East Asian Focus: Extravaganza + shorts
2018-12-06 18:30 - 19:45 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A behind-the-scenes look at the vibrant, fierce and ever-so-slightly chaotic world of one of the most dynamic drag scenes in China. Filmed in July 2017, Extravaganza covers the build-up behind a night of twelve drag performances, with running shade provided by organiser Miss Jade. Screening with a selection of new Chinese short films chosen by Extravaganza’s co-director, Matthew Baren, who is also one of the founders of CINEMQ.
With an introduction by SQIFF’s Marc David Jacobs, curator of our East Asian Focus.
CINEMQ is an unrefined queer underground collective based in Shanghai. We organise events and curate content from around the world, with a focus on China and East Asia. Walls are our screens. Rooftops and basements are our cinemas. Queer is our purpose. Click here to visit CINEMQ’s website or contact them by emailing cinemq.sh@gmail.com for more information.

ACCESS
Films in the English and Mandarin Chinese languages with English language subtitles/captions. Introduction BSL interpreted. Hearing loop available.
Films rely on visual material to convey ideas and some films are non-English language, so less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Lotus Lantern (7m)
Dir: Xingpei Shen, Year: 2017
An animated tribute to the late singer Zhou Xuan, a missing link between the filmmaker’s queer identity and Chinese heritage.
Unfinished (7m)
Dir. Siufung Law, Year: 2016
Siufung attempts to formulate transgender subjectivity by retelling his own gender struggle through poetry and experimental video.
The Decision of Riley (4m)
Dir. Yue Xia Year: 2017
Riley was born with a female body, but has always been confused about her gender identity. One day, she discovers a simple way to witch up her biology.
Goodbye Mr B, Hello Ms B! (15m)
Dir. Beatrice Wong, Year: 2015
Beatrice records her experiences of gender confirmation surgery, and meditates on what it means to be a woman in this honest and very entertaining autobiographical documentary.
Extravaganza (45m)
Dir. Matthew Baren & Will Dai, Year: 2018
Feel the shade, live the fantasy. A new documentary about the Shanghai drag scene.

Scotch Porn
2018-12-06 20:30 - 21:45 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
After several years of pushing the queer porn filmmaking agenda in Scotland, SQIFF is delighted to be able to showcase some (sort of) homemade pornographic content. Bruce LaBruce creates a parody Scots porn character in Scotch Egg. Performer Candy Flip plays a straight girl impersonating a gay man and in a festish bar meets the homo she’s dreamed about, played by Scottish performer AJ Alexander. Candy gets the full experience: sucked off, taking her man from behind, and getting to come on his face. How does that work? Use your imagination! Screening with Smoke gets in your eyes by Glasgow-based Dylan Meade, a character’s journey of sexual compulsion that winds through destruction of property and bodies, a coven of queer witches, and a vase in ass sex magic ritual.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in the English language with English language subtitles/captions. Hearing loop available.
Films rely a lot on visual material to convey ideas, so less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Smoke gets in your eyes (26m)
Dir: Dylan Meade, Year: 2018
A character’s journey of sexual compulsion that winds through destruction of property and bodies, a coven of queer witches, and a vase in ass sex magic ritual.
AJ Alexander & Rick Lous (19m)
Dir. Cazzo Films, Year: 2016
Two sporty guys AJ Alexander and Rick Lous relax in the beauty of Berlin’s nature and smoke. Featuring rough rubber, deep throating, and steamy tongue fucking.
Scotch Egg (20m)
Dir. Bruce LaBruce, Year: 2018
…a straight girl is really curious about what it would be like to have sex with a gay man..

SQIFF Shorts: Floofy Friends
2018-12-06 20:45 - 22:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Indulging our obsession with cutesy animals, we present a gay goldfish, genderqueer spotted hyena, an affair between a dorky fox and a hunky wolf, and a somewhat unfortunate cat. This selection of shorts reflects on the non-human as allegories for our own queer lives, mediators of family discord, and source of philosophical contemplation of race, gender, and the human condition. Please note that although we have used the word ‘floofy’ in the title, the programme contains violence enacted both by and on the animal protagonists. Vegetarians and vegans in particular should view with caution.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in Greek, English, and Swedish languages with English language subtitles/captions. Hearing loop available.
Films rely on visual material to convey ideas and the majority are non-English language, so less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Goldfish (14m)
Dir: Yorgos Angelopoulos, Year: 2017
A young boy thinks his new goldfish is gay, much to the horror of his conservative father.
did you know? (7m)
Dir. Lynn Kim, Year: 2018
An exploration in shared sites of queerness and sexuality between the spotted hyena and myself.
Manivald (13m)
Dir. Chintis Lundgren, Year: 2017
Manivald, a fox, is turning 33. Overeducated, unemployed, and generally uninspired, he lives with his overbearing, retired mother. It is an easy life, but not a good one. This unhealthy co-dependence changes when the washing machine breaks down and Toomas, a sexy wolf repairman, arrives to fix it, and them.
Swedish Candy, Some Violence and a Bit of Cat (45m)
Dir. Ester Martin Bergsmark, Year: 2018
An existential sugar shock which takes us on a fun, candy-filled roller-coaster ride between cruel violence and extreme cuteness – which prove to be disturbingly close together.

