SQIFF Shorts: Queer Arab Lives
2018-12-07 15:30 - 16:35 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A series of shorts that reveal the social intricacies of queer Arab life. Nazem, a genderqueer Egyptian-Iraqi drag-queen, prepares for a performance informed by childhood memories of her mother. A lesbian woman from Lebanon takes a fairground ride with her friends where their conversation turns to sex, relationships, and desire. And a Syrian trans woman navigates everyday life in 90s Beirut.
Curated by Samar Ziadat in partnership with Dardishi, a zine and Festival of Arab womxn’s art.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in Arabic, English, and French languages with English language subtitles/captions. Hearing loop available.
Films rely on visual material to convey ideas and are majority non-English language, so less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Three Centimetres (9m)
Dir: Lara Zeidan, Year: 2018
In the oldest fun park of Beirut, four young female friends go on a Ferris Wheel ride. During this claustrophobic open-air journey, they touch on intimate subjects, from making best use of three centimetres to Joanna’s recent breakup. However, Suzie’s breakup advice leads to an unexpected confession.
RUN(A)WAY ARAB (12m)
Dir. Amrou Al-Khadi, Year: 2017
Nazeem is a 26 year old Middle Eastern drag queen who names herself QUEEN ZA DREAM – she is preparing for a show with the utmost gravity, with an outfit evocative of an Egyptian deity.  Interwoven with this is the story of Nazeem as a genderqueer 8 year-old boy, and the close bond he has with his Iraqi-Egyptian mother, Halima. Whilst flamboyant and in many ways a drag queen herself on the surface, Halima is governed by the strict expectations of gender in Arab society.
Cinema Fouad (41m)
Dir. Mohamed Soueid, Year: 1994
Khaled, a Syrian transgender migrant dreams of undergoing gender transition surgery. While trying to make a living from various menial jobs, she falls in love with a Palestinian freedom fighter and joins his resistance. Gently, compassionately, Cinema Fouad draws a portrait of Khaled and introduces the viewer to one of Beirut’s rarely seen netherworlds.

Dykes, Camera, Action! + BOOM BUST: Feminist Filmmakers Blowing Up the Canon
2018-12-07 19:00 - 20:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Lesbians didn’t always get to see themselves on screen. But between Stonewall, the feminist movement, and the experimental cinema of the 1970s, they built visibility, and transformed the social imagination about queerness. Filmmakers Barbara Hammer, Su Friedrich, Rose Troche, Cheryl Dunye, Yoruba Richen, Desiree Akhavan, Vicky Du, Jenni Olson, film critic B. Ruby Rich, and others share moving and often hilarious stories from their lives and discuss how they’ve expressed queer identity through film.
With a special presentation from curator Jenny Clarke (Club des Femmes), who brings their feminist film toolkit to SQIFF. With wise words and talking points from feminist filmmakers and critics from around the globe, So will set out why things need to change, and what we – as viewers, critics, programmers, and activists – can learn and do to take down mainstream cinema, while having ‘dykes, camera, action’-inspired fun on the way.
Presented in partnership with Glasgow Feminist Arts Festival.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. So Mayer’s presentation will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of voiceover and commentary, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Wild Search
2018-12-07 21:30 - 22:55 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A documentary film crew follows another documentary film crew as they attempt to understand the mating habits of San Francisco lesbians. A tour-de-force of queer women and genderqueer sex, The Wild Search is the ultimate pomo-homo-porno. An early work from powerhouse Shine Louise Houston and her company, Pink & White Productions, known for its championing of indie porn filmmaking and honest depiction of queer desire.
Screening with short Shiny Jewels (14 mins), in which Shine Louise Houston speaks with Shine Louise Houston and her co-director Shine Louise Houston about a day in the life of an adult filmmaker.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in the English language with English language subtitles/captions. Hearing loop available.
Films rely a lot on visual material to convey ideas, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

LEAP Sports Scotland presents: Light in the Water
2018-12-08 12:00 - 13:45 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
In 1982, soon after the first Gay Games was held in the US, ‘West Hollywood Swim Club,’ as it was known then, registered as the first openly gay masters swim and water polo club. This documentary follows the club’s battle for acceptance, from humble beginnings to its members becoming a renowned force fighting injustice in the world of competitive sports. A fascinating historical record of sport, prejudice, and community love and survival.
Join LEAP Sports Scotland after the film to discuss the role of LGBTI sports clubs with David Barbour (Saltire Thistle FC), Lenna Cumberbatch (Paris Gay Games 2018), Pantelis (Leon) Xydias (Glasgow Alphas RFC), and Ian McBain (Glasgow FrontRunners).
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Film is in the English language with English language subtitles/captions.
Film contains some visual ideas but has a lot of dialogue, so is relatively suitable for blind and partially sighted audiences. Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

East Asia Focus: Until Rainbow Dawn
2018-12-08 12:30 - 13:35 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
After meeting at their Deaf school in Central Japan, Hana and Ayumi become close friends, and quickly fall in love. But when Hana comes out to her parents, they throw her out of the house. Ayumi takes Hana along to a queer Deaf meetup in Tokyo, where they meet and befriend a supportive group of trans, gay and lesbian Deaf people who tell them their own personal stories. Made by a majority Deaf cast and crew, Until Rainbow Dawn is a remarkable, authentic story of queer Deaf Japanese culture.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in Japanese and Japanese sign languages with simultaneous Japanese and English subtitles/captions. Hearing loop available.
Film relies a lot on visual material to convey ideas and uses almost all Japanese sign language, so is less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Wild Nights with Emily
2018-12-08 15:00 - 16:30 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
Writer/director Madeleine Olnek (The Foxy Merkins, Codependent Lesbian Space Alien Seeks Same) challenges the idea of 19th Century poet Emily Dickinson as a prudish recluse in this surreal comedy. Featuring Molly Shannon as the supposedly reserved literary icon engaging in lesbian romping and sticking it to the patriarchy of the male-dominated literary establishment. A unique take on the period drama, Wild Nights with Emily also features voiceovers and onscreen text showcasing Dickinson’s poetry and passion.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Film is in the English language with English language subtitles/captions.
Film contains lots of visual ideas and minimal, often surreal dialogue, so is less suitable for blind and partially sighted audiences. Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Queer Scotland
2018-12-08 15:30 - 17:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Our 2018 Scottish shorts programme contains another exciting range of work by and about LGBTQ+ people and communities within our (un)fair land. Among the imagery and themes included are the search for community and intimacy, trans embodiment, anti-queer conditioning, erotic fantasies in rural landscapes, lost love, spinsterhood, tarot cards, crayfish, and witches! Featuring a spectrum of narrative and experimental styles encompassing melodrama, film-poetry, animation, collective filmmaking, documentary, and diaristic footage.
We hope to be joined by a number of the filmmakers for a Q&A.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in English, Scottish Gaelic, and British sign languages with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available.
A mixture of film styles with around half relying on visual material to convey ideas and half conveying ideas via dialogue or voiceover. The large majority of films are English language. So, the screening is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

