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BEGIN:VEVENT
DTSTART;TZID=UTC:20201005T000000
DTEND;TZID=UTC:20201018T235900
DTSTAMP:20260413T221339
CREATED:20200923T212546Z
LAST-MODIFIED:20201003T160216Z
UID:10097-1601856000-1603065540@www.sqiff.org
SUMMARY:Many Black Moons Ago\, To Go...
DESCRIPTION:Time as it is Queer.  \nBlackness as it is Queer. \nWhat comes next after the end of the world?  \nA digital exhibition programme of Afrofuturist films and writings in response to the re/imagining of Black alternative future(s). Curated by Scottish-Zimbabwean artist\, researcher\, and curator Natasha Thembiso Ruwona. Sign up to receive a link to access the exhibition website during the festival dates\, 5th to 18th October.  \nShort films available as part of the exhibition across the 2 weeks include NEGRUM3 (2018) by Diego Paulino\, Reifying Desire 5 (2012) by Jacolby Satterwhite\, and Time Travel Experiments Pt. 2 (2017) by Black Quantum Futurism. Born in Flames (1983)\, depicting a future where a socialist government gains power and a group of women decides to organize and rebel\, will be available to view as part of the exhibition on our Vimeo on Demand channel 12th to 13th October. Please note all films will screen with English language captions. Further access information will be available on the film’s Vimeo on Demand pages. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/many-black-moons-ago-to-go-tickets-122063351771′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \nThere will be artists’ responses to the programme by Sequoia Barnes and Naomi Gessesse. \nSequoia Barnes’ work is predominately centered around making processes\, rituals\, and modes of fashioning. Trained in semiotics\, she deploys research through praxis often in her artistic explorations of black diasporic symbolisms\, storytelling as performance\, and positioning the creative process as a performance/ritual. Her scholarly work currently explores the design techniques and aesthetic semiotics of late fashion designer\, Patrick Kelly. Her most recent artistic works include her artist responses to Senga Nengudi (Fruitmarket Gallery) and Nick Cave (Tramway) with performative works entitled Sew Me A Quilt. Tell You A Story. (2019) and The Burden I Bear Is Heavy (2019)\, respectively. \nNaomi Gessesse is a movie watcher and Aries sun from Glasgow. They have written for several publications and wrote an undergraduate thesis on the politics of space at the lgbtqia+ film festival. Naomi now works for Berwick Film And Media Arts Festival while continuing to write. \nA reading group led by Martha Williams on Sunday 18 October will conclude the series. Click here to book a free ticket to the reading group event\, Call & Reponse. The event will have BSL interpretation\, live captioning\, and live audio description. The films in the exhibition all have English language captions.  \nBorn in Flames is preserved by Anthology Film Archives with restoration funding from the Hollywood Foreign Press Association and The Film Foundation. Distributed by Cinenova.
URL:https://www.sqiff.org/event/many-black-moons-ago-to-go/
CATEGORIES:Exhibition,Films,Free event,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/09/negrum32-e1600896313163.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201005T000000
DTEND;TZID=UTC:20201018T233000
DTSTAMP:20260413T221339
CREATED:20201004T195547Z
LAST-MODIFIED:20201005T132943Z
UID:10169-1601856000-1603063800@www.sqiff.org
SUMMARY:All The Feels!: Ultimate Queer Fanvid Playlist
DESCRIPTION:Fanvids are short films using music\, edited by fans in an expression of all the feels around their favourite fandoms. Even with today’s films and television bursting with more queer characters than ever\, we still fight for true recognition\, representation\, and stories that go beyond the sometimes disappointing and limiting storylines we are given. Every fanvid is a DIY work of art\, combining music and clever edits to celebrate favourite shows\, rework plots\, commiserate in collective sadness\, and whatever feels there are to be had! \nCurated by Tara Brown\, queer crip Black fat femme and Fringe! Queer film & arts fest and freelance film curator. \nClick here for Tara’s YouTube playlist. \nACCESS \nThis playlist has an age recommendation of N/C 12+. \nThe fanvids have English audio. Some have English language captions or a transcript. Transcript of the other vids coming soon. With apologies for the lack of captions on all videos thanks to YouTube removing the option for community captions. Click here to sign a petition for YouTube to reverse this decision. \nThe playlist is 34 minutes long. \nContent notes: Discussion of homophobia\, biphobia\, and racism; depiction of brief nudity\, sex\, violence\, and blood. \n\n\n\n\nThe videos in All the Feels!: Ultimate Queer Fanvid Playlist include some loud music and fast editing. \n\n\n\n\nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org.
URL:https://www.sqiff.org/event/all-the-feels-ultimate-queer-fanvid-playlist/
CATEGORIES:Around one hour or less,Bisexual,English language,Films,Free event,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/10/queeringthescript_003_dana_piccoli-e1601841332481.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200715T100000
DTEND;TZID=UTC:20200717T100000
DTSTAMP:20260413T221339
CREATED:20200708T112754Z
LAST-MODIFIED:20200708T114708Z
UID:9813-1594807200-1594980000@www.sqiff.org
SUMMARY:SQIFF Shorts: A is for Asexual
DESCRIPTION:We are taking part in DIVE IN Cinema\, a two-week online screening series in collaboration with other film festivals and exhibitors in Scotland. \nDIVE IN Cinema will offer a mixture of features and short films across fiction\, documentary and experimental work\, as well as a few filmmaker conversations. Each screening will be programmed by one of the contributing exhibitors and will be available on demand for 48 hours from its start time\, with a new programme released at 10am every day. \nSQIFF’s programme is called A is for Asexual and will be available to view online for 48 hours from 10am on Wednesday 15 July. \nHighlighting new work around perhaps the most under-represented identity in queer cinema\, this programme celebrates films by and about asexual people of colour. Garima Kaul’s documentary Desire? explores the wide range of experiences of asexual individuals and communities in India\, whilst multi-award-winning Brazilian film Infinite While It Lasts follows the budding relationship between asexual Danny and allosexual Seiji. \nClick here to register to access all the films in DIVE IN Cinema for free. All screenings are FREE to view\, however DIVE IN are collecting donations for Scottish charities The Unity Centre and Ubuntu Women Shelter. The Unity Centre provides advice and support to asylum seekers and migrants in Scotland. Ubuntu Women Shelter is a Glasgow-based charity that provides emergency accommodation needs for women with no recourse to public funds. There is a payment link to donate when you enter the hub. \nScreenings are captioned for d/Deaf and Hard of Hearing audiences. Content notes per film will be listed on the online platform as appropriate. \nDesire? (30m)\nDir: Garima Kaul\, Country: India\, Year: 2019\nThe everyday realities of some people who identify as asexual\, creating small ruptures in the homogenising culture of hyper and heteronormative sexuality. \nLanguage/s: English\, Hindi\n \nContent note: Depiction of asexual denial and acephobia; discussion of asexual denial\, acephobia\, homophobia\, sexual/emotional abuse\, masturbation\, and caste discrimination.\n \nFixers – Asexuality (3m)\nDir: Fixers\, Country: UK\, Year: 2013\nFixers are young people using their past to fix the future. \nLanguage/s: English \nContent note: Depiction of asexual denial; discussion of asexual denial and suicide.\n \nInfinite While It Lasts (17m) \nDir: Akira Kamiki\, Country: Brazil\, Year: 2019\nAfter falling in love at a party\, Danny and Seiji just want to be together\, but their differences might prove stronger than their feelings. \nLanguage/s: Portuguese\n \nContent note: None
URL:https://www.sqiff.org/event/sqiff-shorts-a-is-for-asexual/
CATEGORIES:Around one hour or less,Asexual,Films,Free event,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/07/Desire-3-e1594207592913.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200625T000000
DTEND;TZID=UTC:20200628T233000
DTSTAMP:20260413T221339
CREATED:20200619T132448Z
LAST-MODIFIED:20200623T160934Z
UID:9787-1593043200-1593387000@www.sqiff.org
SUMMARY:Sqifflix: TRANSFINITE + shorts
DESCRIPTION:TRANSFINITE is a sci-fi omnibus feature film by Neelu Bhuman composed of seven standalone short stories where supernatural trans and queer people from various cultures use their powers to protect\, love\, teach\, fight\, and thrive. Most of us have been in situations where we feel completely powerless and deeply frustrated with the unfairness of it all. Sometimes we have lost control of life and sometimes we find a way to use our rage\, resentment\, and frustrations to grow a beautiful garden. In TRANSFINITE\, the protagonists\, like smooth warriors\, choose to find that inner power and use it to transform undesirable situations into desirable ones in a snap. \nScreening with shorts FETISH and Something In The Closet. In Topher Campbell’s FETISH a multi-dimensional being bestrides the streets of New York in defiance and celebration as he embodies the past\, present and future of Blackness. Featuring a mesmerising original score by Mercury Prize Award Winner’s Young fathers. Something In The Closet directed by Nosa Eke is about a queer teenager struggling with her sexuality\, as desires manifest their way from the depths of her eerie closet into reality. \nWe are pleased to be hosting a live discussion with Black queer UK artists’ responses to the films on Saturday 27 June at 7pm. The discussion will take place on SQIFF’s Facebook page at facebook.com/sqiff. Hosted by writer and programmer Harvey Dimond with filmmaker Nosa Eke and other guests tbc.\n \nIn partnership with LGBT Health & Wellbeing. Supported by Film Hub Scotland\, part of the BFI’s Film Audience Network\, and funded by Screen Scotland and Lottery funding from the BFI. \nTRANSFINITE + shorts will be available online 25 to 28 June. Tickets are priced on a sliding scale £0-£8 on a pay what you can basis. Films are viewable within UK and Ireland only. To book\, please use the button below. We will email a link to the film to ticket holders and this will be available to view at any time between 25 to 28 June. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqifflix-transfinite-shorts-tickets-110259615478′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nAccess \nFilms have English\, Navajo\, Swahili\, Spanish\, Asura (in Japanese)\, and Tagalog audio with English language subtitles or captions. \nFilms are less accessible to blind and partially sighted audiences with lots of visual storytelling and large non-English language sections. \nLoud and abrasive sound effects throughout the films. \nAge recommendation of N/C 15+. \nContent note: Discussion of racism including anti-blackness and violence; depiction of homophobia\, transphobia\, racism including anti-blackness\, mild and/or animated violence\, nudity\, sex\, vomit\, and urine. \nLive discussion with BSL interpretation and live captioning.
