Moroni for President
2019-10-04 18:30 - 20:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
The Navajo Nation is the largest Native American reservation in the United States. Every four years, the Navajo tribe elects its president, whom is considered to be the most powerful Native American in the country. In the midst of a frenzied electoral campaign, Moroni for President follows Moroni Benally, an underdog with radical ideas who is angry about lack of social progress in the reservation he grew up in. As the election unfolds, the film delves into Moroni’s layered identity as a Mormon and gay Navajo man, along the way expanding to include LGBTQ+ characters campaigning for other candidates.
Screening as part of our strand on queerness and religion, You Gotta Have Faith.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has mostly English and a small amount of Navajo audio with English language subtitles/captions. Hearing loop available.
Film is reasonably accessible to blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

From Zero to I Love You
2019-10-04 21:00 - 23:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
This captivating relationship comedy begins when Peter bumps into handsome but married Jack in a gay bar. They begin a passionate affair and Peter woes the fact he always seems to end up with married men, a scenario bringing its own special set of tensions. Gossip, heartbreak, and coincidence play their part and eventually Peter is forced to admit that he needs something to change in order to maintain self-respect. He attempts to face head on the challenges of finding and keeping love in the big city that is Philadelphia. An emotionally engaging drama with a sophisticated and original approach to bisexuality and the turbulence of relationships.
Director Doug Spearman will join us after the screening for a Q&A.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has English audio with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available.
Film is relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and quite bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Queer Islam with Hidayah
2019-10-05 12:30 - 14:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
A series of shorts made over several decades following queer Muslim characters as they navigate familial relationships, romantic love, and their careers. A budding filmmaker collaborates with his conservative Muslim father on a film about an iconic Muslim actor. The love between a disabled Muslim father and his queer son is tested when love is pitted against religion. Two brothers stand by each other in the face of adversity. An Arab American man learns how to love again post-heartbreak. And a rising martial arts star tries to hides her identity from her family and her small American town when under the spotlight.
Join us for a discussion after the screening with members of LGBTQIA+ Muslim charity Hidayah. Part of our strand on queerness and religion, You Gotta Have Faith.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English and Arabic audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available.
Around half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Surviving Sabu (16m)
Dir: Ian Iqbal Rashid, Country: UK, Year: 1997, Language/s: English
Funded by the Arts Council of England as part of its Moving Image series of films about ethnic identity in Britain, Ian Iqbal Rashid’s debut short deservedly won him various industry accolades upon its release. Its sympathetic depiction of a strained relationship between a budding gay filmmaker and his conservative Muslim father as they collaborate on a film about Indian star Sabu – best known for his contribution to British cinema in the 1930s and 40s – is steered by exceptional performances from Suresh Oberoi and Navin Chowdry.
Content note: Depiction of homophobia; discussion of racism and mental health issues.
Ablution (15m)
Dir: Omar Al Dakheel, Country: USA, Year: 2017, Language/s: English, Arabic
Waleed washes his disabled father Khaled five times a day for Muslim prayer. But, when Waleed’s sexuality is revealed, both father and son are torn between religion, duty, and self.
Content note: Depiction of homophobia and drug use.
Brothers (9m)
Dir: Mike Mosallam, Country: USA, Year: 2018, Language/s: None
Brothers follows a Muslim Arab boy who realizes he is different, and is fortunate to have an older brother who stands by him and encourages him to be himself in the face of bias and adversity.
Content note: Depicion of homophobi.
Breaking Fast (18m)
Dir: Mike Mosallam, Country: USA, Year: 2015, Language/s: English, Arabic
Breaking Fast is a romantic comedy drama following Mo, an Arab American man living in West Hollywood learning how to navigate life post-heartbreak. Enter Kal, a sweet All-American guy who surprises Mo by offering to break fast with him during the month of Ramadan. As they learn more about each other, they fall in love over what they have in common, and what they don’t.
Content note: Discussion of suicide.
Choke (16m)
Dir: Rolla Selbak, Country: USA, Year: 2018, Language/s: English, Arabic
A rising MMA star hides her refugee status from her small American town and the world.
Content note: Depiction of racism, violence, sexism, and homophobia.

SQIFF Shorts: Queer Scotland
2019-10-05 15:15 - 17:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We present a round-up of the excellent, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson, Wei Zhang, Siri Rødnes, Eleanor Capaldi, and Natasha Lall, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet, a queer reimagining of a working men’s club, sending naked pics via dating apps, Chinese mythology and human binaries, trans masculine culture, BSL poetry, LGBT people in the asylum system, and loads more are explored in our 2019 Queer Scotland programme.
We hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Films have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available.
Audio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Frontiers (4m)
Dir. Eve McConnachie, Year: 2019
Frontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow.
Content note: None.
we were always here (4m)
Dir. Michael Lee Richardson, Garry Mac, Year: 2019
A queer reimagining of the working men’s club. A dance-powered journey through space and time.
Content note: None.
Acceptable Face (6m)
Dir: Holly Summerson, Year: 2019
“The sort of person who someone might say: ‘oh he’s gay, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look, act, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people, this experimental charcoal animation explores the pressure to be a ‘good example’, and the joy of refusing to conform.
Content note: Discussion of homophobia and transphobia.
Dix Pix (4m)
Dir. Steven Fraser, Year: 2019
Dix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity, queerness, solitude, and the body.
Content note: Depiction of animated nudity and sex.
2x+xy=1 (12m)
Dir. Wei Zhang, Year: 2019
Wei Zhang’s practice is an experimental film created by multi post-production technologies, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary, the expression of emotion and the symbol of predicament.
Content note: Depiction of nudity.
None of the Above (16m)
Dir. Siri Rødnes, Year: 2018
Embarking upon a distinctly postmodern cyber experiment, Cassie charts her dating odyssey on her personal vlog, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral, she becomes a media pariah.
Content note: Depiction of homophobia, mental health issues, and suicide (graphic).
Roberta Cowell’s Story (1m)
Dir. Melissa J Clifford, Year: 2019
Roberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge #39 AMBITION. The short was created by Melissa Joan Clifford, a trans woman, and was made in the style of an archival film.
Content note: Reference to transphobia.
A Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)
Dir. Nastia Nikolskaya, Year: 2019
Titled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives, driving our short-term and long-term decisions.
Content note: None.
Glue (4m)
Dir. Eleanor Capaldi, Year: 2019
When you’ve been dreaming of the past for so long, what do you do when she’s finally there? Agnes meets her ex, Anna, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new.
Content note: None.
Possessive Skin (2m)
Dir. Myles McEachan, Year: 2019
“To accept yourself against the face of adversity, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community, and how in an age that prides itself on inclusion, we still find segregation and discrimination within even the most marginalised of people, which reflects us inwards.
Content note: Description of mental health issues and transphobia.
What Is Happiness? (6m)
Dir. Claire Clark, Year: 2019
What Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form.
Content note: None.
The 16mb, Future Sounds & A Mini City (15m)
Dir. Natasha Lall, Year: 2018
The 16mb, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi, lo-fi films shot in Glasgow.
Content note: None.
Crypsis (9m)
Dir. Christopher McGill, Year: 2019
After fleeing for his life, a gay refugee files for asylum in Scotland. Lacking evidence, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them.
Content note: Discussion of homophobic violence; depiction of trauma.

