SQIFF

Document presents: The Gospel of Eureka
2018-12-09 17:30 - 18:45 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Evangelical Christians and drag queens collide in the southern, Arkansas town of Eureka Springs, home to both a massive amphitheatre performing the Passion Play every year and a local gay bar with a tradition of gospel-inspired drag. Despite chasms in political and religious viewpoints, the townspeople are universally charming and warm, even whilst battling over a historic vote on an anti-discrimination ordinance. The Gospel of Eureka takes a personal and often comical look at negotiating differences between religion and belief through performance, political action, and partnership. Narrated by artist and performer, Mx Justin Vivian Bond.
In partnership with Document Human Rights Film Festival, which takes place 30 November to 2 December at Scottish Youth Theatre in Glasgow’s Merchant City. See documentfilmfestival.org for more details.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of voiceover and commentary, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Queer Arab Lives: My Brother The Devil
2018-12-09 18:00 - 19:55 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A life of crime for Hackney gang member, Rash, looks set to change after a chance meeting with a successful photographer shows him a more honest existence away from drugs and fast cash. However, as he looks for a way out of the game, younger brother Mo is chancing for a way in. The teenage brothers must come to terms with their racial and sexual identities while navigating gang violence in Welsh-Egyptian writer-director Sally El Hosaini’s cinematic debut.
Curated by Samar Ziadat in partnership with Dardishi, a zine and Festival of Arab womxn’s art.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Film in the English language with English language subtitles/captions. The post-film discussion will be BSL interpreted. Hearing loop available.
Film relies on visual material to convey ideas but has a lot of voiceover and commentary, so is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Tender Anguish
2018-12-09 20:15 - 21:25 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Harika Özer is an impoverished trans sex worker whose family sought refuge from Siirt to Manisa in Turkey in the 80s. Raf, a young queer man in the UK, struggles to find his place amongst the crowd in a dive gay bar. Icarus arrives in a new city in Brazil and begins an affair with a man that soon goes agonisingly wrong. Real historical figure Mary MacLane cuts a forlorn queer figure in her lonely Montana hometown at the turn of the 20th Century. And Fetish is a Black man in the streets reclaiming his body through magic, fire, and defiance. Each character experiences pain and vulnerability and must negotiate how to cope in these stories of tenderness and anguish.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
Films are in English, Portuguese, and Turkish languages with English language subtitles/captions. Hearing loop available.
Films rely a lot on visual material to convey ideas and/or are non-English language, so are less accessible for blind and partially sighted audiences. Large print versions of handouts available.
CCA has good access for wheelchair users. Click here for more details on venue access.
Comfy seating (bean bags) available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

The Wonderful Affair (5m)
Dir: Tahir Ün, Year: 2016
Harika Özer is a child whose Kurdish family sought refuge from Siirt to Manisa at the end of 1980s. In his own words, he is a transsexual feeling female spirit in his own body since early childhood. He has lived in Izmir since 2000 and makes a living through prostitution. This work is a documentary project realised by Harika (literally translated as ‘wonderful’), posing for the camera with all his self-confidence and courage. It gives the audience a non-judgemental stance against homophobia.
Four Quartets (10m)
Dir. Marco Alessi, Year: 2018
Over the course of a night out in a gay dive bar, Raf struggles to find his place amongst the crowd. Four Quartets is a short film about queer community, and how the anxieties and conditioning we face sometimes stop us from letting ourselves belong.
Adeus Estrada de Tijolos Amarelos (19m)
Dir. Hiran Matheus, Year: 2018
Icarus arrives in another city to try life as a telemarketer, but when he goes out at night he is caught by a boy. Screenplay based on a Elton John song and filmed with a cell phone.
Between my flesh and the world’s fingers (31m)
Dir. Talena Sanders, Year: 2018
Mary MacLane, the Wild Woman of Butte, Montana, published her diaries in 1902 and 1917. As an out queer and proto-feminist at the turn of the century, MacLane became notorious upon the publication of her 1902 diary, I Await the Devil’s Coming. She was whisked away from the industrial hellscape of her copper mining Montana hometown to a life in the public eye as an author, journalist, female film pioneer and always a provocateur – sending up social norms throughout her career, with a special focus on staid notions about women and sexuality.
Between my flesh and the world’s fingers is an experimental essay and diary film primarily based on her published diaries and her film work.
FETISH (16m)
Dir. Topher Campbell, Year: 2018
The character of Fetish is a representation of so many things. He is at once a clear form – a body – and formless, like the bodies of Basquiat. As a Black man in the streets, he is both positioned by othering and places himself in a world of looking, power, strength, harassment, fashion, sexual objectification, invisibility, visibility, admiration, CCTV, selfies, vulnerability, humour, performance, protest, danger, violence and humour. If you have ever been stopped by police for being Black, embarrassment, futility and vulnerability are at the apex of the experience. Or, as is the case with Tamir, Philando, Freddy, Sandra and so on, being dead and treated like shit is what happens. Fetish in this film experiences and represents this painful embarrassment and vulnerability. It’s hard to watch and painful to experience.
By the end of the film through magic, through fire, through defiance, through being a multi-dimensional being in touch with the elements, Fetish reclaims his body and stands like a colossus in The City.

SQIFF Shorts on Tour
2019-02-09 13:00 - 2019-03-06 23:00
We present on tour an inclusive selection of LGBTQ+ short films from our 2018 Festival Opening Night. Headlining the programme is VISIBLE, created by Campbell X and Kayza Rose, who explore QTIPOC (queer, trans, and intersex people of colour) histories, challenging mainstream perceptions and sanitisation of legacies, and celebrating complexity, multiplicity, myths, gossip, and legends. Also featuring a lesbian sports star coming out, being gay in the Maldives, queer working class vulnerability, and more.
Screenings are taking place across Scotland for LGBT History Month. We are pleased director of VISIBLE, Campbell X, will join us for Q&As in Dundee, Hawick, Ayr, Edinburgh, and Stirling.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network.
To book, see list of screenings and booking links below.
CCA, Glasgow in partnership with STUC LGBT+ Committee, Saturday 9th February, 1pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

Dundee Contemporary Arts, Wednesday 13th February, 6.15pm. Tickets £5-7.50. To book, please use the button below or call DCA box office on +44 (0)1382 432 444.

The Byre Theatre, St. Andrews part of Queerfest with Saints LGBT+, Friday 15th February, 6pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below.

Cornucopia, Hawick in partnership with Scottish Borders LGBT Equality, Saturday 23rd February, 4pm. Free, unticketed – just come along.

Ayr Town Hall in partnership with Ayr Film Society and Ayrshire LGBTQ, Sunday 24th February, 6.30pm. Free, unticketed – just come along.

50 George Square, University of Edinburgh with MSc Film, Exhibition and Curation, Tuesday 26th February, 7pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below.

Macrobert, Stirling in partnership with Stirling University LGBTQ+ Society, Friday 1st March, 7.30pm. Tickets £6. To book, please use the button below or call Macrobert box office on +44 (0)1786 466 666.