SQIFF Shorts: Bodies and Borders
2018-12-07 12:00 - 13:20 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
The most urgent issues surrounding identity and oppression revolve around bodies and borders. In Being Okey, a gay Nigerian man is denied asylum in Switzerland and consequently caught between the constant fear of being sent home and hope of a life in safety. ABEO is an animation by Latinx artist Brenda M. Lopez Zepeda depicting the journey of two immigrants risking their lives to cross the Arizona desert. My Shoreline is an experimental film-poem about a disabled queer body in water, and My Own Wings documents intersex people from around the world. Working class queer bodies and class borders are forefronted in Krissy Mahan’s All in a Day’s Work and the implication of supposed sexual boundaries is explored in Patricia Silva’s bisexual ode, A Feeling More Than a Picture. Finally, legendary lesbian filmmaker Barbara Hammer’s new short, Evidentiary Bodies, is a plea for empathy and compassion generated through the viewing of other beings.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in English and Spanish languages with English language subtitles/captions. Hearing loop available.
Films are mixed with some relying on visual material to convey ideas and some using more dialogue. The majority are English language. So, the event is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Being Okey (34m)
Dir: Nadia Lanfranchi, Nina Oppliger, Corinne Pfister, Year: 2017
Nigerian Okey describes seeking asylum in Switzerland after narrowly escaping death when a mob tried to kill him because he is gay.
My Shoreline (4m)
Dir. Aimee Louw, Year: 2016
Attempting to reach the Saint Laurence River boardwalk in Montreal proves to be an impossible task for Aimee in this film-poem on the everyday trials of a Disabled queer.
ABEO (7m)
Dir. Brenda M. Lopez Zepeda, Year: 2018
A hard-hitting mixed media animated short that depicts the journey of Nadia and Lupe, two immigrants who risked their lives to cross the Arizona desert in search of a better life.
My Own Wings (8m)
Dir. Katia Repina, Year: 2018
My Own Wings is a transmedia project that aims to explore intersex identity.
All in a Day’s Work (10m)
Dir. Krissy Mahan & Patricia Silva, Year: 2018
All in a Day’s Work is a series of vignettes about two working class queers who each present as women.
Evidentiary Bodies (9m)
Dir. Barbara Hammer, Year: 2018
A one screen version of an originally three screen immersion exploring illness, time, and the isolation of the material body.
A Feeling More Than a Picture (5m)
Dir. Patricia Silva, Year: 2017
A queer reordering of cinematic gestures, A Feeling More Than a Picture is a formal experiment with the bisexual vocabularies inherently present in the canon of cinema.

A Girl At My Door
2018-12-07 12:30 - 14:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Promising police cadet Young-nam is sent to work in a small seaside village after her lesbian relationship is outed to her bosses in Seoul. Here, she meets a bullied teenager, Sun Dohee, and quickly becomes her trusted friend and defender. But as Young-nam looks further into Dohee’s family life, she discovers a history of abuse by her stepfather, Yong-ha, whose own murky past masks the history of exploitative labour practices that have led to his becoming a powerful figure in the town.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the Korean language with English language subtitles/captions. Hearing loop available.
Film relies on visual material to convey ideas and contains no English language, so is less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Weird and Wild
2018-12-07 15:00 - 16:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
An encounter with a strange funeral procession in Bethnal Green, a family losing the plot after meeting their son’s trans girlfriend, a middle-aged gay man seemingly eerily affected by a forest camping trip, and queer feminist gangs doing battle in a violent, dystopian present. Weird and Wild consists of work by filmmakers expert in creating tense atmospheres and queer moods whilst recounting their gripping tall tales.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in English, French, and Norwegian languages with English language subtitles/captions. Hearing loop available.
Films rely on visual material to convey ideas and two out of four films are non-English language, so less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Brother (4m)
Dir: Kai Fi’ain, Year: 2018
On a bleary eyed morning in Bethnal Green, you never know who you might bump into.
Calamity (22m)
Dir. Séverine De Streyker & Maxime Feyers, Year: 2017
France meets her son’s girlfriend for the first time. She loses control…
Skogen (The Forest) (20m)
Dir. Magnus Mork, Year: 2018
A middle aged couple is tenting in a forest. Bjørn seems more used to the setting than Lars, but they are both influenced by the nature. Surrounded by the trees they talk about big and small questions in life. A lovestory.
Swarm of Selenium (23m)
Dir. Maude Matton & SJ Rahatoka, Year: 2018
In the surreal dystopian present, two queer feminist crews cohabit the shells of an abandoned malt factory. As a troubling pattern begins to emerge from their mouths in the form of shattered glass, all are shaken, but some are hit harder than others. Through dance, visual work, and anti-work, they merge forces to try to care for one another and combat the insidious violent process which seems to increasingly come from within.

