SQIFF

Framing Agnes + Conversation at GFT Glasgow
2023-05-12 20:15 - 22:30 UTC | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history.
In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’.
Through a collaborative practice of reimagination, an impressive lineup of trans stars take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
Joynt’s signature form-rupturing style radically reenvisions the imposition of the frame on the cultural memory of transness through his brilliantly crafted, communally-driven excavation. This reclamation tears away with remarkable precision the myth of isolation as the mode of existence of transgender history-makers, breathing new life into a lineage of collaborators and conspirators who have been forgotten for far too long.
Following the screening of Framing Agnes, stay tuned for a conversation with local trans and non-binary people on inter-generational trans experiences and creating space for the community.
Curated by Indigo Korres.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click the button below or call the GFT Box Office on 0141 332 6535.

Accessibility:
This screening has an age recommendation of N/C 15+.
English audio and British Sign Language with English language captions. BSL-English interpretation for intro and post-film conversation.
Live Captioning available for the introduction and conversation.
Audio description available for the film. Headsets available at the cinema entrance.
Quiet Room available.
Induction Loop available.
75 minutes long with a 45 minutes post-film conversation.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

Note:
These events were originally scheduled to take place at CCA, Glasgow. We decided to postpone our Trans-Generational Tour events in Glasgow after three weeks of demonstrations at Saramago (the independent bar & restaurant at CCA), with no sign of a resolution. SQIFF stands in solidarity with the workers and supports them and Clydeside IWW in their actions against Saramago.

Sediments at GFT, Glasgow
2023-05-13 17:30 - 19:30 UTC | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
Like the Earth, our interior is formed by different strata, which forge our identity and tell our life story. What circumstances intervene in this process and make us become who we are today?
Six trans women travel to a small town in León where they will explore unusual landscapes, as well as the ins and outs of their own personalities. Looking for answers about what connects them as a group, they will learn to deal with their differences.
Sediments is an engaging and fun story about empathy, individuality and the need to belong. It is the present radiography of a collective, which looks into the past and projects itself into the future, celebrating the extraordinary possibility of being unique and unrepeatable.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.
Curated by Indigo Korres.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click the button below or call the GFT Box Office on 0141 332 6535.

Accessibility:
This screening has an age recommendation of N/C 15+.
Spanish audio and British Sign Language with English language captions. BSL-English interpretation for introduction.
Live Captioning available for the introduction.
Quiet Room available.
Induction Loop available.
89 minutes long.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

Note:
These events were originally scheduled to take place at CCA, Glasgow. We decided to postpone our Trans-Generational Tour events in Glasgow after three weeks of demonstrations at Saramago (the independent bar & restaurant at CCA), with no sign of a resolution. SQIFF stands in solidarity with the workers and supports them and Clydeside IWW in their actions against Saramago.

Trans Parenting at GFT, Glasgow
2023-05-14 14:30 - 16:00 UTC | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
Trans Parenting is a shorts programme that focuses on trans and non-binary experiences around family; raising families, forming families, and nurturing families.
Flash Flood (2017, Dir. Al Mackay) is a short animation. Deep within a rotoscoped dream, three transgender people confront a cataclysmic flood. Featuring stories from Jessie Anderson, Helen Poon and Al Mackay.
Transgender Parents (2013, Dir. Rémy Huberdeau) reveals the gifts trans people bring to parenting because of, and not in spite of, their gender. It’s an intimate and tender look at the art of parenting, some of the hardest relational work in this life.
M(OTHER)HOOD (2022, Dir. Bea Goddard) is a short documentary that shows an unfiltered but fragmentary perspective of Jack López – a trans parent of four children, using the children’s art, cinematography, and words to gain privileged access to their domestic sphere.
Curated by Indigo Korres.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click the button below or call the GFT Box Office on 0141 332 6535

Accessibility:
This screening has an age recommendation of N/C 12+.
English audio and British Sign Language with English language captions. BSL-English interpretation for intro of event.
Audio description available for the film. Headsets available at the cinema entrance.
Live Captioning available for the introduction.
Quiet Room available.
Induction Loop available.
67 minutes long.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

Note:
These events were originally scheduled to take place at CCA, Glasgow. We decided to postpone our Trans-Generational Tour events in Glasgow after three weeks of demonstrations at Saramago (the independent bar & restaurant at CCA), with no sign of a resolution. SQIFF stands in solidarity with the workers and supports them and Clydeside IWW in their actions against Saramago.

Trans Parenting at Cornucopia, Hawick
2023-05-20 15:00 - 16:15 UTC
Trans Parenting is a shorts programme that focuses on trans and non-binary experiences around family; raising families, forming families, and nurturing families.
Flash Flood (2017, Dir. Al Mackay) is a short animation. Deep within a rotoscoped dream, three transgender people confront a cataclysmic flood. Featuring stories from Jessie Anderson, Helen Poon and Al Mackay.
Transgender Parents (2013, Dir. Rémy Huberdeau) reveals the gifts trans people bring to parenting because of, and not in spite of, their gender. It’s an intimate and tender look at the art of parenting, some of the hardest relational work in this life.
M(OTHER)HOOD (2022, Dir. Bea Goddard) is a short documentary that shows an unfiltered but fragmentary perspective of Jack López – a trans parent of four children, using the children’s art, cinematography, and words to gain privileged access to their domestic sphere.
Curated by Indigo Korres.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click the button below.

