muslim actor. The love between a disabled Muslim father and his queer son is tested when love is pitted against religion. Two brothers stand by each other in the face of adversity. An Arab American man learns how to love again post-heartbreak. And a rising martial arts star tries to hides her identity from her family and her small American town when under the spotlight. \nJoin us for a discussion after the screening with members of LGBTQIA+ Muslim charity Hidayah. Part of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610486/events/129085540′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English and Arabic audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAround half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nSurviving Sabu (16m)\nDir: Ian Iqbal Rashid\, Country: UK\, Year: 1997\, Language/s: English\nFunded by the Arts Council of England as part of its Moving Image series of films about ethnic identity in Britain\, Ian Iqbal Rashid’s debut short deservedly won him various industry accolades upon its release. Its sympathetic depiction of a strained relationship between a budding gay filmmaker and his conservative Muslim father as they collaborate on a film about Indian star Sabu – best known for his contribution to British cinema in the 1930s and 40s – is steered by exceptional performances from Suresh Oberoi and Navin Chowdry. \nContent note: Depiction of homophobia; discussion of racism and mental health issues. \nAblution (15m)\nDir: Omar Al Dakheel\, Country: USA\, Year: 2017\, Language/s: English\, Arabic\nWaleed washes his disabled father Khaled five times a day for Muslim prayer. But\, when Waleed’s sexuality is revealed\, both father and son are torn between religion\, duty\, and self. \nContent note: Depiction of homophobia and drug use. \nBrothers (9m)\nDir: Mike Mosallam\, Country: USA\, Year: 2018\, Language/s: None\nBrothers follows a Muslim Arab boy who realizes he is different\, and is fortunate to have an older brother who stands by him and encourages him to be himself in the face of bias and adversity. \nContent note: Depicion of homophobi. \nBreaking Fast (18m)\nDir: Mike Mosallam\, Country: USA\, Year: 2015\, Language/s: English\, Arabic\nBreaking Fast is a romantic comedy drama following Mo\, an Arab American man living in West Hollywood learning how to navigate life post-heartbreak. Enter Kal\, a sweet All-American guy who surprises Mo by offering to break fast with him during the month of Ramadan. As they learn more about each other\, they fall in love over what they have in common\, and what they don’t. \nContent note:  Discussion of suicide. \nChoke (16m)\nDir: Rolla Selbak\, Country: USA\, Year: 2018\, Language/s: English\, Arabic\nA rising MMA star hides her refugee status from her small American town and the world. \nContent note: Depiction of racism\, violence\, sexism\, and homophobia.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-islam-with-hidayah/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Disability,Films,Gay men,Hearing loop,People of colour,Shorts,You Gotta Have Faith
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-Shorts-Queer-Islam-with-Hidayah1-e1564743599388.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T211500
DTEND;TZID=UTC:20191004T224500
DTSTAMP:20260504T181449
CREATED:20190828T110020Z
LAST-MODIFIED:20190901T120530Z
UID:9280-1570223700-1570229100@www.sqiff.org
SUMMARY:Luke+Jack present: Sexxxy Beasts and Wheelchairs
DESCRIPTION:How we are (un)represented as Deaf and Disabled people has a huge impact on our lives. Exploring such representation\, we take a look at queer porn made by and about Deaf and Disabled queer people. With work by DIY queer filmmaker and activist\, Loree Erickson\, and self-described “bad ass\, fat ass\, Jew\, dyke amputee\,” Nomy Lamm. Also featuring films by Morty Diamond\, Nikki Silver\, and Pandora Blake with Deaf and Disabled performers taking control of their own narratives. Join us for everyday ableism crossed with seductive images of disability; pervy\, polyamorous BDSM; sexy nurse roleplay; even sexxxier wheelchairs; and fat-bodied\, amputee eroticism. \nFilmmaker Loree Erickson will join us after the screening for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612022/events/129093023′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n\n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English audio with English language subtitles/captions. BSL interpretation for Q&A. Hearing loop available. \nFilms are moderatly accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and limited dialogue but all English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nTrans Entities: The Nasty Love of Papí and Wil (20m)\nDir: Morty Diamond\, Country: USA\, Year: 2007\, Language/s: English\nPapi and Will is a film about a hot\, pervy\, loving\, polyamorous transgender couple. On screen Papi and Will share with the viewer everything from their unique perspective on gender identity to how they negotiate multiple partners in their life. The sex scenes are filled with raw\, uninhibited exploration and incorporate BDSM\, roleplay\, and a lot of hot sex! This scene shows Papi and Will playing with a partner who is Deaf. \nContent note: Depiction of graphic sex and consensual non-consent; discussion of racism. \nWant (9m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nWant weaves together sexually explicit images with everyday moments and scenes of the ableist world. It works to get people hot and poses an insightful\, complex\, honest\, and sexy image of disability. \nContent note: Depiction of sex and ableism. \nSexxxy (3m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nSexxxy compels the viewer to take a closer look at wheelchairs and the people who use them. \nContent note: None. \nWaiting for Beast (10m)\nDir: Nikki Silver\, Country: USA\, Year: 2014\, Language/s: English\n“Waiting for Beast is at once a whimsical nod at the camp of queer porn and a political\, intimate commentary on life. As a wheelchair punk my DIY\, my freedom\, is mutual aid. We work with what we got! During the making of this film\, I was waiting for a new power chair\, waiting for folks to meet me as they can\, and in turn\, people wait for me as I romp around and am pushed in my manual chair. This is wheelchair smut\, and we have various ways of getting our chairs and our sexy selves where we need to go.” Lyric Seal \nContent note: Depiction of sex including light BDSM. \nSadistic Nurse (11m)\nDir: Pandora Blake\, Country: UK\, Year: 2015\, Language/s: English\nThis hot and very edgy spanking scenario was written by the performers\, real-life couple David Weston and Talia Lane. They wanted to explore a humiliating punishment that incorporates David’s wheelchair\, creating a scene in which his character is completely helpless. \nContent note: Depiction of sex including BDSM and consensual non-consent. \nWall of Fire (6m)\nDir: Lisa Ganser\, Nomy Lamm\, Country: USA\, Year: unknown\, Language/s: English\nRoles switch\, paddles hit & control shifts when two fat bodied gender queer women\, lovers off camera\, push limits of pleasure\, penetration & trust\, engaged in an afternoon of tender making out and consensual amputee sex. \nContent note: Depiction of sex including BDSM.
URL:https://www.sqiff.org/event/lukejack-present-sexxxy-beasts-and-wheelchairs/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,BSL,Deaf,Disability,English language,Films,Hearing loop,Lesbian,Shorts,Speech to Text,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sexxxy_beasts_and_wheelchairs-e1566388218751.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T151500
DTEND;TZID=UTC:20191004T164500
DTSTAMP:20260504T181449
CREATED:20190828T110139Z
LAST-MODIFIED:20190901T120755Z
UID:9187-1570202100-1570207500@www.sqiff.org
SUMMARY:SX presents: What Brings You On Here?
DESCRIPTION:Filmmaker and poet Ross Wilcock presents films focusing on the experiences of gay men with online dating. A history of gay sex and cruising from the 70s to the internet takeover of today. Dissatisfaction with emotionless encounters and the yearning for something more. Meeting up with men online as a way of expressing your queerness when you’re not out. The sometimes all-consuming obsession of people with their phones. Grindr\, swiping left\, hooking up\, insecurities\, getting tested\, and a bit of hot sex are all contained in this challenging selection. \nCurated by Ross Wilcock\, who will host a discussion after the screening with director Sean Lìonadh. In partnership with SX\, Sex Health Wellbeing for Gay & Bisexual Men provided by Waverley Care. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611626/events/129089660′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAudio description available. Films are otherwise relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nHave We Met Before? (12m)\nDir: Oliver Mason\, Country: UK\, Year: 2019\, Language/s: English\nA short docudrama exploring the history of sex in the gay community from the 1970s to the present day\, and how the internet has changed the way queer men meet forever. \nContent note: Depiction of sex. \nFun Only (9m)\nDir: Lukas Revzin\, Country: UK\, Year: 2018\, Language/s: English\nGrowing tired with emotionless digital encounters\, Matt yearns for something more substantial. \nContent note: Depiction of sex. \nJamie (10m)\nDir: Christopher Manning\, Country: UK\, Year: 2016\, Language/s: English\nShy\, quiet Jamie spends a revealing afternoon with Ben after meeting on a dating app. As they chat\, Jamie finds himself opening up and letting loose his hopes and fears in an unexpected awakening. \nContent note: Discussion of homophobia. \nThe Date (15m)\nDir: Christopher Birk\, Country: USA\, Year: 2015\, Language/s: No dialogue\nTwo guys meet on a date – but it is not your ordinary date\, as they both soon discover. \nContent note: None. \nThirst (8m)\nDir: Eoin Maher\, Country: UK\, Year: 2017\, Language/s: English\nDrew leaves another disappointing gay hook up and wonders why he feels so alone. This revealing monologue delves deep into the mind of a lonely gay man. His desires\, his insecurities\, and his wavering belief he’ll find love. \nContent note: Brief depictions of sex and blood. \nTonight (2m)\nDir: Sean McInally\, Country: UK\, Year: 2017\, Language/s: English\nLooking for fun\, looking for home\, looking for assurances\, but maybe not tonight. Tonight is a circular short film by Sean McInally exploring the relationship of a user with his hook-up app. From swiping left to getting tested\, Tonight shows the reality for many. \nContent note: Brief depictions of sex and blood.