Eden Court, Inverness, Monday 4th March, 6.15pm. Tickets £3.50-5.50. To book, please use the button below or call Eden Court box office on +44 (0)1463 234 234.

Belmont Filmhouse, Aberdeen in partnership with Grampian Pride, Wednesday 6th March, 7.30pm. Tickets £5. To book, please use the button below or call Belmont Filmhouse box office on +44 (0)1224 343 500.

Round One (4m)
Dir: Ella Sowinska, Year: 2017
Round One creates a portrait of Nicola Stevens, who played in the first professional Australian Football League women’s game in 2017.
There You Are (15m)
Dir. Lisa Donato, Year: 2018
A trans woman must dress like a boy to say goodbye to her dying grandmother.
Blooming Night (9m)
Dir. Bell Zhong, Year: 2017
Mesmerised by a pair of red heels, a lonely street guy in Shanghai follows their owner into a club, where he discovers a forbidden community that he has never experienced before.
Medulla Oblongata (8m)
Dir. Roberto Nascimento, Year: 2017
“Life can be horrible. But it also can be beautiful. Really f***ing beautiful.” Abraham Naim aka drag queen Medulla Oblongata relates their story of escaping persecution for being gay in the Maldives and finding acceptance and community.
Crashing Waves (4m)
Dir. Emma Gilbertson, Year: 2018
Two young working-class men explore the intimacy and vulnerability of relationships in a combative dance against the backdrop of an inner city estate, risking all under the scrutiny of a tight-knit community.
Top 10 Places to Visit in São Paulo (14m)
Dir. Akira Kamiki, Year: 2018
On a dreamy Sunday, two photographers walk around São Paulo trying to connect with the city, and slowly fall in love with each other.
VISIBLE (20m)
Dir. Campbell X, Year: 2018
VISIBLE digs in and shreds misconceptions that LGBTQ+ people of colour have no history – and no story to tell. Weaving together the tales of inspirational ancestors, contemporary artists, political activists, and community leaders – VISIBLE challenges mainstream perception and the sanitisation of LGBTQ+ legacies by celebrating complexity, multiplicity, and the myths, gossips, legends, and truths of QTIPOC histories.

Valentine's Day Screening: Weekend
2019-02-14 19:00 - 21:00 | Seamore Community Cinema, 304 Maryhill Road, Glasgow, G20 7YE, United Kingdom
For Valentine’s Day we are showing Andrew Haigh’s gay classic Weekend.
A one night stand that becomes something more – an unconventional love story between two young men trying to make sense of their lives.
Screening at Seamore Community Cinema in Maryhill. Programmed by Ross Wilcock.
Tickets are £3. To book, please use the button below.

ACCESS
Film in the English language with English language captions for D/deaf and Hard of Hearing access.
Level access at entrance to building with a chairlift to reach the cinema space. Accessible toilet on the ground floor.

QTIPOC shorts for LGBT History Month
2019-02-22 19:00 - 21:00 | Kelvin Hall, 1445 Argyle Street, Glasgow, G3 8AW, United Kingdom
For LGBT History Month, SQIFF and the Coalition for Racial Equality and Rights (CRER) are partnering to showcase short films focusing on QTIPOC representation and ideas.
My Loneliness is Killing Me features a femme man of colour who invites a white man to his apartment for a hook-up, unexpectedly unearthing a dark emotional connection. Clash is a short experimental documentary by queer Iraqi non-binary filmmaker Amrou Al-Khadi critiquing the lack of diversity in on-screen representation in Britain today. Iconic transgender artist and activist, Marsha “Pay it No Mind” Johnson, and her life in the hours before she ignited the 1969 Stonewall Riots in New York City are depicted in Happy Birthday, Marsha!.
The event will be hosted by Samar Ziadat, curator, activist, and co-founder of Dardishi, with a discussion with local QTIPOC artists and activists following the screening.
FREE ENTRY (no need to sign up, just come along on the night)
ACCESS
Films in the English language with captions for Deaf and Hard of Hearing access. BSL interpretation for the discussion. Our venue, Kelvin Hall, is wheelchair accessible with accessible toilet facilities. For more information on the venue, click here. Please get in touch via helen@sqiff.org with any questions about access.
Content note: reference to violence and scenes of a sexual nature.

Portraits of Artists as Young Men (& Women & Other)
2019-06-01 19:00 - 21:00 | The Art School, 20 Scott Street, Glasgow, G3 6PE, United Kingdom
SQIFF curates a screening as part of Glasgow School of Art’s Degree Show programme, Dress Rehearsal. Portraits of Artists as Young Men (& Women & Other) takes a look at the earlier, formative days of queer artists who have gone on to make significant bodies of work. Featuring documentation and experimental meanderings by and/or about photographer Ajamu X, circus performer Jennifer Miller, and filmmakers Thomas Allen Harris and Barbara Hammer, amongst others. Common themes emerge of hitting back against oppression and searching for identity through the creative process.
This event is free and unticketed. Just come along on the night.
Click here for GSA’s full Dress Rehearsal Degree Show programme.
ACCESS
Films are in the English language with English language captions.
Films are experimental so some are quite visual-based but there is a relatively good amount of explanatory dialogue for blind and partially sighted audiences. Large print versions of handouts available.
The Art School has good access for wheelchair users. Click here for more details on venue access.

SQIFF at Jupiter Rising
2019-08-23 - 2019-08-26 | Jupiter Artland, Bonnington House Steadings, Near Wilkieston, Edinburgh, EH27 8BY, United Kingdom
We are really pleased to be taking part in Jupiter Rising music festival with 2 programmes of short films during the 3-day festival. Jupiter Rising takes place at Jupiter Artland near Edinburgh 23 to 25 August with a line-up including music, performance, film and moving image, artist-led workshops, wild swimming, and more!
To find out more about Jupiter Rising and how to book tickets, click here.
For information about Jupiter Artland, how to get there, and access information, click here.

ACCESS
Jupiter Rising is an outdoor festival, two stages are undercover in large marquees, one stage is located in the woods.
Each stage will include a reserved viewing area for wheelchair users and their carers. Other areas include a bar, cinema, workshops and activities tent, all of which are wheelchair accessible and undercover.
The ground at Jupiter Artland is grass, paths, natural woodland and meadow, which can sometimes be uneven underfoot or for wheelchair users.
Accessible camping is located in a meadow, a short distance away from the main stages. An accessible toilet is provided.
A quiet space will be provided throughout the event and will be highlighted on the site map.
There will be gender-neutral toilets and two accessible toilets located in various locations, highlighted on the site map.
Assistance dogs are welcome provided they are on a lead (Jupiter Artland has livestock on site).
Please get in touch to let us know if you require a large print version of the printed programme, which will be available to pick up from the Box Office.
Ear plugs will be available from the Box Office.
Strobe lighting may feature in some performances and film screenings.
SQIFF film screenings are in a variety of languages with English language captions for D/deaf and Hard of Hearing audiences. Many of the films are based largely on visual ideas with little spoken language.
Jupiter Rising is committed to improving accessibility. If there is anything we can do to make it easier for you to attend, or if you have any questions, thoughts or feedback about access for this event, please email enquiries@jupiterartland.org or call 01506 889900.