Accessibility:
This screening has an age recommendation of N/C 12+.
English audio and British Sign Language with English language captions. BSL-English interpretation for intro of event.
67 minutes long.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch at info@sqiff.org.
Presented in partnership with Alchemy Film & Arts.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

Framing Agnes + Conversation at Cornucopia, Hawick
2023-05-20 17:00 - 19:00 UTC
Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history.
In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’.
Through a collaborative practice of reimagination, an impressive lineup of trans stars take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
Joynt’s signature form-rupturing style radically reenvisions the imposition of the frame on the cultural memory of transness through his brilliantly crafted, communally-driven excavation. This reclamation tears away with remarkable precision the myth of isolation as the mode of existence of transgender history-makers, breathing new life into a lineage of collaborators and conspirators who have been forgotten for far too long.
Following the screening of Framing Agnes, stay tuned for a conversation with local trans and non-binary people on inter-generational trans experiences and creating space for the community.
Curated by Indigo Korres.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click the button below.

Accessibility:
This screening has an age recommendation of N/C 15+.
English audio and British Sign Language with English language captions. BSL-English interpretation for intro and post-film conversation.
75 minutes long with a 45 minutes post-film conversation.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.
Presented in partnership with Alchemy Film & Arts.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

Framing Agnes + Conversation at DCA, Dundee
2023-05-26 18:15 - 20:15 UTC
Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history.
In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’.
Through a collaborative practice of reimagination, an impressive lineup of trans stars take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
Joynt’s signature form-rupturing style radically reenvisions the imposition of the frame on the cultural memory of transness through his brilliantly crafted, communally-driven excavation. This reclamation tears away with remarkable precision the myth of isolation as the mode of existence of transgender history-makers, breathing new life into a lineage of collaborators and conspirators who have been forgotten for far too long.
Following the screening of Framing Agnes, stay tuned for a conversation with local trans and non-binary people on inter-generational trans experiences and creating space for the community.
Curated by Indigo Korres.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click the button below.

Accessibility:
This screening has an age recommendation of N/C 15+.
English audio and British Sign Language with English language captions. BSL-English interpretation for intro and post-film conversation.
Audio description available for the film. Headsets available at the cinema entrance.
Induction Loop available.
75 minutes long with a 45 minutes post-film conversation.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.
Presented in partnership with Dundee University LGBTQ+ Society.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

Trans Parenting at DCA, Dundee
2023-05-27 16:30 - 17:45 UTC
Trans Parenting is a shorts programme that focuses on trans and non-binary experiences around family; raising families, forming families, and nurturing families.
Flash Flood (2017, Dir. Al Mackay) is a short animation. Deep within a rotoscoped dream, three transgender people confront a cataclysmic flood. Featuring stories from Jessie Anderson, Helen Poon and Al Mackay.
Transgender Parents (2013, Dir. Rémy Huberdeau) reveals the gifts trans people bring to parenting because of, and not in spite of, their gender. It’s an intimate and tender look at the art of parenting, some of the hardest relational work in this life.
M(OTHER)HOOD (2022, Dir. Bea Goddard) is a short documentary that shows an unfiltered but fragmentary perspective of Jack López – a trans parent of four children, using the children’s art, cinematography, and words to gain privileged access to their domestic sphere.
Curated by Indigo Korres.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click the button below.

Accessibility:
This screening has an age recommendation of N/C 12+.
English audio and British Sign Language with English language captions. BSL-English interpretation for intro of event.
Audio description available for the film. Headsets available at the cinema entrance.
Induction Loop available.
67 minutes long.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.
Presented in partnership with Dundee University LGBTQ+ Society.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

Sediments at DCA, Dundee
2023-05-27 18:30 - 20:00 UTC
Like the Earth, our interior is formed by different strata, which forge our identity and tell our life story. What circumstances intervene in this process and make us become who we are today?
Six trans women travel to a small town in León where they will explore unusual landscapes, as well as the ins and outs of their own personalities. Looking for answers about what connects them as a group, they will learn to deal with their differences.
Sediments is an engaging and fun story about empathy, individuality and the need to belong. It is the present radiography of a collective, which looks into the past and projects itself into the future, celebrating the extraordinary possibility of being unique and unrepeatable.
Curated by Indigo Korres.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click the button below.

Accessibility:
This screening has an age recommendation of N/C 15+.
Spanish audio and British Sign Language with English language captions. BSL-English interpretation for intro of event.
Induction Loop available.
89 minutes long.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.
Presented in partnership with Dundee University LGBTQ+ Society.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

Begana x SQIFF Joyland + Discussion Group SOLD OUT
2023-06-10 17:00 - 21:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
As the Ranas – a happily patriarchal joint family – yearn for the birth of a baby boy to continue the family line, their youngest son secretly joins an erotic dance theatre and falls for an ambitious trans starlet.
Their impossible love story slowly illuminates the entire Rana family’s desire for a sexual rebellion.

Discussion Group
After the screening, there will be a discussion group facilitated by Nat Raha to decompress together and unpack the themes and topics explored in the film.
Please note that the discussion group is exclusively for anyone who is a person of colour (POC) or identifies as LGBTQ+.
About Nat Raha
Dr Nat Raha is a poet and activist-scholar, a South Asian British trans queer femme, and a Lecturer in Fine Art Critical Studies at the Glasgow School of Art. Her books of poetry include Of sirens, Body & Faultlines (Boiler House Press, 2018) and Apparitions (nines) (Winner of the Nightboat Poetry Prize, forthcoming 2024). Recent critical and creative writing appears in Queer Print in Europe, 100 Queer Poems, Transgender Marxism, We Want It All: An Anthology of Radical Trans Poetics, and Third Text (‘Imagining Queer Europe then and now’, 2021). With Mijke van der Drift, Nat co-edits Radical Transfeminism zine, and is currently co-authoring a book Trans Femme Futures: An Abolitionist Ethics for Transfeminist Worlds (forthcoming, 2024).