My Loneliness is Killing Me (16m)
Dir: Tim Courtney, Year: 2018
A young genderqueer individual searches for community and intimacy, uncovering an unexpected sexual and emotional connection within the darker edges of the nocturnal metropolis.
These Are My Hands (8m)
Dir. Evi Tsiligaridou, Year: 2018
These Are My Hands is a short documentary film-poem written and performed by radical British playwright, Jo Clifford. It is a deeply moving, personal account of transgender embodiment in a lifetime, speaking of wounds, challenges, victories, and the journey towards self-empowerment. The poet’s voice is embraced by a lyrical, mesmerising soundtrack and together with the graceful and intimate visuals composes a profoundly tender piece.
Enid & Valerie (2m)
Dir. Matthew Kennedy, Year: 2018
Enid & Valerie is a short film about a lone spinster named Valerie. Here we venture in to her dreams, where she meets Enid (a witch). Could this be the start of an unlikely friendship?
Long Lost Lover (5m)
Dir. Sandra Alland & Ania Urbanowska, Year: 2017
Bisexual deaf poet, Bea Webster, performs a poem in British Sign Language about her return to Thailand. Poem in English and BSL by Bea Webster; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press, 2017), edited by Sandra Alland, Khairani Barokka and Daniel Sluman.
HEARTS (8m)
Dir. Nas Saraei, Year: 2018
Sarah, a lost and stuck in a rut 20-something, ponders and reflects on love in Edinburgh, after losing the ‘one’ she thought was the ‘one’.
Pouring On House (10m)
Dir. Conor Baird, Year: 2018
Pouring On House engages with the gradual event of leaving a longtime family home. This strange grief is caught between the familiarity and fascination of interiors and the surrounding suburban sites. Throughout, a body surveys potential presences of contamination whilst coming to realise a disorientating hopelessness felt from ongoing anti-queer conditioning.
Submerged Village (21m)
Dir. Andrew Black, Year: 2017
Expanding on elements of Pamela Colman Smith’s drawing for The Moon tarot card – two dogs, a freshwater crayfish, a pool of water, a mountainous landscape – Submerged Village takes discrete moments at rural locations in Yorkshire and the West coast of Scotland and claims them as queer experiences.

Pink Excavation
2018-12-08 18:30 - 19:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Pink Excavation is Natasha Lall’s first feature length film. With Lall as the narrator and cameos from local queers Mina Baird and Junie Latte, this DIY film explores the preservation of queer histories in Glasgow, 2518. Pink Excavation sees Lall excavate 90s-00s technological relics that are outdated in the 2500s and become frustrated at their lack of understanding on how to access information from these ancient technologies. Upon interactions with an archaeologist and a ghost Lall discusses whether or not the poor archiving of LGBT culture has a positive impact on the queer community. The film is a lo-fi, sci-fi contemplation on the pros and cons of queer visibility.
Screening with short Reality Fragment (14 mins) by Qigemu, which examines how multiple lived worlds, each their own mix of memories, sensations, and thoughts, coexist with de facto presentations of distance, history, and totality.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in the English language with English language subtitles/captions. Hearing loop available.
Films rely to a large extent on visual material to convey ideas, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Nitrate Kisses
2018-12-08 21:00 - 22:30 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
Pioneer of lesbian cinema Barbara Hammer weaves striking images of four gay and lesbian couples with footage of an unearthed, forbidden, and invisible history, searching eroded emulsions and images for lost vestiges of queer culture. Questions of historic representation are examined through addressing the margins, between-the-line readings, and images outside of prescribed textual boundaries. Archival footage from Lot In Sodom (1933), often regarded as the first queer film made in the United States, as well as footage from German narrative and documentary films of the thirties, are interwoven with contemporary footage in this multi-faceted, haunting documentary.
Screening with Generations (15 mins), a film about mentoring and passing on the tradition of personal experimental filmmaking.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Films are in the English language with English language subtitles/captions.
Films contains a lot of visual ideas with minimal dialogue, so are less suitable for blind and partially sighted audiences. Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Gay as in Hysterically Funny
2018-12-09 15:00 - 17:00
What does it mean to make fun of yourself and your community as an LGBTQ+ person? This programme examines queerness and onscreen comedy, including short films by Raymond Yeung, Jordan Firstman, and Alli Logout, and episodes from Ingrid Jungermann’s classic webseries, F to 7th. Featuring self-loathing and loathable gay men, butch lesbians in denial, and queer femmes in their own carefree universe.
Followed by a panel discussion on queerness and comedy featuring comedian Rosie Jones and more guests tbc.
Screening as part of QFN’s Gay as in Hysterically Funny tour for BFI Comedy Genius.
Comedy Genius is a celebration of comedy on screen, led by BFI, the Independent Cinema Office and BFI Film Audience network, supported by funds from the National Lottery. QFN is a strategic Film Hub Wales project and receives support from the BFI Film Audience Network.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Films are in the English language with English language subtitles/captions. BSL interpretation for panel discussion.
Films contains some visual ideas but have a lot of dialogue, so are relatively suitable for blind and partially sighted audiences. Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Yellow Fever (27m)
Dir: Raymond Yeung, Year: 1998
A fun and astute look at the self-imposed prejudices of a gay Chinese-British man. Anglophile Monty is looking for his perfect man, but only white British men need apply. That is until the attractive Jai Ming moves in next door and the two men seem to connect. Can Monty overcome his prejudices? Writer-director Raymond Yeung’s debut short is a light-hearted comedy of manners.
F to 7th: Season 1, Episode 2 “Tweener” (5m)
Dir. Ingrid Jungermann, Year: 2013
An internally homophobic gay struggles to find herself in a world where sexuality and gender have left her old-fashioned lesbianism behind. In “Tweener,” Ingrid tries to deny her butchness when barred from a lesbian bachelorette party, whilst cheering on her softball team, the Wet Lips, alongside her misogynistic dyke friend.
Call Your Father (20m)
Dir. Jordan Firstman, Year: 2016
On Josh and Greg’s first date, they quickly realize that the generational divide between them is the least of their worries. The infuriatingly mixed messages from a cute but potentially sociopathic millennial force an older man to choose between hopping into bed with him and bailing, in this darkly comical satire on entitled twenty-somethings.
F to 7th: Season 1, Episode 3 “Interchangeable” (12m)
Dir. Ingrid Jungermann, Year: 2013
Geeky and sensible Ingrid meets a woman online, who invites herself over for a hot night of passion, but what happens when both of them want to ‘be the man’?
Lucid Noon, Sunset Blush (32m)
Dir. Alli Logout, Year: 2015
17-year-old bb gay Micha has just moved into The Palace – a basement full of queer femme Dominatrix, lovers and misfits. They are beautiful, carefree and as young as the night. An alternative, comedy narrative of queer sex workers of colour.