URL:https://www.sqiff.org/event/sqifflix-transfinite-shorts/
CATEGORIES:Bisexual,Discussion,Feature,Films,Gay men,Lesbian,People of colour,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/06/TRANSFINITE-e1592570149128.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200622T170000
DTEND;TZID=UTC:20200722T170000
DTSTAMP:20260413T221339
CREATED:20200622T161719Z
LAST-MODIFIED:20200622T161719Z
UID:9793-1592845200-1595437200@www.sqiff.org
SUMMARY:Sqifflix: More Love from Neelu
DESCRIPTION:Click here to access the full programme. \nOur special shorts programme More Love from Neelu showcases films by award-winning artist and filmmaker Neelu Bhuman\, whose feature film TRANSFINITE we are screening online 25 – 28 June. Neelu’s work explores social and political themes as they play out in close relations. Playfully evoking insights into the workings of difference in intimacy\, their films blend viewpoints ranging from race\, gender\, sexuality\, culture\, class\, and romance. \nIn FU377\, the dignity of queer people in India is under attack through Section 377\, which the Supreme Court had recently re-introduced\, re-criminalising ‘gay sex\,’ when the film was made in 2014. Meanwhile\, an adorable Indian mother is totally down with gay sex and wheels out some choice lines for her heartbroken queer daughter in an effort to cheer her up. \nMore Love. Less Prepackaged Bullshit. (2017) is set to the soul beat of Assata Shakur\, and features a trio resisting dystopia with a bowl of joy\, intimacy\, and love. \nNeelu’s 2016 short ṣadāqa is a kaleidoscopic view of friendship transcending borders. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to Neelu Bhuman. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants. Click here to donate to the Wahala Film Fund\, a film completion fund for Queer\, Transgender and Intersex People of Colour filmmakers based in UK\, Europe and the Global South co-founded by Neelu Bhuman.\n \nFU377 (5m) [click here to watch]\nDir: Neelu Bhuman\, Country: UK\, Year: 2014\nBasic dignity of queer people in India is under attack\, yet again. The scorching IPC Section 377 is re-unleashed to police to criminalise “gay sex” in India. While the law and the Supreme Court dated themselves back a few hundred years\, an adorable Indian mother has her knowledge of “gay sex” in mint condition\, wheeling out a tidbit or two for her heartbroken queer daughter in an effort to cheer her up. The pair are shocked into action by the Supreme Court’s latest rejection. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Quite a lot of dialogue with some visual ideas; bright images.\n \nSound design access notes: None\n \nAge recommendation: 15+ \nContent note: Reference to sex.\n \nMore Love. Less Prepackaged Bullshit. (1m) [click here to watch]\nDir: Neelu Bhuman\, Country: USA\, Year: 2017\nSet to the soul beat of Assata Shakur\, a trio resists dystopia with a bowl of joy\, intimacy and love. \nLanguage/s: English \nAccessibility for blind and partially sighted people: No dialogue – only music lyrics and sound effects; quite bright images. \nSound design access notes: None \nAge recommendation: 12+ \nContent note: None\n \nṣadāqa (5m) [click here to watch]\nDir: Neelu Bhuman\, Country: UK\, Year: 2016\nA kaleidoscopic view of friendship transcending borders. \nLanguage/s: English and Arabic\n \nAccessibility for blind and partially sighted people: Small amount of English dialogue and some Arabic but mostly visual ideas; quite bright images. \nSound design access notes: None\n \nAge recommendation: 12+ \nContent note: None
URL:https://www.sqiff.org/event/sqifflix-more-love-from-neelu/
CATEGORIES:Around one hour or less,Bisexual,Films,Free event,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/06/MoreLove.LPBS-1-e1592831934478.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200615T000000
DTEND;TZID=UTC:20200621T233000
DTSTAMP:20260413T221339
CREATED:20200612T104610Z
LAST-MODIFIED:20200612T104755Z
UID:9773-1592179200-1592782200@www.sqiff.org
SUMMARY:Sqifflix: Vision Portraits
DESCRIPTION:Vision Portraits is a vivid and hypnotic exploration by filmmaker Rodney Evans illuminating the compelling stories of four visually impaired artists – photographer John Dugdale\, dancer Kayla Hamilton\, writer Ryan Knighton\, and the filmmaker himself. Evans contrasts their journeys with his own personal and professional one as a filmmaker gradually losing his vision and as a gay man. Evans’ self-reflexive approach emphasises how each artist adapted creatively and thrived as their process evolved with their unique perspectives. An important film for anyone interested in disability aesthetics\, demonstrating how blindness and visual impairment bring about distinct artistic viewpoints. \nWe are pleased to be hosting a live Q&A with director Rodney Evans on Saturday 20 June at 7pm. The Q&A will take place on SQIFF’s Facebook page at facebook.com/sqiff. Hosted by Amelia Cavallo\, theatre practioner\, academic\, and co-founder of Quiplash. \nIn partnership with LGBT Health & Wellbeing. Supported by Film Hub Scotland\, part of the BFI’s Film Audience Network\, and funded by Screen Scotland and Lottery funding from the BFI. \nVision Portraits will be available online 15 to 21 June. Tickets are priced on a sliding scale £0-£8 on a pay what you can basis. To book\, please use the button below. We will email a link to the film to ticket holders and this will be available to view/experience at any time between 15 to 21 June. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/sqifflix-vision-portraits-tickets-109203657078′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nAccess \nFilm has English audio with English language captions. \nAudio description available. We will send the version of Vision Portraits that has audio description built into the soundtrack to all ticket holders. \nFilm is otherwise relatively accessible to blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. \nAge recommendation of N/C 12+. \nContent note: Discussion of ableism. \nLive Q&A with BSL interpretation and live captioning.
URL:https://www.sqiff.org/event/sqifflix-vision-portraits/
CATEGORIES:Audio description,Disability,Documentary,English language,Feature,Films,Gay men,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/vision_portraits-p1di6c8o8n194j9561fav11a18an-0-e1565730003715.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200526T170000
DTEND;TZID=UTC:20200626T170000
DTSTAMP:20260413T221339
CREATED:20200526T210922Z
LAST-MODIFIED:20200526T210922Z
UID:9767-1590512400-1593190800@www.sqiff.org
SUMMARY:Sqifflix: Sexual Content Warning
DESCRIPTION:Click here to access the full programme. \nFor anyone after some slightly xxx-y content to make lockdown more pleasureable\, we bring you Sexual Content Warning. A sweet night cleaner has his work cut out in Canada’s busiest gay bathhouse. Disability activist Andrew Gurza reflects on his first sexual encounter and how the event shaped his identity. Scottish filmmaker John Walter addresses cruising and sexual risk\, in particular around the ‘cottage\,’ a public toilet that is repurposed as a space of sex. Gustavo is a photographer who captures the bodies of naked men in public spaces in Sao Paulo. And writer and poet Aurora Levins Morales\, a.k.a. The Gimp Gourmet\, prepares a very special recipe! \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nThe Night Cleaner (5m) [click here to watch]\nDir: Blair Fukumura\, Country: Canada\, Year: 2016\nAs the night cleaner in Canada’s busiest gay bathhouse\, Travis has his work cut out for him. With good humour he shyly takes us on an amusing and sometimes harrowing tour through his nightly duties. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.\n \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 18+ \nContent note: Discussion of sex\, bodily fluids\, and brief reference to sexual harrassment; depiction of sex and bodily fluids. \n \nBedding Andrew (5m) [click here to watch]\nDir: Blair Fukumura\, Country: USA\, Year: 2014\nOn the eve of his 30th birthday\, Andrew\, a man with Cerebral Palsy\, reflects on his first sexual encounter and how the event shaped his identity as a gay man. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images. \nSound design access notes: Loud and abrasive sound effects. \nAge recommendation: 15+ \nContent note: Discussion of sex and ableism.\n \nCourtship Disorder (5m) [click here to watch]\nDir: John Walter\, Country: UK\, Year: 2015\nCourtship Disorder addresses cruising and sexual risk\, in particular around the ‘cottage\,’ a public toilet that is repurposed as a space of sex. Cruising for sex in real space has not disappeared despite the development of online cruising apps. ‘Courtship Disorder’ refers to a controversial term used by sexologists such as John Money to describe a spectrum of human behaviours\, especially in men\, including exhibitionism\, voyeurism\, toucherism\, rubbing\, and sexual assault. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Film is mostly visual with surreal monologues; bright images. \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 18+ \nContent note: Discussion of sex; depiction of sex and nudity.\n \nLightrapping (22m) [click here to watch]\nDir: Marcio Miranda Perez\, Country: Brazil\, Year: 2016\nGustavo is a photographer who captures the bodies of naked men in public spaces in Sao Paulo. One night\, young Pedro follows him\, curious and undecided about participating in the project. \nLanguage/s: Portuguese\n \nAccessibility for blind and partially sighted people: All in Portuguese with sparse dialogue; very dark images.\n \nAge recommendation: 18+ \nContent note: Discussion of sex; depiction of possible sexual violation.\n \nPussy Vinaigrette (3m) [click here to watch]\nDir: Patty Berne\, Country: USA\, Year: 2011\nThe Gimp Gourmet prepares a very special recipe! Starring\, written by and with fruit carving by Puerto Rican Jewish writer and poet Aurora Levins Morales. Does activist filmmaking have room for this much sexiness…? \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Poetic monologue with some visual ideas. Not very bright images. \nAge recommendation: 15+ \nContent note: Depiction of sexual imagery and suggestiveness.
