SQIFF Shorts: Queer Scotland
2018-12-08 15:30 - 17:10 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Our 2018 Scottish shorts programme contains another exciting range of work by and about LGBTQ+ people and communities within our (un)fair land. Among the imagery and themes included are the search for community and intimacy, trans embodiment, anti-queer conditioning, erotic fantasies in rural landscapes, lost love, spinsterhood, tarot cards, crayfish, and witches! Featuring a spectrum of narrative and experimental styles encompassing melodrama, film-poetry, animation, collective filmmaking, documentary, and diaristic footage.
We hope to be joined by a number of the filmmakers for a Q&A.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in English, Scottish Gaelic, and British sign languages with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available.
A mixture of film styles with around half relying on visual material to convey ideas and half conveying ideas via dialogue or voiceover. The large majority of films are English language. So, the screening is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

My Loneliness is Killing Me (16m)
Dir: Tim Courtney, Year: 2018
A young genderqueer individual searches for community and intimacy, uncovering an unexpected sexual and emotional connection within the darker edges of the nocturnal metropolis.
These Are My Hands (8m)
Dir. Evi Tsiligaridou, Year: 2018
These Are My Hands is a short documentary film-poem written and performed by radical British playwright, Jo Clifford. It is a deeply moving, personal account of transgender embodiment in a lifetime, speaking of wounds, challenges, victories, and the journey towards self-empowerment. The poet’s voice is embraced by a lyrical, mesmerising soundtrack and together with the graceful and intimate visuals composes a profoundly tender piece.
Enid & Valerie (2m)
Dir. Matthew Kennedy, Year: 2018
Enid & Valerie is a short film about a lone spinster named Valerie. Here we venture in to her dreams, where she meets Enid (a witch). Could this be the start of an unlikely friendship?
Long Lost Lover (5m)
Dir. Sandra Alland & Ania Urbanowska, Year: 2017
Bisexual deaf poet, Bea Webster, performs a poem in British Sign Language about her return to Thailand. Poem in English and BSL by Bea Webster; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press, 2017), edited by Sandra Alland, Khairani Barokka and Daniel Sluman.
HEARTS (8m)
Dir. Nas Saraei, Year: 2018
Sarah, a lost and stuck in a rut 20-something, ponders and reflects on love in Edinburgh, after losing the ‘one’ she thought was the ‘one’.
Pouring On House (10m)
Dir. Conor Baird, Year: 2018
Pouring On House engages with the gradual event of leaving a longtime family home. This strange grief is caught between the familiarity and fascination of interiors and the surrounding suburban sites. Throughout, a body surveys potential presences of contamination whilst coming to realise a disorientating hopelessness felt from ongoing anti-queer conditioning.
Submerged Village (21m)
Dir. Andrew Black, Year: 2017
Expanding on elements of Pamela Colman Smith’s drawing for The Moon tarot card – two dogs, a freshwater crayfish, a pool of water, a mountainous landscape – Submerged Village takes discrete moments at rural locations in Yorkshire and the West coast of Scotland and claims them as queer experiences.

A Moment In The Reeds
2018-12-08 17:30 - 19:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house. Tareq, a recent asylum seeker from Syria, has been hired to help with the work. When Leevi’s father has to return to town on business, the two young men establish a connection and spend a few days discovering one another during the Finnish midsummer. A response to the dearth of queer narratives in Finnish cinema, A Moment in the Reeds is among the first queer feature films made in the country. Viewing Finland from the perspectives both of an immigrant and an emigrant, the film casts the long-marginalised voices of sexual and ethnic minorities centre-stage in a story about the search for freedom, acceptance, and a place to call home.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in Finnish and English languages with English language subtitles/captions. Hearing loop available.
Film relies on visual material to convey ideas and contains a lot of Finnish language dialogue, so is less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Deaf Perspectives
2018-12-08 18:00 - 19:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A showcase of work by and about Deaf queer filmmakers and artists. Films include Dickie Hearts’ latest short, zombie spectacular The Deaf vs The Dead; a documentary about Deaf gay porn actor, Rick; a film-poem, featuring Donna Williams, about translation between British Sign Language and English, Bilingual Poet’s Dilemma; and The Unlimited House of Krip, a doc exploring the fusion of D/deaf and disabled performers with the extravagant world of vogue culture.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in English and German as well as British, American, and German sign languages with English language subtitles/captions. Hearing loop available.
Films rely to some extent on visual material but most have explanatory dialogue and voiceover, so are relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Deaf vs The Dead – Episode 1: “Outbreak” (7m)
Dir: Dickie Hearts, Year: 2017
When the undead apocalypse breaks out in Los Angeles, an out Deaf man must find a way to survive and protect his loved ones, even if it means teaming up with some unlikely people.
Rick (16m)
Dir. Jan-Peter Horstmann, Year: 2017
Ricco Muller was crowned Mr Gay Switzerland in 2009 and now finds a home under the bright lights of the adult film set as Rick Louis, coming into himself away from the limitations that society has tried to put on him as a gay, D/deaf person.
Bilingual Poet’s Dilemma (4m)
Dir. Sandra Alland & Ania Urbanowska, Year: 2017
Deaf poet Donna Williams playfully shows the difficulties of translation between British Sign Language and English. Poem in English and BSL by Donna Williams; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press, 2017), edited by Sandra Alland, Khairani Barokka and Daniel Sluman.
The Unlimited House of Krip (26m)
Dir. Garry Robson & Jane Farley, Year: 2018
Exploring the fusion of D/deaf and disabled performers with the extravagant world of vogue culture. Fittings Multimedia Arts formed a “House” of Deaf performers to walk in the Legendary House of Suarez Vogue Ball and the process – from auditions to performance – was recorded as a celebration of diversity.