URL:https://www.sqiff.org/event/sx-presents-what-brings-you-on-here/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Audio description,BSL,Discussion,English language,Films,Gay men,Hearing loop,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_what_brings_you_on_here-e1565721966210.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T150000
DTEND;TZID=UTC:20191004T161500
DTSTAMP:20260504T181449
CREATED:20190828T110202Z
LAST-MODIFIED:20190901T120821Z
UID:9184-1570201200-1570205700@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Spaces
DESCRIPTION:How does queer visibility transform physical and symbolic space? What roles do specific spaces have in altering the way that we navigate and represent ourselves in public? Why are alternatives to heteronormative space important for our communities? In this collection of shorts\, we explore what ‘home’ and ‘public space’ means to the LGBTQIA+ communities of Paris; join a young trans man as he navigates gendered space on the Delhi metro; and follow the campaign to save one of London’s most iconic queer spaces\, the Joiner’s Arms. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611627/events/129089661′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English\, French\, and Hindi audio with English subtitles/captions. Hearing loop available. \nFilms are not accessible to English-speaking blind and partially sighted audiences with some explanatory dialogue\, mostly dark images\, and only around half in English. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLes Clefs de Chez Moi (26m)\nDir. Ray Van Huizen and Ella Martin-Gachot\, Country: France\, Year: 2019\, Language/s: French\, English\nFilmed in Paris while Ray Van Huizen and Ella Martin-Gachot were studying abroad\, the documentary explores the relationship that people in the LGBTQIA+ communities of Paris have with the concepts of home and public space. \nContent note: Discussion of mental health issues including suicide\, violence\, transphobia\, biphobia\, and racism. \nTrojan Horse / Rainbow Flag (26m)\nDir: Ian Giles\, Country: UK\, Year: 2019\, Language/s: English\nWorking directly with members of Friends of the Joiners Arms\, Ian Giles’ newly-commissioned film Trojan Horse/Rainbow Flag examines the campaign to save this iconic LGBTQI+ space. The title is inspired by campaigner Amy Roberts\, when describing the cynical approach of property developers seeking to push through proposals to erase queer spaces by disingenuously claiming that their LGBTQI+ status would remain unchanged post-development. \nContent note: Discussion of abusive relationships\, violence\, queerphobia\, misogyny\, and classism. \nPlease Mind the Gap (20m)\nDir. Mitali Trivedi and Gagandeep Singh\, Country: India\, Year: 2018\, Language/s: Hindi\, English\nDelhi meets at the metro. The snaking lines of the tube connect the whole city. Passengers board from different places but for a brief moment in time they are all headed in the same direction. We share one such ride with our co-traveller Anshuman\, a trans man. As the stations pass by we begin to look at the metro space from his perspective. His is the story of reclaiming public space and one’s own self. The doors will open on the quest. Please mind the gap. \nContent note: Discussion of transphobia.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-spaces/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,Films,Hearing loop,People of colour,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_queer_spaces-e1565721423807.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T123000
DTEND;TZID=UTC:20191004T140000
DTSTAMP:20260504T181449
CREATED:20190828T110225Z
LAST-MODIFIED:20190901T120849Z
UID:9181-1570192200-1570197600@www.sqiff.org
SUMMARY:See Me Proud presents: Mental Health Shorts
DESCRIPTION:We know that mental health issues disproportionately affect LGBTQIA+ individuals and communities\, who often experience difficulties in accessing support. To create space for discussion and representation of these topics\, we’ve curated a collection of insightful and powerful shorts in partnership with See Me Proud. Topics covered include depression\, anxiety\, loneliness\, irrational thoughts\, living with bipolar disorder\, medication\, and queerphobia encountered whilst obtaining treatment. The films incorporate a diversity of identities and styles\, including animation\, experimental\, documentary\, and sci-fi. \nFollowed by a discussion on themes raised in the films with See Me Proud. With refreshments sponsored by Clever Kombucha. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611628/events/129089662′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English and Chinese audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nFilms are moderately accessible to English-speaking blind and partially sighted audiences with mostly English language\, some explanatory dialogue and voiceover\, and/or relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nDon’t Blame Jack (29m)\nDir. Dale John Allen\, Country: UK\, Year: 2019\, Language/s: English\nDon’t Blame Jack follows newly diagnosed manic-depressive\, Jack\, as he battles with the thought of life without his beloved ‘mania’. Now on a daily cocktail of anti-psychotics and anti-depressants\, Jack searches for the adrenaline-fuelled\, extraordinary manic highs in the most ordinary of places. He escapes his drab\, routine-filled existence by jumping into the arms of strangers\, searching for moments of magic. \nContent note: Depiction of sex including light BDSM\, nudity\, self-harming scars\, and blood; discussion of mental health issues including self-harming and violence; brief reference to suicide. \nHanging by a Thread (3m)\nDir: Russell Atkinson\, Country: UK\, Year: 2019\, Language/s: English\nHanging by a Thread is director Russell Atkinson’s final BA Animation film\, highlighting the struggle of loneliness and irrational thought. \nContent note: Depiction of mental health issues; animated\, abstract depiction of violence. \nMy Crazy Boxers (9m)\nDir. Krissy Mahan\, Country: USA\, Year: 2019\, Language/s: English\nSuicidal\, or a working class butch caught in the wrong underpants? A re-enactment of an actual interview at a mental health facility. \nContent note: Discussion of mental health issues including brief reference to suicide; depiction of queerphobia. \nMy Room 37 (14m)\nDir. Beatrice Wong\, Country: Hong Kong\, Year: 2018\, Language/s: Chinese\, English\nWill I stay or will I leave this room that has felt the best? A brief first-hand account of my darker days in depression\, journeying through my tangled thoughts to the exit. \nContent note: Depiction of mental health issues\, mild violence\, and nudity. \nTurning (2m)\nDir. Linnéa Haviland\, Country: UK\, Year: 2019\, Language/s: English\nVoices in a crowd stir violent emotions and microaggressions bring up past traumas. Then a turning shifts the emotional landscape… \nContent note: Depiction of mental health issues.
URL:https://www.sqiff.org/event/see-me-proud-presents-mental-health-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Disability,Discussion,Films,Gay men,Hearing loop,Lesbian,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_mental_health-e1565720228708.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T173000
DTEND;TZID=UTC:20191003T193000
DTSTAMP:20260504T181449
CREATED:20190822T092848Z
LAST-MODIFIED:20190911T140548Z
UID:9298-1570123800-1570131000@www.sqiff.org
SUMMARY:VR & Interactive Exhibition
DESCRIPTION:Our VR & Interactive Exhibition showcases stories from around the world told using the latest technology and innovative techniques. Experience the lives of trans people in Japan through the nostalgic style of early gaming\, share eight LGBTQI+ individuals in Australia’s intimate memories of their mother’s kitchens via an interactive documentary\, observe a mother and son discuss homophobia in Russia in 360 degree video\, and lots more. No prior knowledge required – the SQIFF team will be on hand to guide your experience! \nThe exhibition will launch with a special event on Thursday 3 October 5.30- 7.30pm and will be open Friday 4 October 12-5pm and Saturday 5 October 12-3pm. \nClick here to sign up for the Exhibition Launch on Thursday 3 October. Free and unticketed for other Exhibition days. Please note you may need to join a waiting list to try out some projects when you come along. \n  \n\nACCESS \nThe projects have different age recommendations but the exhibition will have experiences suitable for ages 12+. \nWe will have full details online soon of the accessibility of the different projects featured in the exhibition. A portable induction loop is available in the library – please let a member of staff know if you require this when you visit the Library or send us an email to info@womenslibrary.org.uk to arrange this in advance. \nLarge print versions of handouts available. \nGlasgow Women’s Library has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for Glasgow Women’s Library’s Accessibility Guide. \nProgramme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org.
URL:https://www.sqiff.org/event/vr-interactive-exhibition/
LOCATION:Glasgow Women’s Library\, 23 Landressy Street\, Glasgow\, G40 1BP\, United Kingdom
CATEGORIES:Exhibition,Free event,Hearing loop,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-VR-Interactive-Exhibition-41-e1566466041363.jpg
END:VEVENT
END:VCALENDAR