Shakedown
2018-12-09 15:30 - 17:15 | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
Owned by women, underground and illegal in nature, the club Shakedown was an independent, all black lesbian strip club operating in LA from the late 90s. Director Leilah Weinraub’s film chronicles the explicit performances and personal relationships of the party’s dancers and organisers, including Ronnie-Ron, Shakedown Productions’ creator and emcee; Mahogany, the legendary “mother” of the community; Egypt, their star performer; and Jazmine, the “Queen” of Shakedown.
Presented in partnership with Scottish Documentary Institute.
All ticket holders can join us at Saramago at CCA after the screening for free drinks supported by Sheffield Doc/Fest.
www.sheffdocfest.com
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call GFT box office on +44 (0)141 332 6535.

ACCESS
Film is in the English language with English language subtitles/captions. Hearing loop available (GFT’s Cinema 3 and box office).
Film is very visual-based, so less suitable for blind and partially sighted audiences. Large print versions of handouts available.
Glasgow Film Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Rafiki
2018-12-09 16:30 - 18:00
“Good Kenyan girls become good Kenyan wives,” but Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety. Rafiki made international news after being banned by the Kenya Film Classification Board for its homosexual theme and promotion of lesbianism. Director Wanuri Kahiu subsequently sued the Kenyan government. The ban was lifted and the film was screened to sell-out crowds in Nairobi.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Film is in a Swahili and English languages with English language subtitles and captions.
Large print versions of handouts available.
The Space has good access for wheelchair users. Please email access@sqiff.org for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF 2018 Closing Night: White Rabbit
2018-12-09 19:00 - 20:40 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
Recently single, Korean-born LA artist Sophia Lee – played by performance artist Vivian Bang (who also co-wrote the screenplay with director Daryl Wein) – devotes herself to her public performance art, whether it’s a provocative Korean perspective in the park on the LA Riots or quirky digital art on social media. To pay the bills, she does odd jobs for TaskRabbit. When a stranger makes Sophia late for a TaskRabbit gig, she loses her temper with her, only to run into her repeatedly and discover a strong connection. Sophia develops feelings for her, but it’s unclear if her love is reciprocated.
Preceded by closing night speeches. Sponsored by Merchant City Brewing Co.
Screening as part of QFN’s Gay as in Hysterically Funny tour for BFI Comedy Genius.
Comedy Genius is a celebration of comedy on screen, led by BFI, the Independent Cinema Office and BFI Film Audience network, supported by funds from the National Lottery. QFN is a strategic Film Hub Wales project and receives support from the BFI Film Audience Network.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Film is in the English language with English language subtitles/captions. BSL interpretation for closing night speeches.
Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please cancel your order or let us know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Tender Anguish
2018-12-09 20:15 - 21:25 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Harika Özer is an impoverished trans sex worker whose family sought refuge from Siirt to Manisa in Turkey in the 80s. Raf, a young queer man in the UK, struggles to find his place amongst the crowd in a dive gay bar. Icarus arrives in a new city in Brazil and begins an affair with a man that soon goes agonisingly wrong. Real historical figure Mary MacLane cuts a forlorn queer figure in her lonely Montana hometown at the turn of the 20th Century. And Fetish is a Black man in the streets reclaiming his body through magic, fire, and defiance. Each character experiences pain and vulnerability and must negotiate how to cope in these stories of tenderness and anguish.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films are in English, Portuguese, and Turkish languages with English language subtitles/captions. Hearing loop available.
Films rely a lot on visual material to convey ideas and/or are non-English language, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Wonderful Affair (5m)
Dir: Tahir Ün, Year: 2016
Harika Özer is a child whose Kurdish family sought refuge from Siirt to Manisa at the end of 1980s. In his own words, he is a transsexual feeling female spirit in his own body since early childhood. He has lived in Izmir since 2000 and makes a living through prostitution. This work is a documentary project realised by Harika (literally translated as ‘wonderful’), posing for the camera with all his self-confidence and courage. It gives the audience a non-judgemental stance against homophobia.
Four Quartets (10m)
Dir. Marco Alessi, Year: 2018
Over the course of a night out in a gay dive bar, Raf struggles to find his place amongst the crowd. Four Quartets is a short film about queer community, and how the anxieties and conditioning we face sometimes stop us from letting ourselves belong.
Adeus Estrada de Tijolos Amarelos (19m)
Dir. Hiran Matheus, Year: 2018
Icarus arrives in another city to try life as a telemarketer, but when he goes out at night he is caught by a boy. Screenplay based on a Elton John song and filmed with a cell phone.
Between my flesh and the world’s fingers (31m)
Dir. Talena Sanders, Year: 2018
Mary MacLane, the Wild Woman of Butte, Montana, published her diaries in 1902 and 1917. As an out queer and proto-feminist at the turn of the century, MacLane became notorious upon the publication of her 1902 diary, I Await the Devil’s Coming. She was whisked away from the industrial hellscape of her copper mining Montana hometown to a life in the public eye as an author, journalist, female film pioneer and always a provocateur – sending up social norms throughout her career, with a special focus on staid notions about women and sexuality.
Between my flesh and the world’s fingers is an experimental essay and diary film primarily based on her published diaries and her film work.
FETISH (16m)
Dir. Topher Campbell, Year: 2018
The character of Fetish is a representation of so many things. He is at once a clear form – a body – and formless, like the bodies of Basquiat. As a Black man in the streets, he is both positioned by othering and places himself in a world of looking, power, strength, harassment, fashion, sexual objectification, invisibility, visibility, admiration, CCTV, selfies, vulnerability, humour, performance, protest, danger, violence and humour. If you have ever been stopped by police for being Black, embarrassment, futility and vulnerability are at the apex of the experience. Or, as is the case with Tamir, Philando, Freddy, Sandra and so on, being dead and treated like shit is what happens. Fetish in this film experiences and represents this painful embarrassment and vulnerability. It’s hard to watch and painful to experience.
By the end of the film through magic, through fire, through defiance, through being a multi-dimensional being in touch with the elements, Fetish reclaims his body and stands like a colossus in The City.

SQIFF Shorts on Tour
2019-02-09 13:00 - 2019-03-06 23:00
We present on tour an inclusive selection of LGBTQ+ short films from our 2018 Festival Opening Night. Headlining the programme is VISIBLE, created by Campbell X and Kayza Rose, who explore QTIPOC (queer, trans, and intersex people of colour) histories, challenging mainstream perceptions and sanitisation of legacies, and celebrating complexity, multiplicity, myths, gossip, and legends. Also featuring a lesbian sports star coming out, being gay in the Maldives, queer working class vulnerability, and more.
Screenings are taking place across Scotland for LGBT History Month. We are pleased director of VISIBLE, Campbell X, will join us for Q&As in Dundee, Hawick, Ayr, Edinburgh, and Stirling.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network.
To book, see list of screenings and booking links below.
CCA, Glasgow in partnership with STUC LGBT+ Committee, Saturday 9th February, 1pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

Dundee Contemporary Arts, Wednesday 13th February, 6.15pm. Tickets £5-7.50. To book, please use the button below or call DCA box office on +44 (0)1382 432 444.