East Asian Focus: The Story of the Stone
2018-12-08 18:00 - 19:45 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
A queering of a tale from classical Chinese literature, thoroughly modernised and relocated to the midst of Taipei’s gay community. After the death of his boyfriend, Lin heads to the city, where he starts up a new relationship with waiter Josh. But their love is quickly threatened by jealousy, temptation, and tragedy. Beautifully stylised and acted, The Story of the Stone depicts a full range of the gay male experience in modern-day Taiwan, from its darkest sides to those of redemption and hope.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Film is in the English language with English language subtitles/captions.
Film largely non-English language with only a small amount of significant spoken English dialogue and strong visual components, so less accessible for blind and partially sighted audiences. Large print handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Pink Excavation
2018-12-08 18:30 - 19:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Pink Excavation is Natasha Lall’s first feature length film. With Lall as the narrator and cameos from local queers Mina Baird and Junie Latte, this DIY film explores the preservation of queer histories in Glasgow, 2518. Pink Excavation sees Lall excavate 90s-00s technological relics that are outdated in the 2500s and become frustrated at their lack of understanding on how to access information from these ancient technologies. Upon interactions with an archaeologist and a ghost Lall discusses whether or not the poor archiving of LGBT culture has a positive impact on the queer community. The film is a lo-fi, sci-fi contemplation on the pros and cons of queer visibility.
Screening with short Reality Fragment (14 mins) by Qigemu, which examines how multiple lived worlds, each their own mix of memories, sensations, and thoughts, coexist with de facto presentations of distance, history, and totality.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in the English language with English language subtitles/captions. Hearing loop available.
Films rely to a large extent on visual material to convey ideas, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Luke & Jack present: Bishop Black Retrospective
2018-12-08 21:00 - 23:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We are excited to bring Berlin-based actor and performer Bishop Black to SQIFF to present a retrospective of his amazing and varied work. Bishop has worked with some of the most prodigious and provocative directors in queer porn including Shu Lea Cheang, Erika Lust, Morgana Muses, and Bruce LaBruce. He has handpicked for us a selection of films central to the development of his career and approach, exploring his transition from gay male to queer porn and his identity as a black queer performer amongst other themes. Join us for a stimulating and seductive evening of x-rated shorts followed by Bishop in conversation about his art with Drew Bigglestone and Ian Diamond of Luke & Jack.
In partnership with Luke & Jack, Scotland’s premiere sex boutique.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of voiceover and commentary, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Having My Cake (20m)
Dir: Morgana Muses, Year: 2015
Having My Cake is a sumptuous film detailing a woman’s journey to Paris where she manages to not only have her cake, but eat it as well. Starring Morgana Muses and Bishop Black.
Dominate Me (12m)
Dir. Erika Lust, Year: 2016
Can you handle this one, guys and girls? This is a story dripping with lust. A story about ecstasy in the land between pleasure and pain, where restriction can feel like the warmest embrace, and the lash of a whip like the softest kiss… Erika Lust’s latest release in XConfessions is a BDSM story about a man who longs to be dominated by a woman.
The End (22m)
Dir. Noel Alejandro, Year: 2018
Javier is an obsessed artist who is grieving the end of a relationship. His sorrow comes as a combination of memories, instinct and denial, and the mourning’s harsh feelings will compromise his sense of reality. Surrounded by doubt, and subjected to several addictions, Javier fights to find peace – until his lattermost move take him to a surrealistic emotional purgatory.
Gloaming (12m)
Dir. Vex Ashley & Four Chambers, Year: 2017
The period of time when the sun falls below the horizon line and tears of blue and orange gradiate the sky. I’ve always called this indigo hour but apparently it’s more commonly called blue hour and the Scottish call it the gloaming.
The indigo in the sky isn’t exactly black or blue, it’s not quite day or night. It exists in a gap, without definition.
Zombie Queer Punk Urban Post Porn Horror Show (5m)
Dir. Tchivett, Year: 2017
Basically a crazy romp through industrial Berlin by porn stars made up as zombies, all of them licking and humping anything in sight like they’re fresh brains.

Leitis in Waiting + Lady Eva
2018-12-09 12:00 - 13:30 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
Tonga, an island group in the South Pacific, has long considered trans women, known as leitis, an integral part of its culture, often carrying significant social status. But recent Western religious influences have seen their identities being increasingly challenged. This documentary traces their proud cultural history and highlights developments in their struggles against discrimination. Screens with the short film Lady Eva, which delves further into the story of leiti Eva Baron, one of the subjects of the feature.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Films are in the English and Tongan languages with English language subtitles/captions.
Films have significant sections of non-English dialogue, title cards, and other visual components, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Gay as in Hysterically Funny
2018-12-09 15:00 - 17:00
What does it mean to make fun of yourself and your community as an LGBTQ+ person? This programme examines queerness and onscreen comedy, including short films by Raymond Yeung, Jordan Firstman, and Alli Logout, and episodes from Ingrid Jungermann’s classic webseries, F to 7th. Featuring self-loathing and loathable gay men, butch lesbians in denial, and queer femmes in their own carefree universe.
Followed by a panel discussion on queerness and comedy featuring comedian Rosie Jones and more guests tbc.
Screening as part of QFN’s Gay as in Hysterically Funny tour for BFI Comedy Genius.
Comedy Genius is a celebration of comedy on screen, led by BFI, the Independent Cinema Office and BFI Film Audience network, supported by funds from the National Lottery. QFN is a strategic Film Hub Wales project and receives support from the BFI Film Audience Network.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Films are in the English language with English language subtitles/captions. BSL interpretation for panel discussion.
Films contains some visual ideas but have a lot of dialogue, so are relatively suitable for blind and partially sighted audiences. Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Yellow Fever (27m)
Dir: Raymond Yeung, Year: 1998
A fun and astute look at the self-imposed prejudices of a gay Chinese-British man. Anglophile Monty is looking for his perfect man, but only white British men need apply. That is until the attractive Jai Ming moves in next door and the two men seem to connect. Can Monty overcome his prejudices? Writer-director Raymond Yeung’s debut short is a light-hearted comedy of manners.
F to 7th: Season 1, Episode 2 “Tweener” (5m)
Dir. Ingrid Jungermann, Year: 2013
An internally homophobic gay struggles to find herself in a world where sexuality and gender have left her old-fashioned lesbianism behind. In “Tweener,” Ingrid tries to deny her butchness when barred from a lesbian bachelorette party, whilst cheering on her softball team, the Wet Lips, alongside her misogynistic dyke friend.
Call Your Father (20m)
Dir. Jordan Firstman, Year: 2016
On Josh and Greg’s first date, they quickly realize that the generational divide between them is the least of their worries. The infuriatingly mixed messages from a cute but potentially sociopathic millennial force an older man to choose between hopping into bed with him and bailing, in this darkly comical satire on entitled twenty-somethings.
F to 7th: Season 1, Episode 3 “Interchangeable” (12m)
Dir. Ingrid Jungermann, Year: 2013
Geeky and sensible Ingrid meets a woman online, who invites herself over for a hot night of passion, but what happens when both of them want to ‘be the man’?
Lucid Noon, Sunset Blush (32m)
Dir. Alli Logout, Year: 2015
17-year-old bb gay Micha has just moved into The Palace – a basement full of queer femme Dominatrix, lovers and misfits. They are beautiful, carefree and as young as the night. An alternative, comedy narrative of queer sex workers of colour.