SQIFF Shorts: Intimacies
2019-10-02 12:30 - 13:50 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Touch, connection, sensuality, bonding. Sharing of solidarity, friendship, grief, and (com)passion. This selection of short films from the UK, US, Brazil, and the Amazon trace intimacies between friends, family, communities, and lovers. The revolutionary potential of femme for femme relationships. Upholding trans and immigrant identities and memory across generations. Busting childhood isolation and fear of being queer. Leaving your life behind due to youthful yearning. A slow-paced and tactile assortment of stories embracing many different faces and places.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English, Persian, French, Spanish, and Portuguese audio and ASL with English captions/subtitles. Hearing loop available.
Most of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling, minimal dialogue, and majority non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

#Familiar #Touch #Lost #Figures (13m)
Dir: Katy Jalili, Country: UK, Year: 2017, Language/s: English, Persian
#Familiar #Touch #Lost #Figures is an exploration of queer ancestry and diaspora, the hybrids between cultural traditions and contemporary queer identity. It explores brown bodies and femme for femme intimacies, and the feeling of being between a search for home and finding home in a familiar stranger.
Content note: Depiction of nudity.
Silvia in the waves (13m)
Dir: Gio Olmos, Country: Canada, Year: 2018, Language/s: French
Noa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure, identity and memory.
Content note: Depiction of queerphobia.
Welcome to the Ball (5m)
Dir: Adam Vincent Wright, Country: USA, Year: 2019, Language/s: English, ASL
A child learns sign language in hopes of making a new friend.
Content note: None.
My Grandson, Charlotte (13m)
Dir: Tyler Pierreson, Country: UK, Year: 2019, Language/s: English
A transgender teen and his immigrant granddad, a Sapeur from the Congo, bond over their shared understanding of the importance of identity and of always being true to one’s self.
Content note: Depiction of death.
Carlito se va Para Siempre (13m)
Dir: Quentin Lazzarotto, Country: UK, Year: 2018, Language/s: Spanish
In the Amazonian jungle, the village of Palma Real resists the modern world. Carlito, a silent young man, decides to leave. On the muddy bed of the immense river, an encounter reveals the secret that Carlito has hidden from his community.
Content note: None.
Infinite While It Lasts (19m)
Dir: Akira Kamiki, Country: Brazil, Year: 2019, Language/s: Portuguese
After falling in love at a party, Danny and Seiji just want to be together. However, their differences might prove stronger than their feelings. A fiction film about asexuality.
Content note: Reference to sex.

Autism-friendly Opening Night Shorts
2019-10-02 18:30 - 19:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We are putting on an autism-friendly screening of our Opening Night Shorts programme. Autism-friendly screenings are designed to make the cinema more inclusive and accessible for people with sensory sensitivities, and others who can benefit from this environment. We will not book the cinema more than half full. Lights will be left on low and sound turned down. People are welcome to make noise and move around. We will have a Quiet Space in the Intermedia Gallery on the top floor of CCA available for anyone to take some time out.
The programme features a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
All films have English audio with English language subtitles/captions. Hearing loop available.
Films are largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Bodies Like Oceans (13m)
Dir. Kat Cory, Country: USA, Year: 2019, Language/s: English
A dreamy portrait of photographer Shoog McDaniel, a self-described queer fat freak, whose work with fat bodies in nature transgresses reality.
Content note: Discussion of racism, misogyny, and fatphobia.
Adam and the Alphas (12m)
Dir. Stuart Thomas Graham, Country: UK, Year: 2019, Language/s: English
Made by students on the 2019 Documentary Production course at Stirling University.
Content note: Discussion of homophobia.
I AM! We Are Here! (7m)
Dir: Seyi Adebanjo, Country: USA, Year: 2018, Language/s: English
I AM! We Are Here! multimedia project documents the vitality and spirit of Queer, Trans* and Gender Non Conforming People of Color in the Bronx.
Content note: None.
Unspoken (17m)
Dir: Patrick G. Lee, Country: USA, Year: 2019, Language/s: English
Unspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents, and this film is their way of doing so.
Content note: Discussion of homophobia and transphobia.
We Are Here (12m)
Dir. Ellie Hodgetts, Country: UK, Year: 2019, Language/s: English
This documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go.
Content note: Discussion and depiction of homophobia and transphobia, including scenes of violence.
Button OUT! (4m)
Dir: Kathleen Mullen, Country: Canada, Year: 2018, Language/s: English
Button OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto.
Content note: Reference to sex, homophobia, transphobia, and racism.

SQIFF 2019 Opening Night Shorts
2019-10-02 19:00 - 21:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Sold Out – we can’t guarantee but there’s a good chance of returns if you come on the night 15 minutes before the event
We launch the Festival with a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. Adam and the Alphas depicts the camaraderie of gay rugby team, the Glasgow Alphas. Bodies Like Oceans follows self-described queer fat freak and photographer, Shoog McDaniel. I AM! We are Here! presents portraits of Queer, Trans* and Gender Non Conforming People of Colour in the Bronx, whilst Unspoken sees queer and trans Asian Americans writing emotional letters to their families. We Are Here follows members of the Manchester House of the Sisters of Perpetual Indulgence, and Button OUT! is an animated homage to Canadian filmmaker Kathleen Mullen’s history of protest through the Canadian Lesbian and Gay Archives’ massive button collection.
We hope to welcome several of the filmmakers for a Q&A. Followed by a drinks reception at CCA sponsored by Drygate Brewing Co.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
All films have English audio with English language subtitles/captions. The introduction and Q&A will be BSL interpreted. Hearing loop available.
Audio description available. Films are otherwise largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Bodies Like Oceans (13m)
Dir. Kat Cory, Country: USA, Year: 2019, Language/s: English
A dreamy portrait of photographer Shoog McDaniel, a self-described queer fat freak, whose work with fat bodies in nature transgresses reality.
Content note: Discussion of racism, misogyny, and fatphobia.
Adam and the Alphas (12m)
Dir. Stuart Thomas Graham, Country: UK, Year: 2019, Language/s: English
Made by students on the 2019 Documentary Production course at Stirling University.
Content note: Discussion of homophobia.
I AM! We Are Here! (7m)
Dir: Seyi Adebanjo, Country: USA, Year: 2018, Language/s: English
I AM! We Are Here! multimedia project documents the vitality and spirit of Queer, Trans* and Gender Non Conforming People of Color in the Bronx.
Content note: None.
Unspoken (17m)
Dir: Patrick G. Lee, Country: USA, Year: 2019, Language/s: English
Unspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents, and this film is their way of doing so.
Content note: Discussion of homophobia and transphobia.
We Are Here (12m)
Dir. Ellie Hodgetts, Country: UK, Year: 2019, Language/s: English
This documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go.
Content note: Discussion and depiction of homophobia and transphobia, including scenes of violence.
Button OUT! (4m)
Dir: Kathleen Mullen, Country: Canada, Year: 2018, Language/s: English
Button OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto.
Content note: Reference to sex, homophobia, transphobia, and racism.