The Byre Theatre, St. Andrews part of Queerfest with Saints LGBT+, Friday 15th February, 6pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below.

Cornucopia, Hawick in partnership with Scottish Borders LGBT Equality, Saturday 23rd February, 4pm. Free, unticketed – just come along.

Ayr Town Hall in partnership with Ayr Film Society and Ayrshire LGBTQ, Sunday 24th February, 6.30pm. Free, unticketed – just come along.

50 George Square, University of Edinburgh with MSc Film, Exhibition and Curation, Tuesday 26th February, 7pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below.

Macrobert, Stirling in partnership with Stirling University LGBTQ+ Society, Friday 1st March, 7.30pm. Tickets £6. To book, please use the button below or call Macrobert box office on +44 (0)1786 466 666.

Eden Court, Inverness, Monday 4th March, 6.15pm. Tickets £3.50-5.50. To book, please use the button below or call Eden Court box office on +44 (0)1463 234 234.

Belmont Filmhouse, Aberdeen in partnership with Grampian Pride, Wednesday 6th March, 7.30pm. Tickets £5. To book, please use the button below or call Belmont Filmhouse box office on +44 (0)1224 343 500.

Round One (4m)
Dir: Ella Sowinska, Year: 2017
Round One creates a portrait of Nicola Stevens, who played in the first professional Australian Football League women’s game in 2017.
There You Are (15m)
Dir. Lisa Donato, Year: 2018
A trans woman must dress like a boy to say goodbye to her dying grandmother.
Blooming Night (9m)
Dir. Bell Zhong, Year: 2017
Mesmerised by a pair of red heels, a lonely street guy in Shanghai follows their owner into a club, where he discovers a forbidden community that he has never experienced before.
Medulla Oblongata (8m)
Dir. Roberto Nascimento, Year: 2017
“Life can be horrible. But it also can be beautiful. Really f***ing beautiful.” Abraham Naim aka drag queen Medulla Oblongata relates their story of escaping persecution for being gay in the Maldives and finding acceptance and community.
Crashing Waves (4m)
Dir. Emma Gilbertson, Year: 2018
Two young working-class men explore the intimacy and vulnerability of relationships in a combative dance against the backdrop of an inner city estate, risking all under the scrutiny of a tight-knit community.
Top 10 Places to Visit in São Paulo (14m)
Dir. Akira Kamiki, Year: 2018
On a dreamy Sunday, two photographers walk around São Paulo trying to connect with the city, and slowly fall in love with each other.
VISIBLE (20m)
Dir. Campbell X, Year: 2018
VISIBLE digs in and shreds misconceptions that LGBTQ+ people of colour have no history – and no story to tell. Weaving together the tales of inspirational ancestors, contemporary artists, political activists, and community leaders – VISIBLE challenges mainstream perception and the sanitisation of LGBTQ+ legacies by celebrating complexity, multiplicity, and the myths, gossips, legends, and truths of QTIPOC histories.

Portraits of Artists as Young Men (& Women & Other)
2019-06-01 19:00 - 21:00 | The Art School, 20 Scott Street, Glasgow, G3 6PE, United Kingdom
SQIFF curates a screening as part of Glasgow School of Art’s Degree Show programme, Dress Rehearsal. Portraits of Artists as Young Men (& Women & Other) takes a look at the earlier, formative days of queer artists who have gone on to make significant bodies of work. Featuring documentation and experimental meanderings by and/or about photographer Ajamu X, circus performer Jennifer Miller, and filmmakers Thomas Allen Harris and Barbara Hammer, amongst others. Common themes emerge of hitting back against oppression and searching for identity through the creative process.
This event is free and unticketed. Just come along on the night.
Click here for GSA’s full Dress Rehearsal Degree Show programme.
ACCESS
Films are in the English language with English language captions.
Films are experimental so some are quite visual-based but there is a relatively good amount of explanatory dialogue for blind and partially sighted audiences. Large print versions of handouts available.
The Art School has good access for wheelchair users. Click here for more details on venue access.

SQIFF at Jupiter Rising
2019-08-23 - 2019-08-26 | Jupiter Artland, Bonnington House Steadings, Near Wilkieston, Edinburgh, EH27 8BY, United Kingdom
We are really pleased to be taking part in Jupiter Rising music festival with 2 programmes of short films during the 3-day festival. Jupiter Rising takes place at Jupiter Artland near Edinburgh 23 to 25 August with a line-up including music, performance, film and moving image, artist-led workshops, wild swimming, and more!
To find out more about Jupiter Rising and how to book tickets, click here.
For information about Jupiter Artland, how to get there, and access information, click here.

ACCESS
Jupiter Rising is an outdoor festival, two stages are undercover in large marquees, one stage is located in the woods.
Each stage will include a reserved viewing area for wheelchair users and their carers. Other areas include a bar, cinema, workshops and activities tent, all of which are wheelchair accessible and undercover.
The ground at Jupiter Artland is grass, paths, natural woodland and meadow, which can sometimes be uneven underfoot or for wheelchair users.
Accessible camping is located in a meadow, a short distance away from the main stages. An accessible toilet is provided.
A quiet space will be provided throughout the event and will be highlighted on the site map.
There will be gender-neutral toilets and two accessible toilets located in various locations, highlighted on the site map.
Assistance dogs are welcome provided they are on a lead (Jupiter Artland has livestock on site).
Please get in touch to let us know if you require a large print version of the printed programme, which will be available to pick up from the Box Office.
Ear plugs will be available from the Box Office.
Strobe lighting may feature in some performances and film screenings.
SQIFF film screenings are in a variety of languages with English language captions for D/deaf and Hard of Hearing audiences. Many of the films are based largely on visual ideas with little spoken language.
Jupiter Rising is committed to improving accessibility. If there is anything we can do to make it easier for you to attend, or if you have any questions, thoughts or feedback about access for this event, please email enquiries@jupiterartland.org or call 01506 889900.

Freak Orlando at Weird Weekend
2019-08-31 18:45 - 21:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
In the form of a “small theater of the world”, a history of the world from its beginnings to our day, including the errors, the incompetence, the thirst for power, the fear, the madness, the cruelty and the commonplace, in a story of five episodes by Ulrike Ottinger.
A rare chance to see Ottinger’s wonderful, bizarre reworking of Virginia Woolf’s Orlando and Tod Browning’s Freaks, starring Delphine Seyrig, Eddie Constantine, and Jackie Raynal. According to Shock Cinema Magazine, “A lost movie that lives up to its hype… A fever dream reimagining of Greek mythology, The Spanish Inquisition, and our modern life.”
Presented with Matchbox Cineclub for Weird Weekend, a whole weekend of strange and unseen cinema from around the world. WEIRD WEEKEND brings orphans, outcasts and outliers from across time and space, with a host of special guests, Q&As and events, to the Centre for Contemporary Arts, Glasgow.
A ticket for this event is included in the Weird Weekend Weekend Pass (£40) and Saturday Pass (£20). Individual tickets are priced on a sliding scale, £0-£8, depending on what you can afford. To book, please use the button below.