SQIFF Shorts: Queer Arab Lives
2018-12-07 15:30 - 16:35 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A series of shorts that reveal the social intricacies of queer Arab life. Nazem, a genderqueer Egyptian-Iraqi drag-queen, prepares for a performance informed by childhood memories of her mother. A lesbian woman from Lebanon takes a fairground ride with her friends where their conversation turns to sex, relationships, and desire. And a Syrian trans woman navigates everyday life in 90s Beirut.
Curated by Samar Ziadat in partnership with Dardishi, a zine and Festival of Arab womxn’s art.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in Arabic, English, and French languages with English language subtitles/captions. Hearing loop available.
Films rely on visual material to convey ideas and are majority non-English language, so less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Three Centimetres (9m)
Dir: Lara Zeidan, Year: 2018
In the oldest fun park of Beirut, four young female friends go on a Ferris Wheel ride. During this claustrophobic open-air journey, they touch on intimate subjects, from making best use of three centimetres to Joanna’s recent breakup. However, Suzie’s breakup advice leads to an unexpected confession.
RUN(A)WAY ARAB (12m)
Dir. Amrou Al-Khadi, Year: 2017
Nazeem is a 26 year old Middle Eastern drag queen who names herself QUEEN ZA DREAM – she is preparing for a show with the utmost gravity, with an outfit evocative of an Egyptian deity.  Interwoven with this is the story of Nazeem as a genderqueer 8 year-old boy, and the close bond he has with his Iraqi-Egyptian mother, Halima. Whilst flamboyant and in many ways a drag queen herself on the surface, Halima is governed by the strict expectations of gender in Arab society.
Cinema Fouad (41m)
Dir. Mohamed Soueid, Year: 1994
Khaled, a Syrian transgender migrant dreams of undergoing gender transition surgery. While trying to make a living from various menial jobs, she falls in love with a Palestinian freedom fighter and joins his resistance. Gently, compassionately, Cinema Fouad draws a portrait of Khaled and introduces the viewer to one of Beirut’s rarely seen netherworlds.

Workshop: Creating Online Content with BBC The Social
2018-12-07 17:00 - 18:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
BBC The Social is an award-winning digital team based at BBC Scotland creating online content and developing new creative talent. The channel has a strong focus on allowing LGBTQ+ contributors to take the lead when it comes to creating content that covers topics such as LGBTQI+ rights, dating when gay and disabled, and comedy through a queer lens. This workshop will share with you the secrets to making successful online content and let you know how you can get involved creating your own content for BBC The Social.
Suitable for people at all levels and stages of their content-making careers.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
If you would like to attend this workshop and require BSL interpretation, please contact access@sqiff.org. Hearing loop available.
Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

on the tips of our tongues
2018-12-07 18:30 - 19:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
on the tips of our tongues intertwines artist film and sound works, readings and new writing. Concerned with illegible archives and embodied gestures this thing stems from Camara Taylor’s ongoing practice based research project, wet blue embrace(s), which explores strategies and aesthetic practices amidst the Black Queer Atlantic.
Curated and presented by artist and researcher Camara Taylor.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in English with English language subtitles/captions. BSL interpretation for readings. Hearing loop available.
Please contact access@sqiff.org to find out more about the films and level of suitability for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Wizard of Oz (an asexual reading)
2018-12-07 20:45 - 22:40 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
1939 Hollywood fantasy movie, The Wizard of Oz, is known for its strong association with gay male culture, thought to be the origin for homosexual men using the code ‘Friend of Dorothy’ to identify themselves to each other from the 1950s onwards. However, other readings are possible. Academic writer Alexander Doty saw Dorothy as a lesbian, torn between her attraction to the femme Glinda and butch Wicked Witch of the West. Meanwhile, internet user ‘Spoofmaster’ posted a reading of the film online which regards Dorothy as asexual because she chooses gay non-human companions – that’s the Scarecrow, Tinman, and Cowardly Lion – whilst in Oz. We invite viewers to focus on the latter idea and think about asexuality and its hiddenness (or not!) in popular culture.
Introduced with the reading of extracts from Spoofmaster’s post in The Asexual Visibilty & Education Network’s online forum, titled ‘The Wizard of Oz: an asexual reading.’
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. The introduction will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of explanatory dialogue, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Wild Search
2018-12-07 21:30 - 22:55 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A documentary film crew follows another documentary film crew as they attempt to understand the mating habits of San Francisco lesbians. A tour-de-force of queer women and genderqueer sex, The Wild Search is the ultimate pomo-homo-porno. An early work from powerhouse Shine Louise Houston and her company, Pink & White Productions, known for its championing of indie porn filmmaking and honest depiction of queer desire.
Screening with short Shiny Jewels (14 mins), in which Shine Louise Houston speaks with Shine Louise Houston and her co-director Shine Louise Houston about a day in the life of an adult filmmaker.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in the English language with English language subtitles/captions. Hearing loop available.
Films rely a lot on visual material to convey ideas, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

LEAP Sports Scotland presents: Light in the Water
2018-12-08 12:00 - 13:45 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
In 1982, soon after the first Gay Games was held in the US, ‘West Hollywood Swim Club,’ as it was known then, registered as the first openly gay masters swim and water polo club. This documentary follows the club’s battle for acceptance, from humble beginnings to its members becoming a renowned force fighting injustice in the world of competitive sports. A fascinating historical record of sport, prejudice, and community love and survival.
Join LEAP Sports Scotland after the film to discuss the role of LGBTI sports clubs with David Barbour (Saltire Thistle FC), Lenna Cumberbatch (Paris Gay Games 2018), Pantelis (Leon) Xydias (Glasgow Alphas RFC), and Ian McBain (Glasgow FrontRunners).
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Film is in the English language with English language subtitles/captions.
Film contains some visual ideas but has a lot of dialogue, so is relatively suitable for blind and partially sighted audiences. Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