Ticketing
The ticketing link for this event will be shared first with South Asian and queer communities to ensure that they have priority access. However, if you are a member of these communities and interested in attending the screening and have not received the ticketing link, please contact our Box Office boxoffice@cca-glasgow.com.

This screening is presented by Scottish Queer International Film Festival (SQIFF) in collaboration with Begana: Musing on Queer South Asian Stories (programmed by Neha Apsara).

Tickets are FREE. To book, click here

Accessibility:
This screening has an age recommendation of N/C 15+.
Punjabi and Urdu audio with English language captions.
Quiet Space available.
Audio Description available.
Induction Loop available.
126 minutes long.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.

Trans Parenting at An Lanntair, Stornaway
2023-06-16 16:00 - 17:15 UTC
Trans Parenting is a shorts programme that focuses on trans and non-binary experiences around family; raising families, forming families, and nurturing families.
Flash Flood (2017, Dir. Al Mackay) is a short animation. Deep within a rotoscoped dream, three transgender people confront a cataclysmic flood. Featuring stories from Jessie Anderson, Helen Poon and Al Mackay.
Transgender Parents (2013, Dir. Rémy Huberdeau) reveals the gifts trans people bring to parenting because of, and not in spite of, their gender. It’s an intimate and tender look at the art of parenting, some of the hardest relational work in this life.
M(OTHER)HOOD (2022, Dir. Bea Goddard) is a short documentary that shows an unfiltered but fragmentary perspective of Jack López – a trans parent of four children, using the children’s art, cinematography, and words to gain privileged access to their domestic sphere.
Curated by Indigo Korres.
Tickets are available on a pay what you can sliding scale of FREE, £5, £6.50, £8. To book, click here

Accessibility:
This screening has an age recommendation of N/C 12+.
English audio and British Sign Language with English language captions. BSL-English interpretation for intro of event.
Audio description available for the film. Headsets available at the cinema entrance.
Quiet Room available.
Induction Loop available.
67 minutes long.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

Framing Agnes + Conversation at An Lanntair, Stornoway
2023-06-16 18:00 - 20:00 UTC
Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history.
In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’.
Through a collaborative practice of reimagination, an impressive lineup of trans stars take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
Joynt’s signature form-rupturing style radically reenvisions the imposition of the frame on the cultural memory of transness through his brilliantly crafted, communally-driven excavation. This reclamation tears away with remarkable precision the myth of isolation as the mode of existence of transgender history-makers, breathing new life into a lineage of collaborators and conspirators who have been forgotten for far too long.
Following the screening of Framing Agnes, stay tuned for a conversation with local trans and non-binary people on inter-generational trans experiences and creating space for the community.
Curated by Indigo Korres.
Tickets are available on a pay what you can sliding scale of FREE, £5, £6.50, £8. To book, click here

Accessibility:
This screening has an age recommendation of N/C 15+.
English audio and British Sign Language with English language captions. BSL-English interpretation for intro and post-film conversation.
Audio description available for the film. Headsets available at the cinema entrance.
Quiet Room available.
Induction Loop available.
75 minutes long with a 45 minutes post-film conversation.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.

SQIFF 2023 Opening Night Scottish Shorts - SOLD OUT
2023-09-26 19:00 - 21:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Listen to this Event Page

**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly to be added to this!**
Starting the festival, as always, we have ’Scottish Shorts’. The screening exclusively contains short films by artists based in Scotland and highlights exquisite talent on our home turf. The very first film stars SQIFF’s own Jamie Rea. Jamie co-curated our 2021 festival and now treats us to a touching lead performance in The Singer. Later, we have Selkie, which brings Scottish mythology and folk song to queer cinema. And, we have Pixie that follows the local party girl as she shares her experience of coming out, transitioning and go-go dancing.
Curated by Nat Lall.
We hope to welcome several of the filmmakers for a Q&A after the films. All ticket holders are invited to join us for a drink at CCA after the screening.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

The Singer (2023, Dir. Cora Bissett): In the loud streets of Glasgow, deaf song-writer Joe meets busker Andy. The two learn to communicate over their love of music and realise together they can create something unique.
Groom (2022, Dir. Leyla Coll-O’Reilly): is about a young, school leaver called Hannah who is on a trial shift at a beauty salon. It’s a story about coercive relationships, consent, puberty and sexual desire.
Selkie (2022, Dir. Sophie Suliman): This is an experimental performative and social documentary exploring humankind’s relationship to nature and other lifeforms through the ancient Nordic and Celtic myth of the selkie and the impact of wild swimming on our psyche and wellbeing. Based in different locations and through collaboration with various communities around Scotland.
DIG (2022, Dir. G J Hewitt): A mother searches a secluded beach, determined to find a certain item, that will bring her some closure.
Kitchen Sink Fantasy (2023, Dir. Heath Virgoe): A fantasy rom-com that follows a gender-swapping Gen-Z narcissist on a quest to pay rent on time.
Pixie (2022, Dir. Beth Johnston): This documentary provides a portrait of Pixie, a young transgender woman from Glasgow.
Once upon a time in Easter house (2019, Dir. Paul Cochrane): In the East End of Glasgow, a teen boy confronts his secret after falling in love for the first time.

