BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//SQIFF - ECPv6.17.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:SQIFF
X-ORIGINAL-URL:https://www.sqiff.org
X-WR-CALDESC:Events for SQIFF
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20190101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20201005T000000
DTEND;TZID=UTC:20201018T233000
DTSTAMP:20201005T132943Z
CREATED:20201004T195547Z
LAST-MODIFIED:20201005T132943Z
UID:10169-1601856000-1603063800@www.sqiff.org
SUMMARY:All The Feels!: Ultimate Queer Fanvid Playlist
DESCRIPTION:Fanvids are short films using music\, edited by fans in an expression of all the feels around their favourite fandoms. Even with today’s films and television bursting with more queer characters than ever\, we still fight for true recognition\, representation\, and stories that go beyond the sometimes disappointing and limiting storylines we are given. Every fanvid is a DIY work of art\, combining music and clever edits to celebrate favourite shows\, rework plots\, commiserate in collective sadness\, and whatever feels there are to be had! \nCurated by Tara Brown\, queer crip Black fat femme and Fringe! Queer film & arts fest and freelance film curator. \nClick here for Tara’s YouTube playlist. \nACCESS \nThis playlist has an age recommendation of N/C 12+. \nThe fanvids have English audio. Some have English language captions or a transcript. Transcript of the other vids coming soon. With apologies for the lack of captions on all videos thanks to YouTube removing the option for community captions. Click here to sign a petition for YouTube to reverse this decision. \nThe playlist is 34 minutes long. \nContent notes: Discussion of homophobia\, biphobia\, and racism; depiction of brief nudity\, sex\, violence\, and blood. \n\n\n\n\nThe videos in All the Feels!: Ultimate Queer Fanvid Playlist include some loud music and fast editing. \n\n\n\n\nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org.
URL:https://www.sqiff.org/event/all-the-feels-ultimate-queer-fanvid-playlist/
CATEGORIES:Around one hour or less,Bisexual,English language,Films,Free event,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/10/queeringthescript_003_dana_piccoli-e1601841332481.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201011T170000
DTEND;TZID=UTC:20201011T183000
DTSTAMP:20200924T183000Z
CREATED:20200908T225813Z
LAST-MODIFIED:20200924T183000Z
UID:9972-1602435600-1602441000@www.sqiff.org
SUMMARY:Watch Party: Online Filmmaking Project
DESCRIPTION:A screening of one minute short films made by participants of our online filmmaking workshops taking place in September. We will invite the filmmakers to take part in a Q&A after the screening of their films. Hosted by filmmaking workshop facilitator Yasmin Al-Hadithi. Hadithi is co-founder of DOCMA_ docs – a global platform for the playful exploration of different doc-filmmaking styles – and DocKlub\, “Scotland’s Support Group for Documentary Filmmakers”. Yasmin also works as a creative producer – most recently developing an international ‘film exchange’ for young people in Scotland and the Arctic called\, Breaking The Ice. \n\n\n\n\n\n\n\n\nTickets are free. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-online-filmmaking-project-tickets-120123088391′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms’ languages tbc with English language captions. BSL interpretation and live captioning provided for introduction and Q&A. \nContent notes tbc. \nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org.
