BEGIN:VCALENDAR VERSION:2.0 PRODID:-//SQIFF - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.sqiff.org X-WR-CALDESC:Events for SQIFF REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20230101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20250621T150000 DTEND;TZID=UTC:20250621T173000 DTSTAMP:20260429T221309 CREATED:20250524T071901Z LAST-MODIFIED:20250530T062722Z UID:13015-1750518000-1750527000@www.sqiff.org SUMMARY:Building Solidarity & Kinship: Short Film Screenings + Panel Discussion (Inverness) DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \nThis event is part of the Building Solidarity & Kinship programme curated by Esraa Husain at the Refugee Festival Scotland 2025. \nWe will feature a selection of short films followed by a panel discussion exploring the Festival’s theme Milestones and elements connected to finding refuge and belonging and the importance of community building. \nAfter the screening\, we will be joined by local creatives and community organisers in Inverness who come from migrant backgrounds to discuss the themes mentioned and share reflections. \nTickets are on a pay what you can sliding scale of FREE\, £3\, £5\, £10. To book\, click here or call the Eden Court Box Office on 01463 234 234 or email at boxoffice@eden-court.co.uk. \n  \nAccessibility \nThis programme has: \n\nEnglish language descriptive subtitles\nLive Captioning for the introduction and panel discussion\nGlasgow Film Theatre is a wheelchair accessible venue\n\nThis screening is 93 minutes long. \n  \nFilms in this programme include: \n\nMark Thomas\, Permissible Beauty (2023)\nBaz Sells\, Two Black Boys in Paradise (2025)\nTheo Panagopoulos\, The Flowers Stand Silently\, Witnessing (2024)\nAdéráyọ̀\, DISSONANCE (2025)\n\n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Permissible Beauty\, Dir. Mark Thomas\, 2023 URL:https://www.sqiff.org/event/building-solidarity-kinship-short-film-screenings-panel-discussion-inverness/ LOCATION:Eden Court\, Bishops Road\, Inverness\, IV3 5SA\, United Kingdom CATEGORIES:Descriptive Subtitles,Films,People of colour,Refugee ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/05/PB_1.269.1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250606T190000 DTEND;TZID=UTC:20250606T220000 DTSTAMP:20260429T221309 CREATED:20250526T082424Z LAST-MODIFIED:20250529T063904Z UID:13019-1749236400-1749247200@www.sqiff.org SUMMARY:SQIFF x Porty Pride Film Night DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \nThis year\, SQIFF and Porty Pride team up once again to present a bold and eclectic mix of queer short films from around the world\, screening at the beautiful Portobello Town Hall! \nThis vibrant programme spans narrative\, documentary\, and experimental work\, delving into themes of memory\, transformation\, identity\, and history. A Bird Called Memory is a striking meditation on love\, loss\, and the haunting nature of recollection. (Untitled)2025 is an incantation to our Indigenous ancestors from the Global Majority who experienced enforced binary genders\, colonialism and the theft of land and resources. Twenty Something offers intimate glimpses into queer youth\, as João writes a personal letter about the past\, the future\, love\, friendship\, fears and personal growth. In Cornelius\, a powerful documentary that delves into the inspiring life and work of Cornelius Wilson\, a dedicated community health advocate who has tirelessly fought against the AIDS epidemic within the Black LGBTQIA+ community for over four decades. Dr. XYZ: A Medical Drag Transthology brings together drag\, medical history\, and trans narratives in a wildly original documentary format. Finally\, Hot Young Geek Seeks Blood Sucking Freak is a comedy-horror short about the two scariest things on earth: vampires\, and coming out. You don’t want to miss it! \nStick around after the screening for a lively discussion with special guest Heath Virgoe\, Director of Hot Young Geek Seeks Blood Sucking Freak\, hosted by Indigo Korres. \nCurated by Indigo Korres. \nTickets are on a pay what you can sliding scale of £5\, £10\, £15. To book\, click here. \n  \nAccessibility \nThis programme has: \n\nAn age recommendation of N/C 16+.\nEnglish language descriptive subtitles.\nBSL-English interpretation provided for the introduction and panel discussion.\n\nThis screening is 72 minutes long with a introduction and panel discussion. \n  \nFilms in this programme include: \nA Bird Called Memory\, Dir. Leonardo Martinelli\, 2023\, Brazil\, 15 min \nA bird called Memory has forgotten how to come back home. Lua\, a trans woman\, tries to find Memory in the streets\, but the city can be a hostile place. \nContent notes: Depiction of transphobia. \n  \nTwenty Something\, Dir. João Nunes\, 2024\, Portugal\, 14 min \nAfter the end of a 3-year relationship\, João writes a letter about the past\, the future\, love\, friendship\, fears and personal growth. \nContent notes: Discussion of relationship grief. \n  \nCornelius\, Dir. Ken Gregory\, 2024\, United States\, 7 min \n“Cornelius” is a powerful documentary about Cornelius Wilson\, who has been a tireless advocate for AIDS awareness in the black LGBTQ community for over forty years. It highlights his dedication through personal interviews and showcases his impact on health and education. Celebrating his significant contributions\, “Cornelius” is a tribute to his enduring influence and the importance of compassionate community advocacy. \nContent notes: Discussion of HIV stigmatisation\, racism. \n  \nDr. XYZ: A Medical Drag Transthology\, Dir. El Jones\, 2023\, United Kingdom\, 14 min \nDr. XYZ is a community-made trans+ healthcare training film and ethnofiction. It is an exercise in queering the public information film genre\, shot in 16mm. The film weaves ethnographic healthcare accounts from Birmingham’s trans+ community with moments of drag-satire re-enactment to depict a collective vision of the UK’s healthcare system. \nContent notes: Discussion of suicidal ideation\, suicide attempt\, mental health issues\, medical neglect within NHS\, transphobia\, ableism\, racism\, passing culture\, self-medicating\, gender dysphoria\, medical waiting lists\, explicit language. Depiction of animated genitalia. \n  \n(Untitled)2025\, Dir. Campbell X\, 2025\, United Kingdom\, 8 min \n(Untitled)2025 is an incantation to our Indigenous ancestors from the Global Majority who experienced enforced binary genders\, colonialism and the theft of land and resources. Campbell X explores these themes through a lyrical script\, innovative camera techniques which explore the human form in close detail\, a haunting soundscape and visuals from lush and devastating extraction from both countries and bodies. \nContent notes: Discussion of colonialism. Depiction of bombing. \n  \nHot Young Geek Seeks Bloodsucking Freak\, Dir. Heath Virgoe\, 2024\, United Kingdom\, 12 min \nWhen best friends Max and Ricky find themselves the prey of an angry vampire\, they must ditch their Halloween plans to hide out at home. But when a forgotten pizza delivery shows up\, can they risk letting the driver in? Can they stop arguing with each other? And can Max find the courage to face the one thing worse than death – coming out? \nContent Notes: Discussion of sex\, role-play. Depiction of death. \nAccess Notes: Contains flashing imagery. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Cornelius\, Dir. Ken Gregory\, 2024 URL:https://www.sqiff.org/event/sqiff-x-porty-pride-film-night-2/ LOCATION:Portobello Town Hall\, 147-149 Portobello High Street\, Edinburgh\, EH15 1AF CATEGORIES:Descriptive Subtitles,Films,Pride ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2025/05/Cornelius-Smiling.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250517T103000 DTEND;TZID=UTC:20250517T133000 DTSTAMP:20260429T221309 CREATED:20250524T063703Z LAST-MODIFIED:20250524T063721Z UID:13007-1747477800-1747488600@www.sqiff.org SUMMARY:Fun Family Event! DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \nQueer Families and SQIFF (Scottish Queer International Film Festival) have worked together to plan a fun\, inclusive film event for all families with children! 🌈🦕🌞 \nYou can drop in on the day\, or send us a message or comment (so we know how many people will join)! \nIt’ll be a relaxed event\, with some fun child-friendly (all ages) films to watch\, fun creative activities\, toys and storybooks\, snacks and hot drinks\, and space to meet other families and make friends. \nNat Lall (SQIFF curator) has selected lovely films for us to watch\, including short animations with LGBTIQ+ families. \nWe’re holding this event because people who come to Queer Families have talked about not seeing many families like them in children’s films. So we’re trying to create more space for LGBTIQ+ families to feel more seen and valued. \nAll families with children are invited and welcome to join! The event is planned to meet the needs of LGBTIQ+ families especially\, but every family is welcome. So please invite your friends and more people in your communities along! And of course wider family\, chosen family\, grandparents\, and anyone else who matters to you too. \nSend us a message (or email Leon@otbds.org) if you have any questions\, or if we can help you feel welcome and take part. \n  \nAccessibility: \n\nThe Deep End is a wheelchair accessible venue.\nSnacks\, Coffee and Tea will be provided.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nFilms in this programme include: \nDear Nana\, Dir. Han Nguyen\, 2023 \nDear Nana is a deeply personal work that reflects my own childhood memory of living as a queer kid in a small\, conservative town in North Central Coast\, Vietnam. It is made in memory of my maternal grandmother who passed away in 2011. She was the first person to teach me that there is no shame in being myself and doing whatever makes me happy instead of trying to conform to the norm and doing what is expected of me. This work is both about remembering her and reassuring myself that she would still be supportive of me now that I have come so far in my journey of self-expression. The film also features aspects of Vietnamese culture\, such as the tradition to venerate our ancestors and pray for their blessings. \n  \nForza\, Rea!\, Dirs. Isabel Pahud\, Isabel Clerici\, Laura Zimmermann\, Polina Tyrsa\, 2023\, Switzerland\, 3 min \nIn a hillside village in Ticino\, Rea sets out to deliver a love letter to her crush while roller skating. As she heads to the house\, the letter is swept away downhill\, sending Rea on a frantic chase through the village. Navigating obstacles on the rough old town streets\, she races to catch the letter before finally delivering it. \n  \nLittle One\, Dir. John Clister Santos\, 2023\, Philippines\, 9 min \nIn Manila\, Ili-Ili follows Joy\, a pregnant mother seeking advice from her gay dads\, Iko and Tino. When Iko has a heart attack\, Tino reflects on their family’s journey through old footage. Joy learns that true parenting is defined by love and support\, not gender\, as the film’s painterly visuals convey a timeless message of parental devotion. \nContent notes: Depiction of hospitalisation. \n  \nAlwan\, Dir. Qais Sarhan\, 2024\, United Kingdom\, 3 min \nMeet Alwan\, a cheerful child longing for a friend. After a series of disappointments\, a box of crayons unexpectedly brings magic into his life. The crayons come alive\, creating a magical world filled with joy and friendship. Here\, Alwan discovers that his imagination holds the key to happiness\, celebrating the power of creativity and the simple joys found within our imagination. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Forza Rea!\, Dirs. Isabel Pahud\, Isabel Clerici\, Laura Zimmermann\, Polina Tyrsa\, 2023 URL:https://www.sqiff.org/event/13007/ LOCATION:The Deep End\, The Deep End 21 Nithsdale Street\, Glasgow\, G41 2PZ\, United Kingdom CATEGORIES:Families,Films,Free event ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/05/forzarea_sc02_2.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250503T130000 DTEND;TZID=UTC:20250503T150000 DTSTAMP:20260429T221309 CREATED:20250410T090433Z LAST-MODIFIED:20250423T101805Z UID:12871-1746277200-1746284400@www.sqiff.org SUMMARY:Floating in Ecosystems DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \nThis screening brings together the work of queer East and Southeast Asian artists based in Scotland\, showcasing bold explorations of identity\, transformation\, and community. The films in this programme experiment with dynamic visual narratives that challenge cultural and bodily boundaries\, blurring the lines between reality and fiction\, self and other. From fictional work to artist moving image work\, these films offer a range of experiences where body and identity intersect with culture and memory. \nFlorence To will introduce this event by presenting an expansive overview of queer East and Southeast Asian filmmaking in Scotland today. \nCurated by Indigo Korres. \n  \nTickets are on a pay what you can sliding scale of £3\, £6\, £9\, £12\, £15. To book\, click here or call the Rio Cinema Box Office on 020 7241 9410. \n  \nAccessibility \nThis programme has: \n\nBritish Sign Language\, Chinese\, and English audio with English language descriptive subtitles\nEnglish-BSL interpretation for the introduction.\nRio Cinema is a wheelchair accessible venue.\n\nThis screening is 90 minutes long. \n  \nFilms in this programme include: \n  \nStrangers\, Dir. Klarissa Webster\, 2023\, United Kingdom\, 4 min \n2 peoples worlds collide in a graveyard. One dealing with a near loss\, another still harbouring the pain after many years. \n  \nIn the penumbra\, the strange wave\, Dir. Wei Zhang\, 2022\, United Kingdom\, 11 min \nThis 11-minute collage film explores Zhang’s personal trauma through a blend of various media forms and techniques\, creating an alternate reality with symbolic characters representing complex emotions. \nAccess notes: Distorted voice. \n  \nFluid\, Dir. Wei Zhou\, 2016\, United Kingdom\, 13 min \nAn autobiographical story traces the filmmaker’s very own personal growing-up experiences of love and desire as a Chinese born and raised queer woman. \nAccess notes: Static imagery. \nContent notes: Discussion of porn\, self harm. \n  \nbody is/as landscape\, Dir. Joanne Lee\, 2020\, United Kingdom\, 13 min \n‘Body as/is Landscape’ shows the landscapes of St Andrews\, Dunoon\, a human body and the now demolished site of the Red Road flats in Glasgow. Lee asks what frames of references we are using to understand and relate to these landscapes? Attempting to situate the self among these places of privilege\, absence\, ruin and industry by observing in front and behind the camera. Questioning how we relate to and consume these landscapes – through the frame of the phone\, the lens of the digital camera. \n  \nIn Conversation with\, Dir. Eye Suriyanon\, 2024\, United Kingdom\, 11 min \n‘In Conversation with ‘ (2024) is an animated film in collaboration with Members of the Children’s Parliament (MCP)  from Stirling and Eye Suriyanon. As part of the ‘Fairness and Bias in AI’ workshop for the ‘Exploring Children’s Rights and AI’ project by Children’s Parliament Scotland. Featuring elements of graphic scores created by MCP and sound effects from DIY instruments\, animated in Processing\, additional music by Eye Suriyanon. \nAccess notes: Flashing imagery. \n  \nNarratives and Counternarratives\, Dir. Chaoying Rao\, 2022\, United Kingdom\, 9 min \nThis work examines representations of the self\, dissecting the persistent fetishisation of Asian women through collaging and reviewing memorable moments in Western culture. Questioning the ideas of the ‘Asian mystique’ and how it manifests in popular culture\, this film examines how the legacy of orientalism continues to manifest in spaces both physical and digital. \nContent notes: Depiction of nudity\, physical violence\, body modification\, fetishisation\, racism\, sex\, sensual dancing\, death\, gun violence\, knife violence\, sword violence\, decapitated head\, blood. Discussion of harassment\, violence. \n  \nWah Yen\, Dir. Wei Zhang\, 2024\, United Kingdom\, 29 min \nSet in 1970s Glasgow\, the film explores the rich inner world of young\, queer\, and neurodivergent Chinese immigrant Chen through their emerging kinship with Scottish shipbuilder\, James. Wah Yen employs a non-linear narrative\, underpinned by Wei’s interweaving of 3D animation\, archival footage\, and drag performances\, creating a dynamic and compelling visual language. The visually diverse film highlights the intimate relationships and struggles of marginalised identities\, resonating particularly with Glasgow’s Chinese and queer residents. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Wah Yen\, Dir. Wei Zhang\, 2024 URL:https://www.sqiff.org/event/floating-in-ecosystems/ LOCATION:Rio Cinema\, 107 Kingsland High Street\, London\, E8 2PB\, United Kingdom CATEGORIES:BSL,Descriptive Subtitles,Films,People of colour,Shorts ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2025/04/Wah-Yen_Wei-Zhang_2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250427T140000 DTEND;TZID=UTC:20250427T180000 DTSTAMP:20260429T221309 CREATED:20250213T144504Z LAST-MODIFIED:20250403T133117Z UID:12623-1745762400-1745776800@www.sqiff.org SUMMARY:Where a film lives: Screening//Distribution (Filmmaking Workshops for Trans and Non-Binary People) - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the event. We are operating a waiting list for sold out events – please go to the ticket link to be added to this!** \n  \n\nAre you trans and/or non-binary and would like to learn how to make your own short films? \nSQIFF and Scottish Trans are bringing you 4x filmmaking workshop sessions\, making film an accessible medium to get into. All sessions will be facilitated by Erica Monde and hosted at Transmission Gallery. \nErica Monde is a filmmaker\, academic and educator working as a writer and director across documentary\, experimental\, and fiction film. They currently run IMPRINT Documentary Collective\, teach on film courses at the University of Edinburgh and are completing their Short Circuit funded film\, This Desert Will Rust Your Bones. Their recent documentary There’s Not Much We Can Do was funded by the Scottish Documentary Institute’s Bridging the Gap scheme\, and they have also worked as a producer and story consultant on award winning short films. \nEach workshop will focus on a different aspect of filmmaking. It’d be great if you could attend all four sessions\, but don’t be discouraged to come if you can only come for a couple of sessions that you’re really excited about! \n\n  \nInformation on this session (4/4): \nHow are our films experienced by others? Where do we want our films to be seen and what impact do we want them to have? In week 4 we will share our films with the wider group\, and each filmmaker will have a chance to discuss their process with fellow participants. This session will be a space for creative feedback and ideation\, exploring if and how we may want to develop our films further\, whether on our own or in collaboration with other members of the group. We will also focus on the concept of distribution and the places and ways we want our films to be seen\, as well as the idea of impact\, or what place we want our film to inhabit in the world. Finally\, we will discuss opportunities for further development as independent filmmakers. \nPlease bring your completed film to this session. \nAll roles (directors\, producers\, cinematographers\, sound designers\, composers\, editors\, production designers\, costume designers\, etc.) and levels of experience (from none to advanced) are welcome! \n  \nTickets are FREE. To book a spot\, click here. \n  \nAccessibility: \n\nWheelchair Access Including Accessible Bathroom.\nSnacks and Drinks will be provided.\nQuiet Space – A designated quiet space will be available during these workshop sessions.\nAudience Travel and Access Fund – We have an Audience Access Fund that can support any audience member with costs within Scotland to be able to attend our events (ie. travel or childcare costs). Please get in touch by emailing info@sqiff.org or speak to our team at the event if you require this. You do not need to give a reason for accessing the fund.\nFace Masks – FFP2 masks will be available for free around the venue.\nSupport Animals – Support animals and service animals such as guide dogs are welcome at Transmission Gallery.\nThe SQIFF Team will be available to support with navigating the venue for anyone that needs it.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nSupported by Screen Scotland and National Lottery funding from the BFI. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: SQIFF URL:https://www.sqiff.org/event/screening-distribution-filmmaking-workshops-for-trans-and-or-non-binary-people/ LOCATION:Transmission Gallery\, 28 King Street\, Glasgow\, G1 5QP\, United Kingdom CATEGORIES:Films,Free event,Trans,Workshops ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/02/2.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250420T140000 DTEND;TZID=UTC:20250420T180000 DTSTAMP:20260429T221309 CREATED:20250213T144259Z LAST-MODIFIED:20250403T133141Z UID:12621-1745157600-1745172000@www.sqiff.org SUMMARY:The shape a film holds: Editing//Story (Filmmaking Workshops for Trans and Non-Binary People) - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the event. We are operating a waiting list for sold out events – please go to the ticket link to be added to this!** \n  \n\nAre you trans and/or non-binary and would like to learn how to make your own short films? \nSQIFF and Scottish Trans are bringing you 4x filmmaking workshop sessions\, making film an accessible medium to get into. All sessions will be facilitated by Erica Monde and hosted at Transmission Gallery. \nErica Monde is a filmmaker\, academic and educator working as a writer and director across documentary\, experimental\, and fiction film. They currently run IMPRINT Documentary Collective\, teach on film courses at the University of Edinburgh and are completing their Short Circuit funded film\, This Desert Will Rust Your Bones. Their recent documentary There’s Not Much We Can Do was funded by the Scottish Documentary Institute’s Bridging the Gap scheme\, and they have also worked as a producer and story consultant on award winning short films. \nEach workshop will focus on a different aspect of filmmaking. It’d be great if you could attend all four sessions\, but don’t be discouraged to come if you can only come for a couple of sessions that you’re really excited about! \n\n  \nInformation on this session (3/4): \nHow can we work creatively with our footage to design our films? How can we use specific techniques of editing and sound design to add depth and emotion to our stories? In week 3 we will begin our hands-on work with the footage shot over the previous week. Building on traditional methods of storytelling and moving into more experimental and conceptual approaches\, this session will focus on working with and developing story structure through editing. Participants will leave this session with a rough cut of their films and a plan for further editing over the following week. Skills in using editing software such as Davinci Resolve will be explored as needed depending on the interest of the group. \nPlease bring your footage and a laptop (if you have one you’d like to use) to this session. \nAll roles (directors\, producers\, cinematographers\, sound designers\, composers\, editors\, production designers\, costume designers\, etc.) and levels of experience (from none to advanced) are welcome! \n  \nTickets are FREE. To book a spot\, click here. \n  \nAccessibility: \n\nWheelchair Access Including Accessible Bathroom.\nSnacks and Drinks will be provided.\nQuiet Space – A designated quiet space will be available during these workshop sessions.\nAudience Travel and Access Fund – We have an Audience Access Fund that can support any audience member with costs within Scotland to be able to attend our events (ie. travel or childcare costs). Please get in touch by emailing info@sqiff.org or speak to our team at the event if you require this. You do not need to give a reason for accessing the fund.\nFace Masks – FFP2 masks will be available for free around the venue.\nSupport Animals – Support animals and service animals such as guide dogs are welcome at Transmission Gallery.\nThe SQIFF Team will be available to support with navigating the venue for anyone that needs it.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nSupported by Screen Scotland and National Lottery funding from the BFI. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: SQIFF URL:https://www.sqiff.org/event/editing-story-filmmaking-workshops-for-trans-and-or-non-binary-people/ LOCATION:Transmission Gallery\, 28 King Street\, Glasgow\, G1 5QP\, United Kingdom CATEGORIES:Films,Free event,Trans,Workshops ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/02/2.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250413T140000 DTEND;TZID=UTC:20250413T180000 DTSTAMP:20260429T221309 CREATED:20250213T144107Z LAST-MODIFIED:20250403T133157Z UID:12619-1744552800-1744567200@www.sqiff.org SUMMARY:The parts that make a film whole: Directing//Shooting (Filmmaking Workshops for Trans and Non-Binary People) - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the event. We are operating a waiting list for sold out events – please go to the ticket link to be added to this!** \n  \n\nAre you trans and/or non-binary and would like to learn how to make your own short films? \nSQIFF and Scottish Trans are bringing you 4x filmmaking workshop sessions\, making film an accessible medium to get into. All sessions will be facilitated by Erica Monde and hosted at Transmission Gallery. \nErica Monde is a filmmaker\, academic and educator working as a writer and director across documentary\, experimental\, and fiction film. They currently run IMPRINT Documentary Collective\, teach on film courses at the University of Edinburgh and are completing their Short Circuit funded film\, This Desert Will Rust Your Bones. Their recent documentary There’s Not Much We Can Do was funded by the Scottish Documentary Institute’s Bridging the Gap scheme\, and they have also worked as a producer and story consultant on award winning short films. \nEach workshop will focus on a different aspect of filmmaking. It’d be great if you could attend all four sessions\, but don’t be discouraged to come if you can only come for a couple of sessions that you’re really excited about! \n\n  \nInformation on this session (2/4): \nHow do we want to tell our film’s story? What elements of filmmaking can we use to capture material for our short? In week 2 we will focus on various approaches to directing and methods of creating footage and capturing sound. Drawing on the concept of developing a visual language\, we will explore how different creative elements in film can be designed to craft emotion and tell our stories. Participants will leave this session with a practical plan (whether with a crew\, alone\, or using found/archive footage) to shoot their film over the following week. Skills in camera and sound will be collaboratively explored depending on the interests of the group.  \nPlease bring any film equipment (camera\, phone\, audio recorder\, etc.) you may want to work with to this session. \nAll roles (directors\, producers\, cinematographers\, sound designers\, composers\, editors\, production designers\, costume designers\, etc.) and levels of experience (from none to advanced) are welcome! \n  \nTickets are FREE. To book a spot\, click here. \n  \nAccessibility: \n\nWheelchair Access Including Accessible Bathroom.\nSnacks and Drinks will be provided.\nQuiet Space – A designated quiet space will be available during these workshop sessions.\nAudience Travel and Access Fund – We have an Audience Access Fund that can support any audience member with costs within Scotland to be able to attend our events (ie. travel or childcare costs). Please get in touch by emailing info@sqiff.org or speak to our team at the event if you require this. You do not need to give a reason for accessing the fund.\nFace Masks – FFP2 masks will be available for free around the venue.\nSupport Animals – Support animals and service animals such as guide dogs are welcome at Transmission Gallery.\nThe SQIFF Team will be available to support with navigating the venue for anyone that needs it.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nSupported by Screen Scotland and National Lottery funding from the BFI. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: SQIFF URL:https://www.sqiff.org/event/directing-shooting-filmmaking-workshops-for-trans-and-or-non-binary-people/ LOCATION:Transmission Gallery\, 28 King Street\, Glasgow\, G1 5QP\, United Kingdom CATEGORIES:Films,Free event,Trans,Workshops ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/02/2.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250411T120000 DTEND;TZID=UTC:20250630T000000 DTSTAMP:20260429T221309 CREATED:20250410T192257Z LAST-MODIFIED:20250411T152526Z UID:12867-1744372800-1751241600@www.sqiff.org SUMMARY:Do you think Memory will ever land on the statue of someone like you and me? DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \nThis screening features four films that explore the distinct ways in which we build relationships with one another as trans people. These relationships can be romantic\, platonic\, familial\, or even that mutual feeling of care between strangers. The programme starts with I Feel (For) You\, an euphoric documentary about a group of queer and trans friends. This is followed by A Bird Called Memory\, Les garçons dans l’eau\, and Dismantle Me; three narrative fiction films delving into the various ways we give and receive love. This trans-focused programme is an opportunity to reflect on the importance of love within our community. \nCurated by Indigo Korres. \n  \nSQIFF is working with Curate-It to bring this programme online and wide. You can watch it by signing up to the Curate-It platform here. \n  \nAccessibility \nThis programme has: \n\nEnglish\, French\, Portuguese\, Spanish audio with English language descriptive subtitles\n\nThis screening is 75 minutes long and has an age recommendation of N/C 15+. \n  \nFilms in this programme include: \n  \nI Feel (For) You\, Dir. Bella Cintra\, 2023\, Spain\, 7 min \nWe embark on a journey in which the deepest feelings of a group of trans individuals will guide an intimate and emotional relationship between two trans people through their experiences. \nContent notes: Discussion of homophobic slur\, transmisogyny. \n  \nA Bird Called Memory\, Dir. Leonardo Martinelli\, 2023\, Brazil\, 15 min \nA bird called Memory has forgotten how to come back home. Lua\, a trans woman\, tries to find Memory in the streets\, but the city can be a hostile place. \nContent notes: Depiction of transphobia. \n  \nLes garçons dans l’eau\, Dir. Pawel Thomas Larue\, 2023\, France\, 40 min \nEnd of summer on the Breton coast. Oscar invites his group of friends to spend a week’s vacation at his grandparents’ house. He hasn’t been back to his childhood home for years – not since he came out as a trans boy. On the beach\, the gang meets Malo\, a handsome local guy\, also trans. The story is about their meeting\, which will turn everything upside down. \nContent notes: Depiction of sex\, alcohol use\, cigarette use. Discussion of internalised homophobia. \n  \nDismantle Me\, Dir. Max Disgrace\, 2023\, United Kingdom\, 13 min \nA comical proposition turns into an arousing powerplay when a smoldering-hot trans woman helps a heartbroken trans man tidy his messy bedroom. \nAssociate produced by Lilly Wachowski\, Dismantle Me is a dark comedy-romance by trans people of colour\, and created with a majority transgender and non-binary cast and crew. Made in collaboration with Trans+ On Screen. \nContent notes: Depiction of sex\, cuts\, blood. Discussion of sex\, sexual language. \n  \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Les garçons dans l’eau\, Dir. Pawel Thomas Larue\, 2023 URL:https://www.sqiff.org/event/do-you-think-memory-will-ever-land-on-the-statue-of-someone-like-you-and-me-2/ LOCATION:Curate-It CATEGORIES:Descriptive Subtitles,Films,Online,Trans ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/08/Les-garcons-dans-leau-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250406T140000 DTEND;TZID=UTC:20250406T180000 DTSTAMP:20260429T221309 CREATED:20250213T143928Z LAST-MODIFIED:20250403T133212Z UID:12615-1743948000-1743962400@www.sqiff.org SUMMARY:How a film can be found: Ideation//Process (Filmmaking Workshops for Trans and Non-Binary People) - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the event. We are operating a waiting list for sold out events – please go to the ticket link to be added to this!