A Dog Barking at the Moon
2019-10-05 15:30 - 17:35 | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
In director Zi Xiang’s exceptional feature debut – a Teddy Jury award-winner at the Berlin Film Festival – decades of open secrets and resentment create chaos within a Chinese family. When she brings her white western boyfriend for a visit to China, pregnant Huang Xiaoyu gets caught up in her parent’s ongoing feud. Her father’s gay affairs and her worn-out mother’s seduction by a predatory cult bring matters to a crescendo as the narrative jumps cleverly between past and present. Zi Xiang expertly analyses repression which is woven into society and causes unhappiness to be passed down across generations.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call GFT box office on +44 (0)141 332 6535.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has Chinese and English audio with English language subtitles/captions. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with minimal dialogue mostly in Chinese. Large print versions of handouts available.
GFT has good access for wheelchair users and welcomes assistance animals. Click here for GFT’s Accessibility Guide.
Programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
If you would like to reserve specific seating, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Cassandro, the Exotico!
2019-10-05 18:15 - 19:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Cassandro is a well-known lucha libre wrestler known for his extravagant gayness and equally spectacular wrestling moves. Shot on 16mm over the course of 5 years, Marie Losier’s film follows a champion coming to terms with his increasingly ailing body. We bear witness to Cassandro’s scars, both mental and physical, his pain contrasting with his flamboyant masks and aerial manoeuvres in the ring. The Mexican legend struggles to deal with past addiction and abuse, which continue to haunt him. But his joy and strength in creating space for his queer self within conservative cultural traditions make for a fascinating and invigorating watch.
Presented in partnership with Document Human Rights Film Festival. Part of our strand Latinx Legends.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has English and Spanish audio with English language subtitles/captions. Hearing loop available.
Film is moderately accessible to English-speaking blind and partially sighted audiences with some visual storytelling, some explanatory dialogue, majority in English but some in Spanish. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Stonewall Scotland presents: Before Stonewall
2019-10-05 19:00 - 20:30 | The Seamore Neighbourhood Cinema, 304 Maryhill Road, Glasgow, G20 7YE, United Kingdom
On June 27 1969, police raided The Stonewall Inn, a gay bar in New York. In a spontaneous show of support and frustration, the city’s queer community rioted for three nights, an event often considered the birth of the modern LGBT Rights Movement. Revealing and often humorous, Before Stonewall exposes the fascinating decade-by-decade history of homosexuality in America, from 1920s Harlem through to World War II and the witch hunt trials of the McCarthy era. Essential viewing for all those who have celebrated their sexuality, or have been persecuted because of it.
In partnership with Stonewall Scotland, working to ensure LGBT communities here and abroad are Accepted Without Exception.
#ComeOutForLGBT
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below.

ACCESS
This event has an age rating of 12.
Film has English audio with English language subtitles/captions.
Film is relatively accessible to English-speaking blind and partially sighted audiences – there is some visual storytelling but a reasonable amount of explanatory dialogue with moderately bright images. Large print versions of handouts available.
The Seamore Neighbourhood Cinema has reasonable access for wheelchair users and welcomes assistance animals. Please get in touch with access@sqiff.org for further venue access information.
Programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
If you would like to reserve seating at this event, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Some Like it Rough
2019-10-05 21:00 - 22:25 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
We delve into the varied practices of BDSM and societal attitudes towards this age-old erotic preference, which continues to be subject to stigmatisation and censorship. In Lasting Marks, one of sixteen gay men put on trial for taking part in consensual sadomasochism in late 80s England narrates his experience. Berlin-based conscious BDSM practitioner, Caritia, explains her spiritual journey through eroticism and life in Rituals + Worship. In French dramedy, Dressed for Pleasure, a young disabled woman seeks a more exhilarating sexual satisfaction. Mockumentary No Democracy Here sees a lefty dominatrix employed by right-wing Israeli men to force them into recanting their politics. The programme concludes with super hot non-binary, lesbian action with a punk boidyke given the rough-tender treatment in Driven.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
Films have English, French, Hebrew, and German audio with English language subtitles/captions. Hearing loop available.
Films are moderately accessible to blind and partially sighted audiences with two of them English language with explanatory dialogue and voiceover but the others non-English language, a fair amount of visual storytelling throughout, and a mix of dark and bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Lasting Marks (14m)
Dir: Charlie Lyne, Country: UK, Year: 2018, Language/s: English
The story of sixteen men put on trial for sadomasochism in the dying days of Thatcher’s Britain was told by the police, the prosecution, and the tabloid press — but not by those in the dock. Director Charlie Lyne has created an experimental recreation of what happened offered by the men themselves.
Content note: Discussion of sex including BDSM, homophobia, mental health issues, and police persecution.
Rituals + Worship (13m)
Dir: Morgana Muses, Country: Germany, Year: 2015, Language/s: English
A short BDSM documentary that explores the workshop culture in Berlin and focuses on conscious BDSM practitioner, Caritia.
Content note: Depiction of BDSM. Discussion of racism.
Dressed for Pleasure (17m)
Dir: Marie de Maricourt, Country: Switzerland, Year: 2017, Language/s: French
Sarah, a young disabled woman, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner, Victoria, a trans woman, will upset the family balance.
Content note: Depiction of nudity, sex including reference to BDSM, and transphobia.
No Democracy Here (25m)
Dir: Liad Hussein Kantorowicz, Country: Germany, Palestine, Israel, Year: 2017, Language/s: Hebrew
No Democracy Here deals with the topic of political domination. Liad, a lefty human rights defender dominatrix, re-educates her Israeli right-wing-leaning obedient submissive slaves to follow upstanding leftist ethos and morals, like freedom of movement, economic justice, direct democracy and human rights by using domination practices such as humiliation, doggy-training, coercion, and administration of pain.
Content note: Depiction of light BDSM and racism.
Driven (13m)
Dir: Toni Karat, Country: Germany, Year: 2018, Language/s: German, English
A punk boidyke, handcuffed, facing the wall in a sparse, empty room, breathes heavily with anxiety and expectation. And anxious she should be, for the rough treatment she will face in the 13 minutes that follow! The film is a contribution to much-needed lesbian visibility – conveying a proud and unashamed image of dyke eroticism and BDSM – also at the age of 50+!
Content note: Depiction of BDSM including consensual non-consent.