Shakedown
2018-12-09 15:30 - 17:15 | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
Owned by women, underground and illegal in nature, the club Shakedown was an independent, all black lesbian strip club operating in LA from the late 90s. Director Leilah Weinraub’s film chronicles the explicit performances and personal relationships of the party’s dancers and organisers, including Ronnie-Ron, Shakedown Productions’ creator and emcee; Mahogany, the legendary “mother” of the community; Egypt, their star performer; and Jazmine, the “Queen” of Shakedown.
Presented in partnership with Scottish Documentary Institute.
All ticket holders can join us at Saramago at CCA after the screening for free drinks supported by Sheffield Doc/Fest.
www.sheffdocfest.com
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call GFT box office on +44 (0)141 332 6535.

ACCESS
Film is in the English language with English language subtitles/captions. Hearing loop available (GFT’s Cinema 3 and box office).
Film is very visual-based, so less suitable for blind and partially sighted audiences. Large print versions of handouts available.
Glasgow Film Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Rafiki
2018-12-09 16:30 - 18:00
“Good Kenyan girls become good Kenyan wives,” but Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety. Rafiki made international news after being banned by the Kenya Film Classification Board for its homosexual theme and promotion of lesbianism. Director Wanuri Kahiu subsequently sued the Kenyan government. The ban was lifted and the film was screened to sell-out crowds in Nairobi.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Film is in a Swahili and English languages with English language subtitles and captions.
Large print versions of handouts available.
The Space has good access for wheelchair users. Please email access@sqiff.org for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Queer Arab Lives: My Brother The Devil
2018-12-09 18:00 - 19:55 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A life of crime for Hackney gang member, Rash, looks set to change after a chance meeting with a successful photographer shows him a more honest existence away from drugs and fast cash. However, as he looks for a way out of the game, younger brother Mo is chancing for a way in. The teenage brothers must come to terms with their racial and sexual identities while navigating gang violence in Welsh-Egyptian writer-director Sally El Hosaini’s cinematic debut.
Curated by Samar Ziadat in partnership with Dardishi, a zine and Festival of Arab womxn’s art.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of voiceover and commentary, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF 2018 Closing Night: White Rabbit
2018-12-09 19:00 - 20:40 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
Recently single, Korean-born LA artist Sophia Lee – played by performance artist Vivian Bang (who also co-wrote the screenplay with director Daryl Wein) – devotes herself to her public performance art, whether it’s a provocative Korean perspective in the park on the LA Riots or quirky digital art on social media. To pay the bills, she does odd jobs for TaskRabbit. When a stranger makes Sophia late for a TaskRabbit gig, she loses her temper with her, only to run into her repeatedly and discover a strong connection. Sophia develops feelings for her, but it’s unclear if her love is reciprocated.
Preceded by closing night speeches. Sponsored by Merchant City Brewing Co.
Screening as part of QFN’s Gay as in Hysterically Funny tour for BFI Comedy Genius.
Comedy Genius is a celebration of comedy on screen, led by BFI, the Independent Cinema Office and BFI Film Audience network, supported by funds from the National Lottery. QFN is a strategic Film Hub Wales project and receives support from the BFI Film Audience Network.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Film is in the English language with English language subtitles/captions. BSL interpretation for closing night speeches.
Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please cancel your order or let us know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Tender Anguish
2018-12-09 20:15 - 21:25 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Harika Özer is an impoverished trans sex worker whose family sought refuge from Siirt to Manisa in Turkey in the 80s. Raf, a young queer man in the UK, struggles to find his place amongst the crowd in a dive gay bar. Icarus arrives in a new city in Brazil and begins an affair with a man that soon goes agonisingly wrong. Real historical figure Mary MacLane cuts a forlorn queer figure in her lonely Montana hometown at the turn of the 20th Century. And Fetish is a Black man in the streets reclaiming his body through magic, fire, and defiance. Each character experiences pain and vulnerability and must negotiate how to cope in these stories of tenderness and anguish.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films are in English, Portuguese, and Turkish languages with English language subtitles/captions. Hearing loop available.
Films rely a lot on visual material to convey ideas and/or are non-English language, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Wonderful Affair (5m)
Dir: Tahir Ün, Year: 2016
Harika Özer is a child whose Kurdish family sought refuge from Siirt to Manisa at the end of 1980s. In his own words, he is a transsexual feeling female spirit in his own body since early childhood. He has lived in Izmir since 2000 and makes a living through prostitution. This work is a documentary project realised by Harika (literally translated as ‘wonderful’), posing for the camera with all his self-confidence and courage. It gives the audience a non-judgemental stance against homophobia.
Four Quartets (10m)
Dir. Marco Alessi, Year: 2018
Over the course of a night out in a gay dive bar, Raf struggles to find his place amongst the crowd. Four Quartets is a short film about queer community, and how the anxieties and conditioning we face sometimes stop us from letting ourselves belong.
Adeus Estrada de Tijolos Amarelos (19m)
Dir. Hiran Matheus, Year: 2018
Icarus arrives in another city to try life as a telemarketer, but when he goes out at night he is caught by a boy. Screenplay based on a Elton John song and filmed with a cell phone.
Between my flesh and the world’s fingers (31m)
Dir. Talena Sanders, Year: 2018
Mary MacLane, the Wild Woman of Butte, Montana, published her diaries in 1902 and 1917. As an out queer and proto-feminist at the turn of the century, MacLane became notorious upon the publication of her 1902 diary, I Await the Devil’s Coming. She was whisked away from the industrial hellscape of her copper mining Montana hometown to a life in the public eye as an author, journalist, female film pioneer and always a provocateur – sending up social norms throughout her career, with a special focus on staid notions about women and sexuality.
Between my flesh and the world’s fingers is an experimental essay and diary film primarily based on her published diaries and her film work.
FETISH (16m)
Dir. Topher Campbell, Year: 2018
The character of Fetish is a representation of so many things. He is at once a clear form – a body – and formless, like the bodies of Basquiat. As a Black man in the streets, he is both positioned by othering and places himself in a world of looking, power, strength, harassment, fashion, sexual objectification, invisibility, visibility, admiration, CCTV, selfies, vulnerability, humour, performance, protest, danger, violence and humour. If you have ever been stopped by police for being Black, embarrassment, futility and vulnerability are at the apex of the experience. Or, as is the case with Tamir, Philando, Freddy, Sandra and so on, being dead and treated like shit is what happens. Fetish in this film experiences and represents this painful embarrassment and vulnerability. It’s hard to watch and painful to experience.
By the end of the film through magic, through fire, through defiance, through being a multi-dimensional being in touch with the elements, Fetish reclaims his body and stands like a colossus in The City.