ACCESS
Film in German with English language captions.
CCA has good access for wheelchair users. Click here for more details on venue access.

SQIFF Shorts: Intimacies
2019-10-02 12:30 - 13:50 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Touch, connection, sensuality, bonding. Sharing of solidarity, friendship, grief, and (com)passion. This selection of short films from the UK, US, Brazil, and the Amazon trace intimacies between friends, family, communities, and lovers. The revolutionary potential of femme for femme relationships. Upholding trans and immigrant identities and memory across generations. Busting childhood isolation and fear of being queer. Leaving your life behind due to youthful yearning. A slow-paced and tactile assortment of stories embracing many different faces and places.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English, Persian, French, Spanish, and Portuguese audio and ASL with English captions/subtitles. Hearing loop available.
Most of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling, minimal dialogue, and majority non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

#Familiar #Touch #Lost #Figures (13m)
Dir: Katy Jalili, Country: UK, Year: 2017, Language/s: English, Persian
#Familiar #Touch #Lost #Figures is an exploration of queer ancestry and diaspora, the hybrids between cultural traditions and contemporary queer identity. It explores brown bodies and femme for femme intimacies, and the feeling of being between a search for home and finding home in a familiar stranger.
Content note: Depiction of nudity.
Silvia in the waves (13m)
Dir: Gio Olmos, Country: Canada, Year: 2018, Language/s: French
Noa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure, identity and memory.
Content note: Depiction of queerphobia.
Welcome to the Ball (5m)
Dir: Adam Vincent Wright, Country: USA, Year: 2019, Language/s: English, ASL
A child learns sign language in hopes of making a new friend.
Content note: None.
My Grandson, Charlotte (13m)
Dir: Tyler Pierreson, Country: UK, Year: 2019, Language/s: English
A transgender teen and his immigrant granddad, a Sapeur from the Congo, bond over their shared understanding of the importance of identity and of always being true to one’s self.
Content note: Depiction of death.
Carlito se va Para Siempre (13m)
Dir: Quentin Lazzarotto, Country: UK, Year: 2018, Language/s: Spanish
In the Amazonian jungle, the village of Palma Real resists the modern world. Carlito, a silent young man, decides to leave. On the muddy bed of the immense river, an encounter reveals the secret that Carlito has hidden from his community.
Content note: None.
Infinite While It Lasts (19m)
Dir: Akira Kamiki, Country: Brazil, Year: 2019, Language/s: Portuguese
After falling in love at a party, Danny and Seiji just want to be together. However, their differences might prove stronger than their feelings. A fiction film about asexuality.
Content note: Reference to sex.

Autism-friendly Opening Night Shorts
2019-10-02 18:30 - 19:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We are putting on an autism-friendly screening of our Opening Night Shorts programme. Autism-friendly screenings are designed to make the cinema more inclusive and accessible for people with sensory sensitivities, and others who can benefit from this environment. We will not book the cinema more than half full. Lights will be left on low and sound turned down. People are welcome to make noise and move around. We will have a Quiet Space in the Intermedia Gallery on the top floor of CCA available for anyone to take some time out.
The programme features a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
All films have English audio with English language subtitles/captions. Hearing loop available.
Films are largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Bodies Like Oceans (13m)
Dir. Kat Cory, Country: USA, Year: 2019, Language/s: English
A dreamy portrait of photographer Shoog McDaniel, a self-described queer fat freak, whose work with fat bodies in nature transgresses reality.
Content note: Discussion of racism, misogyny, and fatphobia.
Adam and the Alphas (12m)
Dir. Stuart Thomas Graham, Country: UK, Year: 2019, Language/s: English
Made by students on the 2019 Documentary Production course at Stirling University.
Content note: Discussion of homophobia.
I AM! We Are Here! (7m)
Dir: Seyi Adebanjo, Country: USA, Year: 2018, Language/s: English
I AM! We Are Here! multimedia project documents the vitality and spirit of Queer, Trans* and Gender Non Conforming People of Color in the Bronx.
Content note: None.
Unspoken (17m)
Dir: Patrick G. Lee, Country: USA, Year: 2019, Language/s: English
Unspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents, and this film is their way of doing so.
Content note: Discussion of homophobia and transphobia.
We Are Here (12m)
Dir. Ellie Hodgetts, Country: UK, Year: 2019, Language/s: English
This documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go.
Content note: Discussion and depiction of homophobia and transphobia, including scenes of violence.
Button OUT! (4m)
Dir: Kathleen Mullen, Country: Canada, Year: 2018, Language/s: English
Button OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto.
Content note: Reference to sex, homophobia, transphobia, and racism.

SQIFF 2019 Opening Night Shorts
2019-10-02 19:00 - 21:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Sold Out – we can’t guarantee but there’s a good chance of returns if you come on the night 15 minutes before the event
We launch the Festival with a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. Adam and the Alphas depicts the camaraderie of gay rugby team, the Glasgow Alphas. Bodies Like Oceans follows self-described queer fat freak and photographer, Shoog McDaniel. I AM! We are Here! presents portraits of Queer, Trans* and Gender Non Conforming People of Colour in the Bronx, whilst Unspoken sees queer and trans Asian Americans writing emotional letters to their families. We Are Here follows members of the Manchester House of the Sisters of Perpetual Indulgence, and Button OUT! is an animated homage to Canadian filmmaker Kathleen Mullen’s history of protest through the Canadian Lesbian and Gay Archives’ massive button collection.
We hope to welcome several of the filmmakers for a Q&A. Followed by a drinks reception at CCA sponsored by Drygate Brewing Co.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
All films have English audio with English language subtitles/captions. The introduction and Q&A will be BSL interpreted. Hearing loop available.
Audio description available. Films are otherwise largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Bodies Like Oceans (13m)
Dir. Kat Cory, Country: USA, Year: 2019, Language/s: English
A dreamy portrait of photographer Shoog McDaniel, a self-described queer fat freak, whose work with fat bodies in nature transgresses reality.
Content note: Discussion of racism, misogyny, and fatphobia.
Adam and the Alphas (12m)
Dir. Stuart Thomas Graham, Country: UK, Year: 2019, Language/s: English
Made by students on the 2019 Documentary Production course at Stirling University.
Content note: Discussion of homophobia.
I AM! We Are Here! (7m)
Dir: Seyi Adebanjo, Country: USA, Year: 2018, Language/s: English
I AM! We Are Here! multimedia project documents the vitality and spirit of Queer, Trans* and Gender Non Conforming People of Color in the Bronx.
Content note: None.
Unspoken (17m)
Dir: Patrick G. Lee, Country: USA, Year: 2019, Language/s: English
Unspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents, and this film is their way of doing so.
Content note: Discussion of homophobia and transphobia.
We Are Here (12m)
Dir. Ellie Hodgetts, Country: UK, Year: 2019, Language/s: English
This documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go.
Content note: Discussion and depiction of homophobia and transphobia, including scenes of violence.
Button OUT! (4m)
Dir: Kathleen Mullen, Country: Canada, Year: 2018, Language/s: English
Button OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto.
Content note: Reference to sex, homophobia, transphobia, and racism.