Rainbow Families presents: Beauty and the Beast Singalong
2019-10-06 12:15 - 14:25 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Sing along with Emmas Watson and Thompson and Ewan McGregor in this romantic fairytale with a queer twist. Belle, a bright, beautiful, and independent young woman, is taken prisoner by a beast in its castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the beast’s exterior, allowing her to recognise the kind heart and soul of the true prince that hides on the inside. Come along and celebrate this “tale as old as time” – featuring Disney’s first openly gay character, Josh Gad as Le Fou.
In partnership with LGBT Health and Wellbeing’s Rainbow Families Project, which runs events and support for LGBTQ families in Glasgow and Edinburgh.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age certification of PG (Parental Guidance).
Film has English audio with English language subtitles/captions/lyrics. Hearing loop available.
Film is relatively accessible to blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: You Gotta Have Faith
2019-10-06 12:30 - 14:10 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Short films exploring what it means to have faith as a queer person today. A seemingly pious Hasidic man living a secret double life faces a challenge when his two worlds collide. A chaplain from Cheshire sets up a helpline for gay farmers and is inundated with calls. LGBTQIA+ people in Nepal use a Hindu festival as a medium to appear in public. Plus more compelling stories in this captivating selection.
Join us for a discussion after the screening with playwright and author of The Gospel According to Jesus, Queen of Heaven, Jo Clifford, LGBTQIA+ Muslim charity Imaan, and Rev. Jane Clarke from Glasgow’s LGBT+ Metropolitan Community Churches. Part of our strand on queerness and religion, You Gotta Have Faith.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have a mixture of English, Hebrew, and Nepali audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available.
Around half the films are relatively accessible to English-speaking blind and partially sighted audiences with explanatory dialogue and relatively bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Black Hat (15m)
Dir: Sarah Smith, Country: USA, Year: 2019, Language/s: English, Hebrew
A seemingly pious Hasidic man living a secret double life misplaces his black hat one night causing his two separate lives to collide in a way he never imagined.
Content note: Sexual content.
Two Blinks (8m)
Dir. Bruno Fraga Braz, Country: UK, Year: 2018, Language/s: English
After her father rejects her request to get a haircut, hijab-wearing Farhana searches the streets of Peckham London for a hair salon where her modesty can be protected.
Content note: Depiction of homophobia.
Landline (12m)
Dir. Matt Houghton, Country: UK, Year: 2018, Language/s: English
Landline is a short documentary about the only helpline in the UK for gay farmers set up by a chaplain from Cheshire. Through a series of recorded telephone conversations and reconstructive visuals, the film uses the helpline as a lens through which to view the experiences of LGBTQ people in the British farming community.
Content note: Discussion of homophobia and suicide.
Eden (5m)
Dir. Jędrzej Gorski, Country: Poland, Year: 2018, Language/s: No dialogue
A story of a young Catholic man who is struggling with his homosexuality. He is in love with another man but also does not want to abandon his religion. He has to choose between love and religion on one rainy day in the countryside.
Content note: Sexual content.
21st Century Nuns (10m)
Dir. Tom Stephen, Country: UK, Year: 1994, Language/s: English
Documentary about the Sisters of Perpetual Indulgence. The Sisters are an order of queer nuns. Their work covers many areas including: safer sex education, protests and demonstrations, outreach to the gay community, and providing ritual to the gay population. Their goal is to “expiate all stigmatic guilt and promulgate universal joy…”
Content note: Sexual content and depiction of homophobia.
The Visible (4m)
Dir. Atikah Zainidi, Country: Brunei, Year: 2019, Language/s: English
A short documentary exploring what it’s like to be a girl in Brunei.
Content note: Discussion of homophobia, transphobia, and sexual violence.
Gai Jatra (20m)
Dir. Gopal Shivakoti, Country: Nepal, Year: 2019, Language/s: Nepali
Traditionally, Gai Jatra is literally translated as procession of cows and is an age-old festival commemorating the death of loved ones. Since 2001, LGBTI people in Nepal have been using Gai Jatra festival as a medium to appear in the public, flaunt their true selves with pride, and pay tribute to the deceased members of their community.
Content note: Discussion of mental health issues, suicide, homophobia, and transphobia.

Lemebel
2019-10-06 14:45 - 17:00 | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
Pedro Lemebel’s sharp, poetic texts and provocative performances make him one of South America’s most significant artists. Under Pinochet’s dictatorship in Chile, Lemebel expressed things most wouldn’t dare. For the country’s left-wing opposition, his queerness made him an awkward figure as he exposed their machismo and homophobia. Lemebel embodied an uncomfortable gay identity and fiercely criticised the wish of some queer people to assimilate. Lemebel uses slides and video clips to shape an essay-like memento, enhanced with intimate interviews, to portray a tireless fighter who continued to speak out until the end of his life.
Joanna Reposi Garibaldi will join us for a Q&A after the screening. Kindly sponsored by Scottish Documentary Institute. Part of strand Latinx Legends. Joanna will also be giving a workhop on documentary filmmaking as part of the Festival. Click here for more information.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call GFT box office on +44 (0)141 332 6535.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has Spanish audio with English language subtitles/captions. If you would like to attend this event and require a BSL interpreter for the Q&A, please contact access@sqiff.org at least 2 weeks in advance. Hearing loop available.
Film is not accessible to English-speaking blind and partially sighted audiences with minimal dialogue mostly in Spanish. Large print versions of handouts available.
GFT has good access for wheelchair users and welcomes assistance animals. Click here for GFT’s Accessibility Guide.
Programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
If you would like to reserve specific seating, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