East Asian Focus: Alifu The Prince/ss
2018-12-09 20:30 - 22:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A set of intersecting queer Taiwanese stories about love, identity and loss. Alifu, a member of an indigenous Paiwan community, is selected to succeed her father as the head of her tribe, but hasn’t yet come out to her family as trans. She is attracted to Chris, a closeted drag performer, while her flatmate, Peizhan, is also dangerously obsessed with Alifu. At the same time, Sherry, the trans woman who runs the nightclub where Chris performs, suddenly becomes ill, forcing Wu, her long-time friend and plumber, to remember their shared past as he cares for her.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film is in Taiwanese, Mandarin Chinese, Paiwan, and English languages with English language subtitles/captions. Hearing loop available.
Film relies on visual material to convey ideas and is mostly non-English language, so is less accessible for blind and partially sighted audiences.
Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts on Tour
2019-02-09 13:00 - 2019-03-06 23:00
We present on tour an inclusive selection of LGBTQ+ short films from our 2018 Festival Opening Night. Headlining the programme is VISIBLE, created by Campbell X and Kayza Rose, who explore QTIPOC (queer, trans, and intersex people of colour) histories, challenging mainstream perceptions and sanitisation of legacies, and celebrating complexity, multiplicity, myths, gossip, and legends. Also featuring a lesbian sports star coming out, being gay in the Maldives, queer working class vulnerability, and more.
Screenings are taking place across Scotland for LGBT History Month. We are pleased director of VISIBLE, Campbell X, will join us for Q&As in Dundee, Hawick, Ayr, Edinburgh, and Stirling.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network.
To book, see list of screenings and booking links below.
CCA, Glasgow in partnership with STUC LGBT+ Committee, Saturday 9th February, 1pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

Dundee Contemporary Arts, Wednesday 13th February, 6.15pm. Tickets £5-7.50. To book, please use the button below or call DCA box office on +44 (0)1382 432 444.

The Byre Theatre, St. Andrews part of Queerfest with Saints LGBT+, Friday 15th February, 6pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below.

Cornucopia, Hawick in partnership with Scottish Borders LGBT Equality, Saturday 23rd February, 4pm. Free, unticketed – just come along.

Ayr Town Hall in partnership with Ayr Film Society and Ayrshire LGBTQ, Sunday 24th February, 6.30pm. Free, unticketed – just come along.

50 George Square, University of Edinburgh with MSc Film, Exhibition and Curation, Tuesday 26th February, 7pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below.

Macrobert, Stirling in partnership with Stirling University LGBTQ+ Society, Friday 1st March, 7.30pm. Tickets £6. To book, please use the button below or call Macrobert box office on +44 (0)1786 466 666.

Eden Court, Inverness, Monday 4th March, 6.15pm. Tickets £3.50-5.50. To book, please use the button below or call Eden Court box office on +44 (0)1463 234 234.

Belmont Filmhouse, Aberdeen in partnership with Grampian Pride, Wednesday 6th March, 7.30pm. Tickets £5. To book, please use the button below or call Belmont Filmhouse box office on +44 (0)1224 343 500.

Round One (4m)
Dir: Ella Sowinska, Year: 2017
Round One creates a portrait of Nicola Stevens, who played in the first professional Australian Football League women’s game in 2017.
There You Are (15m)
Dir. Lisa Donato, Year: 2018
A trans woman must dress like a boy to say goodbye to her dying grandmother.
Blooming Night (9m)
Dir. Bell Zhong, Year: 2017
Mesmerised by a pair of red heels, a lonely street guy in Shanghai follows their owner into a club, where he discovers a forbidden community that he has never experienced before.
Medulla Oblongata (8m)
Dir. Roberto Nascimento, Year: 2017
“Life can be horrible. But it also can be beautiful. Really f***ing beautiful.” Abraham Naim aka drag queen Medulla Oblongata relates their story of escaping persecution for being gay in the Maldives and finding acceptance and community.
Crashing Waves (4m)
Dir. Emma Gilbertson, Year: 2018
Two young working-class men explore the intimacy and vulnerability of relationships in a combative dance against the backdrop of an inner city estate, risking all under the scrutiny of a tight-knit community.
Top 10 Places to Visit in São Paulo (14m)
Dir. Akira Kamiki, Year: 2018
On a dreamy Sunday, two photographers walk around São Paulo trying to connect with the city, and slowly fall in love with each other.
VISIBLE (20m)
Dir. Campbell X, Year: 2018
VISIBLE digs in and shreds misconceptions that LGBTQ+ people of colour have no history – and no story to tell. Weaving together the tales of inspirational ancestors, contemporary artists, political activists, and community leaders – VISIBLE challenges mainstream perception and the sanitisation of LGBTQ+ legacies by celebrating complexity, multiplicity, and the myths, gossips, legends, and truths of QTIPOC histories.

QTIPOC shorts for LGBT History Month
2019-02-22 19:00 - 21:00 | Kelvin Hall, 1445 Argyle Street, Glasgow, G3 8AW, United Kingdom
For LGBT History Month, SQIFF and the Coalition for Racial Equality and Rights (CRER) are partnering to showcase short films focusing on QTIPOC representation and ideas.
My Loneliness is Killing Me features a femme man of colour who invites a white man to his apartment for a hook-up, unexpectedly unearthing a dark emotional connection. Clash is a short experimental documentary by queer Iraqi non-binary filmmaker Amrou Al-Khadi critiquing the lack of diversity in on-screen representation in Britain today. Iconic transgender artist and activist, Marsha “Pay it No Mind” Johnson, and her life in the hours before she ignited the 1969 Stonewall Riots in New York City are depicted in Happy Birthday, Marsha!.
The event will be hosted by Samar Ziadat, curator, activist, and co-founder of Dardishi, with a discussion with local QTIPOC artists and activists following the screening.
FREE ENTRY (no need to sign up, just come along on the night)
ACCESS
Films in the English language with captions for Deaf and Hard of Hearing access. BSL interpretation for the discussion. Our venue, Kelvin Hall, is wheelchair accessible with accessible toilet facilities. For more information on the venue, click here. Please get in touch via helen@sqiff.org with any questions about access.
Content note: reference to violence and scenes of a sexual nature.