URL:https://www.sqiff.org/event/watch-party-online-filmmaking-project/
CATEGORIES:BSL,Films,Free event,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/09/SQIFF2019_Day5_webres-45-e1599605629745.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201014T210000
DTEND;TZID=UTC:20201014T220000
DTSTAMP:20201014T120738Z
CREATED:20200909T102614Z
LAST-MODIFIED:20201014T120738Z
UID:10006-1602709200-1602712800@www.sqiff.org
SUMMARY:Watch Party: Lesbian Shorts by Shu Lea Cheang
DESCRIPTION:Shu Lea Cheang’s work from the early-to-mid 1990s demonstrated an exciting fusion of identity politics and erotic exploration\, making her one of the period’s most prominent queer media artists. \nThis collection presents two of her solo works and two collaborations\, alongside a Q&A with Cheang hosted by scholar and critic B. Ruby Rich. \nPart of our Shu Lea Cheang Retrospective\, Cruising the Future. Cheang is a multi-media artist working in experimental video and net art since the early 1980s. Her work deals with the techno body\, queer erotics and politics\, race relations\, and governmental and institutional power. Click here to access Cheang’s 2000 feature film I.K.U. on our Vimeo on Demand. Click here to access Fluidø  (2017). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. We will send out a Zoom link for the event to ticket holders on the day. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-lesbian-shorts-by-shu-lea-cheang-tickets-120172225361′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nThe films have Japanese and English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A. \nContent notes: discussion of cancer\, death\, and sex; depiction of nudity and sex. \nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org. \n  \nPROGRAMME \nSex Fish (6m)\nDir: Shu Lea Cheang\, Country: USA\, Year: 1993\, Language/s: English\nAn erotic lesbian video involving swimming upstream\, female power\, and fish love. Made as a collaboration under the name E.T. (Ela Troyano) Baby (Jane Castle) Maniac (Cheang). \n“In Sex Fish water provides the common denominator for nature imagery and explicit sex. Unlike 1970s feminist imagery\, however\, nature is sexualized rather than sex naturalized. Dripping from the faucet\, spraying against a shower curtain\, swirling down a toilet\, water leads viewers from one sex scene to another\, private to public and back again. Swimming through the video are various fish\, seemingly unaware of the derogatory pun they enact\, and all gulping enviously as cunnilingus surrounds them.” \n—Chris Straayer\, Deviant Eyes\, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press\, 1996) \nSex Bowl (8m)\nDir: Shu Lea Cheang\, Country: USA\, Year: 1994\, Language/s: English\nAll forms of human sport become sites for sexual play and celebratory eroticism. \n“The tape’s images are quick\, suggestive\, and sexy: fingers moving into bowling balls\, shoe-smelling and toe-sucking\, a dog wearing chain jewelry\, fish being wrapped at the market\, young naked couples having sex…. Edited like a music video\, the image track is a constant flow of fetishes that lure us into the promiscuous pace of girls who keep lists of their sexual encounters.” \n—Chris Straayer\, Deviant Eyes\, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press\, 1996) \nFingers and Kisses (5m)\nDir: Shu Lea Cheang\, Country: Japan\, Year: 1995\, Language/s: Japanese\, English\nCheang has taken her camera to the streets for a candid glimpse of lesbian public sexuality. If Asian women and lesbians share a certain amount of invisibility in the culture\, Fingers and Kisses offers not only a bold representation of both\, but a challenge to the question “What do lesbians do?” Tokyo’s own out-and-loud music by Chu punctuates the narrative as what begins in the streets continues under the sheets. \nComing Home (5m)\nDir: Shu Lea Cheang\, Country: USA\, Year: 1995\, Language/s: Japanese\, English\nThis humorous video begins with two women—one white\, the other Asian—attempting to fit into a Japanese bathtub. The awkward fitting of bodies into a small space is just one of the allegorical scenarios dramatized in a pressing appeal for lesbian rights. In a game of hanafuda (flower cards)\, the terms of lesbian domesticity are cleverly played out according to such legalities as joint property\, social security\, and pensions.
URL:https://www.sqiff.org/event/watch-party-lesbian-shorts-by-shu-lea-cheang/
CATEGORIES:BSL,Films,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/09/shuleacheang_baier-e1599646736308.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201017T190000
DTEND;TZID=UTC:20201017T203000
DTSTAMP:20201012T160701Z
CREATED:20200909T112034Z
LAST-MODIFIED:20201012T160701Z
UID:10022-1602961200-1602966600@www.sqiff.org
SUMMARY:Watch Party: Transdimensional Voices