SQIFF Shorts: Luv Sucks
2019-10-03 12:00 - 13:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Romantic relationships can be tough. SQIFF offers up an alternative to punching walls and texting your ex when pished with these shorts from the heart – as in stomping all over it and dumping it in the trash. A bisexual trio have a bust up in a toilet. A boy in a bath pines over his unavailable roommate. A woman has a near-but-not-quite romantic encounter with a fellow deafie. The vast power of the cosmos can’t prevent a bickering lesbian couple from breaking up. A sex worker has his hopes dashed by the man he loves. And in 2033 Botswana, a man loses his lover to dystopian despair.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have a mixture of Arabic, English, Spanish, Portuguese, and Tswana audio and BSL with English subtitles/captions. Hearing loop available.
Most of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling, minimal dialogue, and majority non-English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

To Starboard, I Vomit (6m)
Dir: Tarek Sardi, Country: Tunisia, Year: 2019, Language/s: Arabic
Zarga, Dorra, and Mohammed find themselves after years of separation together, reunited in a club’s toilet. Between betrayal and unspoken truths, the old classmates reveal their deepest secrets and taboos.
Content note: Depiction of homophobia, misogyny, and violence; discussion of sex.
Your Towel (3m)
Dir: Zhizi Hao, Country: UK, Year: 2017, Language/s: English
A young gay man and his roommate’s intimate moment in the bathtub.
Content note: Discussion of sex.
Almost… (5m)
Dir: Teresa Garratty, Country: UK, Year: 2019, Language/s: BSL, English
A chance encounter between two girls sparks an unspoken connection. Everything seems so effortless, so perfect… Almost. Written and directed by award winning filmmaker, Teresa Garratty, produced by Flashing Lights Media, and funded by BSLBT.
Content note: None.
Solarity (8m)
Dir: Marianne Verrone, Country: USA, Year: 2019, Language/s: English
An exploration of perception, proximity, and intimacy within a queer cosmos.
Content note: None.
Last Words [sic] (6m)
Dir: Hugo Ljungbäck, Country: USA, Sweden, Year: 2017, Language/s: No spoken language
Last Words [sic] revisits an angry email the artist received from an ex-boyfriend. The text is taken verbatim from his goodbye-letter, and tells a humorously painful story of lost love, betrayal, and desire, as the writer grows increasingly delusional, defensive, and passive-aggressive with each paragraph.
Content note: Discussion of sex.
Free Fall (14m)
Dir: Santiago Henao Vélez, Country: Colombia, Year: 2018, Language/s: Spanish
Out of the hunting shadows of sexual underground Medellin, sixteen-year-old Jhony is excitedly hopeful about a date with the boy he loves.
Content note: Depiction of sex and drug-taking.
Tea for Two (20m)
Dir: Julia Katharine, Country: Brazil, Year: 2018, Language/s: Portuguese
Silvia is a middle-aged filmmaker having a life crisis. The same night that she is surprised by the visit of her ex-wife, who left her a few years ago, she meets another woman who fascinates her. Tea For Two is thought to be the first film directed by a trans person to ever be commercially released in Brazilian cinemas.
Content note: Depiction of transphobia.
2064 (12m)
Dir: Joseph Adesunloye, Country: Botswana, Year: 2019, Language/s: Tswana
Devastating population growth, famine, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting, ever-warming climate, and a ballooning population. A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful, and the continent’s wildlife begins to flourish again. In 2064, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull.
Content note: Discussion and depiction of death and suicide.

Birds of the Borderlands
2019-10-03 15:30 - 17:05 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Four queer Arab stories are powerfully illuminated through genderqueer Australian filmmaker Jordan Bryon’s compelling piece of guerrilla filmmaking. Jordanian teenager Hiba is transitioning in secret, fearful of being killed by her Bedouin tribe; gay Iraqi refugee Youssef has fled Baghdad and is living in limbo in Bryon’s safe house in Amman; lesbian feminist Rasha hides her sexuality and her relationship with Bryon from her family while striving for LGBTIQ visibility; and Khalaf, a gay Imam turned activist, lives a solitary life in Beirut. There is tension alongside touching, reflective moments as Bryon becomes more entangled in their struggles, blurring the lines between lover, friend, filmmaker, and activist.
Screening with No Man (4m). Kenneth Macharia is under the threat of being deported from the UK back to his home country of Kenya, where as an openly gay man he faces the risk of persecution, mob violence, and even death.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have a mixture of English and Arabic audio with English captions/subtitles. Hearing loop available.
Films are marginally accessible to English-speaking blind and partially sighted audiences with the feature film half in English, half Arabic and with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Brief Story from the Green Planet
2019-10-03 21:30 - 22:55 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Three childhood friends in Buenos Aires are stuck in a rut. Gutsy trans performer Tania is disillusioned with her profession, club kid Pedro can only connect via dancing, and depressed waitress Daniela has given up on finding love. Their lives are turned upside down when Tania’s grandmother dies, leaving behind a secret. She lived with an extra-terrestrial companion and it is now Tania’s duty to return the creature to its home. The three set out across the countryside of Argentina on a journey that will test their faith in themselves and one another. Told through a mixture of magic and sobering realism, this poetic fable is an examination of selfhood, friendship, and what it means to be ‘other.’
With an introduction by Argentinean comedian and translator, AB Silvera.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Film has Spanish audio with English subtitles/captions. If you would like to attend this screening and require a BSL interpreter for the introduction, please contact access@sqiff.org at least 2 weeks in advance. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with largely visual storytelling, minimal dialogue, and all Spanish language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