LGBT Health & Wellbeing Community Filmmaking
2019-10-06 17:15 - 18:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
LGBT Health & Wellbeing is a charity promoting the health, wellbeing, and equality of lesbian, gay, bisexual, and transgender people in Scotland and providing support, services, and information. Two of the organisation’s groups have recently created collectively-made short films, which we will showcase at this event. Return to the Closet? was created as part of a collaboration between Luminate, LGBT Health and Wellbeing, artist Glenda Rome, and participating community filmmakers. Luminate commissioned the film with support from LGBT Health and Wellbeing. This is a documentary exploring issues around care for older LGBT people. Everything Just Collapsed is an experimental short reflecting on stigma and survival by Tim Knights in collaboration with participants of The LGBT Mental Wellbeing Collective. Come and watch both movies and join in an open discussion on the process and value of community filmmaking.
Click here to find out more about Luminate. Click here for more information about LGBT Health & Wellbeing.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have English audio with English language subtitles/captions. BSL interpretation for discussion. Hearing loop available.
Films are relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Vision Portraits
2019-10-06 17:30 - 19:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Vision Portraits is a vivid and hypnotic exploration by filmmaker Rodney Evans illuminating the compelling stories of four visually impaired artists – photographer John Dugdale, dancer Kayla Hamilton, writer Ryan Knighton, and the filmmaker himself. Evans contrasts their journeys with his own personal and professional one as a filmmaker gradually losing his vision and as a gay man. Evans’ self-reflexive approach emphasises how each artist adapted creatively and thrived as their process evolved with their unique perspectives. An important film for anyone interested in disability aesthetics, demonstrating how blindness and visual impairment bring about distinct artistic viewpoints.
Screening with Fashion in the Dark I and II (8m) by Emily Ford-Halliday exploring fashion and identity with people who are visually impaired or blind. Presented in association with Royal National Institute of Blind People Scotland. With an introduction by filmmaker and poet, Ross Wilcock, and filmmaker and academic, Emily Ford-Halliday.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
Films have English audio with English language subtitles/captions. BSL interpretation for introduction. Hearing loop available.
Audio description available. Films are relatively accessible to blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

SQIFF Shorts: Gross Out
2019-10-06 20:00 - 21:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
With supposed tolerance and acceptance of LGBT people in western public life comes enforced sanitisation and respectability. Straight society pats itself on the back for allowing (some of) us to get married and feature in shiny corporate advertising but is still repelled by our bodies and sex lives. To counter the continued suppression of fleshly and carnal appetites and practices, we went on a hunt for the grossest, most yucky films we could find. Featuring experimental musing on why we find our bodies disgusting and scary; some gay sex-tinged body horror; literal shit in a variety of forms; and a performance involving an empty stomach and a large jar of honey. Please note this programme requires resilience for what some would consider stomach-churning and gruesome imagery.
Tickets are priced on a sliding scale £0-£8 depending on what you can afford. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
Films have English and Spanish audio with English language subtitles/captions. Hearing loop available.
Films are not very accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and ideas and dark images. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
A Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.
We have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this, please contact access@sqiff.org.
Tickets
In order to make SQIFF more accessible to those on a low income, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers, artists and organisers. If you have a free ticket and can no longer use it, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay, click here.

Ämber (6m)
Dir: Remmi E. Välja, Country: UK, Year: 2019, Language/s: No spoken sound
Ämber is an experimental film about the basic functions of the human body. The film studies affect; it seeks to raise the question of why we sometimes find our own bodies and their natural existence to be unpleasant, disgusting, and scary. The aim of the film is to make the audience uncomfortable in a humorous way.
Content note: Depiction of bleeding.
Estigma (14m)
Dir: David Velduque, Country: Spain, Year: 2018, Language/s: Spanish
It’s Friday night, the bell rings and Alex opens the door to the worst of his fears. “Estigma speaks to us about that inner prison we build because of fear of rejection and not being loved for who we are. This is the starting point of a story that I’ve intended to face as a personal matter, dealing with my complex relationship with illness and rejection.” David Velduque
Content note: Depiction of injury with body horror elements.
Next Level Shit (11m)
Dir: Gary Jaffe, Country: USA, Year: 2018, Language/s: English
Taylor wants to be squeaky clean downstairs before his big third date with dreamboat Chris, but his efforts backfire, sending the relationship spiralling to a whole new level of intimacy.
Content note: None.
Bear (13m)
Dir: Fred Guerrier, Country: USA, Year: 2018, Language/s: English
A bear-suit wearing dancer ignores the news of his estranged father’s death but begins to see his ghost. Meanwhile, an ex-lover’s infatuation quickly devolves into something more sinister (and stinky). The line between reality and fiction get blurred during the terrifying showdown between the Bear, the ghost, and the lover.
Content note: Depiction of death.
Force Feed (15m)
Dir: Alan Vincent, Country: USA, Year: 2018, Language/s: No spoken sound
Performance for video. One empty stomach, one pound of honey.
Content note: Depiction of overeating.

Black History Month: Portrait of Jason
2019-10-15 19:00 - 21:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Portrait of Jason shows sex worker and entertainer, Jason Holliday, recounting his life story for filmmaker Shirley Clarke.
Jason is the sole on-screen presence in the film. He narrates his life story to the camera, behind which Clarke and her partner at the time, actor Carl Lee, provoke and berate Jason with increasing hostility as the film progresses. The film alleges to employ avant-garde and cinéma vérité techniques to reach the tragedy underlying Jason’s performative persona. However, Portrait of Jason is one of if not the first documentation of black queer experiences and trauma exploited by white ‘gatekeepers’ for the sake of the artist’s cultural and financial capital gains.
Although Portrait of Jason is a landmark film, there is a need here to discuss the fuzzy problem of ‘visibility’ within the white/capitalist domination of visual culture. Are the lines between exposure and exploitation blurred in Portrait of Jason?
Curated and hosted by Sequoia Barnes, an art/design scholar and doctoral candidate at The School of Design with Edinburgh College of Art. Presented as part of Black History Month in partnership with Coalition for Racial Equality and Rights (CRER).
Free. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
Film has English audio with English language subtitles/captions. If you would like to attend this event and require BSL interpretation for the introduction/discussion, please email access@sqiff.org at least 2 weeks in advance.
Film is moderately accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling but some explanatory dialogue and all English language. Large print versions of handouts available.
CCA has good access for wheelchair users, gender neutral toilets, and welcomes assistance animals. Click here for CCA’s Accessibility Guide.
Programme content notes will be available. Click here for a list of content notes for the 2019 Festival.
Comfy seating (bean bags) are available. If you would like to reserve this, please contact access@sqiff.org.