Portraits of Artists as Young Men (& Women & Other)
2019-06-01 19:00 - 21:00 | The Art School, 20 Scott Street, Glasgow, G3 6PE, United Kingdom
SQIFF curates a screening as part of Glasgow School of Art’s Degree Show programme, Dress Rehearsal. Portraits of Artists as Young Men (& Women & Other) takes a look at the earlier, formative days of queer artists who have gone on to make significant bodies of work. Featuring documentation and experimental meanderings by and/or about photographer Ajamu X, circus performer Jennifer Miller, and filmmakers Thomas Allen Harris and Barbara Hammer, amongst others. Common themes emerge of hitting back against oppression and searching for identity through the creative process.
This event is free and unticketed. Just come along on the night.
Click here for GSA’s full Dress Rehearsal Degree Show programme.
ACCESS
Films are in the English language with English language captions.
Films are experimental so some are quite visual-based but there is a relatively good amount of explanatory dialogue for blind and partially sighted audiences. Large print versions of handouts available.
The Art School has good access for wheelchair users. Click here for more details on venue access.

SQIFF at Jupiter Rising
2019-08-23 - 2019-08-26 | Jupiter Artland, Bonnington House Steadings, Near Wilkieston, Edinburgh, EH27 8BY, United Kingdom
We are really pleased to be taking part in Jupiter Rising music festival with 2 programmes of short films during the 3-day festival. Jupiter Rising takes place at Jupiter Artland near Edinburgh 23 to 25 August with a line-up including music, performance, film and moving image, artist-led workshops, wild swimming, and more!
To find out more about Jupiter Rising and how to book tickets, click here.
For information about Jupiter Artland, how to get there, and access information, click here.

ACCESS
Jupiter Rising is an outdoor festival, two stages are undercover in large marquees, one stage is located in the woods.
Each stage will include a reserved viewing area for wheelchair users and their carers. Other areas include a bar, cinema, workshops and activities tent, all of which are wheelchair accessible and undercover.
The ground at Jupiter Artland is grass, paths, natural woodland and meadow, which can sometimes be uneven underfoot or for wheelchair users.
Accessible camping is located in a meadow, a short distance away from the main stages. An accessible toilet is provided.
A quiet space will be provided throughout the event and will be highlighted on the site map.
There will be gender-neutral toilets and two accessible toilets located in various locations, highlighted on the site map.
Assistance dogs are welcome provided they are on a lead (Jupiter Artland has livestock on site).
Please get in touch to let us know if you require a large print version of the printed programme, which will be available to pick up from the Box Office.
Ear plugs will be available from the Box Office.
Strobe lighting may feature in some performances and film screenings.
SQIFF film screenings are in a variety of languages with English language captions for D/deaf and Hard of Hearing audiences. Many of the films are based largely on visual ideas with little spoken language.
Jupiter Rising is committed to improving accessibility. If there is anything we can do to make it easier for you to attend, or if you have any questions, thoughts or feedback about access for this event, please email enquiries@jupiterartland.org or call 01506 889900.

SQIFF Shorts: Intimacies
2019-10-02 12:30 - 13:50 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Touch, connection, sensuality, bonding. Sharing of solidarity, friendship, grief, and (com)passion. This selection of short films from the UK, US, Brazil, and the Amazon trace intimacies between friends, family, communities, and lovers. The revolutionary potential of femme for femme relationships. Upholding trans and immigrant identities and memory across generations. Busting childhood isolation and fear of being queer. Leaving your life behind due to youthful yearning. A slow-paced and tactile assortment of stories embracing many different faces and places.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English, Persian, French, Spanish, and Portuguese audio and ASL with English captions/subtitles. Hearing loop available.
Most of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling, minimal dialogue, and majority non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

#Familiar #Touch #Lost #Figures (13m)
Dir: Katy Jalili, Country: UK, Year: 2017, Language/s: English, Persian
#Familiar #Touch #Lost #Figures is an exploration of queer ancestry and diaspora, the hybrids between cultural traditions and contemporary queer identity. It explores brown bodies and femme for femme intimacies, and the feeling of being between a search for home and finding home in a familiar stranger.
Content note: Depiction of nudity.
Silvia in the waves (13m)
Dir: Gio Olmos, Country: Canada, Year: 2018, Language/s: French
Noa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure, identity and memory.
Content note: Depiction of queerphobia.
Welcome to the Ball (5m)
Dir: Adam Vincent Wright, Country: USA, Year: 2019, Language/s: English, ASL
A child learns sign language in hopes of making a new friend.
Content note: None.
My Grandson, Charlotte (13m)
Dir: Tyler Pierreson, Country: UK, Year: 2019, Language/s: English
A transgender teen and his immigrant granddad, a Sapeur from the Congo, bond over their shared understanding of the importance of identity and of always being true to one’s self.
Content note: Depiction of death.
Carlito se va Para Siempre (13m)
Dir: Quentin Lazzarotto, Country: UK, Year: 2018, Language/s: Spanish
In the Amazonian jungle, the village of Palma Real resists the modern world. Carlito, a silent young man, decides to leave. On the muddy bed of the immense river, an encounter reveals the secret that Carlito has hidden from his community.
Content note: None.
Infinite While It Lasts (19m)
Dir: Akira Kamiki, Country: Brazil, Year: 2019, Language/s: Portuguese
After falling in love at a party, Danny and Seiji just want to be together. However, their differences might prove stronger than their feelings. A fiction film about asexuality.
Content note: Reference to sex.