ACCESSIBLITY
This screening has slight use of slow strobing light.
Content Warnings:

Discussion of sex, mental health, suicide, death, porn, bullying, alcohol abuse;
Depiction of power abuse, nudity, alcohol use, drug use, physical violence, transphobia, homophobia, misogyny, and vomit.

This screening is for all ages.
89 minutes long with a Q&A after the screening.
English and Spanish audio with English language captions. BSL-English interpretation and live captioning provided for the intro and panel discussion.
Audio description available for the film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Kitchen Sink Fantasy (2023, Heath Virgoe)

Are you into emotional edging?
2023-09-27 15:30 - 17:30 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Listen to this Event Page

Join us for a journey of conscious and unconscious thoughts. This screening features distinct experimental shorts made by trans and non-binary people that focuses on the varied ways our community tell stories of forming and navigating relationships, both digitally and in real life.
The films in this programme utilise archival footage, found footage, digital glitch, chemical abstraction, digital animation, layered imagery, and direct animation to explore the telling of our stories.
Milo Clenshaw will be hosting a panel discussion after the screening with special guests Hogan Seidel, director of The Backside of God, and Jamie Crewe, director of A Luxury.
Curated by Indigo Korres.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

A Luxury (2021, Dir. Jamie Crewe): A film commssioned by Edinburgh International Book Festival, 2021, in response to Shola Von Reinhold’s novel LOTE (2020). Made in homage to Curtis Harrington’s film The Wormwood Star (1956), a portrait of the artist Cameron, the film finds Shola in the attic of Preston Hall, Midlothian, undergoing a transportation. A section of LOTE is read over churning abstract liquids, and finally an escape.
A Trans with a Movie Camera (2018, Dir. Frances Damian Arpaia): A non-narrative cine-essay that collaboratively explores the potentials for trans-feminine representation in film.
The Backside of God (2020, Dir. Hogan Seidel): The Backside of God is an experimental documentary utilizing archival footage, digital glitch, chemical abstraction, and direct animation to explore the intricacies of the artist’s relationship with their familial, religious, and queer identity.
Bigger on the Inside (2022, Dir. Angelo Madsen Minax): From an isolated wooded cabin a trans man star gazes, scruff chats with guys, watches youtube tutorials, takes drugs, and lies about taking drugs – feeling his way through a cosmology of embodiment. Relative to the immensity of longing, the bodily insides become both portal and lens through which to probe the porousness between interior and exterior, the micro and macro. Nudes and landscapes are equally erotic, as Eros is an issue of boundaries: When i desire you, a part of me is gone.

ACCESSIBLITY
Content Warnings:

Discussion of transphobia, misogyny, religious views, homophobia, emotional edging, mental health, sex;
Depiction of masturbation, sex.

Access Notes:

Glitchy imagery

This screening has an age recommendation of N/C 16+.
61 minutes long with a Q&A after the screening.
English, Latin, Portuguese, and Vietnamese audio and screens with English language captions. BSL-English interpretation and live captioning provided.
Audio description available for the film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact by emailing info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Bigger on the Inside (2022, Dir. Angelo Madsen Minax)

Begana
2023-09-27 18:00 - 20:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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Begana is bringing you more films from the South Asian queer diaspora! Combining hidden stories, politics with joy and queer loving, come watch films from Rohan Kanawade’s drama U for Usha, in which a single mother and a farm labourer in rural India who feels drawn to a female teacher of a local primary school, to Rohin Raveendran’s romance The Booth, where a female frisking booth inside a crowded shopping mall stands as a silent ally to a forbidden romance. We hope you’re ready for a fresh view through these Sapphic love stories.
Curated by Neha Apsara.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

U for Usha (2019, Dir. Rohan Kanawade):Usha, a single mother and a farm labourer in rural India, feels drawn to a female teacher at a local primary school. This attraction plays an integral part in firing her passion for learning how to read and write.
Devi (Goddess) (2017, Dir. Karishma Dube): A young closeted lesbian risks both family and tradition, as she embraces her attraction for her childhood maid, Devi. A young closeted lesbian risks both family and tradition, as she embraces her attraction for her childhood maid, Devi.
The Booth (2019, Dir. Rohin Raveendran): A female frisking booth inside a crowded shopping mall stands as a silent ally to a forbidden romance.
My Mother’s Girlfriend (2021, Dir. Arun Fulara): is the story of two relationships colliding. Renuka and Sadiya, two mature working-class women, in love with each other, are out celebrating Renuka’s birthday. Unknown to them, Renuka’s son, Mangesh, is around.

ACCESSIBLITY
Content Warnings:

Discussion of sex, sex work, abuse, violence, trauma, transphobia, racism, sex work
Depiction of violence, homophobia.

This screening has an age recommendation of N/C 16+.

66 minutes long.