SQIFF Shorts: Out of the Archives!
2020-02-08 18:00 - 2020-02-28 20:00
As part of LGBT History Month Scotland 2020, SQIFF presents a programme of short films looking back into largely unseen and undiscovered aspects of the history of queer Scottish representation in the 20th century.
Featuring archival documentaries and short films by queer filmmakers, screenings will be accompanied by discussions examining whether these films are a fair representation of the past, and asking what they may be able to contribute to an understanding of the future. Films include Bongo Erotico, a surreal nightmare of bisexual lust from 1950s’ Wishaw; groundbreaking documentary of Edinburgh queer life in the 80s, Coming Out; and Pratibha Parmar’s experimental 1990 short, Bhangra Jig, which follows a young Asian woman walking the streets of Glasgow with signs of colonialism ever-present.
Ages 12+. All screenings are in the English language with English language captions for D/deaf and Hard of Hearing access. A BSL interpreter will be available at the Glasgow event on 8th February. All venues have wheelchair access. Please get in touch via info[at]sqiff.org if you have any questions about access at any of the events.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.
To book, see list of screenings and links below.
CCA, Glasgow, Saturday 8th February, 6pm. Tickets on a sliding scale of free to £8. To book, please use the button below or call CCA box office on +44 (0)141 352 4900.

Dundee Contemporary Arts, Tuesday 11th February, 6pm. Tickets £5-8. To book, please use the button below or call DCA box office on +44 (0)1382 432 444.

50 George Square, University of Edinburgh in partnership with MSc Film, Exhibition and Curation, Tuesday 18th February, 6pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below, or cash payments will be taken on the night.

Ayr Town Hall in partnership with Ayr Film Society and Ayrshire LGBTQ, Wednesday 19th February, 7 pm. Free, unticketed – just come along.
MacArts, Galashiels in partnership with Scottish Borders LGBT Equality. Sunday 23rd February, 2pm. Tickets offered on a sliding scale of free to £8. To book, please use the button below, or cash payments will be taken on the day.

Eden Court, Inverness in partnership with Highland Winter Pride, Friday 28th February, 6.30pm. Tickets £3.50-5.50. To book, please use the button below or call Eden Court box office on +44 (0)1463 234 234.

Oban Phoenix Cinema, Saturday 29th February, 6.15pm. Free. To book, please use the button below or call Oban Phoenix box office on +44 (0)1631 562 905.

Sqifflix: Funny Stuff
2020-04-28 17:30 - 2020-05-27 17:30
Click here to access the full programme.
Funny Stuff features comedy shorts with queer narratives and musings involving love potions, a mystery trail of takeaway food, Fisher Price characters brought to life, cyborgs, and zombies!
All films have English language subtitles or captions. See notes for below for each film’s language/s, level of accessibility for blind and partially sighted people, age recommendation, content notes, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo.
The films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees, asylum seekers, and other migrants.

Floozy Suzy (25m) [click here to watch]
Dir: Otavio Chamorro, Country: Brazil, Year: 2015
A hilarious-love-potion-gone-wrong tale where the aim is to win the love of the hottest guy at school.
Language/s: Portuguese
Accessibility for blind and partially sighted people: All in Portuguese; bright images.
Sound design access notes: Loud music and sound effects.
Age recommendation: 18+
Content note: Depiction of misogyny, homophobia, ableism, and mild violence.

The Usual (5m) [click here to watch]
Dir: Ruth McNally, Country: Ireland, Year: 2014
In a small country pub, three Irish farmers are enjoying an afternoon’s drink when an unusual stranger walks in. His curious behaviour entertains them for a while but they won’t want someone like him hanging around their local for too long.
Language/s: English (Irish dialect)

Accessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images.
Age recommendation: 12+
Content note: Reference to homophobia.

Big Queer Failure (7m) [click here to watch]
Dir: Rebecca Tritschler and Ellie Fawcett, Country: UK, Year: 2017
A DIY film celebrating and asserting our right to fail at life as individuals and communities.
Language/s: English
Accessibility for blind and partially sighted people: Lots of voiceover and bright images.
Age recommendation: 12+
Content note: None
My Aunt Mame (9m) [click here to watch]
Dir: Krissy Mahan, Country: USA, Year: 2015
A funny/sad dramatization of a woman’s childhood visits to her working-class butch great aunt, and what happened when she came out to her mom, told through Fisher-Price people in homemade sets.
Language/s: English with one line in Irish Gaelic
Accessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.
Sound design access notes: Some loud music
Age recommendation: 12+
Content note: Discussion of sex, the AIDS crisis, and hospitalisation; depiction of hospitalisation.

Mymy (14m) [click here to watch]
Dir: Anna Helme, Country: Australia, Year: 2014
In a mythic cyberfeminist universe, a frustrated young man yearns for affinity and connection. In an age of digital avatars, he crafts a version of himself that is far more corporeal – by stitching together parts of himself to become his own cyborg twin. However, his new clone has been corrupted by a techno-magick virus…
Language/s: English
Accessibility for blind and partially sighted people: Little spoken dialogue, mostly image-based storytelling; mix of light and dark images.
Sound design access notes: Some loud and abrasive sound effects
Age recommendation: 12+
Content note: Depiction of sex and nudity.

The Deaf vs The Dead – Episode 1: “Outbreak” (7m) [click here to watch]
Dir: Dickie Hearts, Country: USA, Year: 2017
When the undead apocalypse breaks out in Los Angeles, an out Deaf man must find a way to survive and protect his loved ones, even if it means teaming up with some unlikely people.
Language/s: ASL and English
Accessibility for blind and partially sighted people: Limited spoken dialogue, lots of visual storytelling; quite bright images.
Age recommendation: 12+
Content note: Depiction of ableism and comedy violence.

Sqifflix: Queer Horror Stories
2020-05-15 17:00 - 2020-06-15 17:00
Click here to access the full programme.
In Queer Horror Stories we showcase provocative, bizarre, sometimes gory, sometimes scary films that delve into the terror of queerness and oppression. In a dystopian 2064, a federation of African States initiate an annual cull of men; a young gay man in Russia has a surprise in store for the ultranationalists who attack him; the unbearable weight of family expectations and difficulty of being stuck in unhealthy relationships are explored through formal film experiments; the movies of horror director Kang-Chien Chui are given a queer reading; and two queer feminist crews tackle violent forces in a surreal present.
All films have English language subtitles or captions. See notes for below for each film’s language/s, level of accessibility for blind and partially sighted people, age recommendation, content notes, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo.
The films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees, asylum seekers, and other migrants.

2064 (12m) [click here to watch]
Dir: Joseph Adesunloye, Country: Botswana, Year: 2019
Devastating population growth, famine, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting, ever-warming climate, and a ballooning population. A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful, and the continent’s wildlife begins to flourish again. In 2064, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull.
Language/s: Tswana

Accessibility for blind and partially sighted people: Only Tswana spoken and mostly visual storytelling; relatively bright images.

Sound design access notes: Some abrasive sound effects.

Age recommendation: 15+
Content note: Discussion and depiction of death and suicide.