LUX Scotland presents: where did we land + Fi Dem I & II
2019-10-02 15:30 - 16:50 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
London-based curator and artist Rabz Lansiquot screens their new moving image essay where did we land, an ongoing experiment interrogating the effect of images of anti-black violence produced and reproduced in film and media, and parts 1 and 2 of artist Zinzi Minott’s Fi Dem Series, a continued investigation into Blackness and Diaspora made annually on the anniversary of the Empire Windrush docking in the UK on June 22nd 1948. The screening will be followed by a discussion with Rabz Lansiquot about their research on moving beyond representation and towards liberation in Black film, and how queerness informs their approach.
In partnership with LUX Scotland, a non-profit agency dedicated to supporting, developing, and promoting artists’ moving image practices in Scotland.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English and Patois audio with English language subtitles/captions. Hearing loop available. If you would like to attend this event and require BSL interpretation for the discussion, please email access@sqiff.org at least 2 weeks in advance.
Films are not very accessible to English-speaking blind and partially sighted audiences with mostly image-based ideas. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

LUX Scotland is a non-profit agency dedicated to supporting, developing and promoting artists’ moving image practices in Scotland. Working at the intersection of the contemporary visual arts and film sectors, its core activities include public exhibition and touring projects, learning and professional development for artists and arts professionals, distribution, commissioning and production support, research and sector advocacy. From its offices based in Glasgow, it works with a growing network of national and international partners, including museums, contemporary art organisations, film festivals and educational institutions, to deliver its programme. Established in 2014, LUX Scotland is a part of LUX and is supported by Creative Scotland.

Autism-friendly Opening Night Shorts
2019-10-02 18:30 - 19:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We are putting on an autism-friendly screening of our Opening Night Shorts programme. Autism-friendly screenings are designed to make the cinema more inclusive and accessible for people with sensory sensitivities, and others who can benefit from this environment. We will not book the cinema more than half full. Lights will be left on low and sound turned down. People are welcome to make noise and move around. We will have a Quiet Space in the Intermedia Gallery on the top floor of CCA available for anyone to take some time out.
The programme features a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
All films have English audio with English language subtitles/captions. Hearing loop available.
Films are largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Bodies Like Oceans (13m)
Dir. Kat Cory, Country: USA, Year: 2019, Language/s: English
A dreamy portrait of photographer Shoog McDaniel, a self-described queer fat freak, whose work with fat bodies in nature transgresses reality.
Content note: Discussion of racism, misogyny, and fatphobia.
Adam and the Alphas (12m)
Dir. Stuart Thomas Graham, Country: UK, Year: 2019, Language/s: English
Made by students on the 2019 Documentary Production course at Stirling University.
Content note: Discussion of homophobia.
I AM! We Are Here! (7m)
Dir: Seyi Adebanjo, Country: USA, Year: 2018, Language/s: English
I AM! We Are Here! multimedia project documents the vitality and spirit of Queer, Trans* and Gender Non Conforming People of Color in the Bronx.
Content note: None.
Unspoken (17m)
Dir: Patrick G. Lee, Country: USA, Year: 2019, Language/s: English
Unspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents, and this film is their way of doing so.
Content note: Discussion of homophobia and transphobia.
We Are Here (12m)
Dir. Ellie Hodgetts, Country: UK, Year: 2019, Language/s: English
This documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go.
Content note: Discussion and depiction of homophobia and transphobia, including scenes of violence.
Button OUT! (4m)
Dir: Kathleen Mullen, Country: Canada, Year: 2018, Language/s: English
Button OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto.
Content note: Reference to sex, homophobia, transphobia, and racism.

SQIFF 2019 Opening Night Shorts
2019-10-02 19:00 - 21:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Sold Out – we can’t guarantee but there’s a good chance of returns if you come on the night 15 minutes before the event
We launch the Festival with a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. Adam and the Alphas depicts the camaraderie of gay rugby team, the Glasgow Alphas. Bodies Like Oceans follows self-described queer fat freak and photographer, Shoog McDaniel. I AM! We are Here! presents portraits of Queer, Trans* and Gender Non Conforming People of Colour in the Bronx, whilst Unspoken sees queer and trans Asian Americans writing emotional letters to their families. We Are Here follows members of the Manchester House of the Sisters of Perpetual Indulgence, and Button OUT! is an animated homage to Canadian filmmaker Kathleen Mullen’s history of protest through the Canadian Lesbian and Gay Archives’ massive button collection.
We hope to welcome several of the filmmakers for a Q&A. Followed by a drinks reception at CCA sponsored by Drygate Brewing Co.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
All films have English audio with English language subtitles/captions. The introduction and Q&A will be BSL interpreted. Hearing loop available.
Audio description available. Films are otherwise largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Bodies Like Oceans (13m)
Dir. Kat Cory, Country: USA, Year: 2019, Language/s: English
A dreamy portrait of photographer Shoog McDaniel, a self-described queer fat freak, whose work with fat bodies in nature transgresses reality.
Content note: Discussion of racism, misogyny, and fatphobia.
Adam and the Alphas (12m)
Dir. Stuart Thomas Graham, Country: UK, Year: 2019, Language/s: English
Made by students on the 2019 Documentary Production course at Stirling University.
Content note: Discussion of homophobia.
I AM! We Are Here! (7m)
Dir: Seyi Adebanjo, Country: USA, Year: 2018, Language/s: English
I AM! We Are Here! multimedia project documents the vitality and spirit of Queer, Trans* and Gender Non Conforming People of Color in the Bronx.
Content note: None.
Unspoken (17m)
Dir: Patrick G. Lee, Country: USA, Year: 2019, Language/s: English
Unspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents, and this film is their way of doing so.
Content note: Discussion of homophobia and transphobia.
We Are Here (12m)
Dir. Ellie Hodgetts, Country: UK, Year: 2019, Language/s: English
This documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go.
Content note: Discussion and depiction of homophobia and transphobia, including scenes of violence.
Button OUT! (4m)
Dir: Kathleen Mullen, Country: Canada, Year: 2018, Language/s: English
Button OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto.
Content note: Reference to sex, homophobia, transphobia, and racism.

SQIFF Shorts: Luv Sucks
2019-10-03 12:00 - 13:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Romantic relationships can be tough. SQIFF offers up an alternative to punching walls and texting your ex when pished with these shorts from the heart – as in stomping all over it and dumping it in the trash. A bisexual trio have a bust up in a toilet. A boy in a bath pines over his unavailable roommate. A woman has a near-but-not-quite romantic encounter with a fellow deafie. The vast power of the cosmos can’t prevent a bickering lesbian couple from breaking up. A sex worker has his hopes dashed by the man he loves. And in 2033 Botswana, a man loses his lover to dystopian despair.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have a mixture of Arabic, English, Spanish, Portuguese, and Tswana audio and BSL with English subtitles/captions. Hearing loop available.
Most of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling, minimal dialogue, and majority non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