East Asia Focus: Until Rainbow Dawn
2018-12-08 12:30 - 13:35 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
After meeting at their Deaf school in Central Japan, Hana and Ayumi become close friends, and quickly fall in love. But when Hana comes out to her parents, they throw her out of the house. Ayumi takes Hana along to a queer Deaf meetup in Tokyo, where they meet and befriend a supportive group of trans, gay and lesbian Deaf people who tell them their own personal stories. Made by a majority Deaf cast and crew, Until Rainbow Dawn is a remarkable, authentic story of queer Deaf Japanese culture.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in Japanese and Japanese sign languages with simultaneous Japanese and English subtitles/captions. Hearing loop available.
Film relies a lot on visual material to convey ideas and uses almost all Japanese sign language, so is less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

DESIRES AND RESISTANCE | UNEARTHING TRANS LEGACIES
2018-12-08 15:00 - 16:40 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Anonymous sexual encounters and flirtations with the camera, dress-up with Flawless Sabrina, and a night at the Stonewall Inn with Marsha P. Johnson: this programme proposes alternative modes of retrieving and disseminating a trans* past through an erotic gaze. Addressing an erasure of trans* legacies, these works place trans* sexual expression and resistances in conversation with a non-linear idea of history that is both real and fabricated, defiantly looking toward a future of pleasure, play, and beauty.
Curated and presented by Finn Paul in partnership with Outfest LGBTQ Film Festival in LA.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in the English language with English language subtitles/captions. The introduction will be BSL interpreted. Hearing loop available.
Films rely on visual material to convey ideas, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Outlaw – Excerpt – first 16 min (16m)
Dir: Alisa Lebow, Year: 1994
Leslie Feinberg, a self-identified “gender outlaw” who has spent much of zir life passing as a man, speaks with passion and intelligence about zir exp…
St Pel (16m)
Dir. Jason Barker, Year: 1998
Interviews with 5 friends and the queer retelling of a story of a medieval saint.

FlyHole (6m)
Dir. Malic Amalya, Year: 2017
FlyHole tells the story of a housefly who transitions into a man in order to cruise gay bars. Text and images are appropriated from the March 1985 issue of the adult, gay digest magazine, Manscape, including illustrations by Mike Kuchar.
She Whose Blood is Clotting My Underwear (3m)
Dir. Vika Kirchenbauer, Year: 2016
Made for the performance project Cool For You, this video follows an artist’s research on thermal vision and the enhanced gazes of modern warfare. She uses these technical means to discuss intimacy and the body.
At Least You Know You Exist (16m)
Dir: Zackary Drucker, Year: 2011
Made in collaboration with New York performer and drag queen Flawless Sabrina, the film At Least You Know You Exist explores the interaction between two artists of different ages.
First Love (5m)
Dir. Alec Butler, Year: 2002
Our trans/2spirit/intersex hero Alick takes a walk in the birch grove with Kay, the high school siren, the girl of their dreams, things get hot and wet, melting hearts and the cold snow of the Canadian landscape.
beside the water, 1999-2003 (12m)
Dir. Finn Paul, Year: 2018
In this provocative video essay, queer artist Finn Paul mixes up sexual discovery, community formation and the isolation of desert landscapes in a collection of erotic snapshots.
Mighty Real (3m)
Dir. Vicente Ugartechea, Year: 2018
A young trans person embodies confidence and power in this cross-generational sexual encounter.
Happy Birthday, Marsha! (14m)
Dir. Reina Gossett and Sasha Wortzel, Year: 2016
Happy Birthday, Marsha! is a fictional short film that imagines transgender rights pioneers Marsha P. Johnson and Sylvia Rivera in the hours leading to the 1969 Stonewall riots in New York City. The film stars Mya Taylor as Marsha P. Johnson.

SQIFF Shorts: Queer Scotland
2018-12-08 15:30 - 17:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Our 2018 Scottish shorts programme contains another exciting range of work by and about LGBTQ+ people and communities within our (un)fair land. Among the imagery and themes included are the search for community and intimacy, trans embodiment, anti-queer conditioning, erotic fantasies in rural landscapes, lost love, spinsterhood, tarot cards, crayfish, and witches! Featuring a spectrum of narrative and experimental styles encompassing melodrama, film-poetry, animation, collective filmmaking, documentary, and diaristic footage.
We hope to be joined by a number of the filmmakers for a Q&A.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in English, Scottish Gaelic, and British sign languages with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available.
A mixture of film styles with around half relying on visual material to convey ideas and half conveying ideas via dialogue or voiceover. The large majority of films are English language. So, the screening is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