URL:https://www.sqiff.org/event/sqifflix-sexual-content-warning/
CATEGORIES:Around one hour or less,Disability,Documentary,Films,Free event,Gay men,People of colour,Shorts,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/05/Lightrapping-1-1.2MB-e1590527354873.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200515T170000
DTEND;TZID=UTC:20200615T170000
DTSTAMP:20260413T221339
CREATED:20200515T181717Z
LAST-MODIFIED:20200515T183324Z
UID:9759-1589562000-1592240400@www.sqiff.org
SUMMARY:Sqifflix: Queer Horror Stories
DESCRIPTION:Click here to access the full programme. \nIn Queer Horror Stories we showcase provocative\, bizarre\, sometimes gory\, sometimes scary films that delve into the terror of queerness and oppression. In a dystopian 2064\, a federation of African States initiate an annual cull of men; a young gay man in Russia has a surprise in store for the ultranationalists who attack him; the unbearable weight of family expectations and difficulty of being stuck in unhealthy relationships are explored through formal film experiments; the movies of horror director Kang-Chien Chui are given a queer reading; and two queer feminist crews tackle violent forces in a surreal present. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \n2064 (12m) [click here to watch]\nDir: Joseph Adesunloye\, Country: Botswana\, Year: 2019\nDevastating population growth\, famine\, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting\, ever-warming climate\, and a ballooning population.  A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful\, and the continent’s wildlife begins to flourish again. In 2064\, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull. \nLanguage/s: Tswana\n \nAccessibility for blind and partially sighted people: Only Tswana spoken and mostly visual storytelling; relatively bright images.\n \nSound design access notes: Some abrasive sound effects.\n \nAge recommendation: 15+ \nContent note: Discussion and depiction of death and suicide.\n \nCheat (2m) [click here to watch]\nDir: Ania Urbanowska\, Country: UK\, Year: 2015\nAt what cost to ourselves are we complicit in our families’ expectations for us? This is a film about breaking that unspoken contract; about the moment when cheating them of the person they want us to be stops feeling like a choice. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Small amount of surreal and poetic voiceover; dark images. \nSound design access notes: Loud and abrasive sound effects. \nAge recommendation: 15+ \nContent note: Discussion of suicide.\n \nPYOTR495 (15m) [click here to watch]\nDir: Blake Mawson\, Country: Canada\, Year: 2016\nSet in present-day Moscow\, 16-year-old Pyotr is baited by an ultranationalist group known for their violent abductions and attacks bolstered by Russia’s LGBT propaganda law\, but Pyotr has a dangerous secret his attackers haven’t accounted for. \nLanguage/s: Russian\n \nAccessibility for blind and partially sighted people: All Russian language with some dialogue and some image-based filmmaking; quite dark images. \nSound design access notes: Abrasive horror sound effects.\n \nAge recommendation: 18+ \nContent note: Discussion of sex including BDSM; depiction of homophobia\, xenophobia\, and graphic\, degrading\, and gory violence.\n \nStuck (11m) [click here to watch]\nDir: Ania Urbanowska\, Country: UK\, Year: 2013\nHave you ever been in relationship where you can’t see its problems…? \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No dialogue\, only music and sound effects; quite dark images.\n \nAge recommendation: 15+ \nContent note: Depiction of drug-taking.\n \nYi-Ren (the person of whom I think) (14m) [click here to watch]\nDir: Tzuan Wu\, Country: Taiwan\, Year: 2015\nA love letter in collage style\, consisting of found footage and a queer reading of the work of Kang-Chien Chui\, screenwriter of classic East Asian movies such as The Bells of Death and Twin Blades of Doom. \nLanguage/s: Mandarin\n \nAccessibility for blind and partially sighted people: All in Mandarin\, poetic voiceover; dark images. \nSound design access notes: Abrasive sound effects. \nAge recommendation: 15+ \nContent note: Suggestion of distress and violence.\n \nSwarm of Selenium (23m) [click here to watch]\nDir: Maude Matton & SJ Rahatoka\, Country: Germany\, Year: 2015\nIn the surreal dystopian present\, two queer feminist crews cohabit the shells of an abandoned malt factory. As a troubling pattern begins to emerge from their mouths in the form of shattered glass\, all are shaken\, but some are hit harder than others. Through dance\, visual work\, and anti-work\, they merge forces to try to care for one another and combat the insidious violent process which seems to increasingly come from within. \nSwarm of Selenium is a queer sci fi short film about collective healing\, trauma\, and other world-making. It was shot in Berlin in spring 2016 by a crew of more than 40 women\, nonbinary\, and trans artists. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Sparse and surreal dialogue; relatively dark images.\n \nSound design access notes: Lots of loud and abrasive sound effects and music. \nAge recommendation: 15+ \nContent note: Depiction of violence.
URL:https://www.sqiff.org/event/sqifflix-queer-horror-stories/
CATEGORIES:Films,Free event,Gay men,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/05/swarm_img_1-e1589566525244.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200428T173000
DTEND;TZID=UTC:20200527T173000
DTSTAMP:20260413T221339
CREATED:20200428T170145Z
LAST-MODIFIED:20200428T171448Z
UID:9725-1588095000-1590600600@www.sqiff.org
SUMMARY:Sqifflix: Funny Stuff
DESCRIPTION:Click here to access the full programme. \nFunny Stuff features comedy shorts with queer narratives and musings involving love potions\, a mystery trail of takeaway food\, Fisher Price characters brought to life\, cyborgs\, and zombies! \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nFloozy Suzy (25m) [click here to watch]\nDir: Otavio Chamorro\, Country: Brazil\, Year: 2015\nA hilarious-love-potion-gone-wrong tale where the aim is to win the love of the hottest guy at school. \nLanguage/s: Portuguese \nAccessibility for blind and partially sighted people: All in Portuguese; bright images. \nSound design access notes: Loud music and sound effects. \nAge recommendation: 18+ \nContent note: Depiction of misogyny\, homophobia\, ableism\, and mild violence.\n \nThe Usual (5m) [click here to watch]\nDir: Ruth McNally\, Country: Ireland\, Year: 2014\nIn a small country pub\, three Irish farmers are enjoying an afternoon’s drink when an unusual stranger walks in. His curious behaviour entertains them for a while but they won’t want someone like him hanging around their local for too long. \nLanguage/s: English (Irish dialect)\n \nAccessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images. \nAge recommendation: 12+ \nContent note: Reference to homophobia.\n \nBig Queer Failure (7m) [click here to watch]\nDir: Rebecca Tritschler and Ellie Fawcett\, Country: UK\, Year: 2017\nA DIY film celebrating and asserting our right to fail at life as individuals and communities. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover and bright images. \nAge recommendation: 12+ \nContent note: None \nMy Aunt Mame (9m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2015\nA funny/sad dramatization of a woman’s childhood visits to her working-class butch great aunt\, and what happened when she came out to her mom\, told through Fisher-Price people in homemade sets. \nLanguage/s: English with one line in Irish Gaelic \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images. \nSound design access notes: Some loud music \nAge recommendation: 12+ \nContent note: Discussion of sex\, the AIDS crisis\, and hospitalisation; depiction of hospitalisation.\n \nMymy (14m) [click here to watch]\nDir: Anna Helme\, Country: Australia\, Year: 2014\nIn a mythic cyberfeminist universe\, a frustrated young man yearns for affinity and connection. In an age of digital avatars\, he crafts a version of himself that is far more corporeal – by stitching together parts of himself to become his own cyborg twin. However\, his new clone has been corrupted by a techno-magick virus… \nLanguage/s: English \nAccessibility for blind and partially sighted people: Little spoken dialogue\, mostly image-based storytelling; mix of light and dark images. \nSound design access notes: Some loud and abrasive sound effects \nAge recommendation: 12+ \nContent note: Depiction of sex and nudity.\n \nThe Deaf vs The Dead – Episode 1: “Outbreak” (7m) [click here to watch]\nDir: Dickie Hearts\, Country: USA\, Year: 2017\nWhen the undead apocalypse breaks out in Los Angeles\, an out Deaf man must find a way to survive and protect his loved ones\, even if it means teaming up with some unlikely people. \nLanguage/s: ASL and English \nAccessibility for blind and partially sighted people: Limited spoken dialogue\, lots of visual storytelling; quite bright images. \nAge recommendation: 12+ \nContent note: Depiction of ableism and comedy violence.