To Starboard, I Vomit (6m)
Dir: Tarek Sardi, Country: Tunisia, Year: 2019, Language/s: Arabic
Zarga, Dorra, and Mohammed find themselves after years of separation together, reunited in a club’s toilet. Between betrayal and unspoken truths, the old classmates reveal their deepest secrets and taboos.
Content note: Depiction of homophobia, misogyny, and violence; discussion of sex.
Your Towel (3m)
Dir: Zhizi Hao, Country: UK, Year: 2017, Language/s: English
A young gay man and his roommate’s intimate moment in the bathtub.
Content note: Discussion of sex.
Almost… (5m)
Dir: Teresa Garratty, Country: UK, Year: 2019, Language/s: BSL, English
A chance encounter between two girls sparks an unspoken connection. Everything seems so effortless, so perfect… Almost. Written and directed by award winning filmmaker, Teresa Garratty, produced by Flashing Lights Media, and funded by BSLBT.
Content note: None.
Solarity (8m)
Dir: Marianne Verrone, Country: USA, Year: 2019, Language/s: English
An exploration of perception, proximity, and intimacy within a queer cosmos.
Content note: None.
Last Words [sic] (6m)
Dir: Hugo Ljungbäck, Country: USA, Sweden, Year: 2017, Language/s: No spoken language
Last Words [sic] revisits an angry email the artist received from an ex-boyfriend. The text is taken verbatim from his goodbye-letter, and tells a humorously painful story of lost love, betrayal, and desire, as the writer grows increasingly delusional, defensive, and passive-aggressive with each paragraph.
Content note: Discussion of sex.
Free Fall (14m)
Dir: Santiago Henao Vélez, Country: Colombia, Year: 2018, Language/s: Spanish
Out of the hunting shadows of sexual underground Medellin, sixteen-year-old Jhony is excitedly hopeful about a date with the boy he loves.
Content note: Depiction of sex and drug-taking.
Tea for Two (20m)
Dir: Julia Katharine, Country: Brazil, Year: 2018, Language/s: Portuguese
Silvia is a middle-aged filmmaker having a life crisis. The same night that she is surprised by the visit of her ex-wife, who left her a few years ago, she meets another woman who fascinates her. Tea For Two is thought to be the first film directed by a trans person to ever be commercially released in Brazilian cinemas.
Content note: Depiction of transphobia.
2064 (12m)
Dir: Joseph Adesunloye, Country: Botswana, Year: 2019, Language/s: Tswana
Devastating population growth, famine, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting, ever-warming climate, and a ballooning population. A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful, and the continent’s wildlife begins to flourish again. In 2064, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull.
Content note: Discussion and depiction of death and suicide.

SQIFF Shorts: Come Out Fighting
2019-10-03 15:00 - 16:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Pushed into corners through marginalisation and oppression, the characters in these short films come out fighting for their bodily autonomy, rights, and liberation. YaliniDream performs a poem of refugee/migrant love for self and the world. Artist Liberty Antonia Sadler uses poetry to celebrate larger bodies in a fatphobic society. In Ponyboi, an intersex runaway and sex worker finds self-redemption and love. The Wind on your Skin sees a young Namibian woman fighting back after her girlfriend is murdered for being lesbian. Eyes explores moving through the world as a gender non-conforming person choosing between being visible versus being safe. And BLACKN3SS dives into the journey of black queer youth in São Paulo.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English and Portuguese audio with English captions/subtitles. Hearing loop available.
Most of the films are relatively accessible to English-speaking blind and partially sighted audiences with poetic voiceover or explanatory dialogue and majority English language and/or quite bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

I Am / YaliniDream (2m)
Dir: YaliniDream, Krissy Mahan, Country: USA, Year: 2019, Language/s: English
YaliniDream — Lankan Tamil Blood, Manchester-Born, Texas-Bred and Brooklyn-Brewed, performs a poem of refugee/migrant love for self and the world, through dance and a hiphop beat.
Content note: None.
tenderfluid (3m)
Dir: Liberty Antonia Sadler, Country: UK, Year: 2019, Language/s: English
Celebrating the hypnotic plasticity of a larger body, tenderfluid is visible softness as protest; a counterpoint to the rigidity of diet culture, cis-heteronormativity and toxic dogmas of weight gain & queerness as failure.
Content note: Discussion of fatphobia.
Ponyboi (19m)
Dir: River Gallo, Sade Clacken Joseph, Country: USA, Year: 2019, Language/s: English
Ponyboi is an intersex runaway. He works at a laundromat and hustles as a sex worker. But after a mysterious encounter with a man from his dreams, he learns that perhaps he is worthy of leaving his seedy life in New Jersey behind. Ponyboi is a queer film about discovering self-redemption and love.
Content note: Non-graphic sex scenes; depiction of violence including suggestion of sexual violence.
The Wind on your Skin (18m)
Dir: Naomi Beukes, Country: Namibia, Year: 2018, Language/s: English
A community is shaken when a young woman is murdered because of whom she loved. This is the 4th short story in the award winning series The Centre-Stories about the lives and loves of African Women in Berlin created by Namibian Filmmaker, Naomi Beukes.
Content note: Depiction and discussion of violence and death; discussion of sexual assault.
Eyes (5m)
Dir: Lily Ash Sakula, Country: UK, Year: 2019, Language/s: English
Eyes is about moving through the world as a gender non-conforming person and the tension between our fierce desire to be seen and an equally strong need for safety. Both are crucial to our survival as trans people, and yet they are often at odds: forcing us to choose.
Content note: Depiction of mental health issues.
BLACKN3SS (22m)
Dir: Diego Paulino, Country: Brazil, Year: 2018, Language/s: Portuguese
Between melanin and far away planets, BLACKN3SS proposes a dive into the journey of the black youth of São Paulo city. A documentary on blackness, queerness, and spacial aspirations of the diaspora’s children.
Content note: Discussion and depiction of anti-black racism; brief visual and spoken references to sexual violence.
My Spine is a Beautiful Sea Monster (2m)
Dir: Theresa Heath-Ellul, Country: UK, Year: 2019, Language/s: English
The idea for this film developed at a 2017 SQIFF filmmaking workshop which encouraged attendees to embrace a part of their bodies or selves they found challenging or difficult, and to turn it into something beautiful. I have always found my scoliosis very unattractive and never wear clothing which reveals my back. However, I do love the sea, glitter and sequins. I therefore decided to create a beautiful, be-sequinned sea monster out of my spine which would then dance according to my curvature.
Content note: None.