My Loneliness is Killing Me (16m)
Dir: Tim Courtney, Year: 2018
A young genderqueer individual searches for community and intimacy, uncovering an unexpected sexual and emotional connection within the darker edges of the nocturnal metropolis.
These Are My Hands (8m)
Dir. Evi Tsiligaridou, Year: 2018
These Are My Hands is a short documentary film-poem written and performed by radical British playwright, Jo Clifford. It is a deeply moving, personal account of transgender embodiment in a lifetime, speaking of wounds, challenges, victories, and the journey towards self-empowerment. The poet’s voice is embraced by a lyrical, mesmerising soundtrack and together with the graceful and intimate visuals composes a profoundly tender piece.
Enid & Valerie (2m)
Dir. Matthew Kennedy, Year: 2018
Enid & Valerie is a short film about a lone spinster named Valerie. Here we venture in to her dreams, where she meets Enid (a witch). Could this be the start of an unlikely friendship?
Long Lost Lover (5m)
Dir. Sandra Alland & Ania Urbanowska, Year: 2017
Bisexual deaf poet, Bea Webster, performs a poem in British Sign Language about her return to Thailand. Poem in English and BSL by Bea Webster; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press, 2017), edited by Sandra Alland, Khairani Barokka and Daniel Sluman.
HEARTS (8m)
Dir. Nas Saraei, Year: 2018
Sarah, a lost and stuck in a rut 20-something, ponders and reflects on love in Edinburgh, after losing the ‘one’ she thought was the ‘one’.
Pouring On House (10m)
Dir. Conor Baird, Year: 2018
Pouring On House engages with the gradual event of leaving a longtime family home. This strange grief is caught between the familiarity and fascination of interiors and the surrounding suburban sites. Throughout, a body surveys potential presences of contamination whilst coming to realise a disorientating hopelessness felt from ongoing anti-queer conditioning.
Submerged Village (21m)
Dir. Andrew Black, Year: 2017
Expanding on elements of Pamela Colman Smith’s drawing for The Moon tarot card – two dogs, a freshwater crayfish, a pool of water, a mountainous landscape – Submerged Village takes discrete moments at rural locations in Yorkshire and the West coast of Scotland and claims them as queer experiences.

A Moment In The Reeds
2018-12-08 17:30 - 19:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house. Tareq, a recent asylum seeker from Syria, has been hired to help with the work. When Leevi’s father has to return to town on business, the two young men establish a connection and spend a few days discovering one another during the Finnish midsummer. A response to the dearth of queer narratives in Finnish cinema, A Moment in the Reeds is among the first queer feature films made in the country. Viewing Finland from the perspectives both of an immigrant and an emigrant, the film casts the long-marginalised voices of sexual and ethnic minorities centre-stage in a story about the search for freedom, acceptance, and a place to call home.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in Finnish and English languages with English language subtitles/captions. Hearing loop available.
Film relies on visual material to convey ideas and contains a lot of Finnish language dialogue, so is less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Deaf Perspectives
2018-12-08 18:00 - 19:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A showcase of work by and about Deaf queer filmmakers and artists. Films include Dickie Hearts’ latest short, zombie spectacular The Deaf vs The Dead; a documentary about Deaf gay porn actor, Rick; a film-poem, featuring Donna Williams, about translation between British Sign Language and English, Bilingual Poet’s Dilemma; and The Unlimited House of Krip, a doc exploring the fusion of D/deaf and disabled performers with the extravagant world of vogue culture.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in English and German as well as British, American, and German sign languages with English language subtitles/captions. Hearing loop available.
Films rely to some extent on visual material but most have explanatory dialogue and voiceover, so are relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Deaf vs The Dead – Episode 1: “Outbreak” (7m)
Dir: Dickie Hearts, Year: 2017
When the undead apocalypse breaks out in Los Angeles, an out Deaf man must find a way to survive and protect his loved ones, even if it means teaming up with some unlikely people.
Rick (16m)
Dir. Jan-Peter Horstmann, Year: 2017
Ricco Muller was crowned Mr Gay Switzerland in 2009 and now finds a home under the bright lights of the adult film set as Rick Louis, coming into himself away from the limitations that society has tried to put on him as a gay, D/deaf person.
Bilingual Poet’s Dilemma (4m)
Dir. Sandra Alland & Ania Urbanowska, Year: 2017
Deaf poet Donna Williams playfully shows the difficulties of translation between British Sign Language and English. Poem in English and BSL by Donna Williams; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press, 2017), edited by Sandra Alland, Khairani Barokka and Daniel Sluman.
The Unlimited House of Krip (26m)
Dir. Garry Robson & Jane Farley, Year: 2018
Exploring the fusion of D/deaf and disabled performers with the extravagant world of vogue culture. Fittings Multimedia Arts formed a “House” of Deaf performers to walk in the Legendary House of Suarez Vogue Ball and the process – from auditions to performance – was recorded as a celebration of diversity.

East Asian Focus: The Story of the Stone
2018-12-08 18:00 - 19:45 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
A queering of a tale from classical Chinese literature, thoroughly modernised and relocated to the midst of Taipei’s gay community. After the death of his boyfriend, Lin heads to the city, where he starts up a new relationship with waiter Josh. But their love is quickly threatened by jealousy, temptation, and tragedy. Beautifully stylised and acted, The Story of the Stone depicts a full range of the gay male experience in modern-day Taiwan, from its darkest sides to those of redemption and hope.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Film is in the English language with English language subtitles/captions.
Film largely non-English language with only a small amount of significant spoken English dialogue and strong visual components, so less accessible for blind and partially sighted audiences. Large print handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Pink Excavation
2018-12-08 18:30 - 19:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Pink Excavation is Natasha Lall’s first feature length film. With Lall as the narrator and cameos from local queers Mina Baird and Junie Latte, this DIY film explores the preservation of queer histories in Glasgow, 2518. Pink Excavation sees Lall excavate 90s-00s technological relics that are outdated in the 2500s and become frustrated at their lack of understanding on how to access information from these ancient technologies. Upon interactions with an archaeologist and a ghost Lall discusses whether or not the poor archiving of LGBT culture has a positive impact on the queer community. The film is a lo-fi, sci-fi contemplation on the pros and cons of queer visibility.
Screening with short Reality Fragment (14 mins) by Qigemu, which examines how multiple lived worlds, each their own mix of memories, sensations, and thoughts, coexist with de facto presentations of distance, history, and totality.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films in the English language with English language subtitles/captions. Hearing loop available.
Films rely to a large extent on visual material to convey ideas, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