URL:https://www.sqiff.org/event/sqifflix-funny-stuff/
CATEGORIES:Deaf,Free event,Gay men,Lesbian,People of colour,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/04/Floozy-Suzy-image-1-e1587937734702.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200427T173000
DTEND;TZID=UTC:20200527T173000
DTSTAMP:20260413T221339
CREATED:20200427T163702Z
LAST-MODIFIED:20200427T163702Z
UID:9729-1588008600-1590600600@www.sqiff.org
SUMMARY:Sqifflix: Fighting for Justice
DESCRIPTION:Click here to access the full programme. \nIn our very first Sqifflix outing we showcase activist short films in which people fight for their right to exist and against oppressive forces. The movies cover identities including Deaf\, Disabled\, and Two Spirit\, battle against patriarchy\, white supremacy\, and ableism\, and feature hip-hop\, a robot\, and superhero finger puppets. \nAll films have English language subtitles or captions. See notes below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nRegalia: Pride in Two Spirits (5m) [click here to watch]\nDir: David Ng\, Jen Sungshine\, Country: Canada\, Year: 2016\nThe story of Duane and his journey as someone who identifies as Two Spirit – a queer Aboriginal person. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover; mostly bright images. \nAge recommendation: 12+ \nContent note: Discussion of homophobia.\n \nLike a Riot (2m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2016\n“Like anyone who grew up with the Muppets and Fraggle Rock\, I have always wanted to have a puppet self. And of course I want my puppet self to hang out with Campbell X’s puppet self. Krissy Mahan has made it happen!” So Mayer \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mostly bright images \nAge recommendation: 12+ \nContent note: None\n \nTrans*march (2m) [click here to watch]\nDir: Simon Schultz von Dratzig\, Country: Germany/Canada\, Year: 2013\, Language/s: English\nAs the most politicized of the three marches during Pride week in San Francisco\, trans*march\, which had been running for ten years at the time this film was made\, has a tradition of raising visibility of a marginalised group within queer culture. This documentary records queer voices during the 2013 march and reflects political discussions concerning trans* and LGBT movements. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue; bright images. \nAge recommendation: 12+ \nContent note: Discussion of transphobia and racism.\n \nAmar: Deaf is an Identity (4m) [click here to watch]\nDir: David Ng\, Jen Sungshine\, Country: Canada\, Year: 2016\nAmar shares his journey as a queer South Asian activist\, and explains how it intersects with his identity and culture as a Deaf person. \nLanguage/s: ASL \nAccessibility for blind and partially sighted people: No spoken sound\, all in ASL with subtitles; mostly bright images. \nAge recommendation: 12+ \nContent note: None\n \nTax on Me (4m) [click here to watch]\nDir: Kiana Kalantar-Hormozi\, Country: UK\, Year: 2017\nLocal authorities in Scotland charge people for their care costs\, obliging people with disabilities to pay more than others to achieve the same basic human rights. Tax on Me is a hip-hop music video by filmmaker Kiana Kalantar-Hormozi and media coop responding to the Care Tax and the effect it has on people who need support. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Quite a lot of voiceover and dialogue; mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of ableism.\n \nUntil Justice Rolls (4m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2013\nFaggotgirl\, a butch dyke superhero action figure\, and her friend Robot want to meet for a drink. But the New York City public transportation system is barely accessible for people with different kinds of bodies and their journey is thwarted by stairs\, gaps\, and poorly maintained curbs. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mix of bright and dark images \nAge recommendation: 12+ \nContent note: Discussion of ableism. \nDisability Justice for Palestine (1m) [click here to watch]\nDir: Sins Invalid and Micah Bazant\, Country: USA\, Year: 2014\nDisability Justice for Palestine is a Public Service Announcement created by Sins Invalid during the extended attacks on Gaza in the Summer of 2014. “We add our words and faces to a movement for global solidarity with the people of Palestine\, articulating the struggle for Palestinian liberation as a disability justice issue.” \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue; mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of violence.
URL:https://www.sqiff.org/event/sqifflix-fighting-for-justice/
CATEGORIES:Around one hour or less,Deaf,Disability,Films,Free event,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/04/Disability-Justice-For-Palestine-e1588003723981.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191022T190000
DTEND;TZID=UTC:20191022T203000
DTSTAMP:20260413T221339
CREATED:20190828T104704Z
LAST-MODIFIED:20200115T184302Z
UID:9294-1571770800-1571776200@www.sqiff.org
SUMMARY:Black History Month: Calalai: In Betweenness + shorts
DESCRIPTION:Calalai: In Betweenness by filmmaker Kiki Febriyanti depicts women in South Sulawesi Bugis culture\, which for centuries has accepted gender diversity as implicit\, believing humans consist of 5 genders\, one of them being calalai. The film takes a closer look at the definition of femininity and masculinity in the Bugis culture. What or who is calalai? What are the dynamics of gender\, spirituality\, and performance? How do these dynamics define the everyday life of the Bugis people? \nScreening with accompanying short films and discussion on queerness in Indonesian cultures outside of white\, colonialist impositions. \nCurated and hosted by artist and researcher Claricia Parinussa. Presented as part of Black History Month in partnership with Coalition for Racial Equality and Rights (CRER). \nFree. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612018/events/129093019′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilm languages tbc with English language subtitles/captions. If you would like to attend this event and require BSL interpretation for the discussion\, please email access@sqiff.org at least 2 weeks in advance. \nAccessibility of films to English-speaking blind and partially sighted audiences tbc. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nProgramme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org.
URL:https://www.sqiff.org/event/black-history-month-calalai-in-betweenness-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Black History Month,Discussion,Documentary,Films,Free event,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/Calalai-In-Betweenness-e1566394995971.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191015T190000
DTEND;TZID=UTC:20191015T210000
DTSTAMP:20260413T221339
CREATED:20190828T104739Z
LAST-MODIFIED:20190906T163402Z
UID:9290-1571166000-1571173200@www.sqiff.org
SUMMARY:Black History Month: Portrait of Jason
DESCRIPTION:Portrait of Jason shows sex worker and entertainer\, Jason Holliday\, recounting his life story for filmmaker Shirley Clarke. \nJason is the sole on-screen presence in the film. He narrates his life story to the camera\, behind which Clarke and her partner at the time\, actor Carl Lee\, provoke and berate Jason with increasing hostility as the film progresses. The film alleges to employ avant-garde and cinéma vérité techniques to reach the tragedy underlying Jason’s performative persona. However\, Portrait of Jason is one of if not the first documentation of black queer experiences and trauma exploited by white ‘gatekeepers’ for the sake of the artist’s cultural and financial capital gains. \nAlthough Portrait of Jason is a landmark film\, there is a need here to discuss the fuzzy problem of ‘visibility’ within the white/capitalist domination of visual culture. Are the lines between exposure and exploitation blurred in Portrait of Jason? \nCurated and hosted by Sequoia Barnes\, an art/design scholar and doctoral candidate at The School of Design with Edinburgh College of Art. Presented as part of Black History Month in partnership with Coalition for Racial Equality and Rights (CRER). \nFree. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612019/events/129093020′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilm has English audio with English language subtitles/captions. If you would like to attend this event and require BSL interpretation for the introduction/discussion\, please email access@sqiff.org at least 2 weeks in advance. \nFilm is moderately accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling but some explanatory dialogue and all English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nProgramme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org.
URL:https://www.sqiff.org/event/black-history-month-portrait-of-jason/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Black History Month,Discussion,Documentary,English language,Feature,Films,Free event,Gay men,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/Portrait-of-Jason-e1566394278404.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T200000
DTEND;TZID=UTC:20191006T210000
DTSTAMP:20260413T221339
CREATED:20190828T104755Z
LAST-MODIFIED:20190901T115701Z
UID:9240-1570392000-1570395600@www.sqiff.org
SUMMARY:SQIFF Shorts: Gross Out
DESCRIPTION:With supposed tolerance and acceptance of LGBT people in western public life comes enforced sanitisation and respectability. Straight society pats itself on the back for allowing (some of) us to get married and feature in shiny corporate advertising but is still repelled by our bodies and sex lives. To counter the continued suppression of fleshly and carnal appetites and practices\, we went on a hunt for the grossest\, most yucky films we could find. Featuring experimental musing on why we find our bodies disgusting and scary; some gay sex-tinged body horror; literal shit in a variety of forms; and a performance involving an empty stomach and a large jar of honey. Please note this programme requires resilience for what some would consider stomach-churning and gruesome imagery. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611604/events/129089634′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English and Spanish audio with English language subtitles/captions. Hearing loop available. \nFilms are not very accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and ideas and dark images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nÄmber (6m)\nDir: Remmi E. Välja\, Country: UK\, Year: 2019\, Language/s: No spoken sound\nÄmber is an experimental film about the basic functions of the human body. The film studies affect; it seeks to raise the question of why we sometimes find our own bodies and their natural existence to be unpleasant\, disgusting\, and scary. The aim of the film is to make the audience uncomfortable in a humorous way. \nContent note: Depiction of bleeding. \nEstigma (14m)\nDir: David Velduque\, Country: Spain\, Year: 2018\, Language/s: Spanish\nIt’s Friday night\, the bell rings and Alex opens the door to the worst of his fears. “Estigma speaks to us about that inner prison we build because of fear of rejection and not being loved for who we are. This is the starting point of a story that I’ve intended to face as a personal matter\, dealing with my complex relationship with illness and rejection.” David Velduque \nContent note: Depiction of injury with body horror elements. \nNext Level Shit (11m)\nDir: Gary Jaffe\, Country: USA\, Year: 2018\, Language/s: English\nTaylor wants to be squeaky clean downstairs before his big third date with dreamboat Chris\, but his efforts backfire\, sending the relationship spiralling to a whole new level of intimacy. \nContent note: None. \nBear (13m)\nDir: Fred Guerrier\, Country: USA\, Year: 2018\, Language/s: English\nA bear-suit wearing dancer ignores the news of his estranged father’s death but begins to see his ghost. Meanwhile\, an ex-lover’s infatuation quickly devolves into something more sinister (and stinky). The line between reality and fiction get blurred during the terrifying showdown between the Bear\, the ghost\, and the lover. \nContent note: Depiction of death. \nForce Feed (15m)\nDir: Alan Vincent\, Country: USA\, Year: 2018\, Language/s: No spoken sound\nPerformance for video. One empty stomach\, one pound of honey. \nContent note: Depiction of overeating.