Films are in Bengali, English, Hindi, Marathi audio and screen with English language captions for access. BSL-English interpretation and live captioning provided.
Audio description available for the film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: From My Mother’s Girlfriend (2021, Dir. Arun Fulara)

Fleeting Love
2023-09-28 18:00 - 20:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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‘Fleeting Love’ is a collection of short films that capture brief (but tender) romantic encounters. Expect sepia-toned super 8 clips, wind blowing through long hair, lustful stares and tugs on your heartstrings. The pace of the films in the selection ebbs and flows with runtimes ranging from 3 to 20 minutes. Films such as Swimming in the Dark bring slower romantic builds alongside slow rippling water. Whereas the closing film Strangers is the shortest of the collection and follows two lovers clinging on to each other as they zoom past the camera on a motorbike.
Curated by Nat Lall.
The screening starts with poetry from local queer poet Hatty Nestor.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

Heart Fruit (2022 , dir. Kim Allamand): Late summer heats up the city where people search for their own form of love.
Dreaming of You (2023 , dir. Andrzej Kosma Perliński): A Polish-Danish story of a cross-cultural encounter during a winter night in 1986. It’s a dreamy reminiscence focusing on the choreography of glances, breaths, and communication beyond language when meeting a magnetic stranger. The fantasy starts to prevail with the night getting darker, but will it still be there at sunrise?
Swimming in the Dark (2022, dir. Pin Ru Chen): When the swimming competition is coming, Wen is under lots of pressure. Ann who is inseparable from her found out something different. To confront Wen’s closure and trauma, Ann decides to be closer to Wen. But, when she gets closer to Wen, it pushes them further…
i get so sad sometimes (2021 , dir. Trishtan Tala Perez): In the small town of Pagadian, a gay teenager eagerly waits for a mature man to reveal his face after developing an anonymous sexual relationship with him online.
Scaffold (2023 , dir. Billy Klotsa): Fragments of bereavement and collapsing love appear in an isolated house between the land and the sea. Death arrives. The landscape shivers. What holds us close in moments of rupture?
Strangers (2022 , dir. Ahan Kadam): Moments like seeing an ex-partner at a gas station are always filled with a deep sense of nostalgia and sadness, the tragedy of seeing someone you once knew so intimately now be a complete stranger to you.

ACCESSIBLITY
Content Warnings:

Discussions of sex, self-harm
Depiction of sex, cigarette use

This screening is recommended for ages 16+
94 minutes long with a poetry reading before the screening.
Danish, English, German, Mandarin Chinese, Polish, Swiss German, Tagalog audio with English captions. BSL-English interpretation and live captioning provided for the intro and poetry.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Heart Fruit (2022, Dir. Kim Allamand)

Queer East Presents: Alien Body, Human Dreams - SOLD OUT
2023-09-28 18:30 - 20:30 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly to be added to this!**
A series of cinematic investigations that centre the body as a potent site of hybridity, rejecting false divisions of man/woman, human/animal/alien, self/other to construct their own embodied, multifaceted ways of being. Artists in this programme purposefully employ queering as a technique to misread, re-appropriate, and puncture the systems of power projected onto the body.
In these works by queer Southeast and East Asian filmmakers, we meet a speculative reality where human body parts are sold in food trucks and witness a dance-fight between a lion dancer and a contemporary dancer. Bodyhacking, ritualising, and ceremonialising is used to knead cosmologies, folding knowledges in upon themselves.
Curated by April Lin 林森
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

to boyhood, i never knew him (2022, dir. Trâm Anh Nguyễn): Words from a transgender man float to the surface as fleeting memories go on.
Longing for the Sun to Set Upwards (2022, dir. Jao San Pedro): An ode to the multiplicity, mutability, and expansion of what constitutes a body and a self, through imaging and technological mediations.
beast (2022, dir. Aileen Ye): A martial arts inspired dance-fight between a lion dancer and queer performer reflects the tension between traditional and modern identities.
Disease of Manifestation (2011, dir. Tzu-An Wu) The work builds itself towards the anarchistic conditions of the inner scenes, can also be seem as a wrong-manifesto.
Yummy Body Truck (2021, dir. Noam Youngrak Son) A fictional food truck selling human body parts mixed with other organisms in a biotechno-queer fantasy of interspecies mixing.
BXBY (2022, dir. Soojin Chang) In this self-recorded performance blending documentary and ritual practice, a hybrid creature attempts reproduction.
Garden Amidst the Flame (2022, dir. Natasha Tontey) A playful and imaginative fantasy that challenges the hypermasculine presentation of Minahasan ritual culture and everyday life.

ACCESSIBLITY
This screening contains strobing lights, distorted imagery, distorted voice.
Content Warnings:

Discussions of cannibalism, direct reference to terminated pregnancy
Depiction of animated detached human parts, fake body parts being eaten, animal parts, recording of the inside a human bodysex, self-harm, distressing scenes, contains graphic reproductive content, imagery of the culling and dissection of a deer.

BXBY Content Warning (please note this may contain spoilers)
BXBY contains explicit content, including a close-up of a person using a speculum on themself and inserting a tube into their vagina (in a later scene they inject fluid into their vagina) and the graphic disembowelment and dismembering of a recently killed deer, which is revealed to be pregnant.
This screening is recommended for ages 16+
93 minutes long
Chinese, English, French, Indonesian audio with English captions. BSL-English interpretation and live captioning provided.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from BXBY (2022, dir. Soojin Chang)

Sex Change: Shock! Horror! Probe! with TGirlsonFilm - SOLD OUT
2023-09-28 21:00 - 23:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly to be added to this!**
Thatcherite Britain, 1989 and transexuals are fighting back. Cabaret star, Adele Anderson is facing a transphobic backlash after being cruelly outed by the press. Meanwhile in Manchester, Stephanie Anne Lloyd is a successful trans business woman selling gender affirming products to a huge cross dressing clientele, with shoulder pads and gusto. The European Court faces Mark Rees as he argues his case to be legally seen as male, whilst Christine Goodwin hurtles round East London driving a bus. The first trans MP, Racheal Webb, attempts to reclaim the guardianship of her child since transitioning. Director Kristiene Clark fought back against the transphobic media, with an appeal to gender liberation.
Director Kristiene Clark will join us for an exclusive Q&A after the screening.
Curated by Jaye Hudson.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
Content Warnings:

Discussion of sexual assault, transphobia, surgery and suicide.