QWPS presents: Queer The Screen
2018-12-08 20:00 - 21:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Queer Words Project Scotland presents a preview of some of the stories and poems featured in We Were Always Here, an anthology of weird, queer Scottish writing being published in February 2019 by 404 Ink. Experience a selection of stories and poems influenced by film and pop culture from some of the movers and shakers of queer Scottish literature including Kirsty Logan, Heather Valentine, and AR Crow. The readings will be interspersed with a selection of short films influenced by poetry and prose, and followed by a panel discussion – hosted by Michael Lee Richardson – on the crossover between books, poems, and film.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS

Films in the English language with English language subtitles/captions. Readings and panel discussion BSL interpreted.

Films rely on visual material to convey ideas with a lot of poetic voiceover, so are relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.

CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Tomorrow Never Knows
2018-12-08 20:30 - 22:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A sensitive documentary looking at the life and death of Shar Jones, a transgender person with early onset Alzheimer’s Disease, and the difficult choice he and his wife Cynthia Vitale faced as the couple struggled to figure out how to proceed amidst his chaotic decline. Tomorrow Never Knows highlights the couple’s journey as they set a course to Shar’s final days. This tragic love story offers profound implications for increasing awareness about choice in living and in dying.
We have a list of content notes on our website for every film in the programme but please be especially aware that this film contains graphic images of death and dying.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of voiceover and commentary, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Nitrate Kisses
2018-12-08 21:00 - 22:30 | Scottish Youth Theatre, The Old Sheriff Court, 105 Brunswick Street, Glasgow, G1 1TF, United Kingdom
Pioneer of lesbian cinema Barbara Hammer weaves striking images of four gay and lesbian couples with footage of an unearthed, forbidden, and invisible history, searching eroded emulsions and images for lost vestiges of queer culture. Questions of historic representation are examined through addressing the margins, between-the-line readings, and images outside of prescribed textual boundaries. Archival footage from Lot In Sodom (1933), often regarded as the first queer film made in the United States, as well as footage from German narrative and documentary films of the thirties, are interwoven with contemporary footage in this multi-faceted, haunting documentary.
Screening with Generations (15 mins), a film about mentoring and passing on the tradition of personal experimental filmmaking.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
Films are in the English language with English language subtitles/captions.
Films contains a lot of visual ideas with minimal dialogue, so are less suitable for blind and partially sighted audiences. Large print versions of handouts available.
Scottish Youth Theatre has good access for wheelchair users. Click here for more details on venue access.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Luke & Jack present: Bishop Black Retrospective
2018-12-08 21:00 - 23:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We are excited to bring Berlin-based actor and performer Bishop Black to SQIFF to present a retrospective of his amazing and varied work. Bishop has worked with some of the most prodigious and provocative directors in queer porn including Shu Lea Cheang, Erika Lust, Morgana Muses, and Bruce LaBruce. He has handpicked for us a selection of films central to the development of his career and approach, exploring his transition from gay male to queer porn and his identity as a black queer performer amongst other themes. Join us for a stimulating and seductive evening of x-rated shorts followed by Bishop in conversation about his art with Drew Bigglestone and Ian Diamond of Luke & Jack.
In partnership with Luke & Jack, Scotland’s premiere sex boutique.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of voiceover and commentary, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Having My Cake (20m)
Dir: Morgana Muses, Year: 2015
Having My Cake is a sumptuous film detailing a woman’s journey to Paris where she manages to not only have her cake, but eat it as well. Starring Morgana Muses and Bishop Black.
Dominate Me (12m)
Dir. Erika Lust, Year: 2016
Can you handle this one, guys and girls? This is a story dripping with lust. A story about ecstasy in the land between pleasure and pain, where restriction can feel like the warmest embrace, and the lash of a whip like the softest kiss… Erika Lust’s latest release in XConfessions is a BDSM story about a man who longs to be dominated by a woman.
The End (22m)
Dir. Noel Alejandro, Year: 2018
Javier is an obsessed artist who is grieving the end of a relationship. His sorrow comes as a combination of memories, instinct and denial, and the mourning’s harsh feelings will compromise his sense of reality. Surrounded by doubt, and subjected to several addictions, Javier fights to find peace – until his lattermost move take him to a surrealistic emotional purgatory.
Gloaming (12m)
Dir. Vex Ashley & Four Chambers, Year: 2017
The period of time when the sun falls below the horizon line and tears of blue and orange gradiate the sky. I’ve always called this indigo hour but apparently it’s more commonly called blue hour and the Scottish call it the gloaming.
The indigo in the sky isn’t exactly black or blue, it’s not quite day or night. It exists in a gap, without definition.
Zombie Queer Punk Urban Post Porn Horror Show (5m)
Dir. Tchivett, Year: 2017
Basically a crazy romp through industrial Berlin by porn stars made up as zombies, all of them licking and humping anything in sight like they’re fresh brains.