SQIFF Shorts: Luv Sucks
2019-10-03 12:00 - 13:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Romantic relationships can be tough. SQIFF offers up an alternative to punching walls and texting your ex when pished with these shorts from the heart – as in stomping all over it and dumping it in the trash. A bisexual trio have a bust up in a toilet. A boy in a bath pines over his unavailable roommate. A woman has a near-but-not-quite romantic encounter with a fellow deafie. The vast power of the cosmos can’t prevent a bickering lesbian couple from breaking up. A sex worker has his hopes dashed by the man he loves. And in 2033 Botswana, a man loses his lover to dystopian despair.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have a mixture of Arabic, English, Spanish, Portuguese, and Tswana audio and BSL with English subtitles/captions. Hearing loop available.
Most of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling, minimal dialogue, and majority non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

To Starboard, I Vomit (6m)
Dir: Tarek Sardi, Country: Tunisia, Year: 2019, Language/s: Arabic
Zarga, Dorra, and Mohammed find themselves after years of separation together, reunited in a club’s toilet. Between betrayal and unspoken truths, the old classmates reveal their deepest secrets and taboos.
Content note: Depiction of homophobia, misogyny, and violence; discussion of sex.
Your Towel (3m)
Dir: Zhizi Hao, Country: UK, Year: 2017, Language/s: English
A young gay man and his roommate’s intimate moment in the bathtub.
Content note: Discussion of sex.
Almost… (5m)
Dir: Teresa Garratty, Country: UK, Year: 2019, Language/s: BSL, English
A chance encounter between two girls sparks an unspoken connection. Everything seems so effortless, so perfect… Almost. Written and directed by award winning filmmaker, Teresa Garratty, produced by Flashing Lights Media, and funded by BSLBT.
Content note: None.
Solarity (8m)
Dir: Marianne Verrone, Country: USA, Year: 2019, Language/s: English
An exploration of perception, proximity, and intimacy within a queer cosmos.
Content note: None.
Last Words [sic] (6m)
Dir: Hugo Ljungbäck, Country: USA, Sweden, Year: 2017, Language/s: No spoken language
Last Words [sic] revisits an angry email the artist received from an ex-boyfriend. The text is taken verbatim from his goodbye-letter, and tells a humorously painful story of lost love, betrayal, and desire, as the writer grows increasingly delusional, defensive, and passive-aggressive with each paragraph.
Content note: Discussion of sex.
Free Fall (14m)
Dir: Santiago Henao Vélez, Country: Colombia, Year: 2018, Language/s: Spanish
Out of the hunting shadows of sexual underground Medellin, sixteen-year-old Jhony is excitedly hopeful about a date with the boy he loves.
Content note: Depiction of sex and drug-taking.
Tea for Two (20m)
Dir: Julia Katharine, Country: Brazil, Year: 2018, Language/s: Portuguese
Silvia is a middle-aged filmmaker having a life crisis. The same night that she is surprised by the visit of her ex-wife, who left her a few years ago, she meets another woman who fascinates her. Tea For Two is thought to be the first film directed by a trans person to ever be commercially released in Brazilian cinemas.
Content note: Depiction of transphobia.
2064 (12m)
Dir: Joseph Adesunloye, Country: Botswana, Year: 2019, Language/s: Tswana
Devastating population growth, famine, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting, ever-warming climate, and a ballooning population. A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful, and the continent’s wildlife begins to flourish again. In 2064, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull.
Content note: Discussion and depiction of death and suicide.

SQIFF Shorts: Come Out Fighting
2019-10-03 15:00 - 16:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Pushed into corners through marginalisation and oppression, the characters in these short films come out fighting for their bodily autonomy, rights, and liberation. YaliniDream performs a poem of refugee/migrant love for self and the world. Artist Liberty Antonia Sadler uses poetry to celebrate larger bodies in a fatphobic society. In Ponyboi, an intersex runaway and sex worker finds self-redemption and love. The Wind on your Skin sees a young Namibian woman fighting back after her girlfriend is murdered for being lesbian. Eyes explores moving through the world as a gender non-conforming person choosing between being visible versus being safe. And BLACKN3SS dives into the journey of black queer youth in São Paulo.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English and Portuguese audio with English captions/subtitles. Hearing loop available.
Most of the films are relatively accessible to English-speaking blind and partially sighted audiences with poetic voiceover or explanatory dialogue and majority English language and/or quite bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

I Am / YaliniDream (2m)
Dir: YaliniDream, Krissy Mahan, Country: USA, Year: 2019, Language/s: English
YaliniDream — Lankan Tamil Blood, Manchester-Born, Texas-Bred and Brooklyn-Brewed, performs a poem of refugee/migrant love for self and the world, through dance and a hiphop beat.
Content note: None.
tenderfluid (3m)
Dir: Liberty Antonia Sadler, Country: UK, Year: 2019, Language/s: English
Celebrating the hypnotic plasticity of a larger body, tenderfluid is visible softness as protest; a counterpoint to the rigidity of diet culture, cis-heteronormativity and toxic dogmas of weight gain & queerness as failure.
Content note: Discussion of fatphobia.
Ponyboi (19m)
Dir: River Gallo, Sade Clacken Joseph, Country: USA, Year: 2019, Language/s: English
Ponyboi is an intersex runaway. He works at a laundromat and hustles as a sex worker. But after a mysterious encounter with a man from his dreams, he learns that perhaps he is worthy of leaving his seedy life in New Jersey behind. Ponyboi is a queer film about discovering self-redemption and love.
Content note: Non-graphic sex scenes; depiction of violence including suggestion of sexual violence.
The Wind on your Skin (18m)
Dir: Naomi Beukes, Country: Namibia, Year: 2018, Language/s: English
A community is shaken when a young woman is murdered because of whom she loved. This is the 4th short story in the award winning series The Centre-Stories about the lives and loves of African Women in Berlin created by Namibian Filmmaker, Naomi Beukes.
Content note: Depiction and discussion of violence and death; discussion of sexual assault.
Eyes (5m)
Dir: Lily Ash Sakula, Country: UK, Year: 2019, Language/s: English
Eyes is about moving through the world as a gender non-conforming person and the tension between our fierce desire to be seen and an equally strong need for safety. Both are crucial to our survival as trans people, and yet they are often at odds: forcing us to choose.
Content note: Depiction of mental health issues.
BLACKN3SS (22m)
Dir: Diego Paulino, Country: Brazil, Year: 2018, Language/s: Portuguese
Between melanin and far away planets, BLACKN3SS proposes a dive into the journey of the black youth of São Paulo city. A documentary on blackness, queerness, and spacial aspirations of the diaspora’s children.
Content note: Discussion and depiction of anti-black racism; brief visual and spoken references to sexual violence.
My Spine is a Beautiful Sea Monster (2m)
Dir: Theresa Heath-Ellul, Country: UK, Year: 2019, Language/s: English
The idea for this film developed at a 2017 SQIFF filmmaking workshop which encouraged attendees to embrace a part of their bodies or selves they found challenging or difficult, and to turn it into something beautiful. I have always found my scoliosis very unattractive and never wear clothing which reveals my back. However, I do love the sea, glitter and sequins. I therefore decided to create a beautiful, be-sequinned sea monster out of my spine which would then dance according to my curvature.
Content note: None.