See Me Proud presents: Mental Health Shorts
2019-10-04 12:30 - 14:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We know that mental health issues disproportionately affect LGBTQIA+ individuals and communities, who often experience difficulties in accessing support. To create space for discussion and representation of these topics, we’ve curated a collection of insightful and powerful shorts in partnership with See Me Proud. Topics covered include depression, anxiety, loneliness, irrational thoughts, living with bipolar disorder, medication, and queerphobia encountered whilst obtaining treatment. The films incorporate a diversity of identities and styles, including animation, experimental, documentary, and sci-fi.
Followed by a discussion on themes raised in the films with See Me Proud. With refreshments sponsored by Clever Kombucha.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have English and Chinese audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available.
Films are moderately accessible to English-speaking blind and partially sighted audiences with mostly English language, some explanatory dialogue and voiceover, and/or relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Don’t Blame Jack (29m)
Dir. Dale John Allen, Country: UK, Year: 2019, Language/s: English
Don’t Blame Jack follows newly diagnosed manic-depressive, Jack, as he battles with the thought of life without his beloved ‘mania’. Now on a daily cocktail of anti-psychotics and anti-depressants, Jack searches for the adrenaline-fuelled, extraordinary manic highs in the most ordinary of places. He escapes his drab, routine-filled existence by jumping into the arms of strangers, searching for moments of magic.
Content note: Depiction of sex including light BDSM, nudity, self-harming scars, and blood; discussion of mental health issues including self-harming and violence; brief reference to suicide.
Hanging by a Thread (3m)
Dir: Russell Atkinson, Country: UK, Year: 2019, Language/s: English
Hanging by a Thread is director Russell Atkinson’s final BA Animation film, highlighting the struggle of loneliness and irrational thought.
Content note: Depiction of mental health issues; animated, abstract depiction of violence.
My Crazy Boxers (9m)
Dir. Krissy Mahan, Country: USA, Year: 2019, Language/s: English
Suicidal, or a working class butch caught in the wrong underpants? A re-enactment of an actual interview at a mental health facility.
Content note: Discussion of mental health issues including brief reference to suicide; depiction of queerphobia.
My Room 37 (14m)
Dir. Beatrice Wong, Country: Hong Kong, Year: 2018, Language/s: Chinese, English
Will I stay or will I leave this room that has felt the best? A brief first-hand account of my darker days in depression, journeying through my tangled thoughts to the exit.
Content note: Depiction of mental health issues, mild violence, and nudity.
Turning (2m)
Dir. Linnéa Haviland, Country: UK, Year: 2019, Language/s: English
Voices in a crowd stir violent emotions and microaggressions bring up past traumas. Then a turning shifts the emotional landscape…
Content note: Depiction of mental health issues.

SX presents: What Brings You On Here?
2019-10-04 15:15 - 16:45 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Filmmaker and poet Ross Wilcock presents films focusing on the experiences of gay men with online dating. A history of gay sex and cruising from the 70s to the internet takeover of today. Dissatisfaction with emotionless encounters and the yearning for something more. Meeting up with men online as a way of expressing your queerness when you’re not out. The sometimes all-consuming obsession of people with their phones. Grindr, swiping left, hooking up, insecurities, getting tested, and a bit of hot sex are all contained in this challenging selection.
Curated by Ross Wilcock, who will host a discussion after the screening with director Sean Lìonadh. In partnership with SX, Sex Health Wellbeing for Gay & Bisexual Men provided by Waverley Care.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have English audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available.
Audio description available. Films are otherwise relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Have We Met Before? (12m)
Dir: Oliver Mason, Country: UK, Year: 2019, Language/s: English
A short docudrama exploring the history of sex in the gay community from the 1970s to the present day, and how the internet has changed the way queer men meet forever.
Content note: Depiction of sex.
Fun Only (9m)
Dir: Lukas Revzin, Country: UK, Year: 2018, Language/s: English
Growing tired with emotionless digital encounters, Matt yearns for something more substantial.
Content note: Depiction of sex.
Jamie (10m)
Dir: Christopher Manning, Country: UK, Year: 2016, Language/s: English
Shy, quiet Jamie spends a revealing afternoon with Ben after meeting on a dating app. As they chat, Jamie finds himself opening up and letting loose his hopes and fears in an unexpected awakening.
Content note: Discussion of homophobia.
The Date (15m)
Dir: Christopher Birk, Country: USA, Year: 2015, Language/s: No dialogue
Two guys meet on a date – but it is not your ordinary date, as they both soon discover.
Content note: None.
Thirst (8m)
Dir: Eoin Maher, Country: UK, Year: 2017, Language/s: English
Drew leaves another disappointing gay hook up and wonders why he feels so alone. This revealing monologue delves deep into the mind of a lonely gay man. His desires, his insecurities, and his wavering belief he’ll find love.
Content note: Brief depictions of sex and blood.
Tonight (2m)
Dir: Sean McInally, Country: UK, Year: 2017, Language/s: English
Looking for fun, looking for home, looking for assurances, but maybe not tonight. Tonight is a circular short film by Sean McInally exploring the relationship of a user with his hook-up app. From swiping left to getting tested, Tonight shows the reality for many.
Content note: Brief depictions of sex and blood.

Moroni for President
2019-10-04 18:30 - 20:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
The Navajo Nation is the largest Native American reservation in the United States. Every four years, the Navajo tribe elects its president, whom is considered to be the most powerful Native American in the country. In the midst of a frenzied electoral campaign, Moroni for President follows Moroni Benally, an underdog with radical ideas who is angry about lack of social progress in the reservation he grew up in. As the election unfolds, the film delves into Moroni’s layered identity as a Mormon and gay Navajo man, along the way expanding to include LGBTQ+ characters campaigning for other candidates.
Screening as part of our strand on queerness and religion, You Gotta Have Faith.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has mostly English and a small amount of Navajo audio with English language subtitles/captions. Hearing loop available.
Film is reasonably accessible to blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

From Zero to I Love You
2019-10-04 21:00 - 23:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
This captivating relationship comedy begins when Peter bumps into handsome but married Jack in a gay bar. They begin a passionate affair and Peter woes the fact he always seems to end up with married men, a scenario bringing its own special set of tensions. Gossip, heartbreak, and coincidence play their part and eventually Peter is forced to admit that he needs something to change in order to maintain self-respect. He attempts to face head on the challenges of finding and keeping love in the big city that is Philadelphia. An emotionally engaging drama with a sophisticated and original approach to bisexuality and the turbulence of relationships.
Director Doug Spearman will join us after the screening for a Q&A.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has English audio with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available.
Film is relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and quite bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Queer Islam with Hidayah
2019-10-05 12:30 - 14:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A series of shorts made over several decades following queer Muslim characters as they navigate familial relationships, romantic love, and their careers. A budding filmmaker collaborates with his conservative Muslim father on a film about an iconic Muslim actor. The love between a disabled Muslim father and his queer son is tested when love is pitted against religion. Two brothers stand by each other in the face of adversity. An Arab American man learns how to love again post-heartbreak. And a rising martial arts star tries to hides her identity from her family and her small American town when under the spotlight.
Join us for a discussion after the screening with members of LGBTQIA+ Muslim charity Hidayah. Part of our strand on queerness and religion, You Gotta Have Faith.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English and Arabic audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available.
Around half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Surviving Sabu (16m)
Dir: Ian Iqbal Rashid, Country: UK, Year: 1997, Language/s: English
Funded by the Arts Council of England as part of its Moving Image series of films about ethnic identity in Britain, Ian Iqbal Rashid’s debut short deservedly won him various industry accolades upon its release. Its sympathetic depiction of a strained relationship between a budding gay filmmaker and his conservative Muslim father as they collaborate on a film about Indian star Sabu – best known for his contribution to British cinema in the 1930s and 40s – is steered by exceptional performances from Suresh Oberoi and Navin Chowdry.
Content note: Depiction of homophobia; discussion of racism and mental health issues.
Ablution (15m)
Dir: Omar Al Dakheel, Country: USA, Year: 2017, Language/s: English, Arabic
Waleed washes his disabled father Khaled five times a day for Muslim prayer. But, when Waleed’s sexuality is revealed, both father and son are torn between religion, duty, and self.
Content note: Depiction of homophobia and drug use.
Brothers (9m)
Dir: Mike Mosallam, Country: USA, Year: 2018, Language/s: None
Brothers follows a Muslim Arab boy who realizes he is different, and is fortunate to have an older brother who stands by him and encourages him to be himself in the face of bias and adversity.
Content note: Depicion of homophobi.
Breaking Fast (18m)
Dir: Mike Mosallam, Country: USA, Year: 2015, Language/s: English, Arabic
Breaking Fast is a romantic comedy drama following Mo, an Arab American man living in West Hollywood learning how to navigate life post-heartbreak. Enter Kal, a sweet All-American guy who surprises Mo by offering to break fast with him during the month of Ramadan. As they learn more about each other, they fall in love over what they have in common, and what they don’t.
Content note: Discussion of suicide.
Choke (16m)
Dir: Rolla Selbak, Country: USA, Year: 2018, Language/s: English, Arabic
A rising MMA star hides her refugee status from her small American town and the world.
Content note: Depiction of racism, violence, sexism, and homophobia.