This screening is recommended for ages 16+
58 minutes long with a Q&A after the screening.
English audio with English captions. BSL-English interpretation and live captioning provided for the intro and Q&A.
Audio description is available for this film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Sex Change: Shock! Horror! Probe! (1988, Dir. Kristiene Clark)

Building Community with LGBT Unity
2023-09-29 12:30 - 14:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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In the summer of 2023, SQIFF and LGBT Unity hosted filmmaking workshops for queer asylum seekers and refugees. The workshops were facilitated by filmmakers Campbell X and Ambroise of Paradax Period, and focused on not only storytelling, filming and editing, but also building community and creating accessible ways to make films.
In this screening, we bring you all the shorts made during this workshop series, followed by a small Q&A where Campbell X and Ambroise talk about this process with some of the participants.
Presented in partnership with LGBT Unity Scotland, a community-led group providing essential support to LGBTQIA+ refugees, asylum seekers, and other migrants.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
Content Warnings:

Depiction of date rape drug, being outed, drug use, alcohol use, suicide attempt;
Discussion of persecution, transphobia, abuse, assault, homophobia, conversion therapy, mental health issues.

This screening has an age recommendation of N/C 16+.
30 minutes long and a Q&A after the screening.
English and Portuguese audio and screens with English language captions. BSL-English interpretation and live captioning provided for the intro and panel discussion.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from SQIFF x LGBT Unity

Come Back to the 5 and Dime, Jimmy Dean Jimmy Dean with TGirlsonFilm
2023-09-29 15:00 - 17:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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Five girlies reunite at a five-and-dime for the 20th anniversary of James Dean’s death. They all gossip and process where life has led them over a cup of coffee, the film features five female leads, one of which is Cher and another is a glamorous transexual. Based on a play and directed by Robert Altman, this is trans director Kristiene Clarke’s favourite trans representation.
Curated by Jaye Hudson. Presented with TGirlsonFilm and Introduction by Kristiene Clarke.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
Content Warnings:

Depiction of transmisogyny, ableism, outdated language and sexism.

This screening has an age recommendation of BBFC 15.
109 minutes long.
English audio and screens with English language captions. BSL-English interpretation and live captioning provided.
Audio description available for the film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Come Back to the 5 and Dime, Jimmy Dean Jimmy Dean (1982, Dir. Robert Altman)

Animation Now
2023-09-29 18:00 - 20:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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‘Animation Now’ celebrates a new generation of queer animators. The programme includes both 2D and 3D animation in the form of narrative shorts, experimental art film and an immersive game walkthrough.
The screening starts with the heartfelt 3D animation Dear Nana telling the story of the narrator’s late grandmother who was a supportive figure throughout their life. Clotilde follows in a stop-motion animated medium and provides a playful light-hearted moment in the programme.
The screening ends with a panel featuring some of the filmmakers in the programme on the newest wave of digital animation. Expect talk of gaming-inspired filmmaking.
Curated by Nat Lall.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

