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X-WR-CALDESC:Events for SQIFF
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DTSTART:20190101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20201005T000000
DTEND;TZID=UTC:20201018T233000
DTSTAMP:20201005T132943Z
CREATED:20201004T195547Z
LAST-MODIFIED:20201005T132943Z
UID:10169-1601856000-1603063800@www.sqiff.org
SUMMARY:All The Feels!: Ultimate Queer Fanvid Playlist
DESCRIPTION:Fanvids are short films using music\, edited by fans in an expression of all the feels around their favourite fandoms. Even with today’s films and television bursting with more queer characters than ever\, we still fight for true recognition\, representation\, and stories that go beyond the sometimes disappointing and limiting storylines we are given. Every fanvid is a DIY work of art\, combining music and clever edits to celebrate favourite shows\, rework plots\, commiserate in collective sadness\, and whatever feels there are to be had! \nCurated by Tara Brown\, queer crip Black fat femme and Fringe! Queer film & arts fest and freelance film curator. \nClick here for Tara’s YouTube playlist. \nACCESS \nThis playlist has an age recommendation of N/C 12+. \nThe fanvids have English audio. Some have English language captions or a transcript. Transcript of the other vids coming soon. With apologies for the lack of captions on all videos thanks to YouTube removing the option for community captions. Click here to sign a petition for YouTube to reverse this decision. \nThe playlist is 34 minutes long. \nContent notes: Discussion of homophobia\, biphobia\, and racism; depiction of brief nudity\, sex\, violence\, and blood. \n\n\n\n\nThe videos in All the Feels!: Ultimate Queer Fanvid Playlist include some loud music and fast editing. \n\n\n\n\nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org.
URL:https://www.sqiff.org/event/all-the-feels-ultimate-queer-fanvid-playlist/
CATEGORIES:Around one hour or less,Bisexual,English language,Films,Free event,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/10/queeringthescript_003_dana_piccoli-e1601841332481.jpg
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DTSTART;TZID=UTC:20201005T000000
DTEND;TZID=UTC:20201018T235900
DTSTAMP:20201003T160216Z
CREATED:20200923T212546Z
LAST-MODIFIED:20201003T160216Z
UID:10097-1601856000-1603065540@www.sqiff.org
SUMMARY:Many Black Moons Ago\, To Go...
DESCRIPTION:Time as it is Queer.  \nBlackness as it is Queer. \nWhat comes next after the end of the world?  \nA digital exhibition programme of Afrofuturist films and writings in response to the re/imagining of Black alternative future(s). Curated by Scottish-Zimbabwean artist\, researcher\, and curator Natasha Thembiso Ruwona. Sign up to receive a link to access the exhibition website during the festival dates\, 5th to 18th October.  \nShort films available as part of the exhibition across the 2 weeks include NEGRUM3 (2018) by Diego Paulino\, Reifying Desire 5 (2012) by Jacolby Satterwhite\, and Time Travel Experiments Pt. 2 (2017) by Black Quantum Futurism. Born in Flames (1983)\, depicting a future where a socialist government gains power and a group of women decides to organize and rebel\, will be available to view as part of the exhibition on our Vimeo on Demand channel 12th to 13th October. Please note all films will screen with English language captions. Further access information will be available on the film’s Vimeo on Demand pages. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/many-black-moons-ago-to-go-tickets-122063351771′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \nThere will be artists’ responses to the programme by Sequoia Barnes and Naomi Gessesse. \nSequoia Barnes’ work is predominately centered around making processes\, rituals\, and modes of fashioning. Trained in semiotics\, she deploys research through praxis often in her artistic explorations of black diasporic symbolisms\, storytelling as performance\, and positioning the creative process as a performance/ritual. Her scholarly work currently explores the design techniques and aesthetic semiotics of late fashion designer\, Patrick Kelly. Her most recent artistic works include her artist responses to Senga Nengudi (Fruitmarket Gallery) and Nick Cave (Tramway) with performative works entitled Sew Me A Quilt. Tell You A Story. (2019) and The Burden I Bear Is Heavy (2019)\, respectively. \nNaomi Gessesse is a movie watcher and Aries sun from Glasgow. They have written for several publications and wrote an undergraduate thesis on the politics of space at the lgbtqia+ film festival. Naomi now works for Berwick Film And Media Arts Festival while continuing to write. \nA reading group led by Martha Williams on Sunday 18 October will conclude the series. Click here to book a free ticket to the reading group event\, Call & Reponse. The event will have BSL interpretation\, live captioning\, and live audio description. The films in the exhibition all have English language captions.  \nBorn in Flames is preserved by Anthology Film Archives with restoration funding from the Hollywood Foreign Press Association and The Film Foundation. Distributed by Cinenova.