Birds of the Borderlands
2019-10-03 15:30 - 17:05 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Four queer Arab stories are powerfully illuminated through genderqueer Australian filmmaker Jordan Bryon’s compelling piece of guerrilla filmmaking. Jordanian teenager Hiba is transitioning in secret, fearful of being killed by her Bedouin tribe; gay Iraqi refugee Youssef has fled Baghdad and is living in limbo in Bryon’s safe house in Amman; lesbian feminist Rasha hides her sexuality and her relationship with Bryon from her family while striving for LGBTIQ visibility; and Khalaf, a gay Imam turned activist, lives a solitary life in Beirut. There is tension alongside touching, reflective moments as Bryon becomes more entangled in their struggles, blurring the lines between lover, friend, filmmaker, and activist.
Screening with No Man (4m). Kenneth Macharia is under the threat of being deported from the UK back to his home country of Kenya, where as an openly gay man he faces the risk of persecution, mob violence, and even death.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have a mixture of English and Arabic audio with English captions/subtitles. Hearing loop available.
Films are marginally accessible to English-speaking blind and partially sighted audiences with the feature film half in English, half Arabic and with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Black History Month: Fabulous + Father Figure
2019-10-03 18:30 - 20:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
In partnership with Coalition for Racial Equality and Rights (CRER) for Black History Month, we look at the thriving ballroom culture of contemporary Europe. In Fabulous (2019), international legend Lasseindra Ninja returns to her home of Guyana to introduce voguing to its LGBTQ community. Father Figure follows Guilliano, founding father of The Kiki House of Angels, and his friends as they share experiences of homophobia and racism in the Netherlands.
Curated and hosted by artist and researcher Claricia Parinussa, co-founder and organiser of Vogue Scotland. Followed by an introduction to the history of House Ball culture and discussion with guest from the London Ballroom scene, Elijah 007, including on the necessity of prioritising the QTIPOC community in these spaces.
Free. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have Dutch, English, and French audio with English language subtitles/captions. If you would like to attend this event and require BSL interpretation for the discussion, please email access@sqiff.org at least 2 weeks in advance. Hearing loop available.
Films are not very accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and mostly non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Kattumaram
2019-10-04 12:00 - 13:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Kattumaram depicts the Tsunami-affected lives of middle-aged Singaram and his orphaned niece Anandhi and nephew Mani. Singaram works hard as a fisherman to provide for his family and tries to arrange a groom for his niece, who rejects all proposed alliances. Anandhi instead falls for Kavita, a visiting photographer teaching alongside her at the local school. As patriarchal Singaram comes to terms with his niece’s sexuality, he is ostracised by his community because of her transgression. Dealing with his deflated ego, he bonds with the village barber and trans woman, Alankaram. Kattumaram shows the predicament of people in a conservative society which offers warmth so long as its traditions are adhered to but turns cold and violent when they are broken.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Film has Tamil audio with English language subtitles/captions. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with visual storytelling, minimal dialogue, and all Tamil language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Queer Spaces
2019-10-04 15:00 - 16:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
How does queer visibility transform physical and symbolic space? What roles do specific spaces have in altering the way that we navigate and represent ourselves in public? Why are alternatives to heteronormative space important for our communities? In this collection of shorts, we explore what ‘home’ and ‘public space’ means to the LGBTQIA+ communities of Paris; join a young trans man as he navigates gendered space on the Delhi metro; and follow the campaign to save one of London’s most iconic queer spaces, the Joiner’s Arms.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have English, French, and Hindi audio with English subtitles/captions. Hearing loop available.
Films are not accessible to English-speaking blind and partially sighted audiences with some explanatory dialogue, mostly dark images, and only around half in English. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Les Clefs de Chez Moi (26m)
Dir. Ray Van Huizen and Ella Martin-Gachot, Country: France, Year: 2019, Language/s: French, English
Filmed in Paris while Ray Van Huizen and Ella Martin-Gachot were studying abroad, the documentary explores the relationship that people in the LGBTQIA+ communities of Paris have with the concepts of home and public space.
Content note: Discussion of mental health issues including suicide, violence, transphobia, biphobia, and racism.
Trojan Horse / Rainbow Flag (26m)
Dir: Ian Giles, Country: UK, Year: 2019, Language/s: English
Working directly with members of Friends of the Joiners Arms, Ian Giles’ newly-commissioned film Trojan Horse/Rainbow Flag examines the campaign to save this iconic LGBTQI+ space. The title is inspired by campaigner Amy Roberts, when describing the cynical approach of property developers seeking to push through proposals to erase queer spaces by disingenuously claiming that their LGBTQI+ status would remain unchanged post-development.
Content note: Discussion of abusive relationships, violence, queerphobia, misogyny, and classism.
Please Mind the Gap (20m)
Dir. Mitali Trivedi and Gagandeep Singh, Country: India, Year: 2018, Language/s: Hindi, English
Delhi meets at the metro. The snaking lines of the tube connect the whole city. Passengers board from different places but for a brief moment in time they are all headed in the same direction. We share one such ride with our co-traveller Anshuman, a trans man. As the stations pass by we begin to look at the metro space from his perspective. His is the story of reclaiming public space and one’s own self. The doors will open on the quest. Please mind the gap.
Content note: Discussion of transphobia.

Moroni for President
2019-10-04 18:30 - 20:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
The Navajo Nation is the largest Native American reservation in the United States. Every four years, the Navajo tribe elects its president, whom is considered to be the most powerful Native American in the country. In the midst of a frenzied electoral campaign, Moroni for President follows Moroni Benally, an underdog with radical ideas who is angry about lack of social progress in the reservation he grew up in. As the election unfolds, the film delves into Moroni’s layered identity as a Mormon and gay Navajo man, along the way expanding to include LGBTQ+ characters campaigning for other candidates.
Screening as part of our strand on queerness and religion, You Gotta Have Faith.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has mostly English and a small amount of Navajo audio with English language subtitles/captions. Hearing loop available.
Film is reasonably accessible to blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

From Zero to I Love You
2019-10-04 21:00 - 23:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
This captivating relationship comedy begins when Peter bumps into handsome but married Jack in a gay bar. They begin a passionate affair and Peter woes the fact he always seems to end up with married men, a scenario bringing its own special set of tensions. Gossip, heartbreak, and coincidence play their part and eventually Peter is forced to admit that he needs something to change in order to maintain self-respect. He attempts to face head on the challenges of finding and keeping love in the big city that is Philadelphia. An emotionally engaging drama with a sophisticated and original approach to bisexuality and the turbulence of relationships.
Director Doug Spearman will join us after the screening for a Q&A.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has English audio with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available.
Film is relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and quite bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.