Workshop: Telling Trans Stories
2018-12-09 12:30 - 14:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Jason Barker is an award-winning filmmaker, comix artist, and occasional stand-up comedian. His recent feature documentary, A Deal With The Universe, uses personal archive and home video diaries to chart the story of how he became pregnant. The film is screening at multiple festivals and has gained a UK distribution deal. Jason will deliver for us an interactive audio visual extravaganza about telling trans stories, exploring ways we can all break free from the sticky web of heteronormativity. Suitable for all levels of filmmaking experience.
Kindly sponsored by Scottish Trans Alliance.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
If you would like to attend this workshop and require BSL interpretation, please contact access@sqiff.org. Hearing loop available.
Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Document presents: The Gospel of Eureka
2018-12-09 17:30 - 18:45 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Evangelical Christians and drag queens collide in the southern, Arkansas town of Eureka Springs, home to both a massive amphitheatre performing the Passion Play every year and a local gay bar with a tradition of gospel-inspired drag. Despite chasms in political and religious viewpoints, the townspeople are universally charming and warm, even whilst battling over a historic vote on an anti-discrimination ordinance. The Gospel of Eureka takes a personal and often comical look at negotiating differences between religion and belief through performance, political action, and partnership. Narrated by artist and performer, Mx Justin Vivian Bond.
In partnership with Document Human Rights Film Festival, which takes place 30 November to 2 December at Scottish Youth Theatre in Glasgow’s Merchant City. See documentfilmfestival.org for more details.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of voiceover and commentary, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Queer Arab Lives: My Brother The Devil
2018-12-09 18:00 - 19:55 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A life of crime for Hackney gang member, Rash, looks set to change after a chance meeting with a successful photographer shows him a more honest existence away from drugs and fast cash. However, as he looks for a way out of the game, younger brother Mo is chancing for a way in. The teenage brothers must come to terms with their racial and sexual identities while navigating gang violence in Welsh-Egyptian writer-director Sally El Hosaini’s cinematic debut.
Curated by Samar Ziadat in partnership with Dardishi, a zine and Festival of Arab womxn’s art.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of voiceover and commentary, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Tender Anguish
2018-12-09 20:15 - 21:25 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Harika Özer is an impoverished trans sex worker whose family sought refuge from Siirt to Manisa in Turkey in the 80s. Raf, a young queer man in the UK, struggles to find his place amongst the crowd in a dive gay bar. Icarus arrives in a new city in Brazil and begins an affair with a man that soon goes agonisingly wrong. Real historical figure Mary MacLane cuts a forlorn queer figure in her lonely Montana hometown at the turn of the 20th Century. And Fetish is a Black man in the streets reclaiming his body through magic, fire, and defiance. Each character experiences pain and vulnerability and must negotiate how to cope in these stories of tenderness and anguish.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films are in English, Portuguese, and Turkish languages with English language subtitles/captions. Hearing loop available.
Films rely a lot on visual material to convey ideas and/or are non-English language, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Wonderful Affair (5m)
Dir: Tahir Ün, Year: 2016
Harika Özer is a child whose Kurdish family sought refuge from Siirt to Manisa at the end of 1980s. In his own words, he is a transsexual feeling female spirit in his own body since early childhood. He has lived in Izmir since 2000 and makes a living through prostitution. This work is a documentary project realised by Harika (literally translated as ‘wonderful’), posing for the camera with all his self-confidence and courage. It gives the audience a non-judgemental stance against homophobia.
Four Quartets (10m)
Dir. Marco Alessi, Year: 2018
Over the course of a night out in a gay dive bar, Raf struggles to find his place amongst the crowd. Four Quartets is a short film about queer community, and how the anxieties and conditioning we face sometimes stop us from letting ourselves belong.
Adeus Estrada de Tijolos Amarelos (19m)
Dir. Hiran Matheus, Year: 2018
Icarus arrives in another city to try life as a telemarketer, but when he goes out at night he is caught by a boy. Screenplay based on a Elton John song and filmed with a cell phone.
Between my flesh and the world’s fingers (31m)
Dir. Talena Sanders, Year: 2018
Mary MacLane, the Wild Woman of Butte, Montana, published her diaries in 1902 and 1917. As an out queer and proto-feminist at the turn of the century, MacLane became notorious upon the publication of her 1902 diary, I Await the Devil’s Coming. She was whisked away from the industrial hellscape of her copper mining Montana hometown to a life in the public eye as an author, journalist, female film pioneer and always a provocateur – sending up social norms throughout her career, with a special focus on staid notions about women and sexuality.
Between my flesh and the world’s fingers is an experimental essay and diary film primarily based on her published diaries and her film work.
FETISH (16m)
Dir. Topher Campbell, Year: 2018
The character of Fetish is a representation of so many things. He is at once a clear form – a body – and formless, like the bodies of Basquiat. As a Black man in the streets, he is both positioned by othering and places himself in a world of looking, power, strength, harassment, fashion, sexual objectification, invisibility, visibility, admiration, CCTV, selfies, vulnerability, humour, performance, protest, danger, violence and humour. If you have ever been stopped by police for being Black, embarrassment, futility and vulnerability are at the apex of the experience. Or, as is the case with Tamir, Philando, Freddy, Sandra and so on, being dead and treated like shit is what happens. Fetish in this film experiences and represents this painful embarrassment and vulnerability. It’s hard to watch and painful to experience.
By the end of the film through magic, through fire, through defiance, through being a multi-dimensional being in touch with the elements, Fetish reclaims his body and stands like a colossus in The City.