URL:https://www.sqiff.org/event/sqiff-shorts-gross-out/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Films,Gay men,Hearing loop,People of colour,Performance,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_gross_out-e1565730600612.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T194500
DTEND;TZID=UTC:20191006T210000
DTSTAMP:20260413T221339
CREATED:20190828T104813Z
LAST-MODIFIED:20190927T082328Z
UID:9237-1570391100-1570395600@www.sqiff.org
SUMMARY:We Are Parable presents: Dirty Computer: An Emotion Picture by Janelle Monae
DESCRIPTION:As part of their season “The Art of the Black Visual Album” We Are Parable partner with SQIFF to present a special screening of Janelle Monae’s Dirty Computer visual album or\, as she calls it\, “emotion picture.” Set in a dystopian nightmare\, Jane 57821 (played by Monae) is being subjected to having her memories removed or “cleaned\,” ones that mainly involve her relationship with Zen (Tessa Thompson). As the removal of her thoughts and feelings takes place\, we’re taken on a journey to find out who Jane really is\, with her emotions displayed as songs from Dirty Computer. \nPreceded by our Closing Night speeches and awards. After the screening\, we invite you to a listening party where CC TIME and SQU!SHY will perform a homage to Janelle Monae\, playing Dirty Computer in its entirety alongside other tunes. Includes tasty beers sponsored by Drygate Brewing Co. \nThis screening is part of the BFI Musicals nationwide season. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611607/events/129089636′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilm has English audio with English language subtitles/captions. BSL interpretation for introduction. Hearing loop available. \nFilm is relatively accessible to blind and partially sighted audiences – there is a lot of visual storytelling but a reasonable amount of explanatory dialogue and lots of song lyrics. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/we-are-parable-presents-dirty-computer-an-emotion-picture-by-janelle-monae/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,BSL,English language,Feature,Films,Hearing loop,People of colour
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/dirty_computer-e1565730306253.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T173000
DTEND;TZID=UTC:20191006T190000
DTSTAMP:20260413T221339
CREATED:20190828T104839Z
LAST-MODIFIED:20190930T190925Z
UID:9234-1570383000-1570388400@www.sqiff.org
SUMMARY:Vision Portraits
DESCRIPTION:Vision Portraits is a vivid and hypnotic exploration by filmmaker Rodney Evans illuminating the compelling stories of four visually impaired artists – photographer John Dugdale\, dancer Kayla Hamilton\, writer Ryan Knighton\, and the filmmaker himself. Evans contrasts their journeys with his own personal and professional one as a filmmaker gradually losing his vision and as a gay man. Evans’ self-reflexive approach emphasises how each artist adapted creatively and thrived as their process evolved with their unique perspectives. An important film for anyone interested in disability aesthetics\, demonstrating how blindness and visual impairment bring about distinct artistic viewpoints. \nScreening with Fashion in the Dark I and II (8m) by Emily Ford-Halliday exploring fashion and identity with people who are visually impaired or blind. Presented in association with Royal National Institute of Blind People Scotland. With an introduction by filmmaker and poet\, Ross Wilcock\, and filmmaker and academic\, Emily Ford-Halliday. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611608/events/129089638′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English audio with English language subtitles/captions. BSL interpretation for introduction. Hearing loop available. \nAudio description available. Films are relatively accessible to blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/vision-portraits/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Disability,Documentary,English language,Feature,Films,Gay men,Hearing loop,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/vision_portraits-p1di6c8o8n194j9561fav11a18an-0-e1565730003715.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T123000
DTEND;TZID=UTC:20191006T141000
DTSTAMP:20260413T221339
CREATED:20190802T105308Z
LAST-MODIFIED:20190901T120024Z
UID:9089-1570365000-1570371000@www.sqiff.org
SUMMARY:SQIFF Shorts: You Gotta Have Faith
DESCRIPTION:Short films exploring what it means to have faith as a queer person today. A seemingly pious Hasidic man living a secret double life faces a challenge when his two worlds collide. A chaplain from Cheshire sets up a helpline for gay farmers and is inundated with calls. LGBTQIA+ people in Nepal use a Hindu festival as a medium to appear in public. Plus more compelling stories in this captivating selection. \nJoin us for a discussion after the screening with playwright and author of The Gospel According to Jesus\, Queen of Heaven\, Jo Clifford\, LGBTQIA+ Muslim charity Imaan\, and Rev. Jane Clarke from Glasgow’s LGBT+ Metropolitan Community Churches. Part of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610484/events/129085538′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English\, Hebrew\, and Nepali audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAround half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBlack Hat (15m)\nDir: Sarah Smith\, Country: USA\, Year: 2019\, Language/s: English\, Hebrew\nA seemingly pious Hasidic man living a secret double life misplaces his black hat one night causing his two separate lives to collide in a way he never imagined. \nContent note: Sexual content. \nTwo Blinks (8m)\nDir. Bruno Fraga Braz\, Country: UK\, Year: 2018\, Language/s: English\nAfter her father rejects her request to get a haircut\, hijab-wearing Farhana searches the streets of Peckham London for a hair salon where her modesty can be protected. \nContent note: Depiction of homophobia. \nLandline (12m)\nDir. Matt Houghton\, Country: UK\, Year: 2018\, Language/s: English\nLandline is a short documentary about the only helpline in the UK for gay farmers set up by a chaplain from Cheshire. Through a series of recorded telephone conversations and reconstructive visuals\, the film uses the helpline as a lens through which to view the experiences of LGBTQ people in the British farming community. \nContent note: Discussion of homophobia and suicide. \nEden (5m)\nDir. Jędrzej Gorski\, Country: Poland\, Year: 2018\, Language/s: No dialogue\nA story of a young Catholic man who is struggling with his homosexuality. He is in love with another man but also does not want to abandon his religion. He has to choose between love and religion on one rainy day in the countryside. \nContent note: Sexual content. \n21st Century Nuns (10m)\nDir. Tom Stephen\, Country: UK\, Year: 1994\, Language/s: English\nDocumentary about the Sisters of Perpetual Indulgence. The Sisters are an order of queer nuns. Their work covers many areas including: safer sex education\, protests and demonstrations\, outreach to the gay community\, and providing ritual to the gay population. Their goal is to “expiate all stigmatic guilt and promulgate universal joy…” \nContent note: Sexual content and depiction of homophobia. \nThe Visible (4m)\nDir. Atikah Zainidi\, Country: Brunei\, Year: 2019\, Language/s: English\nA short documentary exploring what it’s like to be a girl in Brunei. \nContent note: Discussion of homophobia\, transphobia\, and sexual violence. \nGai Jatra (20m)\nDir. Gopal Shivakoti\, Country: Nepal\, Year: 2019\, Language/s: Nepali\nTraditionally\, Gai Jatra is literally translated as procession of cows and is an age-old festival commemorating the death of loved ones. Since 2001\, LGBTI people in Nepal have been using Gai Jatra festival as a medium to appear in the public\, flaunt their true selves with pride\, and pay tribute to the deceased members of their community. \nContent note: Discussion of mental health issues\, suicide\, homophobia\, and transphobia.
URL:https://www.sqiff.org/event/sqiff-shorts-you-gotta-have-faith/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Discussion,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director,Working class,You Gotta Have Faith
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-Shorts-You-Gotta-Have-Faith1-e1564740695980.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T220000
DTEND;TZID=UTC:20191006T020000
DTSTAMP:20260413T221339
CREATED:20190828T105425Z
LAST-MODIFIED:20190828T105437Z
UID:9322-1570312800-1570327200@www.sqiff.org
SUMMARY:WERX @ Civic House Glasgow
DESCRIPTION:Introducing WERX\, a collaboration between Vogue Scotland X SQIFF and Glasgow’s own club night by and for the ballroom scene\, allies and pals\, get ready to dress to the 10s! DJs to be announced. \nThis night is open to folx from all backgrounds\, experiences\, sexualities\, and identities and celebrates and prioritises the QTIPOC community. There will be limited tickets available in advance with the remainder on the door. \nVogue Scotland is a community and platform for the underground House Ball scene in Scotland. If you have any questions or want to get involved with any training or meet-ups please reach out on our facebook page @ Vogue Scotland. \n£5. Noone turned away for lack of funds. \n  \nACCESS \nThis event is for ages 18+. \nCivic House has reasonable access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. For more information on venue access\, please contact access@sqiff.org. \nA Quiet Space will be available. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org.