DESCRIPTION:This collection of shorts uplifts trans* voices and showcases a wide range of trans* identifying talent based within Glasgow. Jamie Crewe’s “The Ideal Bar” — “Le Narcisse” — “Alec’s” touches on experiences of transphobia and LGBTQIA+ solidarity and conflict. Sorcha Clelland presents Where the Red Fern Grows\, interrogating performance\, queer club space aesthetics\, and the consistent demolition of community spaces which seek to aid queer voices. Powder Snowdrop Catatonic is a performance featuring various camp characters by Sgàire Wood. The films cover a multitude of themes\, depending on the viewer’s perception of the work. \nCurated and hosted by Glasgow-based artist TAAHLIAH. There will be a Q&A with the filmmakers after the screening. \n\nImage credit: Sorcha Clelland’s Where the Red Fern Grows. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-transdimensional-voices-tickets-120178157103′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nThe films have English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A. \nThe films are 32 minutes long with a brief introduction at the start and a 45 minute Q&A. \nContent notes: depiction of violence\, gruesome imagery\, and an animal in distress. \n\n\n\n\nThe films in Transdimensional Voices include some loud music and abrasive sound effects\, disorientating editing\, and flashing lights. \n\n\n\n\nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org. \nTickets \nTickets for most live events are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more\, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going. \nPROGRAMME \n“The Ideal Bar” – “Le Narcisse” – “Alec’s” (2m)\nDir: Jamie Crewe\, Country: UK\, Year: 2020\, Language/s: No spoken language \n“The Ideal Bar” – “Le Narcisse” – “Alec’s” is a dramatised exchange between two characters in a Glasgow nightclub\, inspired by a sequence in Radclyffe Hall’s The Well of Loneliness in which Stephen Gordon encounters a repellent reflection of herself in a Parisian gay bar. Their exchange is punctuated\, as in Radclyffe Hall’s text\, by the image of a panting\, dying fox. Though it demands compassion\, this fox is not real\, and its blood looks perhaps more like lipstick. The video is scored by a hyperventilating concertina. \nThese characters are portrayed by performance maker and ogre Sorcha Clelland\, and performance artist and music producer TAAHLIAH. In this version\, TAAHLIAH is standing\, and Sorcha is seated. \nPowder Snowdrop Catatonic (17m)\nDir: Sgàire Wood\, Country: Scotland\, Year: 2020\, Language/s: English and French languages \nProduced in one room over the course of a week in the heart of lockdown\, Sgàire Wood’s Powder Snowdrop Catatonic is an irreverent pantomime performance of mental deterioration under mandatory quarantine. Summoning a cast of capricious characters\, Wood runs a Kübler-Ross style gamut of emotions precipitated by self-isolation\, from misanthropic smugness to mind-bending ennui and cabin fever. Seen solely through the narrow lens of a smartphone camera\, she dances before the flimsy trompe l’oeil facade of a Victorian parlour\, existing in the space between coziness and claustrophobia\, flippancy and sincerity. The film’s celebratory intimacy pays tribute to queer\, radicalised or feminised practices which\, being underrepresented in traditional art spaces\, are relegated to the realm of domesticity and how under the circumstances in which the film was produced\, have found a new appreciation and importance. \nWhere the Red Fern Grows (11m)\nDir: Sorcha Clelland\, Country: UK\, Year: 2020\, Language/s: No spoken language \nSorcha Clelland’s Where the Red Fern Grows\, titled after Wilson Rawls’ 1961 children’s book about hunting dogs\, exists as a love letter to a rave and venue in Ibrox\, Glasgow. Filmed at The African Arts Centre in May 2020 during the venue’s demolition and Scotland’s lockdown from COVID-19. The novel begins with an aspiration to heal and a birth of kinship. Character growth is continued through belief in a magic. Performing as SHREK 666\, the embodiment of a demonic ogre shifting through monstrous transformation chained to catholicism\, he revisits a site and performance which was formerly a scene of Queer Intimacy. \n“The Ideal Bar” – “Le Narcisse” – “Alec’s” (2m)\nDir: Jamie Crewe\, Country: UK\, Year: 2020\, Language/s: No spoken language \n“The Ideal Bar” – “Le Narcisse” – “Alec’s” is a dramatised exchange between two characters in a Glasgow nightclub\, inspired by a sequence in Radclyffe Hall’s The Well of Loneliness in which Stephen Gordon encounters a repellent reflection of herself in a Parisian gay bar. Their exchange is punctuated\, as in Radclyffe Hall’s text\, by the image of a panting\, dying fox. Though it demands compassion\, this fox is not real\, and its blood looks perhaps more like lipstick. The video is scored by a hyperventilating concertina. \nThese characters are portrayed by performance maker and ogre Sorcha Clelland\, and performance artist and music producer TAAHLIAH. In this version\, Sorcha is standing\, and TAAHLIAH is seated.