SQIFF Schools: Norfolk Trans Youth: Respecting & Understanding Differences
2019-10-02 12:00 - 13:45 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Commissioned by Mancroft Advice Project, a Norwich-based charity, and created by Scottish filmmaker Nicole O’Reilly, Norfolk Trans Youth: Respecting & Understanding Differences gives a voice to young trans people. Incorporating interviews with trans youth in Norfolk, O’Reilly’s debut feature gives its participants space to explain transness in their own words. Issues of discrimination, visibility, and media representation are discussed. Norfolk Trans Youth uses an eclectic pallet of stylistic techniques, attempting to find a new way to use the documentary format to reflect trans experiences. Merging factual documentary with experimental techniques, this is a visually inventive film centring a group often marginalised in conversations about their personhood.
Director Nicole O’Reilly will join us for a Q&A after the screening. Kindly sponsored by LGBT Youth Scotland, who will also join us at the event to give information about their work supporting LGBTI young people.
This is a free event open to school groups only. Recommended for Secondary 4 – 6. To book, please email sami@sqiff.org stating how many places you would like to reserve.
Please note the film includes discussion of transphobia, mental health issues including suicidal thoughts, physical abuse, and sex education.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has English audio with English language subtitles/captions. If you would like to attend this event and require a BSL interpreter for the Q&A, please contact access@sqiff.org. Hearing loop available.
The film is relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.

SQIFF Shorts: Intimacies
2019-10-02 12:30 - 13:50 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Touch, connection, sensuality, bonding. Sharing of solidarity, friendship, grief, and (com)passion. This selection of short films from the UK, US, Brazil, and the Amazon trace intimacies between friends, family, communities, and lovers. The revolutionary potential of femme for femme relationships. Upholding trans and immigrant identities and memory across generations. Busting childhood isolation and fear of being queer. Leaving your life behind due to youthful yearning. A slow-paced and tactile assortment of stories embracing many different faces and places.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English, Persian, French, Spanish, and Portuguese audio and ASL with English captions/subtitles. Hearing loop available.
Most of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling, minimal dialogue, and majority non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

#Familiar #Touch #Lost #Figures (13m)
Dir: Katy Jalili, Country: UK, Year: 2017, Language/s: English, Persian
#Familiar #Touch #Lost #Figures is an exploration of queer ancestry and diaspora, the hybrids between cultural traditions and contemporary queer identity. It explores brown bodies and femme for femme intimacies, and the feeling of being between a search for home and finding home in a familiar stranger.
Content note: Depiction of nudity.
Silvia in the waves (13m)
Dir: Gio Olmos, Country: Canada, Year: 2018, Language/s: French
Noa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure, identity and memory.
Content note: Depiction of queerphobia.
Welcome to the Ball (5m)
Dir: Adam Vincent Wright, Country: USA, Year: 2019, Language/s: English, ASL
A child learns sign language in hopes of making a new friend.
Content note: None.
My Grandson, Charlotte (13m)
Dir: Tyler Pierreson, Country: UK, Year: 2019, Language/s: English
A transgender teen and his immigrant granddad, a Sapeur from the Congo, bond over their shared understanding of the importance of identity and of always being true to one’s self.
Content note: Depiction of death.
Carlito se va Para Siempre (13m)
Dir: Quentin Lazzarotto, Country: UK, Year: 2018, Language/s: Spanish
In the Amazonian jungle, the village of Palma Real resists the modern world. Carlito, a silent young man, decides to leave. On the muddy bed of the immense river, an encounter reveals the secret that Carlito has hidden from his community.
Content note: None.
Infinite While It Lasts (19m)
Dir: Akira Kamiki, Country: Brazil, Year: 2019, Language/s: Portuguese
After falling in love at a party, Danny and Seiji just want to be together. However, their differences might prove stronger than their feelings. A fiction film about asexuality.
Content note: Reference to sex.

Norfolk Trans Youth: Respecting & Understanding Differences
2019-10-02 15:00 - 16:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Commissioned by Mancroft Advice Project, a Norwich-based charity, and created by Scottish filmmaker Nicole O’Reilly, Norfolk Trans Youth: Respecting & Understanding Differences gives a voice to young trans people. Incorporating interviews with trans youth in Norfolk, O’Reilly’s debut feature gives its participants space to explain transness in their own words. Issues of discrimination, visibility, and media representation are discussed. Norfolk Trans Youth uses an eclectic pallet of stylistic techniques, attempting to find a new way to use the documentary format to reflect trans experiences. Merging factual documentary with experimental techniques, this is a visually inventive film centring a group often marginalised in conversations about their personhood.
Director Nicole O’Reilly will join us for a Q&A after the screening.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has English audio with English language subtitles/captions. If you would like to attend this event and require a BSL interpreter for the Q&A, please contact access@sqiff.org. Hearing loop available.
The film is relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.