** \n  \n\nAre you trans and/or non-binary and would like to learn how to make your own short films? \nSQIFF and Scottish Trans are bringing you 4x filmmaking workshop sessions\, making film an accessible medium to get into. All sessions will be facilitated by Erica Monde and hosted at Transmission Gallery. \nErica Monde is a filmmaker\, academic and educator working as a writer and director across documentary\, experimental\, and fiction film. They currently run IMPRINT Documentary Collective\, teach on film courses at the University of Edinburgh and are completing their Short Circuit funded film\, This Desert Will Rust Your Bones. Their recent documentary There’s Not Much We Can Do was funded by the Scottish Documentary Institute’s Bridging the Gap scheme\, and they have also worked as a producer and story consultant on award winning short films. \nEach workshop will focus on a different aspect of filmmaking. It’d be great if you could attend all four sessions\, but don’t be discouraged to come if you can only come for a couple of sessions that you’re really excited about! \n\n  \nInformation on this session (1/4): \nWhat makes a compelling idea for a short film? How can a short film be created in one month? In week 1 we will explore what type of film (documentary\, fiction\, experimental or hybrid) we want to make and why we want to make it. This session will focus on short filmmaking as a creative process\, finding potential layers to explore within our film and understanding in more depth the stories we want to tell. Touching briefly on the short film landscape\, participants will walk away from this session with a draft film treatment and production plan for the next few weeks. Filmmaking teams will be organised as needed based on interest\, skill\, and desire to collaborate. \nPlease bring either: a general idea for a film you want to make\, or an idea of the kind of film you may want to work on with others. \nAll roles (directors\, producers\, cinematographers\, sound designers\, composers\, editors\, production designers\, costume designers\, etc.) and levels of experience (from none to advanced) are welcome! \n  \nTickets are FREE. To book a spot\, click here. \n  \nAccessibility: \n\nWheelchair Access Including Accessible Bathroom.\nSnacks and Drinks will be provided.\nQuiet Space – A designated quiet space will be available during these workshop sessions.\nAudience Travel and Access Fund – We have an Audience Access Fund that can support any audience member with costs within Scotland to be able to attend our events (ie. travel or childcare costs). Please get in touch by emailing info@sqiff.org or speak to our team at the event if you require this. You do not need to give a reason for accessing the fund.\nFace Masks – FFP2 masks will be available for free around the venue.\nSupport Animals – Support animals and service animals such as guide dogs are welcome at Transmission Gallery.\nThe SQIFF Team will be available to support with navigating the venue for anyone that needs it.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nSupported by Screen Scotland and National Lottery funding from the BFI. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: SQIFF URL:https://www.sqiff.org/event/ideation-process-filmmaking-workshops-for-trans-and-or-non-binary-people/ LOCATION:Transmission Gallery\, 28 King Street\, Glasgow\, G1 5QP\, United Kingdom CATEGORIES:Films,Free event,Trans,Workshops ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/02/2.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250330T140000 DTEND;TZID=UTC:20250330T180000 DTSTAMP:20260429T221309 CREATED:20250211T161741Z LAST-MODIFIED:20250403T133232Z UID:12609-1743343200-1743357600@www.sqiff.org SUMMARY:Collaging our Films (Filmmaking Workshops for QTIPOC+) DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \n\nAre you LGBTQIA+ and Black/a Person of Colour and would like to learn how to make your own short films? \nSQIFF and Exhale Group C.I.C. are bringing you 4x filmmaking workshop sessions\, making film an accessible medium to get into. All sessions will be facilitated by Nat Lall and hosted at Transmission Gallery. \nNat Lall is a Glasgow-based film curator\, known for their work with the SQIFF. Nat is also an artist and DJ. Notable works include the film Pink Excavation (2018) and their musical alias is DJ FLUFFIE. \nEach workshop will focus on a different aspect of filmmaking. It’d be great if you could attend all four sessions\, but don’t be discouraged to come if you can only come for a couple of sessions that you’re really excited about! \n\n  \nInformation on this session (4/4): \nIn our final session\, we will edit the film and sound clips from previous sessions into a finished film. \nI’ll show you where and how you can download free film editing software. then I’ll give you a little demonstration of how I edit films. \nI treat the editing process the same way I would treat a paper collage. I start editing when I have all my materials to hand and then I cut\, copy and paste the clips in and around each other. \nFor me\, this is really when the whole narrative comes together. I don’t start with a clear structure. Using the clips of improvised sound and image\, I piece together a story and add in a little bits narration of when needed. \nPS. No existing software licenses or experience of film software is necessary. I will show you free-to-use options and help you install them on your own laptops. If you do not own laptop\, please be in touch and we will organise one for you to borrow. \n  \nTickets are FREE. To book a spot\, click here. \n  \nAccessibility: \n\nWheelchair Access Including Accessible Bathroom.\nSnacks and Drinks will be provided.\nQuiet Space – A designated quiet space will be available during these workshop sessions.\nAudience Travel and Access Fund – We have an Audience Access Fund that can support any audience member with costs within Scotland to be able to attend our events (ie. travel or childcare costs). Please get in touch by emailing info@sqiff.org or speak to our team at the event if you require this. You do not need to give a reason for accessing the fund.\nFace Masks – FFP2 masks will be available for free around the venue.\nSupport Animals – Support animals and service animals such as guide dogs are welcome at Transmission Gallery.\nThe SQIFF Team will be available to support with navigating the venue for anyone that needs it.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nSupported by Screen Scotland and National Lottery funding from the BFI. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: SQIFF URL:https://www.sqiff.org/event/collaging-our-films-filmmaking-workshops-for-qtipoc/ LOCATION:Transmission Gallery\, 28 King Street\, Glasgow\, G1 5QP\, United Kingdom CATEGORIES:Films,Free event,People of colour,Workshops ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/02/1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250318T190000 DTEND;TZID=UTC:20250318T210000 DTSTAMP:20260429T221309 CREATED:20241206T112904Z LAST-MODIFIED:20250224T124945Z UID:12512-1742324400-1742331600@www.sqiff.org SUMMARY:SQIFF Queer Screening: Edinburgh Takeover with Edinburgh Arts Festival & Rhubaba - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. Edinburgh Arts Festival are operating a waiting list for sold out events – please contact elle@edinburghartfestival.com to be added to this!** \n  \nSQIFF are very excited to announce our collaboration with Rhubaba for the Edinburgh Art Festival. The evening will consist of a screening of short films\, a panel discussion with Scottish QTIPOC filmmakers and food. The event will take place on the 18th March 2025 in the French Institute\, Edinburgh. \nAll of the short films in the screening are taken from the SQIFF 2024 programme and with this we aim to bring a bit of the queer magic we experienced in Glasgow to Edinburgh. The selected films include works from our Scottish Shorts\, Sci-Fi Meets Reality\, Queer Asia\, ★\,。·::·ﾟ☆ “The Real Internet Is Inside You” ·ﾟ✧*:·ﾟ✧ and Drag & Performance Through Censorship events. The selection highlights a range of techniques and genres in queer filmmaking including digital animation\, text-based film\, collage and live-action. It also explores a diverse range of topics such as young trans girlhood\, intimate friendships between men of colour\, medical drag-satire and more. \nAll of the selected films are either directed by and/or have a central focus on QTIPOC. This event aims to spotlight and celebrate queer people of colour in film. We will explore filmmaking techniques\, community initiatives and future hopes for people of colour in queer film with a panel discussion after the screenings. And after that\, we will end by chatting over food and drink provided by the festival. \nCurated by Nat Lall. \nTickets are FREE. To book\, click here and you’ll be redirected to the Edinburgh Arts Festival website. \n  \nFilms in this programme include: \nA Float\, Dir. Isabel Barfod\, 2023\, United Kingdom\, 3 min \n\nA Float explores subtle modes of refusal through the lens of a Black Queer swimmer in a hostile environment. Set in a Victorian era public swimming pool\, A Float follows our protagonist as they access alternate realities\, speculated futures and enact small acts of revenge. \n\n\nContent Notes: Depiction of racism. \n\n\nAccess Notes: Contains flashing imagery. \n\n\n  \n\nDr. XYZ: A Medical Drag Transthology\, Dir. El Jones\, 2023\, United Kingdom\, 14 min \n\nDr. XYZ is a community-made trans+ healthcare training film and ethnofiction. It is an exercise in queering the public information film genre\, shot in 16mm. The film weaves ethnographic healthcare accounts from Birmingham’s trans+ community with moments of drag-satire re-enactment to depict a collective vision of the UK’s healthcare system. \n\n\nContent notes: Discussion of suicidal ideation\, suicide attempt\, mental health issues\, medical neglect within NHS\, transphobia\, ableism\, racism\, passing culture\, self-medicating\, gender dysphoria\, medical waiting lists\, explicit language. Depiction of animated genitalia. \n\n\n  \n\nScrapped Fabric\, Dir. Jake Muñoz Consing\, 2024\, Philippines\, 11 min \n\nFearing her mother’s disapproval\, a teenage trans girl secretly sews a prom dress from her mother’s scrap fabric (“retaso”). \n\n\nContent notes: Discussion of transphobia. \n\n\n  \n\nFarewell\, Dir. Soham Kundu\, 2024\, United Kingdom\, 15 min \n\nTwo friends: one with a broken heart\, the other on the brink of marriage. Together they set out on a day’s journey that leads them to confront their past amidst shared grief and hopes for a brighter future. Centred around intimate friendships between men of colour\, Farewell presents evolving expressions of modern masculinity. \n\n\nContent notes: Depiction of cigarette use. \n\n\n  \n\nDiffused in Marginalised Orders\, Dir. Florence To\, 2024\, United Kingdom\, 3 min \n\nWords have a powerful role in shaping identity and transforming our lived experiences. The Scottish-born Hong Kong artist uses texts that ignite deep connections and solidarity. Their work confronts the dispossessions wrought by imperialism and challenges complicity in public amnesia about ongoing injustices\, redefining our relationship within social barriers and power struggles in public spaces. \n\n\nAccess notes: Flashing light and rapid visual effects. \n\n\n  \n\nBellydance Vogue\, Dir. Hadi Moussally\, 2020\, Lebanon\, 5 min \n\n“My birthday was on the 3rd of April 2020 during lockdown\, and for the first time\, I celebrated it all by myself. But even if I was alone\, I decided to celebrate it as if it’s the last one” \n\n\nThe film was made during quarantine. \n\n  \nAccessibility:  \n\nBSL-English interpretation for introduction and discussions.\nEnglish Descriptive Subtitles.\nThis event is located upstairs in the Salle Emilienne Moreau-Evrard space at the French Institute of Scotland\, accessible via stairs or lift.\nYou will enter the building at street level via the entrance on George IV Bridge\, where a reception desk is available for directions to the space or the lift.\nAccessing this venue is an uphill walk from Waverley Station. For a step-free journey\, travel along Market Street\, left along North Bank Street towards the Bank of Scotland\, and find the French Institute across the road.\nIf travel costs would be a barrier to attending this workshop\, please contact Rhubaba (admin@rhubaba.org) or EAF (info@edinburghartfestival.com) to arrange travel reimbursement.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nThis event is part of Refractions: New Conceptions of Film + Photography (15 Jan—18 Mar). Co-created by the EAF Civic Programme and Rhubaba\, this free event series aims to connect marginalised people with creativity through film\, ceramics\, writing\, and more. Find out more here. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Tiu Makkonen URL:https://www.sqiff.org/event/sqiff-queer-screening-edinburgh-takeover-with-edinburgh-arts-festival-rhubaba/ LOCATION:French Institute\, West Parliament Sq\, Edinburgh\, EH1 1RF\, United Kingdom CATEGORIES:BSL,Discussion,Films,Free event,People of colour ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2024/12/SQIFF.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250315T140000 DTEND;TZID=UTC:20250315T180000 DTSTAMP:20260429T221309 CREATED:20250211T161558Z LAST-MODIFIED:20250403T133246Z UID:12607-1742047200-1742061600@www.sqiff.org SUMMARY:Fantasy Field Recording (Filmmaking Workshops for QTIPOC+) DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \n\nAre you LGBTQIA+ and Black/a Person of Colour and would like to learn how to make your own short films? \nSQIFF and Exhale Group C.I.C. are bringing you 4x filmmaking workshop sessions\, making film an accessible medium to get into. All sessions will be facilitated by Nat Lall and hosted at Transmission Gallery. \nNat Lall is a Glasgow-based film curator\, known for their work with the SQIFF. Nat is also an artist and DJ. Notable works include the film Pink Excavation (2018) and their musical alias is DJ FLUFFIE. \nEach workshop will focus on a different aspect of filmmaking. It’d be great if you could attend all four sessions\, but don’t be discouraged to come if you can only come for a couple of sessions that you’re really excited about! \n\n  \nInformation on this session (3/4): \nWe’re going to get creative and make immersive\, otherworldly soundscapes\, from the comfort of the gallery space. Expect an intro to Foley\, Spatial Audio and my own concept of ‘IRL field recording’. \nFoley lets you create a range of textural sound effects to add into films. You can create big\, gory\, explosive\, slimy sounds simply with some everyday items and a microphone. \nSpatial Audio lets you create a physical space with your recordings. Rather than flat mono sounds\, you can place your sounds left or right\, up or down and forwards or back. It lets your audience transport to vast otherworldly dimensions… without you having to leave the comfort of your home or studio. \nIRL Field Recording is a concept I coined during my BA in Sound Arts. The soundscapes are not at all recorded ‘In Real Life’\, rather they are dreamed up and carefully devised. The name represents my skeptical views towards the ‘facts’ of science\, reality\, and notably gender. Who constructed these ‘facts’ anyway? Is everything not sci-fi to an extent? \nPS. No equipment\, or prior audio recording knowledge is necessary. Also\, be in touch if you have any access needs. \n  \nTickets are FREE. To book a spot\, click here. \n  \nAccessibility: \n\nWheelchair Access Including Accessible Bathroom.