URL:https://www.sqiff.org/event/werx-civic-house-glasgow/
CATEGORIES:Parties,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/imgonline-com-ua-deform6mLBgyU8iEme-21-e1566902361745.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T210000
DTEND;TZID=UTC:20191005T222500
DTSTAMP:20260413T221339
CREATED:20190828T105517Z
LAST-MODIFIED:20190901T120137Z
UID:9214-1570309200-1570314300@www.sqiff.org
SUMMARY:SQIFF Shorts: Some Like it Rough
DESCRIPTION:We delve into the varied practices of BDSM and societal attitudes towards this age-old erotic preference\, which continues to be subject to stigmatisation and censorship. In Lasting Marks\, one of sixteen gay men put on trial for taking part in consensual sadomasochism in late 80s England narrates his experience. Berlin-based conscious BDSM practitioner\, Caritia\, explains her spiritual journey through eroticism and life in Rituals + Worship. In French dramedy\, Dressed for Pleasure\, a young disabled woman seeks a more exhilarating sexual satisfaction. Mockumentary No Democracy Here sees a lefty dominatrix employed by right-wing Israeli men to force them into recanting their politics. The programme concludes with super hot non-binary\, lesbian action with a punk boidyke given the rough-tender treatment in Driven. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611616/events/129089648′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English\, French\, Hebrew\, and German audio with English language subtitles/captions. Hearing loop available. \nFilms are moderately accessible to blind and partially sighted audiences with two of them English language with explanatory dialogue and voiceover but the others non-English language\, a fair amount of visual storytelling throughout\, and a mix of dark and bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLasting Marks (14m)\nDir: Charlie Lyne\, Country: UK\, Year: 2018\, Language/s: English\nThe story of sixteen men put on trial for sadomasochism in the dying days of Thatcher’s Britain was told by the police\, the prosecution\, and the tabloid press — but not by those in the dock. Director Charlie Lyne has created an experimental recreation of what happened offered by the men themselves. \nContent note: Discussion of sex including BDSM\, homophobia\, mental health issues\, and police persecution. \nRituals + Worship (13m)\nDir: Morgana Muses\, Country: Germany\, Year: 2015\, Language/s: English\nA short BDSM documentary that explores the workshop culture in Berlin and focuses on conscious BDSM practitioner\, Caritia. \nContent note: Depiction of BDSM. Discussion of racism. \nDressed for Pleasure (17m)\nDir: Marie de Maricourt\, Country: Switzerland\, Year: 2017\, Language/s: French\nSarah\, a young disabled woman\, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner\, Victoria\, a trans woman\, will upset the family balance. \nContent note: Depiction of nudity\, sex including reference to BDSM\, and transphobia. \nNo Democracy Here (25m)\nDir: Liad Hussein Kantorowicz\, Country: Germany\, Palestine\, Israel\, Year: 2017\, Language/s: Hebrew\nNo Democracy Here deals with the topic of political domination. Liad\, a lefty human rights defender dominatrix\, re-educates her Israeli right-wing-leaning obedient submissive slaves to follow upstanding leftist ethos and morals\, like freedom of movement\, economic justice\, direct democracy and human rights by using domination practices such as humiliation\, doggy-training\, coercion\, and administration of pain. \nContent note: Depiction of light BDSM and racism. \nDriven (13m)\nDir: Toni Karat\, Country: Germany\, Year: 2018\, Language/s: German\, English\nA punk boidyke\, handcuffed\, facing the wall in a sparse\, empty room\, breathes heavily with anxiety and expectation. And anxious she should be\, for the rough treatment she will face in the 13 minutes that follow! The film is a contribution to much-needed lesbian visibility – conveying a proud and unashamed image of dyke eroticism and BDSM – also at the age of 50+! \nContent note: Depiction of BDSM including consensual non-consent.
URL:https://www.sqiff.org/event/sqiff-shorts-some-like-it-rough/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/some_like_it_rough-e1565725913700.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T153000
DTEND;TZID=UTC:20191005T173500
DTSTAMP:20260413T221339
CREATED:20190828T105817Z
LAST-MODIFIED:20190901T120322Z
UID:9305-1570289400-1570296900@www.sqiff.org
SUMMARY:A Dog Barking at the Moon
DESCRIPTION:In director Zi Xiang’s exceptional feature debut – a Teddy Jury award-winner at the Berlin Film Festival – decades of open secrets and resentment create chaos within a Chinese family. When she brings her white western boyfriend for a visit to China\, pregnant Huang Xiaoyu gets caught up in her parent’s ongoing feud. Her father’s gay affairs and her worn-out mother’s seduction by a predatory cult bring matters to a crescendo as the narrative jumps cleverly between past and present. Zi Xiang expertly analyses repression which is woven into society and causes unhappiness to be passed down across generations. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call GFT box office on +44 (0)141 332 6535. \n[bra_button text=’Buy Tickets’ url=’https://glasgowfilm.org/whats-on/all/booking?eventid=42403′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilm has Chinese and English audio with English language subtitles/captions. Hearing loop available. \nFilm is not accessible to English-speaking blind and partially sighted audiences with minimal dialogue mostly in Chinese. Large print versions of handouts available. \nGFT has good access for wheelchair users and welcomes assistance animals. Click here for GFT’s Accessibility Guide. \nProgramme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nIf you would like to reserve specific seating\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/a-dog-barking-at-the-moon/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:Feature,Films,Gay men,Hearing loop,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/A-Dog-Barking-at-the-Moon-23-e1566826903187.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T151500
DTEND;TZID=UTC:20191005T170000
DTSTAMP:20260413T221339
CREATED:20190828T105841Z
LAST-MODIFIED:20190910T144322Z
UID:9202-1570288500-1570294800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:We present a round-up of the excellent\, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson\, Wei Zhang\, Siri Rødnes\, Eleanor Capaldi\, and Natasha Lall\, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet\, a queer reimagining of a working men’s club\, sending naked pics via dating apps\, Chinese mythology and human binaries\, trans masculine culture\, BSL poetry\, LGBT people in the asylum system\, and loads more are explored in our 2019 Queer Scotland programme. \nWe hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611621/events/129089654′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available. \nAudio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nFrontiers (4m)\nDir. Eve McConnachie\, Year: 2019\nFrontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space\, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow. \nContent note: None. \nwe were always here (4m)\nDir. Michael Lee Richardson\, Garry Mac\, Year: 2019\nA queer reimagining of the working men’s club. A dance-powered journey through space and time. \nContent note: None. \nAcceptable Face (6m)\nDir: Holly Summerson\, Year: 2019\n“The sort of person who someone might say: ‘oh he’s gay\, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look\, act\, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people\, this experimental charcoal animation explores the pressure to be a ‘good example’\, and the joy of refusing to conform. \nContent note: Discussion of homophobia and transphobia. \nDix Pix (4m)\nDir. Steven Fraser\, Year: 2019\nDix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity\, queerness\, solitude\, and the body. \nContent note: Depiction of animated nudity and sex. \n2x+xy=1 (12m)\nDir. Wei Zhang\, Year: 2019\nWei Zhang’s practice is an experimental film created by multi post-production technologies\, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary\, the expression of emotion and the symbol of predicament. \nContent note: Depiction of nudity. \nNone of the Above (16m)\nDir. Siri Rødnes\, Year: 2018\nEmbarking upon a distinctly postmodern cyber experiment\, Cassie charts her dating odyssey on her personal vlog\, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral\, she becomes a media pariah. \nContent note: Depiction of homophobia\, mental health issues\, and suicide (graphic). \nRoberta Cowell’s Story (1m)\nDir. Melissa J Clifford\, Year: 2019\nRoberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge  #39 AMBITION. The short was created by Melissa Joan Clifford\, a trans woman\, and was made in the style of an archival film. \nContent note: Reference to transphobia. \nA Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)\nDir. Nastia Nikolskaya\, Year: 2019\nTitled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate\, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes\, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives\, driving our short-term and long-term decisions. \nContent note: None. \nGlue (4m)\nDir. Eleanor Capaldi\, Year: 2019\nWhen you’ve been dreaming of the past for so long\, what do you do when she’s finally there? Agnes meets her ex\, Anna\, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new. \nContent note: None. \nPossessive Skin (2m)\nDir. Myles McEachan\, Year: 2019\n“To accept yourself against the face of adversity\, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community\, and how in an age that prides itself on inclusion\, we still find segregation and discrimination within even the most marginalised of people\, which reflects us inwards. \nContent note: Description of mental health issues and transphobia. \nWhat Is Happiness? (6m)\nDir. Claire Clark\, Year: 2019\nWhat Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form. \nContent note: None. \nThe 16mb\, Future Sounds & A Mini City (15m)\nDir. Natasha Lall\, Year: 2018\nThe 16mb\, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi\, lo-fi films shot in Glasgow. \nContent note: None. \nCrypsis (9m)\nDir. Christopher McGill\, Year: 2019\nAfter fleeing for his life\, a gay refugee files for asylum in Scotland. Lacking evidence\, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process\, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them. \nContent note: Discussion of homophobic violence; depiction of trauma.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-3/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Speech to Text,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/queer_scotland-e1565724436473.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T150000
DTEND;TZID=UTC:20191005T162000
DTSTAMP:20260413T221339
CREATED:20190828T105901Z
LAST-MODIFIED:20190905T160758Z
UID:9199-1570287600-1570292400@www.sqiff.org
SUMMARY:Transfinite
