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X-WR-CALDESC:Events for SQIFF
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DTSTART:20170101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20181209T150000
DTEND;TZID=UTC:20181209T170000
DTSTAMP:20181113T223559Z
CREATED:20181002T184621Z
LAST-MODIFIED:20181113T223559Z
UID:8286-1544367600-1544374800@www.sqiff.org
SUMMARY:SQIFF Shorts: Gay as in Hysterically Funny
DESCRIPTION:What does it mean to make fun of yourself and your community as an LGBTQ+ person? This programme examines queerness and onscreen comedy\, including short films by Raymond Yeung\, Jordan Firstman\, and Alli Logout\, and episodes from Ingrid Jungermann’s classic webseries\, F to 7th. Featuring self-loathing and loathable gay men\, butch lesbians in denial\, and queer femmes in their own carefree universe. \nFollowed by a panel discussion on queerness and comedy featuring comedian Rosie Jones and more guests tbc. \nScreening as part of QFN’s Gay as in Hysterically Funny tour for BFI Comedy Genius.  \nComedy Genius is a celebration of comedy on screen\, led by BFI\, the Independent Cinema Office and BFI Film Audience network\, supported by funds from the National Lottery. QFN is a strategic Film Hub Wales project and receives support from the BFI Film Audience Network.  \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqiff-shorts-gay-as-in-hysterically-funny-tickets-50921241805′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms are in the English language with English language subtitles/captions. BSL interpretation for panel discussion. \nFilms contains some visual ideas but have a lot of dialogue\, so are relatively suitable for blind and partially sighted audiences. Large print versions of handouts available. \nScottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nYellow Fever (27m)\nDir: Raymond Yeung\, Year: 1998\nA fun and astute look at the self-imposed prejudices of a gay Chinese-British man. Anglophile Monty is looking for his perfect man\, but only white British men need apply. That is until the attractive Jai Ming moves in next door and the two men seem to connect. Can Monty overcome his prejudices? Writer-director Raymond Yeung’s debut short is a light-hearted comedy of manners. \nF to 7th: Season 1\, Episode 2 “Tweener” (5m)\nDir. Ingrid Jungermann\, Year: 2013\nAn internally homophobic gay struggles to find herself in a world where sexuality and gender have left her old-fashioned lesbianism behind. In “Tweener\,” Ingrid tries to deny her butchness when barred from a lesbian bachelorette party\, whilst cheering on her softball team\, the Wet Lips\, alongside her misogynistic dyke friend.  \nCall Your Father (20m)\nDir. Jordan Firstman\, Year: 2016\nOn Josh and Greg’s first date\, they quickly realize that the generational divide between them is the least of their worries. The infuriatingly mixed messages from a cute but potentially sociopathic millennial force an older man to choose between hopping into bed with him and bailing\, in this darkly comical satire on entitled twenty-somethings. \nF to 7th: Season 1\, Episode 3 “Interchangeable” (12m)\nDir. Ingrid Jungermann\, Year: 2013\nGeeky and sensible Ingrid meets a woman online\, who invites herself over for a hot night of passion\, but what happens when both of them want to ‘be the man’? \nLucid Noon\, Sunset Blush (32m)\nDir. Alli Logout\, Year: 2015\n17-year-old bb gay Micha has just moved into The Palace – a basement full of queer femme Dominatrix\, lovers and misfits. They are beautiful\, carefree and as young as the night. An alternative\, comedy narrative of queer sex workers of colour.
URL:https://www.sqiff.org/event/sqiff-shorts-gay-as-in-hysterically-funny/
CATEGORIES:BSL,Discussion,English language,Gay men,Lesbian,People of colour,Shorts,Web series,Woman director
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181209T201500
DTEND;TZID=UTC:20181209T212500
DTSTAMP:20181113T223503Z
CREATED:20181025T081849Z
LAST-MODIFIED:20181113T223503Z
UID:8427-1544386500-1544390700@www.sqiff.org
SUMMARY:SQIFF Shorts: Tender Anguish
DESCRIPTION:Harika Özer is an impoverished trans sex worker whose family sought refuge from Siirt to Manisa in Turkey in the 80s. Raf\, a young queer man in the UK\, struggles to find his place amongst the crowd in a dive gay bar. Icarus arrives in a new city in Brazil and begins an affair with a man that soon goes agonisingly wrong. Real historical figure Mary MacLane cuts a forlorn queer figure in her lonely Montana hometown at the turn of the 20th Century. And Fetish is a Black man in the streets reclaiming his body through magic\, fire\, and defiance. Each character experiences pain and vulnerability and must negotiate how to cope in these stories of tenderness and anguish. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598286′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms are in English\, Portuguese\, and Turkish languages with English language subtitles/captions. Hearing loop available. \nFilms rely a lot on visual material to convey ideas and/or are non-English language\, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nThe Wonderful Affair (5m)\nDir: Tahir Ün\, Year: 2016\nHarika Özer is a child whose Kurdish family sought refuge from Siirt to Manisa at the end of 1980s. In his own words\, he is a transsexual feeling female spirit in his own body since early childhood. He has lived in Izmir since 2000 and makes a living through prostitution. This work is a documentary project realised by Harika (literally translated as ‘wonderful’)\, posing for the camera with all his self-confidence and courage. It gives the audience a non-judgemental stance against homophobia. \nFour Quartets (10m)\nDir. Marco Alessi\, Year: 2018\nOver the course of a night out in a gay dive bar\, Raf struggles to find his place amongst the crowd. Four Quartets is a short film about queer community\, and how the anxieties and conditioning we face sometimes stop us from letting ourselves belong. \nAdeus Estrada de Tijolos Amarelos (19m)\nDir. Hiran Matheus\, Year: 2018\nIcarus arrives in another city to try life as a telemarketer\, but when he goes out at night he is caught by a boy. Screenplay based on a Elton John song and filmed with a cell phone. \nBetween my flesh and the world’s fingers (31m)\nDir. Talena Sanders\, Year: 2018\nMary MacLane\, the Wild Woman of Butte\, Montana\, published her diaries in 1902 and 1917. As an out queer and proto-feminist at the turn of the century\, MacLane became notorious upon the publication of her 1902 diary\, I Await the Devil’s Coming. She was whisked away from the industrial hellscape of her copper mining Montana hometown to a life in the public eye as an author\, journalist\, female film pioneer and always a provocateur – sending up social norms throughout her career\, with a special focus on staid notions about women and sexuality. \nBetween my flesh and the world’s fingers is an experimental essay and diary film primarily based on her published diaries and her film work. \nFETISH (16m)\nDir. Topher Campbell\, Year: 2018\nThe character of Fetish is a representation of so many things. He is at once a clear form – a body – and formless\, like the bodies of Basquiat. As a Black man in the streets\, he is both positioned by othering and places himself in a world of looking\, power\, strength\, harassment\, fashion\, sexual objectification\, invisibility\, visibility\, admiration\, CCTV\, selfies\, vulnerability\, humour\, performance\, protest\, danger\, violence and humour. If you have ever been stopped by police for being Black\, embarrassment\, futility and vulnerability are at the apex of the experience. Or\, as is the case with Tamir\, Philando\, Freddy\, Sandra and so on\, being dead and treated like shit is what happens. Fetish in this film experiences and represents this painful embarrassment and vulnerability. It’s hard to watch and painful to experience. \nBy the end of the film through magic\, through fire\, through defiance\, through being a multi-dimensional being in touch with the elements\, Fetish reclaims his body and stands like a colossus in The City.
URL:https://www.sqiff.org/event/sqiff-shorts-tender-anguish/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class
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