\nSnacks and Drinks will be provided.\nQuiet Space – A designated quiet space will be available during these workshop sessions.\nAudience Travel and Access Fund – We have an Audience Access Fund that can support any audience member with costs within Scotland to be able to attend our events (ie. travel or childcare costs). Please get in touch by emailing info@sqiff.org or speak to our team at the event if you require this. You do not need to give a reason for accessing the fund.\nFace Masks – FFP2 masks will be available for free around the venue.\nSupport Animals – Support animals and service animals such as guide dogs are welcome at Transmission Gallery.\nThe SQIFF Team will be available to support with navigating the venue for anyone that needs it.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nSupported by Screen Scotland and National Lottery funding from the BFI. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: SQIFF URL:https://www.sqiff.org/event/fantasy-field-recording-filmmaking-workshops-for-qtipoc/ LOCATION:Transmission Gallery\, 28 King Street\, Glasgow\, G1 5QP\, United Kingdom CATEGORIES:Films,Free event,People of colour,Workshops ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/02/1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250309T140000 DTEND;TZID=UTC:20250309T180000 DTSTAMP:20260429T221309 CREATED:20250211T161352Z LAST-MODIFIED:20250403T133324Z UID:12605-1741528800-1741543200@www.sqiff.org SUMMARY:Acting is just me hanging out with my friends (Filmmaking Workshops for QTIPOC+) DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \n\nAre you LGBTQIA+ and Black/a Person of Colour and would like to learn how to make your own short films? \nSQIFF and Exhale Group C.I.C. are bringing you 4x filmmaking workshop sessions\, making film an accessible medium to get into. All sessions will be facilitated by Nat Lall and hosted at Transmission Gallery. \nNat Lall is a Glasgow-based film curator\, known for their work with the SQIFF. Nat is also an artist and DJ. Notable works include the film Pink Excavation (2018) and their musical alias is DJ FLUFFIE. \nEach workshop will focus on a different aspect of filmmaking. It’d be great if you could attend all four sessions\, but don’t be discouraged to come if you can only come for a couple of sessions that you’re really excited about! \n\n  \nInformation on this session (2/4): \nDon’t have the time or money or energy to write a script and cast actors? Don’t worry… just have a fun silly day with your pals and film it. Once again\, that’s what I did. \nWe’ll chat about filming dialogue on the fly\, making filming your friends into a fun hang out instead of a job\, and ways to repay your pals in other ways than money. \nI’ll be honest with you\, you’re probably not going to earn loadsa cash from your DIY films\, you could\, but it’s unlikely. So make it fun and worth your time. Be honest\, and kind\, to yourself about it. I struggle with the awkwardness of asking for favours too\, but maybe your pals/community actually love you..? Or if not at least maybe you could return the favour. \nWe’ll hang out together as a group\, we’ll have tea and chat\, and then we’ll devise rough ideas for acting in each others’ films. Then we’ll record our footage and help each other out. It won’t be too planned\, it won’t be scripted\, but it will be fun. \nPS. No equipment\, or prior filmmaking knowledge is necessary. Everything will be shot on our phone cameras. If you do not have one to use\, please be in touch and we will organise a camera for you to borrow. Also\, be in touch if you have any access needs. \n  \nTickets are FREE. To book a spot\, click here. \n  \nAccessibility: \n\nWheelchair Access Including Accessible Bathroom.\nSnacks and Drinks will be provided.\nQuiet Space – A designated quiet space will be available during these workshop sessions.\nAudience Travel and Access Fund – We have an Audience Access Fund that can support any audience member with costs within Scotland to be able to attend our events (ie. travel or childcare costs). Please get in touch by emailing info@sqiff.org or speak to our team at the event if you require this. You do not need to give a reason for accessing the fund.\nFace Masks – FFP2 masks will be available for free around the venue.\nSupport Animals – Support animals and service animals such as guide dogs are welcome at Transmission Gallery.\nThe SQIFF Team will be available to support with navigating the venue for anyone that needs it.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nSupported by Screen Scotland and National Lottery funding from the BFI. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: SQIFF URL:https://www.sqiff.org/event/acting-is-just-me-hanging-out-with-my-friends-filmmaking-workshops-for-qtipoc/ LOCATION:Transmission Gallery\, 28 King Street\, Glasgow\, G1 5QP\, United Kingdom CATEGORIES:Films,Free event,People of colour,Workshops ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/02/1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20250302T140000 DTEND;TZID=UTC:20250302T180000 DTSTAMP:20260429T221309 CREATED:20250211T160845Z LAST-MODIFIED:20250403T133303Z UID:12599-1740924000-1740938400@www.sqiff.org SUMMARY:D.I.Why? (Filmmaking Workshops for QTIPOC+) DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \n\nAre you LGBTQIA+ and Black/a Person of Colour and would like to learn how to make your own short films? \nSQIFF and Exhale Group C.I.C. are bringing you 4x filmmaking workshop sessions\, making film an accessible medium to get into. All sessions will be facilitated by Nat Lall and hosted at Transmission Gallery. \nNat Lall is a Glasgow-based film curator\, known for their work with the SQIFF. Nat is also an artist and DJ. Notable works include the film Pink Excavation (2018) and their musical alias is DJ FLUFFIE. \nEach workshop will focus on a different aspect of filmmaking. It’d be great if you could attend all four sessions\, but don’t be discouraged to come if you can only come for a couple of sessions that you’re really excited about! \n\n  \nInformation on this session (1/4): \nIn our first session together we are going to look into why DIY(Do It Yourself) filmmaking is such a fun and accessible way to make film. What if we used our limitations as a starting point for our creativity? That’s what I did! \nWe’re going to play around with cheap\, camp objects from our homes and pound shops. I personally love the look of cheap bits of tatt\, they tend to be colourful\, childish and inventive. They’re often not fit for purpose and how/why they could actually be used gets my creative juices flowing. We are going to use these objects as a starting point for our narratives. We will imagine new worlds from these precious\, and cost-friendly wonders. \nWith a bit of observation\, free-writing and plenty of imagination… we will think up conceptual bases for our films. We’ll do a bit of improvised narration as we ponder on our objects. And by the end of the session\, each filmmaker will have a some clips about a fantastical world in which these objects exist. \nPS. No equipment\, or prior filmmaking knowledge is necessary. Everything will be shot on our phone cameras. If you do not have one to use\, please be in touch and we will organise a camera for you to borrow. Also\, be in touch if you have any access needs. \n  \nTickets are FREE. To book a spot\, click here. \n  \nAccessibility: \n\nWheelchair Access Including Accessible Bathroom.\nSnacks and Drinks will be provided.\nQuiet Space – A designated quiet space will be available during these workshop sessions.\nAudience Travel and Access Fund – We have an Audience Access Fund that can support any audience member with costs within Scotland to be able to attend our events (ie. travel or childcare costs). Please get in touch by emailing info@sqiff.org or speak to our team at the event if you require this. You do not need to give a reason for accessing the fund.\nFace Masks – FFP2 masks will be available for free around the venue.\nSupport Animals – Support animals and service animals such as guide dogs are welcome at Transmission Gallery.\nThe SQIFF Team will be available to support with navigating the venue for anyone that needs it.\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nSupported by Screen Scotland and National Lottery funding from the BFI. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: SQIFF URL:https://www.sqiff.org/event/12599/ LOCATION:Transmission Gallery\, 28 King Street\, Glasgow\, G1 5QP\, United Kingdom CATEGORIES:Films,Free event,People of colour,Workshops ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2025/02/1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241122T190000 DTEND;TZID=UTC:20241122T213000 DTSTAMP:20260429T221309 CREATED:20241101T122838Z LAST-MODIFIED:20241206T111939Z UID:12494-1732302000-1732311000@www.sqiff.org SUMMARY:Making Masculinities with Take One Action and Pillow Talk Scotland - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening.** \n  \nA compelling evening of short films exploring the complexities of masculinity today – from harm to love. \n  \nWhat does it mean to be masculine today? Young men face increasing pressures\, grappling with toxic stereotypes and the “loneliness epidemic\,” often feeling isolated and inadequate. Data shows that young men are veering to the right globally\, underscoring the urgent need to address these issues. However\, masculinity is far more fluid and diverse than commonly portrayed\, and we invite audiences to reflect on these nuances through a broader\, more intersectional lens. \n  \nFeaturing short films from Glasgow artist Trackie McLeod\, filmmakers Miles Warren and Campbell X\, director and writer Daniel Bailey and others\, Making Masculinities takes us on a journey through masculinity’s many facets. \n  \nThe event encourages attendees to participate as men or people who identify in some way with masculinity\, to bring friends with them\, and to bring the men in their lives. Together we’ll have meaningful conversations about male identity’s positive and negative aspects. Hosted by Take One Action\, the Scottish Queer International Film Festival\, and Pillow Talk Scotland\, the screening will take place on 22nd November\, shortly after International Men’s Day and just ahead of this year’s 16 Days of Activism. This event provides an opportunity to challenge traditional narratives and promote a healthier understanding of masculinity today. \n  \nCurated by Iris Pase\, Rachel Hamada\, and Zeo Fawcett\, with support from Indigo Korres. \n  \nTickets are FREE. To book\, click here and you’ll be redirected to the Take One Action website. \n  \nUnderstanding Masculinity Trackie McLeod\, 2018\, UK\, 5 minutes \n​Trackie McLeod is a Scottish artist based in Glasgow. Best known for his text-based work\, Trackie recontextualises our relationship with everyday colloquialisms. His punchy take on sculpture\, textiles and print mixed with his love of Scottish patter creates a visual best described as ‘one part tongue-in-cheek\, an ounce of sarcasm and a pint of Tennent’s Lager’. Here\, in an early piece of his work\, he explores experiences of masculinity. \n  \nI Love Hooligans Jan-Dirk Bouw\, 2013\, Netherlands\, 13 minutes \nIn this animated short\, a football hooligan feels unconditional love for his club. However\, being gay\, he has to hide his identity in order to survive in this world that is so precious to him. \n  \nFather and Son Mitchell Lazar\, 2018\, US\, 7 minutes \nAn up and coming writer competes against his father for a prestigious book award. This portrait of male insecurity and psychological cruelty shows that violence doesn’t have to be physical to maim – but who will triumph? \n  \nDes!re Campbell X\, 2017\, UK\, 9 minutes Trailer \nDES!RE is an experimental film exploring desire for transmasc\, transmen\, butch\, stud\, aggressives\, masculine of centre (MOC) people assigned female at birth. Stunning black and white images drift across the screen while transmen\, femme women and butch and MOC people speak about the complexity of their desire. \n  \nBruiser Miles Warren\, 2022\, USA\, 10 minutes \nAfter his father gets into a fight at a bowling alley\, Darious begins to investigate the limitations of his own manhood. Inspired by Worldstar fight videos\, this Sundance and SXSW selected short film interrogates the emotional fallout of macho violence\, and inspired a later feature debut by the director. \n  \nSoft Bwoi Daniel Bailey\, 2022\, UK\, 5 minutes \nIn yardie culture\, “yuh too soft” can mark you from childhood\, the equivocation of gentleness and sensitivity with weakness and irrelevance. This ensemble production refuses such sentiment and Babylon itself\, using folklore and imagery from Caribbean carnival culture and queerness to redefine this misconception. The concealment of emotion\, embracing norms\, and the repression of femininity are no longer signs of power and strength. Instead\, it is in seeking the divine feminine\, deep connections with one another and the rejection of toxicity that will unite Black men to find better ways to survive in this harsh but limitless world. Yes lawd! \n  \nYou Can’t Always Get What You Want But You Can Get Me Samira Elagoz/Z Walsh\, 2023\, Canada\, 13 minutes \nA unique slideshow documenting two longhaired trans men falling in love. Over the course of one year\, the artist couple gathered photographs from real-life events such as their first kiss\, meeting each other’s parents\, long distance thirst traps\, a beach wedding\, and top surgery. A sweet and steamy celebration of T4T love with life and art all tangled up. \n  \nLa Vita Semplice Lucas Tielke\, 2022\, Italy\, 3 minutes \nPedro and Flavio live a simple and beautiful life together\, filled to the brim with love\, away from the distractions of the outside world. For the past 30 years\, they have poured their heart and soul into their scenic property situated in the rolling hills of Bologna. The instant you meet them their commitment to “The Beautiful Life” becomes apparent. \n  \nBEYOND THE SCREEN: Following the films\, a panel and interactive audience discussion will further explore the themes presented. The discussion will be hosted by Zeo Fawcett\, and will feature actor\, writer and storyteller Adam Kashmiry and Isaac Hoff from the University of Glasgow. We’ll also be asking the audience to share their experiences\, good and bad\, of masculinity and your ideas about what positive masculinity looks like. \nAdam Kashmiry is a neurodivergent Egyptian-born and Glasgow-raised performer\, storyteller\, experimental mover and writer\, and queer activist. Some of the projects Adam has worked on include autobiographical BAFTA-winning film Adam; As You Like It with Northern Broadsides; Tako Taal’s After Kinte; Where Are You From? at the Children’s Festival; Everyman and Who I am now? from Bombito Productions; Walter Sholto Douglas; and the exhibition The Untold Stories of People Who Shaped Scotland. \nIsaac Hoff is a lecturer in media and sociology at the University of Glasgow with interests in masculinities\, youth\, culture and class. He has written about masculinities\, transitions to adulthood and leisure. He completed his PhD at the University of Leicester’s research institute for cultural and media economies in 2021 and has been at Glasgow since September 2022. \n  \nAccessibility:  \n\nBSL-English interpretation for introduction and discussions.