URL:https://www.sqiff.org/event/watch-party-transdimensional-voices/
CATEGORIES:BSL,English language,Films,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/09/Screenshot-2020-07-22-at-16.13.50-1-e1599650120978.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201018T170000
DTEND;TZID=UTC:20201018T190000
DTSTAMP:20201018T114536Z
CREATED:20200909T114554Z
LAST-MODIFIED:20201018T114536Z
UID:10029-1603040400-1603047600@www.sqiff.org
SUMMARY:Watch Party: Queer Scotland Shorts
DESCRIPTION:We are always proud to present some of the astonishing queer filmmaking made by local talent. This year features meditation on the queer body and its owner’s cultural history\, the potential for zine culture to assist in the recovery from mental health difficulties\, being censored when writing LGBTQ characters\, living as a gay man in the era of 1950s McCarthyism\, feminist sci-fi baby-making adventures\, love on the mind of an admirer\, and Deaf identities. \nThe screening will be followed by a filmmaker Q&A. There will be an award for Best Scottish Short voted for online by audiences. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-queer-scotland-shorts-tickets-120180504123′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nThe films have Arabic and English audio with English language captions. BSL interpretation\, live captioning\, and live audio description are provided for the event. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival. \nThe films will be around 1 hour long with a brief introduction at the start and a 30 minute Q&A. \nContent notes: discussion of homophobia\, misogyny\, ableism\, mental health issues\, and suicide; depiction of homophobia\, nudity\, grief\, and death. \n\n\n\n\nThe films in SQIFF Shorts: Queer Scotland include some abrasive sound effects. \n\n\n\n\nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org. \nTickets \nTickets for most live events are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more\, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going. \nPROGRAMME \nSaturnrania (5m)\nDir: Holly McLean\, Country: UK\, Year: 2019\, Language/s: English\nA feminist sci-fi adventure documentary following an experimental physicist on her quest to have a baby. \nThe Fabric of You (11m)\nDir: Josephine Lohoar Self\, Country: UK\, Year: 2019\, Language/s: English\nSet in the Bronx\, in the era of 1950s McCarthyism\, everybody wants to look the same. Michael a gay\, twenty-something-year old mouse\, hides his true identity while he works as a tailor. \nWhen Isaac enters the shop one day he offers the escapism and love Michael craves. In Michael’s confined apartment\, he becomes tormented by the memories of Isaac’s tragic death. Michael’s memories and flashbacks are triggered when he notices Isaac’s jacket draped on the back of a chair. Haunted by the solace Isaac once offered\, he struggles to come to terms with his loss. \nLet My Body Speak (10m)\nDir: Madonna Adib\, Country: UK\, Year: 2020\, Language/s: Arabic\nThis documentary is a personal and intimate journey exploring the repression experienced by the filmmaker during her childhood when she faced sexual control in a Damascus also experiencing a growing socio-political repression in the late 80s and early 90s. Through the creative use of family archive in Damascus mixed with current footage of her body she reconstructs the pain of the past absorbed by her body. \nWhat is Wrong with Her? (7m)\nDir: Leah Francisco\, Country: UK\, Year: 2020\, Language/s: BSL and English\nLeah finds life and identity by moving past other people’s labels in this British Sign Language poem travelling through time and space. Produced by Solar Bear Theatre company through their digital arts programme\, Solar Flares. \nZine There Done That (8m)\nDir: Fergus Cruickshank\, Ana Hine\, Country: UK\, Year: 2019\, Language/s: English\nAs Ana recovers from a serious mental health breakdown\, she discovers the potential for zines to rebuild her life and rediscover her voice. This intimate documentary is captured on an eclectic mix of formats to mirror the delicate piecing together of Ana and her connection to the underground mental health zine community in the UK. A tender\, creative\, and ultimately empowering look at how art can bring people together to take ownership of their lives. \nBe Seen (2m)\nDir: Sophie Stone\, Country: UK\, Year: 2020\, Language/s: BSL\nLove fully explored in the mind of the admirer. Produced by Solar Bear Theatre company through their digital short programme\, Solar Snaps. \nAll the reasons behind a kiss (3m)\nDir: Aimie Willemse\, Country: UK\, Year: 2020\, Language/s: English\nA theatre student gets rebuked for writing LGBTQ+ characters in her zombie apocalypse play as “following the latest trend”\, however it turns out\, she has a personal reason to do so. \nReal Boy (11m)\nDir: Jamie Rea\, Country: UK\, Year: 2020\, Language/s: BSL\nAll the parts of life from the smallest atom to the meaning of life converge and form into a feeling of completeness within Joe. We share in this journey. Produced by Solar Bear Theatre company through their digital arts programme\, Solar Flares.
URL:https://www.sqiff.org/event/watch-party-queer-scotland-shorts/
CATEGORIES:Audio description,BSL,Deaf,Disability,Films,Shorts,Speech to Text,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/09/02_Open-eye-e1599651604488.png
END:VEVENT
END:VCALENDAR