Birds of the Borderlands
2019-10-03 15:30 - 17:05 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Four queer Arab stories are powerfully illuminated through genderqueer Australian filmmaker Jordan Bryon’s compelling piece of guerrilla filmmaking. Jordanian teenager Hiba is transitioning in secret, fearful of being killed by her Bedouin tribe; gay Iraqi refugee Youssef has fled Baghdad and is living in limbo in Bryon’s safe house in Amman; lesbian feminist Rasha hides her sexuality and her relationship with Bryon from her family while striving for LGBTIQ visibility; and Khalaf, a gay Imam turned activist, lives a solitary life in Beirut. There is tension alongside touching, reflective moments as Bryon becomes more entangled in their struggles, blurring the lines between lover, friend, filmmaker, and activist.
Screening with No Man (4m). Kenneth Macharia is under the threat of being deported from the UK back to his home country of Kenya, where as an openly gay man he faces the risk of persecution, mob violence, and even death.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have a mixture of English and Arabic audio with English captions/subtitles. Hearing loop available.
Films are marginally accessible to English-speaking blind and partially sighted audiences with the feature film half in English, half Arabic and with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

But I’m a Cheerleader
2019-10-03 21:00 - 22:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
As part of our strand on queerness and religion, You Gotta Have Faith, we bring you classic queer rom-com But I’m a Cheerleader on the 20th anniversary of its release. Natasha Lyonne – of Orange is the New Black and Russian Doll fame – stars as Megan Bloomsfield, a high school cheerleader whose strait-laced friends and family suspect is a lesbian. To ‘cure’ her of her lesbianism, Megan is sent to a Christian conversion therapy camp, where she defies the rules, meets a series of kooky queer characters, embraces her sexual orientation, and falls in love. Other notable cast members include Clea DuVall, Michelle Williams, and RuPaul.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age rating of 15.
Film has English audio with English language subtitles/captions. Hearing loop available.
Film is moderately accessible to blind and partially sighted audiences with some explanatory dialogue (all in English), some visual ideas, and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Kattumaram
2019-10-04 12:00 - 13:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Kattumaram depicts the Tsunami-affected lives of middle-aged Singaram and his orphaned niece Anandhi and nephew Mani. Singaram works hard as a fisherman to provide for his family and tries to arrange a groom for his niece, who rejects all proposed alliances. Anandhi instead falls for Kavita, a visiting photographer teaching alongside her at the local school. As patriarchal Singaram comes to terms with his niece’s sexuality, he is ostracised by his community because of her transgression. Dealing with his deflated ego, he bonds with the village barber and trans woman, Alankaram. Kattumaram shows the predicament of people in a conservative society which offers warmth so long as its traditions are adhered to but turns cold and violent when they are broken.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Film has Tamil audio with English language subtitles/captions. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with visual storytelling, minimal dialogue, and all Tamil language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

See Me Proud presents: Mental Health Shorts
2019-10-04 12:30 - 14:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We know that mental health issues disproportionately affect LGBTQIA+ individuals and communities, who often experience difficulties in accessing support. To create space for discussion and representation of these topics, we’ve curated a collection of insightful and powerful shorts in partnership with See Me Proud. Topics covered include depression, anxiety, loneliness, irrational thoughts, living with bipolar disorder, medication, and queerphobia encountered whilst obtaining treatment. The films incorporate a diversity of identities and styles, including animation, experimental, documentary, and sci-fi.
Followed by a discussion on themes raised in the films with See Me Proud. With refreshments sponsored by Clever Kombucha.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have English and Chinese audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available.
Films are moderately accessible to English-speaking blind and partially sighted audiences with mostly English language, some explanatory dialogue and voiceover, and/or relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Don’t Blame Jack (29m)
Dir. Dale John Allen, Country: UK, Year: 2019, Language/s: English
Don’t Blame Jack follows newly diagnosed manic-depressive, Jack, as he battles with the thought of life without his beloved ‘mania’. Now on a daily cocktail of anti-psychotics and anti-depressants, Jack searches for the adrenaline-fuelled, extraordinary manic highs in the most ordinary of places. He escapes his drab, routine-filled existence by jumping into the arms of strangers, searching for moments of magic.
Content note: Depiction of sex including light BDSM, nudity, self-harming scars, and blood; discussion of mental health issues including self-harming and violence; brief reference to suicide.
Hanging by a Thread (3m)
Dir: Russell Atkinson, Country: UK, Year: 2019, Language/s: English
Hanging by a Thread is director Russell Atkinson’s final BA Animation film, highlighting the struggle of loneliness and irrational thought.
Content note: Depiction of mental health issues; animated, abstract depiction of violence.
My Crazy Boxers (9m)
Dir. Krissy Mahan, Country: USA, Year: 2019, Language/s: English
Suicidal, or a working class butch caught in the wrong underpants? A re-enactment of an actual interview at a mental health facility.
Content note: Discussion of mental health issues including brief reference to suicide; depiction of queerphobia.
My Room 37 (14m)
Dir. Beatrice Wong, Country: Hong Kong, Year: 2018, Language/s: Chinese, English
Will I stay or will I leave this room that has felt the best? A brief first-hand account of my darker days in depression, journeying through my tangled thoughts to the exit.
Content note: Depiction of mental health issues, mild violence, and nudity.
Turning (2m)
Dir. Linnéa Haviland, Country: UK, Year: 2019, Language/s: English
Voices in a crowd stir violent emotions and microaggressions bring up past traumas. Then a turning shifts the emotional landscape…
Content note: Depiction of mental health issues.