Dear Nana (2023, Dir. Han Nguyen): Dear Nana is a deeply personal work that reflects my own childhood memory of living as a queer kid in a small, conservative town in North Central Coast, Vietnam. It is made in memory of my maternal grandmother who passed away in 2011. She was the first person to teach me that there is no shame in being myself and doing whatever makes me happy instead of trying to conform to the norm and doing what is expected of me. This work is both about remembering her and reassuring myself that she would still be supportive of me now that I have come so far in my journey of self-expression. The film also features aspects of Vietnamese culture, such as the tradition to venerate our ancestors and pray for their blessings.
Clotilde (2023, Dir. Maria João Lourenço): In a planet where reproduction is mandatory in the daily life of its inhabitants, there is an alien who just wishes to pleasure herself.
White-Haired Witch and Black-Haired Witch (2023, Dir. Yini Yang): In a distant corner of the universe, amidst flowers, vines, and an endless expanse of crimson water, numerous placentas float. One of the placentas connects two fetuses, and in a flash of lightning, the placenta is divided into two halves. From one of the halves, a white-haired witch grows gradually, longing to find the other half of the fetus but unable to locate it. Consequently, it gives birth to a black-haired witch from its own body to coexist. One day, the black-haired witch embarks on a journey, leaving behind a letter documenting its travels for the white-haired witch. While waiting, the white-haired witch finds answers and returns to the primordial dream.
Living with It (2023, Dir. Holly Summerson): Perfectionist Lee (Annabelle Davis) must adapt to the imperfect reality of living with an illness – brought to life as a chaotic supernatural flatmate – Bug (Lawrence Chaney). Accepting the long-term effects of illness – and making the best of an imperfect situation – are explored through the relationship between two dysfunctional flatmates in this dark comedy animated short.
Coming Out Autistic (2023, Dir. Steven Fraser): Coming out Autistic is a short animated documentary that explores the experience of telling the world that you are autistic when you also identify as LGBTQ+. Queer coming out stories are well documented, but the occurrence of telling friends, family, co-workers and strangers that you are autistic is less explored. Parallels with queer experiences are investigated and a wide range of individuals are interviewed to express the array of feelings and reactions that are encountered.
Desire’s Exhibition (2023, Dir. Salmo Pagão): With the aim of finding Desire, so-and-so performs a ritual to go down in the depths of himself. There he came across an exhibition of Desire’s works which had until then haunted his dreams and non-dreams in land. It is important to him confront the works, recognize them, and rise with crucial answers.
A mother’s love for her baby (2022, Dirs. Éiméar McClay & Cat McClay): Using a combination of 3D animation and experimental prose, A mother’s love for her baby explores the corruption and conditions endemic in the Magdalene Laundries and mother and baby homes run by the Catholic church in Ireland throughout the 20th century. Influenced by Saidiya Hartman’s concept of “critical fabulation” – the use of storytelling to fill the gaps left in historical records – the film advocates for a bottom-up form of historiography: centring historically marginalised voices of Irish women and critiquing the structures of power that (re)produce their dispossession.
Junior & The Kid (2023, Dir. Dani Wasserman): Junior & The Kid is a sparse retelling of a fictional love affair between an unnamed western cowboy and 90s baseball superstar and heartthrob Ken Griffey Jr.
Where the Mouth is (Machinima Version) (2022, Dir. Benjamiin Hall): Set in the Saxon-era archipelago once where Oxford now stands, “Where the Mouth” is (re)builds Oxfordshire as an interactive world outside of time, leaping off from the collections of the public Museum of Oxford. You are let loose in the swampy terrain to observe the local tradition of ‘beating the bounds’ – marking parish boundary stones with a stick in order to embed them in the memory of the town’s residents. The mouth of that collective memory has issued many truths, half-truths, desires, cries, anecdotes, apocryphal stories, and tiny reminders of a future from the past.
Originally commissioned by the Museum of Oxford and Digital Artist Residency, with later support from Bloomberg New Contemporaries Digital Fellowships; Soundtrack by Peter Talisman (Slugabed and Samuel Organ) as mixed from their 2021 album ‘Lord of the Harvest’; Movement/ motion capture performance by Anya Sirina; Special thanks to Tom Milnes.
Patches (2021, Dir. Georgie Athanasopoulos): Outcast due to physical differences, a lonely little boy in the 1920’s makes an unlikely friend and finds belonging through sacrifice.
The Prince’s Dilemma (2023, Dir. Devin Rowe): The film follows Prince Philip, who longing to be with a prince of his own, must decide to follow the traditional tale expected of him or forge his own happily ever after.

ACCESSIBLITY
Content Warnings:

Discussion of living with a chronic illness;
Depictions of animated genitalia, animated masturbation.

This screening has an age recommendation of N/C 16+.
74 minutes long with a Q&A after the screening.
English, Latin, Portuguese, and Vietnamese audio and screens with English language captions. BSL-English interpretation and live captioning provided for the intro and panel discussion.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact by emailing info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Coming Out Autistic (2023, Dir. Steven Fraser)

Queer East Presents: Peafowl 공작새
2023-09-29 21:00 - 23:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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Shin-myung is a transgender woman and dancer who competes in waacking. Having cut ties with her family and rural hometown, Shin-myung seeks various ways to fund her gender reassignment surgery. But one day, she is informed that her estranged father, a master of Nongak folk music, has died. He stipulated that Shin-myung can receive her inheritance money if she returns to the village and performs a traditional drum dance, as part of his memorial rituals. Unwilling to yield to her intolerant father’s posthumous demands, the unapologetic Shin-myung is forced to reluctantly reconnect with her past while staying true to herself. Driven by an empowering vision of trans identity, this assured debut feature from Byun Sung-bin contemplates the possibilities – and limits – of forgiveness.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
This screening has an age recommendation of N/C 16+.
115 minutes long.
Korean audio with English language captions. BSL-English interpretation and live captioning provided.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Peafowl 공작새 (2022, Dir. Byun Sung-bin)

Not Quite That
2023-09-30 12:30 - 14:30 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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‘Not Quite That’ follows 57-year-old Sarah, a butch lesbian predisposed to breast cancer.
Sarah discusses the implications of a mastectomy as a butch presenting person. She contemplates if people would perceive her as transmasculine and how that would make her feel.
Her long-term close friends listen attentively and help her process the situation. The love and support shared by this group of old friends is heartwarming. A feel-good film for sure.
This film is followed by two shorts. Director Leo Torre of The Ship of Theseus will join us to chat about short filmmaking and the importance of queer/trans friendships.
Curated by Nat Lall.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

Not Quite That (2022, Dir. Ali Grant): Might a genetic mutation be the very thing that allows this nice Jewish butch lesbian to be fully seen at last? Meet Sarah, 57. Lesbian? For sure. Jewish? Yes and no. Mother? In all but one sense. Trans? No, just often mistaken as such. Breast cancer survivor? Well, that’s the plan, the survival bit, but without the cancer or the breasts. Not Quite That is an intimate and insightful exploration of how we are seen, how we see ourselves, and why it matters.
The Ship Of Theseus (2022, Dir. Leo Torre): A creative trans self-documentary video exploring themes of early transition and gender rebirth using themes of mythology and the sea.
Patricia in the Dark (2023, Dir. Laura Hartley): Born into a world where the word ‘transgender’ didn’t exist, 95-year-old Patricia spent most of her life longing for love and acceptance but too afraid to reveal her true self.