DESCRIPTION:Transfinite is a sci-fi omnibus feature film by Neelu Bhuman composed of seven standalone short stories where supernatural trans and queer people from various cultures use their powers to protect\, love\, teach\, fight\, and thrive. Most of us have been in situations where we feel completely powerless and deeply frustrated with the unfairness of it all. Sometimes we have lost control of life and sometimes we find a way to use our rage\, resentment\, and frustrations to grow a beautiful garden. In Transfinite\, the protagonists\, like smooth warriors\, choose to find that inner power and use it to transform undesirable situations into desirable ones in a snap. \nScreening with Tomgirl (10m)\, in which a young Filipino boy in Australia gets an enchanting crash-course in his homeland culture. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611622/events/129089656′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English\, Navajo\, Swahili\, Spanish\, Asura (in Japanese)\, and Tagalog audio with English language subtitles/captions. Hearing loop available. \nFilms are not very accessible to blind and partially sighted audiences with visual storytelling\, minimal dialogue\, and mostly non-English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/transfinite/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Feature,Films,Hearing loop,People of colour,Polyamory,Trans,UK premiere
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/transfinite-e1565724038109.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T123000
DTEND;TZID=UTC:20191005T143000
DTSTAMP:20260413T221339
CREATED:20190802T105442Z
LAST-MODIFIED:20190901T120435Z
UID:9084-1570278600-1570285800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Islam with Hidayah
DESCRIPTION:A series of shorts made over several decades following queer Muslim characters as they navigate familial relationships\, romantic love\, and their careers. A budding filmmaker collaborates with his conservative Muslim father on a film about an iconic Muslim actor. The love between a disabled Muslim father and his queer son is tested when love is pitted against religion. Two brothers stand by each other in the face of adversity. An Arab American man learns how to love again post-heartbreak. And a rising martial arts star tries to hides her identity from her family and her small American town when under the spotlight. \nJoin us for a discussion after the screening with members of LGBTQIA+ Muslim charity Hidayah. Part of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610486/events/129085540′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English and Arabic audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAround half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nSurviving Sabu (16m)\nDir: Ian Iqbal Rashid\, Country: UK\, Year: 1997\, Language/s: English\nFunded by the Arts Council of England as part of its Moving Image series of films about ethnic identity in Britain\, Ian Iqbal Rashid’s debut short deservedly won him various industry accolades upon its release. Its sympathetic depiction of a strained relationship between a budding gay filmmaker and his conservative Muslim father as they collaborate on a film about Indian star Sabu – best known for his contribution to British cinema in the 1930s and 40s – is steered by exceptional performances from Suresh Oberoi and Navin Chowdry. \nContent note: Depiction of homophobia; discussion of racism and mental health issues. \nAblution (15m)\nDir: Omar Al Dakheel\, Country: USA\, Year: 2017\, Language/s: English\, Arabic\nWaleed washes his disabled father Khaled five times a day for Muslim prayer. But\, when Waleed’s sexuality is revealed\, both father and son are torn between religion\, duty\, and self. \nContent note: Depiction of homophobia and drug use. \nBrothers (9m)\nDir: Mike Mosallam\, Country: USA\, Year: 2018\, Language/s: None\nBrothers follows a Muslim Arab boy who realizes he is different\, and is fortunate to have an older brother who stands by him and encourages him to be himself in the face of bias and adversity. \nContent note: Depicion of homophobi. \nBreaking Fast (18m)\nDir: Mike Mosallam\, Country: USA\, Year: 2015\, Language/s: English\, Arabic\nBreaking Fast is a romantic comedy drama following Mo\, an Arab American man living in West Hollywood learning how to navigate life post-heartbreak. Enter Kal\, a sweet All-American guy who surprises Mo by offering to break fast with him during the month of Ramadan. As they learn more about each other\, they fall in love over what they have in common\, and what they don’t. \nContent note:  Discussion of suicide. \nChoke (16m)\nDir: Rolla Selbak\, Country: USA\, Year: 2018\, Language/s: English\, Arabic\nA rising MMA star hides her refugee status from her small American town and the world. \nContent note: Depiction of racism\, violence\, sexism\, and homophobia.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-islam-with-hidayah/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Disability,Films,Gay men,Hearing loop,People of colour,Shorts,You Gotta Have Faith
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/SQIFF-Shorts-Queer-Islam-with-Hidayah1-e1564743599388.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T230000
DTEND;TZID=UTC:20191005T030000
DTSTAMP:20260413T221339
CREATED:20190828T105959Z
LAST-MODIFIED:20191001T202949Z
UID:9332-1570230000-1570244400@www.sqiff.org
SUMMARY:Party: Sippin' T\, ISHWAQ & Junglehussi
DESCRIPTION:Celebrate SQIFF 2019 at The Art School for the official afterparty! Glasgow-based babes ISHWAQ and Junglehussi who’ll be going b2b will be joined by Sippin’ T aka Tia Simon-Campbell\, DJ and co-founder of club night and curatorial collective BBZ (Bold Brazen Zamis). \nTickets are available in advance as well as on the door. £6 or £8. Choose what to pay based on your circumstances. To book\, please use the button below. No one will be turned away for lack of funds – if you need a free ticket\, please email ray@theartschool.co.uk in advance of the event. \n[bra_button text=’Buy Tickets’ url=’https://www.musicglue.com/the-art-school/events/2019-10-04-sippin-t-bbz-ishwaq-junglehussi-sqiff-2019-afterparty-the-art-school?fbclid=IwAR3n1bMIJXEeS1wMJc5XXvHA2QNlpb1FY7wLhChO2YT_EB6LBO179Lj150c’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n\n  \nACCESS \nThis event is for ages 18+. \nThe Art School has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for The Art School’s Accessibility Guide. \nA Quiet Space will be available. Strobe lights will not be used. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org.
URL:https://www.sqiff.org/event/party-sippin-t-ishwaq/
LOCATION:The Art School\, 20 Scott Street\, Glasgow\, G3 6PE\, United Kingdom
CATEGORIES:Parties,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/WhatsApp-Image-2019-07-04-at-13.56.17-11-e1566903096725.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T210000
DTEND;TZID=UTC:20191004T230000
DTSTAMP:20260413T221339
CREATED:20190828T110044Z
LAST-MODIFIED:20190901T120558Z
UID:9193-1570222800-1570230000@www.sqiff.org
SUMMARY:From Zero to I Love You
DESCRIPTION:This captivating relationship comedy begins when Peter bumps into handsome but married Jack in a gay bar. They begin a passionate affair and Peter woes the fact he always seems to end up with married men\, a scenario bringing its own special set of tensions. Gossip\, heartbreak\, and coincidence play their part and eventually Peter is forced to admit that he needs something to change in order to maintain self-respect. He attempts to face head on the challenges of finding and keeping love in the big city that is Philadelphia. An emotionally engaging drama with a sophisticated and original approach to bisexuality and the turbulence of relationships. \nDirector Doug Spearman will join us after the screening for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611624/events/129089658′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilm has English audio with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available. \nFilm is relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and quite bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/from-zero-to-i-love-you/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,BSL,English language,Feature,Films,Gay men,Hearing loop,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/from_zero_to_i_love_you-e1565722752549.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T183000
DTEND;TZID=UTC:20191004T200000
DTSTAMP:20260413T221339
CREATED:20190802T105729Z
LAST-MODIFIED:20190901T120623Z
UID:9082-1570213800-1570219200@www.sqiff.org
SUMMARY:Moroni for President
DESCRIPTION:The Navajo Nation is the largest Native American reservation in the United States. Every four years\, the Navajo tribe elects its president\, whom is considered to be the most powerful Native American in the country. In the midst of a frenzied electoral campaign\, Moroni for President follows Moroni Benally\, an underdog with radical ideas who is angry about lack of social progress in the reservation he grew up in. As the election unfolds\, the film delves into Moroni’s layered identity as a Mormon and gay Navajo man\, along the way expanding to include LGBTQ+ characters campaigning for other candidates. \nScreening as part of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610487/events/129085541′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilm has mostly English and a small amount of Navajo audio with English language subtitles/captions. Hearing loop available. \nFilm is reasonably accessible to blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/moroni-for-president/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,English language,Feature,Films,Gay men,Hearing loop,People of colour,Woman director,You Gotta Have Faith
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/Moroni-for-President-e1564743367449.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T150000
DTEND;TZID=UTC:20191004T161500
DTSTAMP:20260413T221339
CREATED:20190828T110202Z
LAST-MODIFIED:20190901T120821Z
UID:9184-1570201200-1570205700@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Spaces
DESCRIPTION:How does queer visibility transform physical and symbolic space? What roles do specific spaces have in altering the way that we navigate and represent ourselves in public? Why are alternatives to heteronormative space important for our communities? In this collection of shorts\, we explore what ‘home’ and ‘public space’ means to the LGBTQIA+ communities of Paris; join a young trans man as he navigates gendered space on the Delhi metro; and follow the campaign to save one of London’s most iconic queer spaces\, the Joiner’s Arms. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611627/events/129089661′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English\, French\, and Hindi audio with English subtitles/captions. Hearing loop available. \nFilms are not accessible to English-speaking blind and partially sighted audiences with some explanatory dialogue\, mostly dark images\, and only around half in English. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLes Clefs de Chez Moi (26m)\nDir. Ray Van Huizen and Ella Martin-Gachot\, Country: France\, Year: 2019\, Language/s: French\, English\nFilmed in Paris while Ray Van Huizen and Ella Martin-Gachot were studying abroad\, the documentary explores the relationship that people in the LGBTQIA+ communities of Paris have with the concepts of home and public space. \nContent note: Discussion of mental health issues including suicide\, violence\, transphobia\, biphobia\, and racism. \nTrojan Horse / Rainbow Flag (26m)\nDir: Ian Giles\, Country: UK\, Year: 2019\, Language/s: English\nWorking directly with members of Friends of the Joiners Arms\, Ian Giles’ newly-commissioned film Trojan Horse/Rainbow Flag examines the campaign to save this iconic LGBTQI+ space. The title is inspired by campaigner Amy Roberts\, when describing the cynical approach of property developers seeking to push through proposals to erase queer spaces by disingenuously claiming that their LGBTQI+ status would remain unchanged post-development. \nContent note: Discussion of abusive relationships\, violence\, queerphobia\, misogyny\, and classism. \nPlease Mind the Gap (20m)\nDir. Mitali Trivedi and Gagandeep Singh\, Country: India\, Year: 2018\, Language/s: Hindi\, English\nDelhi meets at the metro. The snaking lines of the tube connect the whole city. Passengers board from different places but for a brief moment in time they are all headed in the same direction. We share one such ride with our co-traveller Anshuman\, a trans man. As the stations pass by we begin to look at the metro space from his perspective. His is the story of reclaiming public space and one’s own self. The doors will open on the quest. Please mind the gap. \nContent note: Discussion of transphobia.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-spaces/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Documentary,Films,Hearing loop,People of colour,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_queer_spaces-e1565721423807.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T120000