SQIFF Shorts: Queer Scotland
2019-10-05 15:15 - 17:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We present a round-up of the excellent, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson, Wei Zhang, Siri Rødnes, Eleanor Capaldi, and Natasha Lall, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet, a queer reimagining of a working men’s club, sending naked pics via dating apps, Chinese mythology and human binaries, trans masculine culture, BSL poetry, LGBT people in the asylum system, and loads more are explored in our 2019 Queer Scotland programme.
We hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available.
Audio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Frontiers (4m)
Dir. Eve McConnachie, Year: 2019
Frontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow.
Content note: None.
we were always here (4m)
Dir. Michael Lee Richardson, Garry Mac, Year: 2019
A queer reimagining of the working men’s club. A dance-powered journey through space and time.
Content note: None.
Acceptable Face (6m)
Dir: Holly Summerson, Year: 2019
“The sort of person who someone might say: ‘oh he’s gay, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look, act, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people, this experimental charcoal animation explores the pressure to be a ‘good example’, and the joy of refusing to conform.
Content note: Discussion of homophobia and transphobia.
Dix Pix (4m)
Dir. Steven Fraser, Year: 2019
Dix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity, queerness, solitude, and the body.
Content note: Depiction of animated nudity and sex.
2x+xy=1 (12m)
Dir. Wei Zhang, Year: 2019
Wei Zhang’s practice is an experimental film created by multi post-production technologies, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary, the expression of emotion and the symbol of predicament.
Content note: Depiction of nudity.
None of the Above (16m)
Dir. Siri Rødnes, Year: 2018
Embarking upon a distinctly postmodern cyber experiment, Cassie charts her dating odyssey on her personal vlog, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral, she becomes a media pariah.
Content note: Depiction of homophobia, mental health issues, and suicide (graphic).
Roberta Cowell’s Story (1m)
Dir. Melissa J Clifford, Year: 2019
Roberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge #39 AMBITION. The short was created by Melissa Joan Clifford, a trans woman, and was made in the style of an archival film.
Content note: Reference to transphobia.
A Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)
Dir. Nastia Nikolskaya, Year: 2019
Titled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives, driving our short-term and long-term decisions.
Content note: None.
Glue (4m)
Dir. Eleanor Capaldi, Year: 2019
When you’ve been dreaming of the past for so long, what do you do when she’s finally there? Agnes meets her ex, Anna, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new.
Content note: None.
Possessive Skin (2m)
Dir. Myles McEachan, Year: 2019
“To accept yourself against the face of adversity, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community, and how in an age that prides itself on inclusion, we still find segregation and discrimination within even the most marginalised of people, which reflects us inwards.
Content note: Description of mental health issues and transphobia.
What Is Happiness? (6m)
Dir. Claire Clark, Year: 2019
What Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form.
Content note: None.
The 16mb, Future Sounds & A Mini City (15m)
Dir. Natasha Lall, Year: 2018
The 16mb, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi, lo-fi films shot in Glasgow.
Content note: None.
Crypsis (9m)
Dir. Christopher McGill, Year: 2019
After fleeing for his life, a gay refugee files for asylum in Scotland. Lacking evidence, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them.
Content note: Discussion of homophobic violence; depiction of trauma.