Cheat (2m) [click here to watch]
Dir: Ania Urbanowska, Country: UK, Year: 2015
At what cost to ourselves are we complicit in our families’ expectations for us? This is a film about breaking that unspoken contract; about the moment when cheating them of the person they want us to be stops feeling like a choice.
Language/s: English
Accessibility for blind and partially sighted people: Small amount of surreal and poetic voiceover; dark images.
Sound design access notes: Loud and abrasive sound effects.
Age recommendation: 15+
Content note: Discussion of suicide.

PYOTR495 (15m) [click here to watch]
Dir: Blake Mawson, Country: Canada, Year: 2016
Set in present-day Moscow, 16-year-old Pyotr is baited by an ultranationalist group known for their violent abductions and attacks bolstered by Russia’s LGBT propaganda law, but Pyotr has a dangerous secret his attackers haven’t accounted for.
Language/s: Russian

Accessibility for blind and partially sighted people: All Russian language with some dialogue and some image-based filmmaking; quite dark images.
Sound design access notes: Abrasive horror sound effects.

Age recommendation: 18+
Content note: Discussion of sex including BDSM; depiction of homophobia, xenophobia, and graphic, degrading, and gory violence.

Stuck (11m) [click here to watch]
Dir: Ania Urbanowska, Country: UK, Year: 2013
Have you ever been in relationship where you can’t see its problems…?
Language/s: No spoken language

Accessibility for blind and partially sighted people: No dialogue, only music and sound effects; quite dark images.

Age recommendation: 15+
Content note: Depiction of drug-taking.

Yi-Ren (the person of whom I think) (14m) [click here to watch]
Dir: Tzuan Wu, Country: Taiwan, Year: 2015
A love letter in collage style, consisting of found footage and a queer reading of the work of Kang-Chien Chui, screenwriter of classic East Asian movies such as The Bells of Death and Twin Blades of Doom.
Language/s: Mandarin

Accessibility for blind and partially sighted people: All in Mandarin, poetic voiceover; dark images.
Sound design access notes: Abrasive sound effects.
Age recommendation: 15+
Content note: Suggestion of distress and violence.

Swarm of Selenium (23m) [click here to watch]
Dir: Maude Matton & SJ Rahatoka, Country: Germany, Year: 2015
In the surreal dystopian present, two queer feminist crews cohabit the shells of an abandoned malt factory. As a troubling pattern begins to emerge from their mouths in the form of shattered glass, all are shaken, but some are hit harder than others. Through dance, visual work, and anti-work, they merge forces to try to care for one another and combat the insidious violent process which seems to increasingly come from within.
Swarm of Selenium is a queer sci fi short film about collective healing, trauma, and other world-making. It was shot in Berlin in spring 2016 by a crew of more than 40 women, nonbinary, and trans artists.
Language/s: English
Accessibility for blind and partially sighted people: Sparse and surreal dialogue; relatively dark images.

Sound design access notes: Lots of loud and abrasive sound effects and music.
Age recommendation: 15+
Content note: Depiction of violence.

Sqifflix: Sexual Content Warning
2020-05-26 17:00 - 2020-06-26 17:00
Click here to access the full programme.
For anyone after some slightly xxx-y content to make lockdown more pleasureable, we bring you Sexual Content Warning. A sweet night cleaner has his work cut out in Canada’s busiest gay bathhouse. Disability activist Andrew Gurza reflects on his first sexual encounter and how the event shaped his identity. Scottish filmmaker John Walter addresses cruising and sexual risk, in particular around the ‘cottage,’ a public toilet that is repurposed as a space of sex. Gustavo is a photographer who captures the bodies of naked men in public spaces in Sao Paulo. And writer and poet Aurora Levins Morales, a.k.a. The Gimp Gourmet, prepares a very special recipe!
All films have English language subtitles or captions. See notes for below for each film’s language/s, level of accessibility for blind and partially sighted people, age recommendation, content notes, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo.
The films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees, asylum seekers, and other migrants.

The Night Cleaner (5m) [click here to watch]
Dir: Blair Fukumura, Country: Canada, Year: 2016
As the night cleaner in Canada’s busiest gay bathhouse, Travis has his work cut out for him. With good humour he shyly takes us on an amusing and sometimes harrowing tour through his nightly duties.
Language/s: English

Accessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.

Sound design access notes: Some abrasive sound effects.

Age recommendation: 18+
Content note: Discussion of sex, bodily fluids, and brief reference to sexual harrassment; depiction of sex and bodily fluids.

Bedding Andrew (5m) [click here to watch]
Dir: Blair Fukumura, Country: USA, Year: 2014
On the eve of his 30th birthday, Andrew, a man with Cerebral Palsy, reflects on his first sexual encounter and how the event shaped his identity as a gay man.
Language/s: English
Accessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.
Sound design access notes: Loud and abrasive sound effects.
Age recommendation: 15+
Content note: Discussion of sex and ableism.

Courtship Disorder (5m) [click here to watch]
Dir: John Walter, Country: UK, Year: 2015
Courtship Disorder addresses cruising and sexual risk, in particular around the ‘cottage,’ a public toilet that is repurposed as a space of sex. Cruising for sex in real space has not disappeared despite the development of online cruising apps. ‘Courtship Disorder’ refers to a controversial term used by sexologists such as John Money to describe a spectrum of human behaviours, especially in men, including exhibitionism, voyeurism, toucherism, rubbing, and sexual assault.
Language/s: English

Accessibility for blind and partially sighted people: Film is mostly visual with surreal monologues; bright images.
Sound design access notes: Some abrasive sound effects.

Age recommendation: 18+
Content note: Discussion of sex; depiction of sex and nudity.

Lightrapping (22m) [click here to watch]
Dir: Marcio Miranda Perez, Country: Brazil, Year: 2016
Gustavo is a photographer who captures the bodies of naked men in public spaces in Sao Paulo. One night, young Pedro follows him, curious and undecided about participating in the project.
Language/s: Portuguese

Accessibility for blind and partially sighted people: All in Portuguese with sparse dialogue; very dark images.

Age recommendation: 18+
Content note: Discussion of sex; depiction of possible sexual violation.

Pussy Vinaigrette (3m) [click here to watch]
Dir: Patty Berne, Country: USA, Year: 2011
The Gimp Gourmet prepares a very special recipe! Starring, written by and with fruit carving by Puerto Rican Jewish writer and poet Aurora Levins Morales. Does activist filmmaking have room for this much sexiness…?
Language/s: English

Accessibility for blind and partially sighted people: Poetic monologue with some visual ideas. Not very bright images.
Age recommendation: 15+
Content note: Depiction of sexual imagery and suggestiveness.