DTEND;TZID=UTC:20191004T131500
DTSTAMP:20260413T221339
CREATED:20190828T110248Z
LAST-MODIFIED:20190901T120936Z
UID:9177-1570190400-1570194900@www.sqiff.org
SUMMARY:Kattumaram
DESCRIPTION:Kattumaram depicts the Tsunami-affected lives of middle-aged Singaram and his orphaned niece Anandhi and nephew Mani. Singaram works hard as a fisherman to provide for his family and tries to arrange a groom for his niece\, who rejects all proposed alliances. Anandhi instead falls for Kavita\, a visiting photographer teaching alongside her at the local school. As patriarchal Singaram comes to terms with his niece’s sexuality\, he is ostracised by his community because of her transgression. Dealing with his deflated ego\, he bonds with the village barber and trans woman\, Alankaram. Kattumaram shows the predicament of people in a conservative society which offers warmth so long as its traditions are adhered to but turns cold and violent when they are broken. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611629/events/129089663′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilm has Tamil audio with English language subtitles/captions. Hearing loop available. \nFilm is not accessible to English-speaking blind and partially sighted audiences with visual storytelling\, minimal dialogue\, and all Tamil language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/kattumaram/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Feature,Films,Hearing loop,Lesbian,People of colour,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/kattamuram-1-e1565719871156.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T183000
DTEND;TZID=UTC:20191003T201500
DTSTAMP:20260413T221339
CREATED:20190828T110401Z
LAST-MODIFIED:20190912T114421Z
UID:9287-1570127400-1570133700@www.sqiff.org
SUMMARY:Black History Month: Fabulous + Father Figure
DESCRIPTION:In partnership with Coalition for Racial Equality and Rights (CRER) for Black History Month\, we look at the thriving ballroom culture of contemporary Europe. In Fabulous (2019)\, international legend Lasseindra Ninja returns to her home of Guyana to introduce voguing to its LGBTQ community. Father Figure follows Guilliano\, founding father of The Kiki House of Angels\, and his friends as they share experiences of homophobia and racism in the Netherlands. \nCurated and hosted by artist and researcher Claricia Parinussa\, co-founder and organiser of Vogue Scotland. Followed by an introduction to the history of House Ball culture and discussion with guest from the London Ballroom scene\, Elijah 007\, including on the necessity of prioritising the QTIPOC community in these spaces. \nFree. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612020/events/129093021′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have Dutch\, English\, and French audio with English language subtitles/captions. If you would like to attend this event and require BSL interpretation for the discussion\, please email access@sqiff.org at least 2 weeks in advance. Hearing loop available. \nFilms are not very accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and mostly non-English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/black-history-month-fabulous-father-figure/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Black History Month,Discussion,Films,Free event,Hearing loop,People of colour,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/Black-History-Month-Fabulous-Father-Figure-e1566389555576.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T153000
DTEND;TZID=UTC:20191003T170500
DTSTAMP:20260413T221339
CREATED:20190828T110524Z
LAST-MODIFIED:20190901T121317Z
UID:9161-1570116600-1570122300@www.sqiff.org
SUMMARY:Birds of the Borderlands
DESCRIPTION:Four queer Arab stories are powerfully illuminated through genderqueer Australian filmmaker Jordan Bryon’s compelling piece of guerrilla filmmaking. Jordanian teenager Hiba is transitioning in secret\, fearful of being killed by her Bedouin tribe; gay Iraqi refugee Youssef has fled Baghdad and is living in limbo in Bryon’s safe house in Amman; lesbian feminist Rasha hides her sexuality and her relationship with Bryon from her family while striving for LGBTIQ visibility; and Khalaf\, a gay Imam turned activist\, lives a solitary life in Beirut. There is tension alongside touching\, reflective moments as Bryon becomes more entangled in their struggles\, blurring the lines between lover\, friend\, filmmaker\, and activist. \nScreening with No Man (4m). Kenneth Macharia is under the threat of being deported from the UK back to his home country of Kenya\, where as an openly gay man he faces the risk of persecution\, mob violence\, and even death. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611634/events/129089670′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have a mixture of English and Arabic audio with English captions/subtitles. Hearing loop available. \nFilms are marginally accessible to English-speaking blind and partially sighted audiences with the feature film half in English\, half Arabic and with explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/birds-of-the-borderlands/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Feature,Films,Gay men,Hearing loop,Lesbian,People of colour,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/birds_of_the_borderland-e1565717697226.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T150000
DTEND;TZID=UTC:20191003T161000
DTSTAMP:20260413T221339
CREATED:20190828T110549Z
LAST-MODIFIED:20190901T121345Z
UID:9158-1570114800-1570119000@www.sqiff.org
SUMMARY:SQIFF Shorts: Come Out Fighting
DESCRIPTION:Pushed into corners through marginalisation and oppression\, the characters in these short films come out fighting for their bodily autonomy\, rights\, and liberation. YaliniDream performs a poem of refugee/migrant love for self and the world. Artist Liberty Antonia Sadler uses poetry to celebrate larger bodies in a fatphobic society. In Ponyboi\, an intersex runaway and sex worker finds self-redemption and love. The Wind on your Skin sees a young Namibian woman fighting back after her girlfriend is murdered for being lesbian. Eyes explores moving through the world as a gender non-conforming person choosing between being visible versus being safe. And BLACKN3SS dives into the journey of black queer youth in São Paulo. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611635/events/129089766′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English and Portuguese audio with English captions/subtitles. Hearing loop available. \nMost of the films are relatively accessible to English-speaking blind and partially sighted audiences with poetic voiceover or explanatory dialogue and majority English language and/or quite bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nI Am / YaliniDream (2m)\nDir: YaliniDream\, Krissy Mahan\, Country: USA\, Year: 2019\, Language/s: English\nYaliniDream — Lankan Tamil Blood\, Manchester-Born\, Texas-Bred and Brooklyn-Brewed\, performs a poem of refugee/migrant love for self and the world\, through dance and a hiphop beat. \nContent note: None. \ntenderfluid (3m)\nDir: Liberty Antonia Sadler\, Country: UK\, Year: 2019\, Language/s: English\nCelebrating the hypnotic plasticity of a larger body\, tenderfluid is visible softness as protest; a counterpoint to the rigidity of diet culture\, cis-heteronormativity and toxic dogmas of weight gain & queerness as failure. \nContent note: Discussion of fatphobia. \nPonyboi (19m)\nDir: River Gallo\, Sade Clacken Joseph\, Country: USA\, Year: 2019\, Language/s: English\nPonyboi is an intersex runaway. He works at a laundromat and hustles as a sex worker. But after a mysterious encounter with a man from his dreams\, he learns that perhaps he is worthy of leaving his seedy life in New Jersey behind. Ponyboi is a queer film about discovering self-redemption and love. \nContent note: Non-graphic sex scenes; depiction of violence including suggestion of sexual violence. \nThe Wind on your Skin (18m)\nDir: Naomi Beukes\, Country: Namibia\, Year: 2018\, Language/s: English\nA community is shaken when a young woman is murdered because of whom she loved. This is the 4th short story in the award winning series The Centre-Stories about the lives and loves of African Women in Berlin created by Namibian Filmmaker\, Naomi Beukes. \nContent note: Depiction and discussion of violence and death; discussion of sexual assault. \nEyes (5m)\nDir: Lily Ash Sakula\, Country: UK\, Year: 2019\, Language/s: English\nEyes is about moving through the world as a gender non-conforming person and the tension between our fierce desire to be seen and an equally strong need for safety. Both are crucial to our survival as trans people\, and yet they are often at odds: forcing us to choose. \nContent note: Depiction of mental health issues. \nBLACKN3SS (22m)\nDir: Diego Paulino\, Country: Brazil\, Year: 2018\, Language/s: Portuguese\nBetween melanin and far away planets\, BLACKN3SS proposes a dive into the journey of the black youth of São Paulo city. A documentary on blackness\, queerness\, and spacial aspirations of the diaspora’s children. \nContent note: Discussion and depiction of anti-black racism; brief visual and spoken references to sexual violence. \nMy Spine is a Beautiful Sea Monster (2m)\nDir: Theresa Heath-Ellul\, Country: UK\, Year: 2019\, Language/s: English\nThe idea for this film developed at a 2017 SQIFF filmmaking workshop which encouraged attendees to embrace a part of their bodies or selves they found challenging or difficult\, and to turn it into something beautiful. I have always found my scoliosis very unattractive and never wear clothing which reveals my back. However\, I do love the sea\, glitter and sequins. I therefore decided to create a beautiful\, be-sequinned sea monster out of my spine which would then dance according to my curvature. \nContent note: None.
URL:https://www.sqiff.org/event/sqiff-shorts-come-out-fighting/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Films,Hearing loop,Intersex,Lesbian,People of colour,Shorts,Trans
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