A Dog Barking at the Moon
2019-10-05 15:30 - 17:35 | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
In director Zi Xiang’s exceptional feature debut – a Teddy Jury award-winner at the Berlin Film Festival – decades of open secrets and resentment create chaos within a Chinese family. When she brings her white western boyfriend for a visit to China, pregnant Huang Xiaoyu gets caught up in her parent’s ongoing feud. Her father’s gay affairs and her worn-out mother’s seduction by a predatory cult bring matters to a crescendo as the narrative jumps cleverly between past and present. Zi Xiang expertly analyses repression which is woven into society and causes unhappiness to be passed down across generations.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call GFT box office on +44 (0)141 332 6535.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has Chinese and English audio with English language subtitles/captions. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with minimal dialogue mostly in Chinese. Large print versions of handouts available.
GFT has good access for wheelchair users and welcomes assistance animals. Click here for GFT’s Accessibility Guide.
Programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
If you would like to reserve specific seating, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Cassandro, the Exotico!
2019-10-05 18:15 - 19:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Cassandro is a well-known lucha libre wrestler known for his extravagant gayness and equally spectacular wrestling moves. Shot on 16mm over the course of 5 years, Marie Losier’s film follows a champion coming to terms with his increasingly ailing body. We bear witness to Cassandro’s scars, both mental and physical, his pain contrasting with his flamboyant masks and aerial manoeuvres in the ring. The Mexican legend struggles to deal with past addiction and abuse, which continue to haunt him. But his joy and strength in creating space for his queer self within conservative cultural traditions make for a fascinating and invigorating watch.
Presented in partnership with Document Human Rights Film Festival. Part of our strand Latinx Legends.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has English and Spanish audio with English language subtitles/captions. Hearing loop available.
Film is moderately accessible to English-speaking blind and partially sighted audiences with some visual storytelling, some explanatory dialogue, majority in English but some in Spanish. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Stonewall Scotland presents: Before Stonewall
2019-10-05 19:00 - 20:30 | The Seamore Neighbourhood Cinema, 304 Maryhill Road, Glasgow, G20 7YE, United Kingdom
On June 27 1969, police raided The Stonewall Inn, a gay bar in New York. In a spontaneous show of support and frustration, the city’s queer community rioted for three nights, an event often considered the birth of the modern LGBT Rights Movement. Revealing and often humorous, Before Stonewall exposes the fascinating decade-by-decade history of homosexuality in America, from 1920s Harlem through to World War II and the witch hunt trials of the McCarthy era. Essential viewing for all those who have celebrated their sexuality, or have been persecuted because of it.
In partnership with Stonewall Scotland, working to ensure LGBT communities here and abroad are Accepted Without Exception.
#ComeOutForLGBT
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
This event has an age rating of 12.
Film has English audio with English language subtitles/captions.
Film is relatively accessible to English-speaking blind and partially sighted audiences – there is some visual storytelling but a reasonable amount of explanatory dialogue with moderately bright images. Large print versions of handouts available.
The Seamore Neighbourhood Cinema has reasonable access for wheelchair users and welcomes assistance animals. Please get in touch with access@sqiff.org for further venue access information.
Programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
If you would like to reserve seating at this event, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Some Like it Rough
2019-10-05 21:00 - 22:25 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We delve into the varied practices of BDSM and societal attitudes towards this age-old erotic preference, which continues to be subject to stigmatisation and censorship. In Lasting Marks, one of sixteen gay men put on trial for taking part in consensual sadomasochism in late 80s England narrates his experience. Berlin-based conscious BDSM practitioner, Caritia, explains her spiritual journey through eroticism and life in Rituals + Worship. In French dramedy, Dressed for Pleasure, a young disabled woman seeks a more exhilarating sexual satisfaction. Mockumentary No Democracy Here sees a lefty dominatrix employed by right-wing Israeli men to force them into recanting their politics. The programme concludes with super hot non-binary, lesbian action with a punk boidyke given the rough-tender treatment in Driven.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
Films have English, French, Hebrew, and German audio with English language subtitles/captions. Hearing loop available.
Films are moderately accessible to blind and partially sighted audiences with two of them English language with explanatory dialogue and voiceover but the others non-English language, a fair amount of visual storytelling throughout, and a mix of dark and bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Lasting Marks (14m)
Dir: Charlie Lyne, Country: UK, Year: 2018, Language/s: English
The story of sixteen men put on trial for sadomasochism in the dying days of Thatcher’s Britain was told by the police, the prosecution, and the tabloid press — but not by those in the dock. Director Charlie Lyne has created an experimental recreation of what happened offered by the men themselves.
Content note: Discussion of sex including BDSM, homophobia, mental health issues, and police persecution.
Rituals + Worship (13m)
Dir: Morgana Muses, Country: Germany, Year: 2015, Language/s: English
A short BDSM documentary that explores the workshop culture in Berlin and focuses on conscious BDSM practitioner, Caritia.
Content note: Depiction of BDSM. Discussion of racism.
Dressed for Pleasure (17m)
Dir: Marie de Maricourt, Country: Switzerland, Year: 2017, Language/s: French
Sarah, a young disabled woman, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner, Victoria, a trans woman, will upset the family balance.
Content note: Depiction of nudity, sex including reference to BDSM, and transphobia.
No Democracy Here (25m)
Dir: Liad Hussein Kantorowicz, Country: Germany, Palestine, Israel, Year: 2017, Language/s: Hebrew
No Democracy Here deals with the topic of political domination. Liad, a lefty human rights defender dominatrix, re-educates her Israeli right-wing-leaning obedient submissive slaves to follow upstanding leftist ethos and morals, like freedom of movement, economic justice, direct democracy and human rights by using domination practices such as humiliation, doggy-training, coercion, and administration of pain.
Content note: Depiction of light BDSM and racism.
Driven (13m)
Dir: Toni Karat, Country: Germany, Year: 2018, Language/s: German, English
A punk boidyke, handcuffed, facing the wall in a sparse, empty room, breathes heavily with anxiety and expectation. And anxious she should be, for the rough treatment she will face in the 13 minutes that follow! The film is a contribution to much-needed lesbian visibility – conveying a proud and unashamed image of dyke eroticism and BDSM – also at the age of 50+!
Content note: Depiction of BDSM including consensual non-consent.

Rainbow Families presents: Beauty and the Beast Singalong
2019-10-06 12:15 - 14:25 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Sing along with Emmas Watson and Thompson and Ewan McGregor in this romantic fairytale with a queer twist. Belle, a bright, beautiful, and independent young woman, is taken prisoner by a beast in its castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the beast’s exterior, allowing her to recognise the kind heart and soul of the true prince that hides on the inside. Come along and celebrate this “tale as old as time” – featuring Disney’s first openly gay character, Josh Gad as Le Fou.
In partnership with LGBT Health and Wellbeing’s Rainbow Families Project, which runs events and support for LGBTQ families in Glasgow and Edinburgh.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age certification of PG (Parental Guidance).
Film has English audio with English language subtitles/captions/lyrics. Hearing loop available.
Film is relatively accessible to blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: You Gotta Have Faith
2019-10-06 12:30 - 14:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Short films exploring what it means to have faith as a queer person today. A seemingly pious Hasidic man living a secret double life faces a challenge when his two worlds collide. A chaplain from Cheshire sets up a helpline for gay farmers and is inundated with calls. LGBTQIA+ people in Nepal use a Hindu festival as a medium to appear in public. Plus more compelling stories in this captivating selection.
Join us for a discussion after the screening with playwright and author of The Gospel According to Jesus, Queen of Heaven, Jo Clifford, LGBTQIA+ Muslim charity Imaan, and Rev. Jane Clarke from Glasgow’s LGBT+ Metropolitan Community Churches. Part of our strand on queerness and religion, You Gotta Have Faith.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English, Hebrew, and Nepali audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available.
Around half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Black Hat (15m)
Dir: Sarah Smith, Country: USA, Year: 2019, Language/s: English, Hebrew
A seemingly pious Hasidic man living a secret double life misplaces his black hat one night causing his two separate lives to collide in a way he never imagined.
Content note: Sexual content.
Two Blinks (8m)
Dir. Bruno Fraga Braz, Country: UK, Year: 2018, Language/s: English
After her father rejects her request to get a haircut, hijab-wearing Farhana searches the streets of Peckham London for a hair salon where her modesty can be protected.
Content note: Depiction of homophobia.
Landline (12m)
Dir. Matt Houghton, Country: UK, Year: 2018, Language/s: English
Landline is a short documentary about the only helpline in the UK for gay farmers set up by a chaplain from Cheshire. Through a series of recorded telephone conversations and reconstructive visuals, the film uses the helpline as a lens through which to view the experiences of LGBTQ people in the British farming community.
Content note: Discussion of homophobia and suicide.
Eden (5m)
Dir. Jędrzej Gorski, Country: Poland, Year: 2018, Language/s: No dialogue
A story of a young Catholic man who is struggling with his homosexuality. He is in love with another man but also does not want to abandon his religion. He has to choose between love and religion on one rainy day in the countryside.
Content note: Sexual content.
21st Century Nuns (10m)
Dir. Tom Stephen, Country: UK, Year: 1994, Language/s: English
Documentary about the Sisters of Perpetual Indulgence. The Sisters are an order of queer nuns. Their work covers many areas including: safer sex education, protests and demonstrations, outreach to the gay community, and providing ritual to the gay population. Their goal is to “expiate all stigmatic guilt and promulgate universal joy…”
Content note: Sexual content and depiction of homophobia.
The Visible (4m)
Dir. Atikah Zainidi, Country: Brunei, Year: 2019, Language/s: English
A short documentary exploring what it’s like to be a girl in Brunei.
Content note: Discussion of homophobia, transphobia, and sexual violence.
Gai Jatra (20m)
Dir. Gopal Shivakoti, Country: Nepal, Year: 2019, Language/s: Nepali
Traditionally, Gai Jatra is literally translated as procession of cows and is an age-old festival commemorating the death of loved ones. Since 2001, LGBTI people in Nepal have been using Gai Jatra festival as a medium to appear in the public, flaunt their true selves with pride, and pay tribute to the deceased members of their community.
Content note: Discussion of mental health issues, suicide, homophobia, and transphobia.