Sqifflix & Chill
2020-06-12 17:00 - 2020-07-12 17:00
Click here to access the full programme.
Our shorts programme Sqifflix & Chill, as the title suggests, includes a varied bunch of films about romantic love, its joys, pain, and complexities. Sweet stories of intense connection are found in Selina Robertson’s Couple Time and Dickie Heart’s Passengers. Some of the painful and problematic aspects of love and dating are considered in Sam Berliner’s Dating Sucks about seeking love whilst trans, and Rob Eagle’s Harding & his camera, which investigates traces of illicit love in archives and the white gaze. Violent and oppressive structures that try to curtail who gets to be with who are the core of Adrian Garcia Gomez’s Mikveh about governments refusing to recognise certain relationships, and Kiana Kalantar-Hormozi’s Poly Amour, which decontructs conventional romantic structures. For a dark comedy approach to the madness that sometimes interferes with people’s love life, Netflix & Chips is about a woman with a hot date who can’t get her chip shop job off her mind.
All films have English language subtitles or captions. See notes for below for each film’s language/s, level of accessibility for blind and partially sighted people, age recommendation, content notes, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo.
The films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees, asylum seekers, and other migrants.

Couple Time (6m) [click here to watch]
Dir: Selina Robertson, Country: UK, Year: 2015
A suitcase full of Super 8 memories from Berlin.
Language/s: English (not spoken) and German

Accessibility for blind and partially sighted people: No spoken English; mostly visual ideas and onscreen text; mix of bright and dark images.

Sound design access notes: None

Age recommendation: 12+
Content note: None

Dating Sucks: A Genderqueer Misadventure (13m) [click here to watch]
Dir: Sam Berliner, Country: USA, Year: 2013
Dating Sucks: A Genderqueer Misadventure is Episode 1 of an animated documentary webseries about the successes, failures, and incredible confusion of trying to date as a genderqueer/trans person.
Language/s: English
Accessibility for blind and partially sighted people: Lots of voiceover; bright images.
Sound design access notes: None
Age recommendation: 12+
Content note: Discussion of sex and queerphobia.

Mikveh (6m) [click here to watch]
Dir: Adrian Garcia Gomez, Country: USA, Year: 2016
In this reinterpretation of the mikveh – a purifying ritual bath performed by Jewish brides about to marry – the filmmaker and his husband’s immersions are disrupted by a government which refuses to recognise their marriage.
Language/s: No spoken language

Accessibility for blind and partially sighted people: No dialogue – just sound effects; quite bright images.
Sound design access notes: Some abrasive and repetitive sound effects.

Age recommendation: 12+
Content note: None

Harding & his camera (12m) [click here to watch]
Dir: Rob Eagle, Country: Palestine, Israel, Year: 2017
An ambiguous ‘love story’ documentary told through the 1930s archive of a British archaeologist who took a camera on his digs in the British Mandate for Palestine and fell in love with his Bedouin assistant.
Language/s: English

Accessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.

Sound design access notes: None
Age recommendation: 18+
Content note: Discussion of racism.

Poly Amour (7m) (version with audio description integrated) [click here to watch]
Dir: Kiana Kalantar-Hormozi, Country: UK, Year: 2016
How capable are we to love boundlessly? This film explores polyamory, deconstructing conventional stereotypes of the romantic relationship structure.
Language/s: English

Accessibility for blind and partially sighted people: Lots of voiceover/dialogue and quite bright images. Version with integrated audio description.

Sound design access notes: Loud, abrasive sound effects at start of film.
Age recommendation: 12+
Content note: Depiction of anti-polyamory sentiments.
Passengers (5m) [click here to watch]
Dir: Dickie Hearts, Country: UK, Year: 2015
A cab driver puts up with a series of irksome hearing passengers before picking up a cute guy more on his wavelength.
Language/s: American Sign Language and English

Accessibility for blind and partially sighted people: Limited dialogue, mostly in ASL with subtitles; mostly bright images.

Sound design access notes: None
Age recommendation: 12+
Content note: Depiction of ableism.
Netflix & Chips (6m) [click here to watch]
Dir: Lock Up Your Daughters, Country: UK, Year: 2015
A woman who works in a chip shop has a hot date but can’t get her job off her mind.
Language/s: English

Accessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images.

Sound design access notes: None
Age recommendation: 12+
Content note: Depiction of mental health issues.

Sqifflix: Vision Portraits
2020-06-15 00:00 - 2020-06-21 23:30
Vision Portraits is a vivid and hypnotic exploration by filmmaker Rodney Evans illuminating the compelling stories of four visually impaired artists – photographer John Dugdale, dancer Kayla Hamilton, writer Ryan Knighton, and the filmmaker himself. Evans contrasts their journeys with his own personal and professional one as a filmmaker gradually losing his vision and as a gay man. Evans’ self-reflexive approach emphasises how each artist adapted creatively and thrived as their process evolved with their unique perspectives. An important film for anyone interested in disability aesthetics, demonstrating how blindness and visual impairment bring about distinct artistic viewpoints.
We are pleased to be hosting a live Q&A with director Rodney Evans on Saturday 20 June at 7pm. The Q&A will take place on SQIFF’s Facebook page at facebook.com/sqiff. Hosted by Amelia Cavallo, theatre practioner, academic, and co-founder of Quiplash.
In partnership with LGBT Health & Wellbeing. Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.
Vision Portraits will be available online 15 to 21 June. Tickets are priced on a sliding scale £0-£8 on a pay what you can basis. To book, please use the button below. We will email a link to the film to ticket holders and this will be available to view/experience at any time between 15 to 21 June.

Access
Film has English audio with English language captions.
Audio description available. We will send the version of Vision Portraits that has audio description built into the soundtrack to all ticket holders.
Film is otherwise relatively accessible to blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images.
Age recommendation of N/C 12+.
Content note: Discussion of ableism.
Live Q&A with BSL interpretation and live captioning.

Sqifflix: TRANSFINITE + shorts
2020-06-25 00:00 - 2020-06-28 23:30
TRANSFINITE is a sci-fi omnibus feature film by Neelu Bhuman composed of seven standalone short stories where supernatural trans and queer people from various cultures use their powers to protect, love, teach, fight, and thrive. Most of us have been in situations where we feel completely powerless and deeply frustrated with the unfairness of it all. Sometimes we have lost control of life and sometimes we find a way to use our rage, resentment, and frustrations to grow a beautiful garden. In TRANSFINITE, the protagonists, like smooth warriors, choose to find that inner power and use it to transform undesirable situations into desirable ones in a snap.
Screening with shorts FETISH and Something In The Closet. In Topher Campbell’s FETISH a multi-dimensional being bestrides the streets of New York in defiance and celebration as he embodies the past, present and future of Blackness. Featuring a mesmerising original score by Mercury Prize Award Winner’s Young fathers. Something In The Closet directed by Nosa Eke is about a queer teenager struggling with her sexuality, as desires manifest their way from the depths of her eerie closet into reality.
We are pleased to be hosting a live discussion with Black queer UK artists’ responses to the films on Saturday 27 June at 7pm. The discussion will take place on SQIFF’s Facebook page at facebook.com/sqiff. Hosted by writer and programmer Harvey Dimond with filmmaker Nosa Eke and other guests tbc.