Luke+Jack present: Sexxxy Beasts and Wheelchairs
2019-10-04 21:15 - 22:45 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
How we are (un)represented as Deaf and Disabled people has a huge impact on our lives. Exploring such representation, we take a look at queer porn made by and about Deaf and Disabled queer people. With work by DIY queer filmmaker and activist, Loree Erickson, and self-described “bad ass, fat ass, Jew, dyke amputee,” Nomy Lamm. Also featuring films by Morty Diamond, Nikki Silver, and Pandora Blake with Deaf and Disabled performers taking control of their own narratives. Join us for everyday ableism crossed with seductive images of disability; pervy, polyamorous BDSM; sexy nurse roleplay; even sexxxier wheelchairs; and fat-bodied, amputee eroticism.
Filmmaker Loree Erickson will join us after the screening for a Q&A.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
Films have English audio with English language subtitles/captions. BSL interpretation for Q&A. Hearing loop available.
Films are moderatly accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and limited dialogue but all English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Trans Entities: The Nasty Love of Papí and Wil (20m)
Dir: Morty Diamond, Country: USA, Year: 2007, Language/s: English
Papi and Will is a film about a hot, pervy, loving, polyamorous transgender couple. On screen Papi and Will share with the viewer everything from their unique perspective on gender identity to how they negotiate multiple partners in their life. The sex scenes are filled with raw, uninhibited exploration and incorporate BDSM, roleplay, and a lot of hot sex! This scene shows Papi and Will playing with a partner who is Deaf.
Content note: Depiction of graphic sex and consensual non-consent; discussion of racism.
Want (9m)
Dir: Loree Erickson, Country: Canada, Year: 2006, Language/s: English
Want weaves together sexually explicit images with everyday moments and scenes of the ableist world. It works to get people hot and poses an insightful, complex, honest, and sexy image of disability.
Content note: Depiction of sex and ableism.
Sexxxy (3m)
Dir: Loree Erickson, Country: Canada, Year: 2006, Language/s: English
Sexxxy compels the viewer to take a closer look at wheelchairs and the people who use them.
Content note: None.
Waiting for Beast (10m)
Dir: Nikki Silver, Country: USA, Year: 2014, Language/s: English
“Waiting for Beast is at once a whimsical nod at the camp of queer porn and a political, intimate commentary on life. As a wheelchair punk my DIY, my freedom, is mutual aid. We work with what we got! During the making of this film, I was waiting for a new power chair, waiting for folks to meet me as they can, and in turn, people wait for me as I romp around and am pushed in my manual chair. This is wheelchair smut, and we have various ways of getting our chairs and our sexy selves where we need to go.” Lyric Seal
Content note: Depiction of sex including light BDSM.
Sadistic Nurse (11m)
Dir: Pandora Blake, Country: UK, Year: 2015, Language/s: English
This hot and very edgy spanking scenario was written by the performers, real-life couple David Weston and Talia Lane. They wanted to explore a humiliating punishment that incorporates David’s wheelchair, creating a scene in which his character is completely helpless.
Content note: Depiction of sex including BDSM and consensual non-consent.
Wall of Fire (6m)
Dir: Lisa Ganser, Nomy Lamm, Country: USA, Year: unknown, Language/s: English
Roles switch, paddles hit & control shifts when two fat bodied gender queer women, lovers off camera, push limits of pleasure, penetration & trust, engaged in an afternoon of tender making out and consensual amputee sex.
Content note: Depiction of sex including BDSM.

A Girl’s Band
2019-10-05 12:00 - 13:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
From 80s punk to modern day synth pop, rocking Argentinian queer women artists are chronicled in A Girl’s Band by bassist turned filmmaker, Marilina Giménez. Her band YiLet broke up long ago but Giménez still has access to dozens of musicians who are ready to speak their truths about partying on the road, sexual harassment, and the recognised truth that any men in ‘girl bands’ ruin the whole vibe. Veteran bands like The She-Devils get the mosh pits going, while newcomers Chocolate Remix and Miss Bolivia reinvent reggaeton and pop. These women also double as badass activists fighting for safe and legal abortions whilst being determined to make an indelible mark on the stomping girl-led music scene in Argentina.
In association with Girls Rock Glasgow with an introduction by Sarah Glass from band The Fnords.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Film has Spanish, Italian, and English audio with English language subtitles/captions. The introduction will be BSL interpreted. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with explanatory dialogue, but mostly Spanish language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Queer Scotland
2019-10-05 15:15 - 17:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We present a round-up of the excellent, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson, Wei Zhang, Siri Rødnes, Eleanor Capaldi, and Natasha Lall, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet, a queer reimagining of a working men’s club, sending naked pics via dating apps, Chinese mythology and human binaries, trans masculine culture, BSL poetry, LGBT people in the asylum system, and loads more are explored in our 2019 Queer Scotland programme.
We hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available.
Audio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Frontiers (4m)
Dir. Eve McConnachie, Year: 2019
Frontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow.
Content note: None.
we were always here (4m)
Dir. Michael Lee Richardson, Garry Mac, Year: 2019
A queer reimagining of the working men’s club. A dance-powered journey through space and time.
Content note: None.
Acceptable Face (6m)
Dir: Holly Summerson, Year: 2019
“The sort of person who someone might say: ‘oh he’s gay, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look, act, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people, this experimental charcoal animation explores the pressure to be a ‘good example’, and the joy of refusing to conform.
Content note: Discussion of homophobia and transphobia.
Dix Pix (4m)
Dir. Steven Fraser, Year: 2019
Dix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity, queerness, solitude, and the body.
Content note: Depiction of animated nudity and sex.
2x+xy=1 (12m)
Dir. Wei Zhang, Year: 2019
Wei Zhang’s practice is an experimental film created by multi post-production technologies, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary, the expression of emotion and the symbol of predicament.
Content note: Depiction of nudity.
None of the Above (16m)
Dir. Siri Rødnes, Year: 2018
Embarking upon a distinctly postmodern cyber experiment, Cassie charts her dating odyssey on her personal vlog, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral, she becomes a media pariah.
Content note: Depiction of homophobia, mental health issues, and suicide (graphic).
Roberta Cowell’s Story (1m)
Dir. Melissa J Clifford, Year: 2019
Roberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge #39 AMBITION. The short was created by Melissa Joan Clifford, a trans woman, and was made in the style of an archival film.
Content note: Reference to transphobia.
A Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)
Dir. Nastia Nikolskaya, Year: 2019
Titled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives, driving our short-term and long-term decisions.
Content note: None.
Glue (4m)
Dir. Eleanor Capaldi, Year: 2019
When you’ve been dreaming of the past for so long, what do you do when she’s finally there? Agnes meets her ex, Anna, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new.
Content note: None.
Possessive Skin (2m)
Dir. Myles McEachan, Year: 2019
“To accept yourself against the face of adversity, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community, and how in an age that prides itself on inclusion, we still find segregation and discrimination within even the most marginalised of people, which reflects us inwards.
Content note: Description of mental health issues and transphobia.
What Is Happiness? (6m)
Dir. Claire Clark, Year: 2019
What Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form.
Content note: None.
The 16mb, Future Sounds & A Mini City (15m)
Dir. Natasha Lall, Year: 2018
The 16mb, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi, lo-fi films shot in Glasgow.
Content note: None.
Crypsis (9m)
Dir. Christopher McGill, Year: 2019
After fleeing for his life, a gay refugee files for asylum in Scotland. Lacking evidence, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them.
Content note: Discussion of homophobic violence; depiction of trauma.