URL:https://www.sqiff.org/event/many-black-moons-ago-to-go/
CATEGORIES:Exhibition,Films,Free event,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/09/negrum32-e1600896313163.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20201014T180000
DTEND;TZID=UTC:20201014T190000
DTSTAMP:20200909T101224Z
CREATED:20200909T101224Z
LAST-MODIFIED:20200909T101224Z
UID:10003-1602698400-1602702000@www.sqiff.org
SUMMARY:Workshop: Queer Speculative Fiction with Katalina Watt
DESCRIPTION:Katalina Watt is an Edinburgh-based author and publisher with a background in digital publishing\, copywriting\, and bookselling. A champion of representative voices and stories\, she has been published in various anthologies and magazines\, and was longlisted for Penguin Random House UK’s 2020 Write Now programme. She is currently working on her debut Horror-Fantasy short story collection inspired by folklore of the Philippine islands. As part of the festival’s focus on all things speculative and fantastic\, this informal event will feature an introduction to Katalina’s work\, discussions around representation in new writing\, and a chance for writers in the audience to talk through some next steps on what to do with their own work. \nWith thanks to the Scottish BAME Writers Network. \n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/workshop-queer-speculative-fiction-with-katalina-watt-tickets-120170261487′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis workshop has an age recommendation of 15+. \nBSL interpretation and live captioning are provided for the workshop. \nThe workshop is 1 hour long. \nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org.
URL:https://www.sqiff.org/event/workshop-queer-speculative-fiction-with-katalina-watt/
CATEGORIES:Around one hour or less,BSL,People of colour,Workshops
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/09/Katalina-Watt-Photo-Credit-Alan-Trotter-2020-e1599645782785.jpeg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20201014T210000
DTEND;TZID=UTC:20201014T220000
DTSTAMP:20201014T120738Z
CREATED:20200909T102614Z
LAST-MODIFIED:20201014T120738Z
UID:10006-1602709200-1602712800@www.sqiff.org
SUMMARY:Watch Party: Lesbian Shorts by Shu Lea Cheang
DESCRIPTION:Shu Lea Cheang’s work from the early-to-mid 1990s demonstrated an exciting fusion of identity politics and erotic exploration\, making her one of the period’s most prominent queer media artists. \nThis collection presents two of her solo works and two collaborations\, alongside a Q&A with Cheang hosted by scholar and critic B. Ruby Rich. \nPart of our Shu Lea Cheang Retrospective\, Cruising the Future. Cheang is a multi-media artist working in experimental video and net art since the early 1980s. Her work deals with the techno body\, queer erotics and politics\, race relations\, and governmental and institutional power. Click here to access Cheang’s 2000 feature film I.K.U. on our Vimeo on Demand. Click here to access Fluidø  (2017). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. We will send out a Zoom link for the event to ticket holders on the day. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-lesbian-shorts-by-shu-lea-cheang-tickets-120172225361′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nThe films have Japanese and English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A. \nContent notes: discussion of cancer\, death\, and sex; depiction of nudity and sex. \nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org. \n  \nPROGRAMME \nSex Fish (6m)\nDir: Shu Lea Cheang\, Country: USA\, Year: 1993\, Language/s: English\nAn erotic lesbian video involving swimming upstream\, female power\, and fish love. Made as a collaboration under the name E.T. (Ela Troyano) Baby (Jane Castle) Maniac (Cheang). \n“In Sex Fish water provides the common denominator for nature imagery and explicit sex. Unlike 1970s feminist imagery\, however\, nature is sexualized rather than sex naturalized. Dripping from the faucet\, spraying against a shower curtain\, swirling down a toilet\, water leads viewers from one sex scene to another\, private to public and back again. Swimming through the video are various fish\, seemingly unaware of the derogatory pun they enact\, and all gulping enviously as cunnilingus surrounds them.” \n—Chris Straayer\, Deviant Eyes\, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press\, 1996) \nSex Bowl (8m)\nDir: Shu Lea Cheang\, Country: USA\, Year: 1994\, Language/s: English\nAll forms of human sport become sites for sexual play and celebratory eroticism. \n“The tape’s images are quick\, suggestive\, and sexy: fingers moving into bowling balls\, shoe-smelling and toe-sucking\, a dog wearing chain jewelry\, fish being wrapped at the market\, young naked couples having sex…. Edited like a music video\, the image track is a constant flow of fetishes that lure us into the promiscuous pace of girls who keep lists of their sexual encounters.” \n—Chris Straayer\, Deviant Eyes\, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press\, 1996) \nFingers and Kisses (5m)\nDir: Shu Lea Cheang\, Country: Japan\, Year: 1995\, Language/s: Japanese\, English\nCheang has taken her camera to the streets for a candid glimpse of lesbian public sexuality. If Asian women and lesbians share a certain amount of invisibility in the culture\, Fingers and Kisses offers not only a bold representation of both\, but a challenge to the question “What do lesbians do?” Tokyo’s own out-and-loud music by Chu punctuates the narrative as what begins in the streets continues under the sheets. \nComing Home (5m)\nDir: Shu Lea Cheang\, Country: USA\, Year: 1995\, Language/s: Japanese\, English\nThis humorous video begins with two women—one white\, the other Asian—attempting to fit into a Japanese bathtub. The awkward fitting of bodies into a small space is just one of the allegorical scenarios dramatized in a pressing appeal for lesbian rights. In a game of hanafuda (flower cards)\, the terms of lesbian domesticity are cleverly played out according to such legalities as joint property\, social security\, and pensions.
URL:https://www.sqiff.org/event/watch-party-lesbian-shorts-by-shu-lea-cheang/
CATEGORIES:BSL,Films,Lesbian,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/09/shuleacheang_baier-e1599646736308.jpg
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