In partnership with LGBT Health & Wellbeing. Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.
TRANSFINITE + shorts will be available online 25 to 28 June. Tickets are priced on a sliding scale £0-£8 on a pay what you can basis. Films are viewable within UK and Ireland only. To book, please use the button below. We will email a link to the film to ticket holders and this will be available to view at any time between 25 to 28 June.

Access
Films have English, Navajo, Swahili, Spanish, Asura (in Japanese), and Tagalog audio with English language subtitles or captions.
Films are less accessible to blind and partially sighted audiences with lots of visual storytelling and large non-English language sections.
Loud and abrasive sound effects throughout the films.
Age recommendation of N/C 15+.
Content note: Discussion of racism including anti-blackness and violence; depiction of homophobia, transphobia, racism including anti-blackness, mild and/or animated violence, nudity, sex, vomit, and urine.
Live discussion with BSL interpretation and live captioning.

SQIFF 2020 Opening Film: Pride & Protest
2020-10-05 19:00 - 21:15
Pride & Protest is a documentary about QTIPOC communities and activists in Britain today and struggles surrounding the politics of desire, self-care, and found family. In the wake of the Birmingham protests against LGBTIQ+ relationship education in primary schools, director Blaise Singh follows various queer people of colour as they challenge homophobia and racism in their communities. They speak out against internalised shame and lack of representation, and we follow them trying to figure out their place in the world in the build up to UK Black Pride.
We are screening the film as a live watch party on Zoom. We are very happy to be joined by director Blaise Singh for a Q&A after the film. Pride & Protest will also be available on SQIFF’s Vimeo on Demand channel between 5 and 18 October.
Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The film has English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
This event has live audio description. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival.
The film has lots of dialogue and voiceover, all English language, and mostly bright images.
The film is 90 minutes long with a 10 minute introduction at the start, a 5 minute comfort break after the film, and a Q&A lasting approximately 30 minutes.
Content notes: Discussion of racism, homophobia, biphobia, and transphobia; depiction of homophobia, transphobia, biphobia, and brief racist violence.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Watch Party: Tongues Untied
2020-10-08 20:30 - 22:15
In his own words, Marlon Riggs aimed to shatter the “nation’s brutalizing silence on matters of sexual and racial difference” with his 1989 film Tongues Untied. A challenging and captivating work, many of Riggs’ key messages still resonate with the Black queer experience in the USA and Europe.
Screening with Beyond ‘There’s always a black issue Dear’ by Claire Lawrie, exploring and celebrating black LGBT identities to demarcate the huge influence that Black LGBT culture has had upon Fashion, Fine art, Dance, Music and Language, much of which has been appropriated by the cultural mainstream.
Curated by Harvey Dimond, who will introduce the event. Presented in partnership with Coalition for Racial Equality and Rights (CRER) for Black History Month.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have English audio with English language captions. BSL interpretation and live captioning provided for introduction.
The films are 90 minutes long with a brief introduction at the start.
Content notes: discussion of racism including anti-Blackness, homophobia, and transphobia: depiction of nudity and violence.

Tongues Untied contains some abrasive sound effects and disorientating editing.

We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Q&A: Game on: queer disruptions in sport
2020-10-12 18:00 - 18:45
Game on: Queer Disruptions in Sport is a documentary which shines a light on the experiences of those with diverse identities within grassroots sport. The film features the stories of gay runners Csaba and Benjamin from Hungary; Natalie, a Scottish lesbian boxer; Pol, an intersex rower from Bulgaria, and a German trans woman footballer called Jessi. Join us for a live Q&A with the film’s director Maria Takacs, protagonists from the film, and LEAP Sports.
Presented in partnership with LEAP Sports Scotland, promoting LGBTI participation and ending LGBTI-phobia in sport. The Q&A will also be live-streamed to Facebook.

Free event. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
The event has BSL interpretation and live captioning.
The event is 45 minutes long.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.

Watch Party: The Wound + South African Shorts
2020-10-13 19:00 - 21:30
Despite a rich queer history and long fight to guarantee the rights of queer people under the first democratic government of Nelson Mandela, queer and trans South Africans face many challenges, which intersect with class and cultural identities. This screening attests to those challenges but demonstrates that love and support comes from surprising and subversive places. The Wound explores the relationship between traditional Xhosa initiation rituals and queer identity, also alluded to in My Transgender Life (12m) by Yonela Simetu. The Men Who Speak Gayle (11m) celebrates a secret language used during the apartheid era to hide queer identities from the authorities.
Curated by Harvey Dimond and followed by a Q&A with Yonela Simetu, a Cape Town-based filmmaker and the director of My Transgender Life. Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have Xhosa and English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
The films are 2 hours long with a brief introduction at the start and a 30 minute Q&A after the films.
Content notes: discussion of racism, homophobia, transphobia, misogyny, swearing, and violence; depiction of nudity, sex, violence, blood, death, and graphic depictions of animal slaughter.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Pride & Protest: Live Watch Party + Q&A with director Blaise Singh
2021-02-20 18:00 - 20:00
Pride & Protest is a documentary about QTIPOC communities and activists in Britain today and struggles surrounding the politics of desire, self-care, and found family. In the wake of the Birmingham protests against LGBTIQ+ relationship education in primary schools, director Blaise Singh follows various queer people of colour as they challenge homophobia and racism in their communities. They speak out against internalised shame and lack of representation, and we follow them trying to figure out their place in the world in the build up to UK Black Pride.
The film will screen on Zoom as a live watch party followed by a Q&A with director Blaise Singh and other members of the cast and crew. We will send out a Zoom link for the event to ticket holders on the day. We are partnering with An Lanntair to host this event to mark LGBT History Month 2021 this February.
This event is a ‘Pay What You Can’ event – come for free or pay what you can afford. To book, click the button below or call An Lanntair on 01851 708 480.

ACCESS
The film is English language with captions and the Q&A will have live captions available. The event is suitable for ages 12+. If you have any questions or access requests for this event, please get in touch by emailing info@sqiff.org.
Content notes: Discussion of racism, homophobia, biphobia, and transphobia; depiction of homophobia, transphobia, biphobia, and brief racist violence.