\nEnglish Descriptive Subtitles.\nWheelchair Access.\nContent Notes:\n\nI Love Hooligans: Depictions of physical violence\, homophobia\, strobing lights.\nBruiser: Depictions of physical violence\nYou Can’t Always Get What You Want But You Can Get Me: Discussion of surgery\, sex\, genitalia. Depiction of nudity\, sex\, bodily fluids\, hospitalisation\, surgical drains\, needles\, blood\, stitches\, fresh top surgery scars\, pain medication\, scabbing wounds.\n\n\n\nIf you have any other access needs you would like to discuss with us\, please get in touch with us at info@sqiff.org. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: La Vita Semplice (2022\, Dir Lukas Tielke) URL:https://www.sqiff.org/event/making-masculinities-with-take-one-action-and-pillow-talk-scotland/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Discussion,Films,Free event,Shorts ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2024/11/LaVitaSemplice.png ORGANIZER;CN="Take One Action Film Festivals":MAILTO:info@takeoneaction.org.uk END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241012T190000 DTEND;TZID=UTC:20241012T210000 DTSTAMP:20260429T221309 CREATED:20240823T092405Z LAST-MODIFIED:20240924T134800Z UID:12249-1728759600-1728766800@www.sqiff.org SUMMARY:Closing Film: Lesvia - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nSince the 1970s lesbians have been gathering in the village of Eressos\, Lesvia\, once home to the ancient Greek poet and ‘First Lesbian’\, Sappho. Lesvia is a documentary film chronicling the site of queer pilgrimage and tensions felt between local villagers and new sapphic arrivals of the last four decades. The feature will be followed by two shorts exploring Barbara Hammer and the lesbian iconography of the carabiner\, respectively. \nThis screening will be followed by a panel discussion hosted by Nat Lall with Looking for Barbara director Helen Kilbride. \nCurated by Nat Lall. \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility: \nThis programme has: \n\nEnglish\, French\, Italian\, Greek with English language descriptive subtitles.\nEnglish-BSL interpretation for the introduction and panel discussion.\nLive Captioning for the introduction and panel discussion.\n\nThis screening is 93 minutes long and has an age recommendation of N/C 18+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nLesvia\, Dir. Tzeli Hadjidimitriou\, 2024\, Greece\, 77 min \nSince the 1970s\, lesbians from around the world have been drawn to the island of Lesvos\, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community\, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity\, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love\, community\, conflict\, and what it means to feel accepted. \nContent notes: Depiction of nudity\, sex toys\, alcohol use\, cigarette use. Discussion of homophobia\, sex\, harassment\, political legislation\, oppression\, gender dysphoria\, body image\, fatphobia\, childhood trauma\, xenophobia\, physical violence\, police violence\, patriarchy\, sexism\, alcohol. \nAccess notes: Minimal flashing light in some party scenes. \n  \nLooking for Barbara\, Dir. Helen Eve Kilbride\, 2021\, United Kingdom\, 9 min \nLooking for Barbara is a short experimental film exploring personal archives—photos and cine film from home. Using the filmmaker’s mid-1990s Super 8 footage\, it questions memory’s significance and whose stories are prioritised. Inspired by Barbara Hammer\, the film blends an ethereal soundtrack with personal testimony\, offering a queer perspective on memory and how archives can be reinterpreted to amplify marginalised narratives. \nContent notes: Depiction of nudity. Discussion of queer erasure\, sex. \n  \nThe History of The Carabiner\, Dir. Gianna Mazzeo\, 2023\, Netherlands\, 7 min \nA tongue-in-cheek\, historical documentary / fashion film hybrid that takes viewers on a journey through queer history to trace the origins of the carabiner as a lesbian symbol. \nContent notes: Discussion of sexism\, sex\, homophobia. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Lesvia\, Dir. Tzeli Hadjidimitriou\, 2024 URL:https://www.sqiff.org/event/closing-film-lesvia/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Documentary,Feature,Films,Lesbian,Shorts,Woman director ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2024/08/Lesvia_web.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241012T153000 DTEND;TZID=UTC:20241012T173000 DTSTAMP:20260429T221309 CREATED:20240823T092339Z LAST-MODIFIED:20241011T203403Z UID:12248-1728747000-1728754200@www.sqiff.org SUMMARY:In Rage and Grief - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nIn Rage\, In Grief is a powerful and emotive short film screening programme that explores the harrowing experiences and resilient spirits of queer activists who have been forcefully displaced from their homelands. Each film captures the intersection of activism\, identity\, and the struggle for safety and acceptance in the face of adversity. This short film screening provides a profound and intimate look into the lives of queer activists who\, despite being displaced\, continue to fight for their rights and the rights of others. Through these films\, audiences will gain insight into the courage\, determination\, and enduring spirit of those who face persecution yet remain committed to their cause. \nThis screening is in partnership with the Scottish Refugee Council\, who will be leading a panel discussion with LGBTIA+ people who have found safety in Scotland. \nCurated by Huss. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility: \nThis programme has: \n\nArabic\, Dutch\, English\, Georgian\, German audio with English language descriptive subtitles.\nEnglish-BSL interpretation for the introduction and panel discussion.\nLive Captioning for the introduction and panel discussion.\n\nThis screening is 80 minutes long and has an age recommendation of N/C 18+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nBeirut Dreams In Color\, Dir. Michael Collins\, 2022\, Lebanon\, 28 min \nAt a Cairo concert\, Mashrou’ Leila’s lead singer\, Hamed\, the first openly gay Arab rock star\, performs for 35\,000 fans. A fan waves a rainbow flag\, creating a magical night that results in tragic fallout. Beirut Dreams in Color explores the band’s activism and the fight for LGBTQ equality in the Middle East\, showcasing music’s power and the universal desire for freedom. \nContent notes: Discussion of suicide\, death\, queerphobia\, trauma\, mental health\, religion\, death threat\, police violence\, torture\, physical violence\, prison\, forced displacement. Depiction of bomb explosion. \nAccess notes: Minimal flashing lights. \n  \nQueer Exile\, Dir. Ahmed Awadalla\, 2024\, Germany\, 10 min \nAfter fleeing Egypt post-2011 revolution\, an activist seeks safety in Berlin but ends up in a refugee camp plagued by far-right protests. Torn between the hostility of his new environment and nostalgia for his past\, he questions his choices and queer identity. Reflecting on his memories\, he gains new insights into exile\, forges friendships\, and redefines “home” in Berlin. \nContent notes: Depiction of police violence. Discussion of racism\, forced displacement\, police violence\, queerphobia. \n  \nThe Pride Liar\, Dir. Andres Lübbert\, 2023\, Belgium\, 19 min \nEmzo\, a courageous queer activist\, escaped persecution in Georgia five years ago\, finding refuge in Belgium. This short documentary captures his unyielding commitment to the LGBTQ+ cause\, showcasing the indomitable spirit of one individual’s fight for acceptance and equality. \nContent notes: Discussion of queerphobia\, physical violence\, forced displacement\, family discord\, war\, mental health\, drug use. Depiction of physical violence\, queerphobia\, police violence. \n  \nMOTHER\, Dirs. Meg Shutzer\, Brandon Yadegari Moreno\, 2023\, United States\, 23 min \nIn San Francisco\, a city known for its queer community and bustling gay nightlife\, there hasn’t been a lesbian bar for almost a decade. Driven by nostalgia for a time when queer women had spaces\, Malia Spanyol\, a self-identified dyke sets out to build one for the next generation of women and femmes. \nContent notes: Depiction of alcohol use\, cigarette use\, vape use. Discussion of homophobia\, patriarchy. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Beirut Dreams In Color\, Dir. Michael Collins\, 2022 URL:https://www.sqiff.org/event/in-rage-and-grief/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Films,Live Captioning,Shorts ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/08/Beirut-Dreams-in-Color-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241012T150000 DTEND;TZID=UTC:20241012T170000 DTSTAMP:20260429T221309 CREATED:20240823T092319Z LAST-MODIFIED:20241008T122748Z UID:12245-1728745200-1728752400@www.sqiff.org SUMMARY:Music as Resistance - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nPeople have been gathering to perform and listen to music since the dawn of time. How is it being utilised by queer people now? Music As Resistance delves into the universal language of music being used across the globe to gather and empower marginalised communities. Expect informative films on the history of newer sub-genres such as Bounce and Guaracha and current insights into underground music by Armenian and Asian-American artists. \nThis screening is followed by a panel discussion hosted by Nat Lall with Nxa and Queer History of Dance Music duo Duncan Ross McBride and Amy Rodgers. \nCurated by Nat Lall. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility: \nThis programme has: \n\nArmenian\, English\, Spanish audio with English language descriptive subtitles.\nEnglish-BSL interpretation for the introduction and panel discussion.\nLive Captioning for the introduction and panel discussion.\n\nThis screening is 47 minutes long and has an age recommendation of N/C 18+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nSymptom\, Dir. Kamee Abrahamian\, 2023\, Armenia\, 23 min \nEmbodying the dreams and poetics of a post-Soviet generation\, two young Armenian women share their politics of justice and feminism with the world through their music. \nContent notes: Discussion of queerphobia. Depiction of physical violence\, police violence\, alcohol use\, cigarette use. \nAccess notes: Minimal flashing lights. \n  \nConfluence: A Meditation in Documentary Form\, Dirs. ETA\, Shanhuan Manton\, 2021\, United States\, 15 min \nCONFLUENCE is a meditation on ancestry and identity through the lens of APIDA and queer artists\, filmed during moonroom’s 2019 PHASE event series celebrating APIDA Heritage Month in Southern California. This mix of hypnotic images and heartfelt testimonies explores the turmoil of being othered\, while creatively shattering community and perceptual barriers. The film directly challenges reductive myths about the Asian American diaspora\, advocating for self-defined identities. \nContent notes: Discussion of colourism\, racism\, colonialism\, fetishisation. \nAccess notes: Hypnotic layered imagery appears throughout the film. \n  \nfurious guaracha (videomanifesto)\, Dir. Resonantes Ruido Trans\, 2023\, Colombia\, 4 min \n⚧️🔥🚨may the scream embrace us and our fury lead us to tenderize our emancipation🔥🚨⚧️ \n🏳️‍⚧️ we share with you the videomafiesto of our furious guaracha\, a creation resulting from our outbreaks of trans love \nIn this piece we weave elements from our collective archive of the trans present\, with the party as a struggle. 📢📢 \nContent notes: Discussion of sex work. \nAccess notes: Minimal glitchy imagery\, flashing lights within party footage. \n  \nJump\, Dir. Wilberto Lucci\, 2023\, United States\, 5 min \nA history about the origins of twerking and the uber-successful Bounce Music genre of New Orleans. Narrated by New Orleans own LGBTIQA+ artist & award winning reality show star “Big Freedia”. Big Freedia is featured on Beyonce’s current #1 hit”Break My Soul” and Drake’s #1 bounce music hit “Nice For What”. \nContent notes: Discussion of hurricane destruction. \nAccess notes: Minimal flashing laser lights within party footage. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Symptom\, Dir. Kamee Abrahamian\, 2023 URL:https://www.sqiff.org/event/music-as-resistance/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:Around one hour or less,BSL,Documentary,Films,Shorts ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2024/08/Symptom.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241012T123000 DTEND;TZID=UTC:20241012T143000 DTSTAMP:20260429T221309 CREATED:20240823T092247Z LAST-MODIFIED:20240823T121216Z UID:12239-1728736200-1728743400@www.sqiff.org SUMMARY:Dear Future Self DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \nDear Future Self is a heartfelt short film screening programme that explores the personal journeys of queer individuals through the art of letter writing and poetry. Each film delves into the self-reflection of its protagonists as they navigate various hurdles\, offering intimate glimpses into their thoughts\, emotions\, and growth. The short film screening offers a compelling and deeply personal look into the lives of queer individuals as they reflect on their past and envision their futures. Through the medium of letters and poetry\, these films capture the raw\, unfiltered emotions and the transformative power of self-expression and introspection. \nFollowing the screening\, enjoy a letter writing workshop with creative practitioner and artist Huss Mitha. In this session participants will use tools from abolitionist theory and sci-fi to imagine liberated future selves and others. The writing exercise will seek to imagine emergent worlds out of the intersection of queer and anti-colonial struggles of the present. \nCurated by Huss. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility: \nThis programme has: \n\nEnglish\, Italian\, Portuguese\, Yue Chinese (Cantonese) audio with English language descriptive subtitles.\nEnglish-BSL interpretation for the introduction and workshop.\nLive Captioning for the introduction and workshop.\n\nThis screening is 73 minutes long and has an age recommendation of N/C 18+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nTwenty Something\, Dir. João Nunes\, 2024\, Portugal\, 14 min \nAfter the end of a 3-year relationship\, João writes a letter about the past\, the future\, love\, friendship\, fears and personal growth. \nContent notes: Discussion of relationship grief. \n  \nCara Mamma\, Dir. Sky Neal\, 2024\, United Kingdom\, 24 min \nWhen dancer Naissa tells his mum\, Daniela\, that he is transitioning\, she struggles to understand. Over three years of candid letters\, dream-like sequences\, and cinéma vérité\, Cara Mamma follows Naissa as he asserts his identity and Daniela as she grapples with losing a daughter. As Naissa begins his dance career and embraces his gender\, Daniela learns to listen with love. \nContent notes: Discussion of transition\, gender dysphoria\, family discord\, transphobia\, mental health. \n  \nLetter To Dad\, Dir. Rafael Ferreira\, 2023\, Portugal\, 10 min \nAn audiovisual letter from a son to his dad in which he travels through his earlier memories and tries to fix their relationship. The director intends not only to create an environment where his sexuality related conflicts with his dad can be solved in order to repair their connection\, but also heal himself from all the past wounds those issues may have caused. \nContent notes: Discussion of homophobia\, family discord. \n  \nHeart Murmurs\, Dir. Dorothy Cheung\, 2023\, Hong Kong\, 9 min \nHeart Murmurs is a poetic dialogue between the filmmaker and Dean\, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic\, the film questions the boundary of care and control in relationships. \nContent notes: Discussion of COVID-19 pandemic\, hospital\, medical treatments. \n  \nLetter To My Daughter\, Dir. Jess T. Dugan\, 2023\, United States\, 16 min \nLetter to My Daughter is an autobiographical video about my journey to parenthood and my daughter’s first five years. Narrated through a letter\, it features personal images like snapshots and ultrasound photos. It covers my expectations\, challenges of having a child\, miscarriage\, and adjusting to parenthood as a queer\, nonbinary person\, while exploring the deep love and personal growth that come with being a parent. \nContent notes: Discussion of miscarriage\, homophobia. Depiction of pregnancy\, nudity\, hospitalisation. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Twenty Something\, Dir. João Nunes\, 2024 URL:https://www.sqiff.org/event/dear-future-self/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Films,Live Captioning,Shorts ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2024/08/Twenty-Something.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241011T210000 DTEND;TZID=UTC:20241011T230000 DTSTAMP:20260429T221309 CREATED:20240823T092120Z LAST-MODIFIED:20241011T100537Z UID:12224-1728680400-1728687600@www.sqiff.org SUMMARY:Drag & Performance Through Censorship - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nDrag & Performance through Censorship is a captivating short film screening programme that delves into the stories of Arab\, Turkish\, and displaced drag queens and performers. The programme highlights the ways these artists navigate and resist the censorship and social conservatism in their home countries\, offering a powerful insight into their struggles\, resilience\, and artistry. These selection of short films paint a vivid and emotional portrait of the drag/performance community’s defiance\, creativity\, and spirit\, offering audiences a deeper understanding of their fight for visibility and freedom. \nFollowing the screening\, Huss is hosting a panel discussion with drag queens Kiki Rivera and Caramella aka 3MR. \nCurated by Huss. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility: \nThis programme has: \n\nArabic\, English\, French\, Russian\, Turkish audio with English language descriptive subtitles.\nEnglish-BSL interpretation for the introduction and panel discussion.\nLive Captioning for the introduction and panel discussion.\n\nThis screening is 58 minutes long and has an age recommendation of N/C 15+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nSultana’s Reign\, Dir. Hadi Moussally\, 2023\, France\, 10 min \n‘Sultana of New York’ is a Palestinian drag queen and artist. ‘Sultana’s Reign’ begins with her being painted by Jordanian artist RIDIKKULUZ. She reflects on her journey from the Middle East to New York\, discussing the challenges of drag in conservative societies\, her nostalgia for Egyptian cinema\, and her commitment to self-expression and authenticity. \nContent notes: Discussion of displacement\, war\, family discord\, death\, suicide. \n  \nQueen’s Illusion\, Dirs. Ceren Özkanlı Samlı\, Erinç Durlanık\, 2024\, Turkey\, 21 min \nIn an era of political repression and growing conservatism in Turkey\, Istanbul’s drag scene thrives. This documentary goes backstage with popular queens like Cake Mosq\, Pepi IV\, Ahsen Gönülce\, Anna Tholia\, and Gia Androgeny. They discuss the effort behind their personas\, the threat of harassment\, and new opportunities online\, sharing the challenges of performing drag in a sometimes-hostile world. \nContent notes: Discussion of drug use\, homophobia. Depiction of alcohol use\, cigarette use. \n  \nShow Up\, Dir. Maria Zakhodiaichenko\, 2024\, United States\, 11min \nFriday evening. Coney Island\, New York. Russian-American drag artist Maxim and his mom Ilona separately tell us the history of their family back in Russia and during their immigration to the US while getting ready for the Maxim’s performance. Soon they will reunite\, just it should be. \nContent notes: Discussion of homophobia\, death. \n  \nANYA KNEEZ: A Queen in Beirut\, Dir. Mohamad Abdouni\, 2017\, Turkey\, Lebanon\, 11 min \nAnya Kneez\, an Arab Drag Queen\, left Brooklyn in 2012 after 23 years in America and returned to live with her parents in Beirut. At 28\, she still grapples with the values of a Middle Eastern society that struggles to accept her lifestyle. This short documentary glimpses the journey of the drag performer who brought Brooklyn’s drag scene to Beirut’s clubs. \nContent notes: Discussion of homophobia\, family discord. \nAccess notes: Flashing lights. \n  \nBellydance Vogue\, Dir. Hadi Moussally\, 2020\, Lebanon\, 5 min \n“My birthday was on the 3rd of April 2020 during lockdown\, and for the first time\, I celebrated it all by myself. But even if I was alone\, I decided to celebrate it as if it’s the last one” \nThe film was made during quarantine. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Sultana’s Reign\, Dir. Hadi Moussally\, 2023 URL:https://www.sqiff.org/event/drag-performance-through-censorship/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Films,Live Captioning,Shorts ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/08/Sultana_Still_2-2-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241011T153000 DTEND;TZID=UTC:20241011T173000 DTSTAMP:20260429T221309 CREATED:20240823T091921Z LAST-MODIFIED:20241011T130306Z UID:12214-1728660600-1728667800@www.sqiff.org SUMMARY:Oska Bright Presents: Wild Women - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nLet’s go on a wild ride; it will be crazy\, joyful and unexpected…  \nWe’re proud to showcase a specially curated selection of short films from the world’s biggest learning disability film festival\, Oska Bright. Wild Women are just that – exploring the darkest realms of what freedom means\, to sexy times with beans\, and unabashed self-love – this isn’t a selection to be missed.  \nWith less than 5% of disabled people working in the UK film industry\, Oska Bright Film Festival is driven to make change happen. Working internationally with industry partners and funded by the BFI\, our team produces the BAFTA and BIFA qualifying Oska Bright Film Festival\, promotes accessible screenings\, runs training for venues and develops skills for aspiring filmmakers. Oska Bright Film Festival puts people with learning disabilities or autism where they should be\, on the big screen.  \nJoin us for a conversation after the screening with Julieta Tetelbaum\, director of Black Chalk\, and hosted by Stella Nicholson. \nCurated by Oska Bright Film Festival. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility: \nThis programme has: \n\nEnglish\, Spanish audio with English language descriptive subtitles.\nEnglish-BSL interpretation for the introduction and panel discussion.\nLive Captioning for the introduction and panel discussion.\n\nThis screening is 78 minutes long and has an age recommendation of N/C 15+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nDead Cat Film\, Dirs. Josie Charles\, Nathan Miller\, 2022\, United Kingdom\, 5 min \nA young woman becomes increasingly attached to the taxidermied corpse of her housemate’s cat. A dark comedy starring Will Gao (Heartstopper/Netflix)\, Josie Charles and featuring the voice of Hugh Bonneville (Downton Abbey\, Notting Hill). The short was produced by Rasp Films who were BAFTA-nominated in 2021 for their short Lucky Break. \nContent notes: Depiction of dead animal. \n  \nIce Cream on Mondays\, Dirs. Flo Gordon\, Reggie London\, 2023\, United Kingdom\, 3 min \nF.witch is Flo Gordon\, a classically trained singer from Brighton. Her music is described as psychedelic indie folk\, and Flo describes it as being ‘a bit like a modern day Kate Bush.’ \n  \nOut of Water\, Dir. Georgia Kumari Bradburn\, 2022\, United States\, 15 min \nA female alien returns to earth with a charismatic scientist\, however her security lies in the balance when she suspects that he is hiding something from her. \nContent notes: Depiction of death. \n  \nBlack Chalk\, Dir. Julieta Tetelbaum\, 2022\, Argentina\, 8 min \nJulieta Tetelbaum ‘Black Chalk’ is a film about the intimacy of a woman with Down’s Syndrome who writes with black chalk a list of daily activities to organise her life. (English/Spanish/French/Italian Subtitles available) \n  \nPripyat Horse\, Dir. Sally Patricia Pearce\, 2023\, United Kingdom\, 2 min \n‘A sparrow flies swiftly in through one door of the hall\, and out through another…. Even so\, man appears on earth for a little while; but of what went before this life or of what follows\, we know nothing.’ Bede A moment for mourning\, for a friend\, for the earth. \n  \nForgotten/Hidden\, Dir. Frida Stålkrantz Lindholm\, 2021\, Sweden\, 3 min \n‘Something is not what it seems in this basement. In here something\, or someone\, is hidden\, forgotten by the passage of time. We enter a space in which strange voices are heard\, and doors slam on their own accord. Suddenly\, a door creaks open and a creature scarier than our wildest imaginations enters the stage. Do you dare to stay until the end?” \n  \nThe Cunning\, Dir. Alexandra Maher\, 2022\, United Kingdom\, 13 min \nA teenager with Down’s syndrome helps herself\, and others\, to escape from accusations of witchcraft. \n1724 – Dolly is locked up in a cell with her mother\, sentenced to be tarred\, feathered and burned. Elizabeth\, though\, has a plan for escape… \nContent notes: Depiction of dead animals\, blood\, imprisonment\, religion\, gun violence. \n  \nMariee Siou: Circle of Signs\, Dir. Samantha Shay\, 2023\, Iceland\, 6 min \nThis film urges reflection on indigenous prophecies about The Great Shift—choosing between technology and reconnecting with the earth. Siou emphasises the lyrics’ challenge to address our destructive impact. Filmed in Iceland\, Circle of Signs tackles climate grief and colonialism. Collaborating with 15-year-old Seraphia Behr\, Shay explores California wildfires and youth voices\, symbolising the struggle to reclaim nature and identity. \n  \nPU EKAW TNOD\, Dir. Rebecca Culverhouse\, 2023\, United Kingdom\, 7 min \nA couple watching a horror film about a strangely familiar basement realise they’re dreaming when they suddenly find themselves in the very same basement. And that’s when it sees them… it knows they shouldn’t be awake… \nAccess notes: Flashing light\, flashing imagery\, distorted sound. \n  \nBean Grenade\, Dirs. Sophie Sparkes\, Simon Glass\, United Kingdom\, 16 min \nAlex can’t stop thinking about Laura. She’s even dreaming about her. She’s even dreaming about throwing beans at her. When Laura hosts a poetry-themed birthday party\, Alex crashes it with a multipack of tinned beans. She comes across Laura\, alone. \nAlex decides the only way she can possibly tell Laura how she feels is through a poem – a poem about a bean grenade. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Dead Cat Film\, Dirs. Josie Charles\, Nathan Miller\, 2022 URL:https://www.sqiff.org/event/oska-bright-presents-wild-women/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Films,Live Captioning,Shorts ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2024/08/Dead-Cat-Film-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241010T210000 DTEND;TZID=UTC:20241010T230000 DTSTAMP:20260429T221309 CREATED:20240823T091858Z LAST-MODIFIED:20241009T185137Z UID:12193-1728594000-1728601200@www.sqiff.org SUMMARY:Do you think Memory will ever land on the statue of someone like you and me? - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nJoin us for an evening of T4T love. This screening features four films that explore the distinct ways in which we build relationships with one another as trans people. These relationships can be romantic\, platonic\, familial\, or even that mutual feeling of care between strangers. The programme starts with I Feel (For) You\, an euphoric documentary about a group of queer and trans friends. This is followed by A Bird Called Memory\, Les garçons dans l’eau\, and Dismantle Me; three narrative fiction films delving into the various ways we give and receive love. This trans-focused programme is an opportunity to reflect on the importance of love within our community. \nGina Gwenffrewi\, an interdisciplinary researcher\, tutor and lecturer in Trans Studies\, Queer Studies and English Literature at the University of Edinburgh\, will give a special introduction to this programme. \nCurated by Indigo Korres. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility \nThis programme has: \n\nBritish Sign Language and English audio with English language descriptive subtitles\nEnglish-BSL interpretation for the introduction\nLive Captioning for the introduction\n\nThis screening is 75 minutes long and has an age recommendation of N/C 15+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nI Feel (For) You\, Dir. Bella Cintra\, 2023\, Spain\, 7 min \nWe embark on a journey in which the deepest feelings of a group of trans individuals will guide an intimate and emotional relationship between two trans people through their experiences. \nContent notes: Discussion of homophobic slur\, transmisogyny. \n  \nA Bird Called Memory\, Dir. Leonardo Martinelli\, 2023\, Brazil\, 15 min \nA bird called Memory has forgotten how to come back home. Lua\, a trans woman\, tries to find Memory in the streets\, but the city can be a hostile place. \nContent notes: Depiction of transphobia. \n  \nLes garçons dans l’eau\, Dir. Pawel Thomas Larue\, 2023\, France\, 40 min \nEnd of summer on the Breton coast. Oscar invites his group of friends to spend a week’s vacation at his grandparents’ house. He hasn’t been back to his childhood home for years – not since he came out as a trans boy. On the beach\, the gang meets Malo\, a handsome local guy\, also trans. The story is about their meeting\, which will turn everything upside down. \nContent notes: Depiction of sex\, alcohol use\, cigarette use. Discussion of internalised homophobia. \n  \nDismantle Me\, Dir. Max Disgrace\, 2023\, United Kingdom\, 13 min \nA comical proposition turns into an arousing powerplay when a smoldering-hot trans woman helps a heartbroken trans man tidy his messy bedroom. \nAssociate produced by Lilly Wachowski\, Dismantle Me is a dark comedy-romance by trans people of colour\, and created with a majority transgender and non-binary cast and crew. Made in collaboration with Trans+ On Screen. \nContent notes: Depiction of sex\, cuts\, blood. Discussion of sex\, sexual language. \n  \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Les garçons dans l’eau\, Dir. Pawel Thomas Larue\, 2023 URL:https://www.sqiff.org/event/do-you-think-memory-will-ever-land-on-the-statue-of-someone-like-you-and-me/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Films,Live Captioning,Shorts,Trans ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/08/Les-garcons-dans-leau-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241010T180000 DTEND;TZID=UTC:20241010T200000 DTSTAMP:20260429T221309 CREATED:20240823T091718Z LAST-MODIFIED:20241009T185206Z UID:12186-1728583200-1728590400@www.sqiff.org SUMMARY:Queer East Presents: Bye Bye Love (50th Anniversary) - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nUntil the 2018 discovery of a film negative in a warehouse\, Bye Bye Love was long considered lost: a new print gives audiences a rare chance to revisit this radical work from 1974. Following two young people\, Utamaro and Giko\, on a doomed summer road trip through Japan\, Isao Fujisawa’s poetic\, surreal work reflects on the dissipating promise of 1960s counterculture and free love. The film is stylistically influenced by the French New Wave and American New Cinema\, notably Jean-Luc Godard and Arthur Penn. Yet the main character’s name – Utamaro – also suggests a rethinking of Japanese artistic traditions\, especially male perspectives on feminine beauty. Here\, romantic love transcends gender\, sexuality\, and even the body; a queer challenge to conventional understandings of relationships that adds to the political charge of this rediscovered classic.  \nWith a recorded message from director Isao Fujisawa and special introduction by Xuanlin Tham. \nContent notes: Depiction of physical violence\, police\, sex\, gun violence\, death\, nudity\, cigarette use\, small amounts of blood\, cut. \nCurated by Yi Wang. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility \nThis programme has: \n\nEnglish\, Japanese audio with English language descriptive subtitles\nEnglish-BSL interpretation for the introduction\nLive Captioning for the introduction\n\nThis screening is 85 minutes long and has an age recommendation of N/C 18+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Bye Bye Love\, Dir. Isao Fujisawa\, 1974 URL:https://www.sqiff.org/event/queer-east-presents-bye-bye-love-50th-anniversary/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Feature,Films,Live Captioning ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/08/Bye-Bye-Love.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241009T210000 DTEND;TZID=UTC:20241009T230000 DTSTAMP:20260429T221309 CREATED:20240823T091545Z LAST-MODIFIED:20241009T162426Z UID:12158-1728507600-1728514800@www.sqiff.org SUMMARY:Queer Asia - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nQueer Asia is a vibrant and evocative short film screening programme that shines a spotlight on queer Asian stories and filmmakers. This collection of films delves into diverse experiences of identity\, love\, struggle\, and resilience within the LGBTQ+ community across Asia and the diaspora. This screening offers a compelling and multifaceted look at the queer Asian experience\, celebrating the resilience and creativity of its storytellers. Through these films\, audiences are invited to explore the rich tapestry of identities and narratives that define the LGBTQ+ community across Asia and beyond. \nThis programme starts with a special introduction by filmmaker and visual artist Wei Zhang. \nCurated by Nat Lall and Huss. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility  \nThis programme has: \n\nBengali\, Burmese\, Chinese\, English\, Mandarin Chinese\, Nepali\, Tagalog\, Tamil audio with English language descriptive subtitles\nEnglish-BSL interpretation for the introduction.\nLive Captioning for the introduction\n\nThis screening is 122 minutes long and has an age recommendation of N/C 18+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \n  \nFilms in this programme include: \n  \nIn the place where we left and arrived\, Dir. Samuel Zhang\, 2022\, United Kingdom\, 20 min \nThis film explores shared experiences of queer Chinese people living in the UK\, offering a look at the wider context of these important issues as the director tries to understand the possible definitions of home and the effects of the COVID-19 pandemic on Chinese lives through voice over\, intimate letter changes\, archives\, interviews\, and digital mappings.  \nContent notes: Discussion of COVID-19 pandemic\, queerphobia\, racism\, xenophobia\, beauty standards\, fetishisation\, microaggression. Depiction of physical violence. \n  \nNarratives and Counternarratives\, Dir. Chaoying Rao\, 2022\, United Kingdom\, 9 min \nThis work examines representations of the self\, dissecting the persistent fetishisation of Asian women through collaging and reviewing memorable moments in Western culture. Questioning the ideas of the ‘Asian mystique’ and how it manifests in popular culture\, this film examines how the legacy of orientalism continues to manifest in spaces both physical and digital. \nContent notes: Depiction of nudity\, physical violence\, body modification\, fetishisation\, racism\, sex\, sensual dancing\, death\, gun violence\, knife violence\, sword violence\, decapitated head\, blood. Discussion of harassment\, violence. \n  \nArkesta\, Dir. Safal Pandey\, 2023\, Nepal\, 19 min \nGokul is a single father\, who feels a sense of embarrassment as he watches his son’s public dance performance. Determined to bring about a change in his son’s lifestyle\, Gokul wholeheartedly commits himself to putting in considerable effort and taking the required actions. Over time\, Gokul gradually becomes aware of his son’s inherent feminine side. \nContent notes: Depiction of homophobia\, cigarette use. \n  \nForbidden Reverie 宿祭\, Dir. Yisong Huang\, 2023\, China\, 4 min \nA groundbreaking 3D CG film that navigates the dynamic virtual realm of Generation Z. This film sheds light on the struggles\, victories\, and identity journeys within the LGBTQ+ community; providing a powerful platform for increased visibility and acceptance. “Forbidden Reverie” contributes to a vital conversation on LGBTQ+ representation and acceptance in contemporary contexts. \n  \nReligiosa\, Dir. Han Oo Htet\, 2024\, Myanmar\, 8 min \nBefore transitioning\, Eingyinn May Tun was a famous actress. Now\, he is trying to get back into the film industry as a producer and an actor. A Buddhist devotee\, Eingyinn May Tun dreams of the day he will be reborn in a male body. \n  \nScrapped Fabric\, Dir. Jake Muñoz Consing\, 2024\, Philippines\, 11 min \nFearing her mother’s disapproval\, a teenage trans girl secretly sews a prom dress from her mother’s scrap fabric (“retaso”). \nContent notes: Discussion of transphobia. \n  \nIf\, Dir. Tathagata Ghosh\, 2023\, India\, 26 min \nAn arranged marriage tears a lesbian couple apart\, but with a mother’s love\, perhaps another future is possible. \nContent notes: Discussion of death. Depiction of cigarette use. \n  \nFarewell\, Dir. Soham Kundu\, 2024\, United Kingdom\, 15 min \nTwo friends: one with a broken heart\, the other on the brink of marriage. Together they set out on a day’s journey that leads them to confront their past amidst shared grief and hopes for a brighter future. Centred around intimate friendships between men of colour\, Farewell presents evolving expressions of modern masculinity. \nContent notes: Depiction of cigarette use. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Narratives and Counternarratives\, Dir. Chaoying Rao\, 2022 URL:https://www.sqiff.org/event/queer-asia-2/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Films,Live Captioning,People of colour,Shorts ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/08/Narratives-and-Counternarratives.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241009T183000 DTEND;TZID=UTC:20241009T203000 DTSTAMP:20260429T221309 CREATED:20240823T091520Z LAST-MODIFIED:20240921T131517Z UID:12150-1728498600-1728505800@www.sqiff.org SUMMARY:★\,。·::·ﾟ☆ "The Real Internet Is Inside You" ·ﾟ✧*:·ﾟ✧ - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nDive into ★\,｡･::･ﾟ☆ “The Real Internet Is Inside You” ･ﾟ✧*:･ﾟ✧\, a collection of six short films exploring nearly 20 years of our evolving relationship with the internet. Blurring the lines between reality and fiction\, this event delves into the complex interplay of digital identity and self-expression\, responding to the overwhelming\, contradictory messages that fuel confusion\, anxiety\, and disconnection in the digital age. With a focus on sensory overload and emotional vulnerability\, the program offers a fresh perspective on contemporary life.  \nJoin us for an interactive workshop led by internet studies expert Kirsty Dunlop and Reema Vadoliya\, founder of People of Data. \nCurated by Zeo Fawcett. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility \nThis programme has: \n\nEnglish\, Chinese\, Russian\, Japanese audio with English language descriptive subtitles\nEnglish-BSL interpretation for the introduction and workshop\nLive Captioning for the introduction and workshop\n\nThis screening is 61 minutes long and has an age recommendation of N/C 18+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nIn the end I saw something on my phone\, Dir. Nicholas Sanchez\, 2023\, United States\, 2 min \nThis Instagram post is now a short film—a meme turned theatre. What happens when a meme becomes a film?  \nnew phone who dis?  \nThe post’s essence stretches beyond your grasp. Can memes exist outside the phone?  \nI bleed the meme for you.  \nI bleed real for you.  \nAlways shifting\, always ending.  \nremember when your body ended? That’s when you saw it on your phone. \nContent notes: Discussion of body image\, mental health\, blood\, death\, sex\, masturbation. Depiction of partial nudity\, and overall contains strange and unusual imagery that is difficult to interpret. \nAccess notes: Flashing and strobe lights\, frequent and sudden bright images\, layered and complex glitchy visual imagery\, rapid cuts and fast-paced editing sequences throughout. \nAudio at a range of levels\, jumping randomly from quiet to loud. Sounds are layered in overwhelming ways. On screen text moving quickly. \n  \n(Tommy Chat Just E-mailed Me.)\, Dir. Ryan Trecartin\, 2007\, United States of America\, 7 min \nTrecartin’s (Tommy Chat Just E-mailed Me) is a short set inside and outside an email. Featuring Trecartin’s stylised characters—Pam\, a librarian with a baby; Tammy and Beth\, surrounded by installation art; and Tommy\, in a lake house—the film explores electronic communication. Trecartin\, playing several roles\, blends manic interactions with bright animations. The story shifts like a web browser\, revealing growing isolation. \nContent notes: Child distress depicted\, menstruation and child abuse discussed\, and use of ableist slurs. \nAccess notes: Rapid cuts and fast-paced editing sequences and harsh\, distorted dialogue throughout. \n  \nDEEP DOWN TIDAL\, Dir. Tabita Rezaire\, 2017\, French Guina\, South Africa\, 19 min \nDeep Down Tidal examines water’s role in communication\, political\, and technological systems. It explores submarine cables over colonial routes and the ocean as a repository of Black knowledge and global connectivity. Could Internet violence against Africa and more generally Black people stem from its infrastructure? The film links water’s preservation of histories and traumas to colonial legacies. \nContent notes: Discussion of genocide\, colonialism\, racism\, partial nudity. \nAccess notes: Glitchy visuals. \n  \nMonad 3\, Dir. Dana Dawud\, 2024\, Dubai\, United States of America\, Spain and France\, 26 min \nMonad\, situates webcam footage\, projection mapping and texting both within the time space of the film and in the real time space outside\, reformulating itself with each screening until Monad becomes fully saturated or until submarine internet cables stop working\, whichever comes first. \nContent notes: Discussion of revolutionary ideologies\, assassination\, death\, and sexual language. Depiction of vaping. \nAccess notes: Glitchy\, blurred and flashing imagery\, sudden bright images\, prolonged dark scenes and visually intense\, gritty imagery. Frequent use of silence with occasional sounds. \n  \nValentine for Perfect Strangers\, Dir. Ben Coonley\, 2007\, United States of America\, 4 min \nA love letter to the Internet from a feral cat in Brooklyn. \nAnonymously published to the web in 2006\, Valentine for Perfect Strangers was an early example of an art video that “went viral\,” amassing over a half-million views and landing on the front page of YouTube. \nContent notes: Discussion of mental health issues \nAccess notes: Bright colours and glitchy editing\, with distorted music\, VHS effects\, and high-pitched ringing. A robotic\, distorted English voice-over and subtitles run throughout. \n  \nDiffused in Marginalised Orders\, Dir. Florence To\, 2024\, United Kingdom\, 3 min \nWords have a powerful role in shaping identity and transforming our lived experiences. The Scottish-born Hong Kong artist uses texts that ignite deep connections and solidarity. Their work confronts the dispossessions wrought by imperialism and challenges complicity in public amnesia about ongoing injustices\, redefining our relationship within social barriers and power struggles in public spaces. \nAccess notes: Flashing light and rapid visual effects. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Valentine for Perfect Strangers\, Dir. Ben Coonley\, 2007 URL:https://www.sqiff.org/event/%e2%98%85%e3%80%82%c2%b7%c2%b7%ef%be%9f%e2%98%86-the-real-internet-is-inside-you-%c2%b7%ef%be%9f%e2%9c%a7%c2%b7%ef%be%9f%e2%9c%a7/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Films,Live Captioning,Shorts ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2024/08/Screenshot-2024-08-21-at-07.44.24.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241009T180000 DTEND;TZID=UTC:20241009T200000 DTSTAMP:20260429T221309 CREATED:20240823T091455Z LAST-MODIFIED:20241009T130348Z UID:12147-1728496800-1728504000@www.sqiff.org SUMMARY:Sci-Fi Meets Reality - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nSci-Fi Meets Reality explores the border between science fiction and reality. We live in an age of extraordinary rapid technological advancements and fantasy feels eerily real. How we document\, analyse and develop ourselves feels more futuristic than ever. But that ‘future’ is now. ‘Sci-Fi meets Reality’ highlights uncanny filmmaking as a tool for gender exploration and historical critique. \nThis screening starts with an incredible performance by Kyalo Searle-Mbullu\, a Glasgow-based musician and audio-visual artist.  \nPerformance Access Notes: Flashing imagery throughout. \nCurated by Nat Lall. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility \nThis programme has: \n\nEnglish and Scottish Gaelic audio with English language descriptive subtitles\nEnglish-BSL interpretation for introduction and performance\nLive Captioning for introduction and performance\n\nThis screening is 78 minutes long and has an age recommendation of N/C 18+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \na border of flat stones\, Dirs. Cáit McClay\, Éiméar McClay\, 2023\, United Kingdom\, 10 min \nThis film by Cáit and Éiméar McClay reflects on the Irish Potato Famine\, showing how British laissez-faire policies facilitated food exports and limited aid\, portraying the famine as a natural event to consolidate estates. The McClays critique this portrayal and link famines to settler colonialism\, analysing the contemporary political\, cultural\, and economic impacts of British imperialism on Irish land reclamation and state formation. \nContent notes: Discussion of capitalism\, religion\, famine\, death\, displacement. Depiction of mould. \nAccess notes: Throughout the film\, a narrative text with no audio appears on screen with a small font. \n  \nPriob\, Dir. Choirstaidh NicArtair\, 2022\, United Kingdom\, 5 min \nWe meet a young woman on her windowsill in the early hours of the morning\, while she is in conversation with her late grandfather\, The Coal Man\, who lives in the clouds above and communicates through radio waves. Priob is a film about our inner children and the people who raised them\, wherever they are. \nContent notes: Discussion of death. \nAccess notes: Glitchy imagery with some fast pace editing. \n  \nQueer Bodies\, Dirs. Elin Laut\, Mattia Friso\, 2022\, Germany\, 5 min \n“Queer Bodies” is a three chapters video piece that explores the process of embracing queer identity: From the death of the former self\, to the searching for agency\, to the creation of a community. The viewer is drawn into a reality where subjects tell about themselves and bodies manifest themselves in an unconventional way. \nContent notes: Discussion of funeral\, body image. \n  \nDr. XYZ: A Medical Drag Transthology\, Dir. El Jones\, 2023\, United Kingdom\, 14 min \nDr. XYZ is a community-made trans+ healthcare training film and ethnofiction. It is an exercise in queering the public information film genre\, shot in 16mm. The film weaves ethnographic healthcare accounts from Birmingham’s trans+ community with moments of drag-satire re-enactment to depict a collective vision of the UK’s healthcare system. \nContent notes: Discussion of suicidal ideation\, suicide attempt\, mental health issues\, medical neglect within NHS\, transphobia\, ableism\, racism\, passing culture\, self-medicating\, gender dysphoria\, medical waiting lists\, explicit language. Depiction of animated genitalia. \n  \nTrans-form\, Dir. Luca Asta\, 2023\, United Kingdom\, 12 min \nFrom flesh to 3D printing\, ‘TRANS-FORM’ follows the journey of five trans+ individuals. \nContent notes: Discussion of body image\, surgery\, medical transition\, gender dysphoria\, transphobia. Depiction of animated genitalia\, packers. \n  \nThe Space Dykes and Other Adventures\, Dir. Julian Konuk\, 2022\, United Kingdom\, 11 min \nThis film explores dykiness and bodily abjection\, examining home and unhome-liness beyond traditional kinship. Presented as a chaotic video and sonic collage\, it focuses on transition by blending clips in harsh and fluid ways. The work alternates between fast and slow movements\, reflecting on queer intimacy and the notion of home in relation to the queer body. \nContent notes: Depiction of cigarette use\, eyeball being licked\, meat. Discussion of body image\, medical neglect. \nAccess notes: Distorted imagery\, distorted voice for voice-over\, flashing imagery. \n  \nMaskuline\, Dir. Rev Sullivan\, 2023\, United Kingdom\, 6 min \nA psychoanalytical pry through the structures that form the creation of a gendered identity. \nContent notes: Depiction of body distortion\, topless person. \nAccess notes: Distorted imagery\, distorted sound and voice. \n  \nat first and then\, Dir. Joanne Matthews\, 2023\, United Kingdom\, 15 min \nA speculative fiction piece set in a saline world\, this work combines photographs\, moving images\, and sound. It explores a future or alternate dimension through a salted lens\, set in an over-salinated beach town. With a queer approach and a nod to 1960s French New Wave\, it layers a 35-voice choir with digital sounds\, evoking past sci-fi visions of the future. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Priob\, Dir. Choirstaidh NicArtair\, 2022 URL:https://www.sqiff.org/event/sci-fi-meets-reality/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Films,Live Captioning,Shorts ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/08/Priob-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241009T153000 DTEND;TZID=UTC:20241009T173000 DTSTAMP:20260429T221309 CREATED:20240823T091417Z LAST-MODIFIED:20241007T212219Z UID:12141-1728487800-1728495000@www.sqiff.org SUMMARY:Blossoming Wilt - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nBlossoming Wilt is a visually striking short film screening programme that delves into the delicate and often heartbreaking nature of queer love. Each film captures the fragility of relationships and the poignant moments of connection and separation\, offering an evocative exploration of love’s complexities. This programme presents a collection of films that depict the tender and vulnerable aspects of queer love\, highlighting the beauty and pain that often accompany it. Through exquisite cinematography and heartfelt storytelling\, these films offer a profound reflection on the transience and resilience of Queer love. \nThe screening starts with a poetry performance by Esraa Husain\, a freelance creative writer\, community curator\, researcher and facilitator based in Glasgow.  \nCurated by Nat Lall. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility \nThis programme has: \n\nArabic\, Chinese\, English\, Greek\, Hindi audio with English language descriptive subtitles\nEnglish-BSL interpretation for introduction and performance\nLive Captioning for introduction and performance\n\nThis screening is 109 minutes long and has an age recommendation of N/C 18+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nBubbling\, Dir. Che-ming Chang\, 2023\, Taiwan\, 24 min \nGuang has difficulty focusing during school choir. He’s distracted by something more enticing than singing. When a charismatic new student arrives\, Guang’s curiosity and sexual desire is taken to a new level. \n  \nPigeons are dying when the city is on fire\, Dir. Stavros Markoulakis\, 2023\, Greece\, 21 min \nOn the warmest day of the year\, two boys meet. A few hours later a pigeon gets trapped with them. During this heatwave\, all creatures dream of escaping from the city that’s burning. \nContent Notes: Depiction of cigarette use\, sex\, nudity. \n  \nPlaces I’ve Called My Own\, Dir. Sushma Khadepaun\, 2023\, India\, 29 min \nAfter several years in the US\, Tara\, in the midst of her IVF process\, returns to India for the funeral of her father. There\, she finds a mother in denial about her sexual orientation\, an ex-girlfriend who has rebuilt her life with a man\, and the shadow of the paterfamilias that continues to hang over the home. \nContent Notes: Depiction of injection. Discussion of COVID-19\, pregnancy\, death\, family discord\, homophobia. \n  \nLike Wave Like Cloud\, Dir. Yulin Yang\, 2023\, China\, 16 min \nOn a surfing trip\, a female couple with an age difference attempts to navigate their uncertain relationship. Yet after an unexpected change in circumstance\, they each begin to see themselves and their relationship in a new light. \nContent Notes: Depiction of sex\, alcohol use. Discussion of death. \n  \nMondial 2010\, Dir. Roy Dib\, 2013\, Lebanon\, 19 min \nMondial 2010 is a film on love and place. A Lebanese gay couple decides to take a road trip to Ramallah. The film is recorded with their camera as they chronicle their journey. The viewers are invited through the couple’s conversations into the universe of a fading city. \nContent notes: Depiction of alcohol use\, tear gas\, illegal israeli settlements. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Pigeons are dying when the city is on fire\, Dir. Stavros Markoulakis\, 2023 URL:https://www.sqiff.org/event/blossoming-wilt/ LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom CATEGORIES:BSL,Films,Live Captioning,Shorts ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/08/Pigeons-are-dying-when-the-city-is-on-fire-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20241008T202000 DTEND;TZID=UTC:20241008T222000 DTSTAMP:20260429T221309 CREATED:20240823T105059Z LAST-MODIFIED:20240919T094024Z UID:12138-1728418800-1728426000@www.sqiff.org SUMMARY:SQIFF 2024 Opening Night Scottish Shorts - SOLD OUT DESCRIPTION:🔊 Listen to this Event Page\n \n \n**Please note this event is now sold out – we may be able to release more tickets nearer the screening.** \nWe warmly welcome you back to another year of SQIFF with our ‘Scottish Shorts’. This screening exclusively contains short films by artists based in Scotland and highlights outstanding local talent. We are also delighted to showcase three new films made by SQIFF’s very own Queer Filmmakers Group. Expect a screening that celebrates community\, resistance and various filmmaking media. We hope to welcome several of the filmmakers for a Q&A after the screening. \nAll filmmakers in this screening and ‘Scottish Shorts 2’ are automatically entered into a competition to win the title of Best Scottish Short. The winner will be announced at the closing screening of SQIFF 2024. \nCurated by Nat Lall and Huss. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the GFT Box Office on 0141 332 6535. \n  \nAccessibility \nThis programme has: \n\nEnglish audio with English language descriptive captions\nEnglish to BSL interpretation for introduction and panel discussion\nLive Captioning for introduction and panel discussion\nAudio Description\n\nThis screening is 75 minutes long and has an age recommendation of N/C 15+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nFilms not Bombs: Soup\, Stickers and Solidarity\, Dirs. Rosie Bowyer\, Léo Paiva Capocci\, Morgan Gabriel Hares\, Kat Robertson\, 2024\, United Kingdom\, 11 min \nFilms Not Bombs is a community film about Glasgow’s Food Not Bombs chapter in Govanhill. It highlights how the group offers free food weekly to challenge war and capitalism\, demonstrating the transformative power of community action. Created through a University of Glasgow and GMAC course\, the film features Glasgow’s queer community and is the debut film for three of its creators. \nContent Notes: Depiction of police. Discussion of food scarcity\, capitalism. \n  \nA Float\, Dir. Isabel Barfod\, 2023\, United Kingdom\, 3 min \nA Float explores subtle modes of refusal through the lens of a Black Queer swimmer in a hostile environment. Set in a Victorian era public swimming pool\, A Float follows our protagonist as they access alternate realities\, speculated futures and enact small acts of revenge. \nContent Notes: Depiction of racism. \nAccess Notes: Contains flashing imagery. \n  \nIn Our Millions\, Dirs. Meli Vasiloudes Bayada\, Ally Lloyd\, Esme Haddrill Selman\, 2023\, United Kingdom\, 3 min \n‘In Our Millions’ is a short film about Scottish solidarity with Palestine filmed during the November 11th protests. It is a Super8 film collaboratively shot and ecologically hand-processed over the course of a day as part of a workshop run by Lydia Beilby and Take One Action. \nContent Notes: Depiction of a protest. \n  \nJust Jackie\, Dir. Michael Lee Richardson\, 2023\, United Kingdom\, 12 min \nJACKIE (9) loves sweets\, trying on their mum’s clothes and make up\, and admiring girl-next-door TEGAN (11) on her trampoline from the bedroom window. \nJackie adores her\, and they’ll do anything to get close to her. Even\, to health-conscious mum CAROL’s surprise\, ask for a trampoline. \nContent Notes: Depiction of deadnaming. Discussion of dieting. \n  \nPlanet Abundance\, Dirs. Emma Bowen\, Ailie Rutherford\, 2022\, United Kingdom\, 4 min \nThis short film documents The Planet Abundance project\, a series of artist-led workshops at Category Is Books. Participants imagined a feminist world of abundance and post-work society\, exploring alternatives to capitalism through speculative science fiction based on Teresa Feldmann’s draft. Commissioned by Feminist Exchange Network (Glasgow) and curated by Ailie Rutherford\, the project fosters radical political imagination. \n  \nA Different Home\, Dir. Jules Lacave-Fontourcy\, 2024\, United Kingdom\, 15 min \nWhere is “home” for queer people who live in a city but grew up rural? This documentary explores the tensions between craving rural life and thriving in urban queer communities while feeling alienated from both. Visually rooted to the land\, this film reflects on what it means to grieve a home which remains but does not welcome us as who we are. \nContent Notes: Discussion of queerphobia\, ableism\, transphobia\, misgendering\, deadnaming\, and trauma. \n  \nA Tight Five Hours\, Dir. Ewan McPherson\, 2024\, United Kingdom\, 15 min \nAs the queer comic Ewan McPherson battles his stammer while performing live\, a worker inside his brain tries frantically to prevent the damage caused by negative thoughts by recalling memories of interviews with fellow queer performers and promoters”. \nContent Notes: Discussion of homophobia. \nAccess Notes: Short length distorted imagery. \n  \nHot Young Geek Seeks Bloodsucking Freak\, Dir. Heath Virgoe\, 2024\, United Kingdom\, 12 min \nWhen best friends Max and Ricky find themselves the prey of an angry vampire\, they must ditch their Halloween plans to hide out at home. But when a forgotten pizza delivery shows up\, can they risk letting the driver in? Can they stop arguing with each other? And can Max find the courage to face the one thing worse than death – coming out? \nContent Notes: Discussion of sex\, role-play. Depiction of death. \nAccess Notes: Contains flashing imagery. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Just Jackie\, Dir. Michael Lee Richardson\, 2023 URL:https://www.sqiff.org/event/sqiff-2024-opening-night-scottish-shorts/ LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom CATEGORIES:BSL,English language,Films,Live Captioning,Scottish premiere,Shorts ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/08/Just-Jackie.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20240813T130000 DTEND;TZID=UTC:20240813T153000 DTSTAMP:20260429T221309 CREATED:20240717T154152Z LAST-MODIFIED:20240717T154211Z UID:12101-1723554000-1723563000@www.sqiff.org SUMMARY:Filming Our World: Queer Ecologies and Rewilding BSL (Showcase) DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \nWhat does it mean for our world to be truly ‘ours’? Join Take One Action\, SQIFF and Edinburgh Deaf Festival for a special lunchtime showcase of short films by emerging deaf filmmakers created in response to the Scottish Sensory Centre’s ‘Rewilding BSL’ project. \nExploring the intersections between Deafness\, queer ecologies and climate justice\, this short film programme celebrates the power in our collectivity\, and how we can centre wildness in our intertwined struggles. \nFeaturing food and informal networking as an opportunity to meet other folk interested in climate storytelling on film.   \nTickets are FREE (optional £5 or £10 donation). To book\, click here. \n  \nACCESSIBLITY  \nThis screening has an age recommendation of N/C 12+. \nScreening with introduction and Q&A. \nEnglish and British Sing Language with English language descriptive subtitles. BSL-English interpretation provided. Induction Loop available. \nIf you have any questions about accessibility at for this event\, please get in touch with us at info@sqiff.org. \nWe ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case.  \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ URL:https://www.sqiff.org/event/filming-our-world-queer-ecologies-and-rewilding-bsl-showcase/ LOCATION:Deaf Action\, Deaf Action - GEIKIE SUITE - 49 Albany St\, EDINBURGH\, EH1 3QY\, United Kingdom CATEGORIES:BSL,Deaf,English language,Films,Free event,Hearing loop ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/06/IMG_4875-scaled-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20240722T201000 DTEND;TZID=UTC:20240722T221000 DTSTAMP:20260429T221310 CREATED:20240717T144642Z LAST-MODIFIED:20240717T144738Z UID:12094-1721679000-1721686200@www.sqiff.org SUMMARY:Crossing DESCRIPTION:🔊 Listen to this Event Page\n \n \n  \nGlasgow Film Theatre\, Mubi and SQIFF are collaborating on a beautiful screening of Crossing by Levan Akin on Monday 22nd July at 8:10pm at the Glasgow Film Theatre! \nFrom acclaimed director Levan Akin (And Then We Danced)\, Crossing is a moving and tender tale of identity\, acceptance and unlikely connection that transcends borders and generations. \nLia\, a retired school teacher living in Georgia\, hears from a young neighbour Achi that her long lost niece Tekla\, a transgender woman\, has crossed the border into Türkiye. Hoping to bring Tekla home after a period of estrangement\, Lia travels to Istanbul with the unpredictable Achi to find her. Exploring the hidden depths of the city\, they cross paths with a transgender lawyer called Evrim\, who helps them in their search. As a reluctant and surprising friendship forms between Achi and Lia\, the unexpected duo begin to discover that Tekla may not want to be found. \nWith remarkably authentic performances from Mzia Arabuli and newcomers Lucas Kankava and Deniz Dumanli\, Akin’s third film offers a vibrant and evocative portrait of the city of Istanbul. Humanistic and compassionate\, this hopeful vision of forgiveness is a heartfelt portrayal of overcoming the degrees of separation that divide us. \nThis screening of Crossing will be introduced by SQIFF’s Director\, Indigo Korres. You don’t want to miss it! \nTickets are available through the Glasgow Film Theatre website\, click here. \n  \nACCESSIBLITY  \nThis screening has an age recommendation of 15+. \n106 minutes long with a 15 minutes captioned introduction. \nEnglish\, Georgian\, and Turkish audio with English language descriptive subtitles. \nIf you have any questions about accessibility at for this event\, please get in touch with us at info@sqiff.org. \nWe ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case.  \nImage: Crossing (2024\, Dir. Levan Akin) \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ URL:https://www.sqiff.org/event/crossing/ LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom CATEGORIES:Feature,Films ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2024/07/CROSSING_Still-1-scaled.jpeg END:VEVENT END:VCALENDAR