Lemebel
2019-10-06 14:45 - 17:00 | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
Pedro Lemebel’s sharp, poetic texts and provocative performances make him one of South America’s most significant artists. Under Pinochet’s dictatorship in Chile, Lemebel expressed things most wouldn’t dare. For the country’s left-wing opposition, his queerness made him an awkward figure as he exposed their machismo and homophobia. Lemebel embodied an uncomfortable gay identity and fiercely criticised the wish of some queer people to assimilate. Lemebel uses slides and video clips to shape an essay-like memento, enhanced with intimate interviews, to portray a tireless fighter who continued to speak out until the end of his life.
Joanna Reposi Garibaldi will join us for a Q&A after the screening. Kindly sponsored by Scottish Documentary Institute. Part of strand Latinx Legends. Joanna will also be giving a workhop on documentary filmmaking as part of the Festival. Click here for more information.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call GFT box office on +44 (0)141 332 6535.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has Spanish audio with English language subtitles/captions. If you would like to attend this event and require a BSL interpreter for the Q&A, please contact access@sqiff.org at least 2 weeks in advance. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with minimal dialogue mostly in Spanish. Large print versions of handouts available.
GFT has good access for wheelchair users and welcomes assistance animals. Click here for GFT’s Accessibility Guide.
Programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
If you would like to reserve specific seating, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

LGBT Health & Wellbeing Community Filmmaking
2019-10-06 17:15 - 18:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
LGBT Health & Wellbeing is a charity promoting the health, wellbeing, and equality of lesbian, gay, bisexual, and transgender people in Scotland and providing support, services, and information. Two of the organisation’s groups have recently created collectively-made short films, which we will showcase at this event. Return to the Closet? was created as part of a collaboration between Luminate, LGBT Health and Wellbeing, artist Glenda Rome, and participating community filmmakers. Luminate commissioned the film with support from LGBT Health and Wellbeing. This is a documentary exploring issues around care for older LGBT people. Everything Just Collapsed is an experimental short reflecting on stigma and survival by Tim Knights in collaboration with participants of The LGBT Mental Wellbeing Collective. Come and watch both movies and join in an open discussion on the process and value of community filmmaking.
Click here to find out more about Luminate. Click here for more information about LGBT Health & Wellbeing.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have English audio with English language subtitles/captions. BSL interpretation for discussion. Hearing loop available.
Films are relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Vision Portraits
2019-10-06 17:30 - 19:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Vision Portraits is a vivid and hypnotic exploration by filmmaker Rodney Evans illuminating the compelling stories of four visually impaired artists – photographer John Dugdale, dancer Kayla Hamilton, writer Ryan Knighton, and the filmmaker himself. Evans contrasts their journeys with his own personal and professional one as a filmmaker gradually losing his vision and as a gay man. Evans’ self-reflexive approach emphasises how each artist adapted creatively and thrived as their process evolved with their unique perspectives. An important film for anyone interested in disability aesthetics, demonstrating how blindness and visual impairment bring about distinct artistic viewpoints.
Screening with Fashion in the Dark I and II (8m) by Emily Ford-Halliday exploring fashion and identity with people who are visually impaired or blind. Presented in association with Royal National Institute of Blind People Scotland. With an introduction by filmmaker and poet, Ross Wilcock, and filmmaker and academic, Emily Ford-Halliday.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have English audio with English language subtitles/captions. BSL interpretation for introduction. Hearing loop available.
Audio description available. Films are relatively accessible to blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Gross Out
2019-10-06 20:00 - 21:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
With supposed tolerance and acceptance of LGBT people in western public life comes enforced sanitisation and respectability. Straight society pats itself on the back for allowing (some of) us to get married and feature in shiny corporate advertising but is still repelled by our bodies and sex lives. To counter the continued suppression of fleshly and carnal appetites and practices, we went on a hunt for the grossest, most yucky films we could find. Featuring experimental musing on why we find our bodies disgusting and scary; some gay sex-tinged body horror; literal shit in a variety of forms; and a performance involving an empty stomach and a large jar of honey. Please note this programme requires resilience for what some would consider stomach-churning and gruesome imagery.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
Films have English and Spanish audio with English language subtitles/captions. Hearing loop available.
Films are not very accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and ideas and dark images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Ämber (6m)
Dir: Remmi E. Välja, Country: UK, Year: 2019, Language/s: No spoken sound
Ämber is an experimental film about the basic functions of the human body. The film studies affect; it seeks to raise the question of why we sometimes find our own bodies and their natural existence to be unpleasant, disgusting, and scary. The aim of the film is to make the audience uncomfortable in a humorous way.
Content note: Depiction of bleeding.
Estigma (14m)
Dir: David Velduque, Country: Spain, Year: 2018, Language/s: Spanish
It’s Friday night, the bell rings and Alex opens the door to the worst of his fears. “Estigma speaks to us about that inner prison we build because of fear of rejection and not being loved for who we are. This is the starting point of a story that I’ve intended to face as a personal matter, dealing with my complex relationship with illness and rejection.” David Velduque
Content note: Depiction of injury with body horror elements.
Next Level Shit (11m)
Dir: Gary Jaffe, Country: USA, Year: 2018, Language/s: English
Taylor wants to be squeaky clean downstairs before his big third date with dreamboat Chris, but his efforts backfire, sending the relationship spiralling to a whole new level of intimacy.
Content note: None.
Bear (13m)
Dir: Fred Guerrier, Country: USA, Year: 2018, Language/s: English
A bear-suit wearing dancer ignores the news of his estranged father’s death but begins to see his ghost. Meanwhile, an ex-lover’s infatuation quickly devolves into something more sinister (and stinky). The line between reality and fiction get blurred during the terrifying showdown between the Bear, the ghost, and the lover.
Content note: Depiction of death.
Force Feed (15m)
Dir: Alan Vincent, Country: USA, Year: 2018, Language/s: No spoken sound
Performance for video. One empty stomach, one pound of honey.
Content note: Depiction of overeating.