ACCESSIBLITY
Content Warnings:

Discussion of cancer diagnosis, surgery, gender dysphoria, body image, transphobia;
Depictions of pregnancy, nudity, drains, hospitalisation.

This screening has an age recommendation of N/C 16+.
60 minutes long with Q&A after the screening.
English and French audio with English language captions. BSL-English interpretation and live captioning provided.
Audio description available for the film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Not Quite That (2022, Dir. Ali Grant)

Queerventures with Kendal Mountain Events
2023-09-30 15:00 - 17:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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Kendal Mountain Festival is one of the UK’s longest running Adventure Film Festivals. Their programming goes far beyond the stereotypical adventurer, reaching out to individuals whose narratives are often overlooked. As part of this they have proudly curated a film programme of Queer-led films to stand in solidarity with the local LGBTQIA+ community and ensure that everyone sees themselves represented in the adventure world.
The event will be hosted by one of the Kendal Mountain team, Emily Lyons who will guide you through films that will transport you all over the world and showcase a multitude of folk from the community, from those getting outdoors everyday and people at the top of their game.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

I am a Fellrunner (2020, Dirs. Jessie Leong & Julie Carter): Fell running is more than a sport – it is part of an identity. Through the evocation of a poem, ‘I am a Fellrunner,’ explores the way in which one woman is defined as a fellrunner in the place where she belongs.
Fragments Choisis (2022, Dir. Alicia Cenci): In the mountains, she is Elisabeth the skier, in the streets, she is Elisabeth the activist. She lives her two lives very separately and makes sure those two sides do not interfere with each other.
Until the day she becomes world freeride champion. The activist then meets the sportswoman when Elisabeth decides to use her title and the attention around it to come out publicly.
Eden (2021, Dir. Charlie Bush): Eden Elgeti was part way through her male to female transition when she realised she wanted biological children in the future. Told she was now unable to produce fertile sperm after the hormone treatments, a medical practitioner suggested there was a very small chance cold water might help reverse the effects and so she started extreme cold water swimming.
Venture Out (2020, Dirs. Jamie DiNicola, Matthew Mikkelsen & Palmer Morse): Venture Out is a story of overcoming odds, the power of resilience, and ultimately, the ever-lasting effects of LGBTQ community building. The Venture Out Project, founded by Perry Cohen, is a non profit organisation that brings LGBTQ folks together outdoors on wilderness trips. In sharing Perry’s story, and hearing from the other TVOP participants, we get a glimpse into the healing qualities of nature and life-saving community bonds that are being forged as a result of Perry’s work.
Ascension (2023, Dirs. Emma Crome & Matt Pycroft): Elite climber Alex Johnson has attempted to climb the iconic boulder The Swarm, California, for a decade. Not succeeding breaks her down into self-reflection where she finally accepts her sexuality.
Big Things to Come (2022): One of Europe’s leading adventure photographers, Hamish Frost lives twin lives. In Ascension, we explore the side of himself he has kept hidden from the outdoor community. A story of confidence and connection and a reminder of the importance of diversity in the great outdoors.

ACCESSIBLITY
Content Warnings:

Discussion of mental health, fertility, suicide, depression, eating disorder, mental health, bullying, homophobia.

This screening has an age recommendation of N/C 16+.
71 minutes long.
English and French audio with English language captions. BSL-English interpretation and live captioning provided.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Eden (2021, Dir. Charlie Bush)

Documenting and Archiving
2023-09-30 15:30 - 17:30 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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This event is all about queer histories, past and present. It explores a range of approaches to documentation and archiving.
The programme alternates between shorts of around 5min and ‘longer shorts’ of 10+ minutes. The first films are about American and English histories of the 80s-90s. The next couple document millennial queer experiences surrounding advancements in technological communication. And the latter films tell of QTIBPOC resistance, love and solidarity.
This screening will conclude with a panel discussion hosting River Seager of I Am a Cyborg: Conversations About Queerness and Anime, and Campbell X of Still We Thrive, on the importance of documenting queer experiences.
Curated by Nat Lall.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

Pride TM (2019, Dir. Hogan Seidel): An observational film about the changing environment surrounding pride festivals. This piece specifically looks at my current city of residence, Boston’s Pride Parade.
Stonewall Postal Action Network (2023, Dir. Sarah Elizabeth Drummond): Stonewall Postal Action Network (SPAN), is a short documentary, telling the story of Austin’s activism, his letter writing campaign and the packing up of his life work for an archive as he contemplates his legacy from his new home in rural Wales.
Digital Natives (2022, Dir. Jo Reid): Made as part of the BBC100 Make Film History project, Digital Natives is a personal exploration of a childhood on the internet. Using the computer desktop like a diary, Digital Natives reflects on posting as performance.
I Am a Cyborg: Conversations About Queerness and Anime (2023, Dir. River Seager): Composed of interviews with LGBT+ individuals, this is a documentary that discusses the popularity of anime in Queer communities. The visual style is heavily influenced by mid-2000s fandom aesthetics, and the discussions rotate around androgyny in anime, television censorship, identity formation, and fandom as a site of expression.
Still We Thrive (2022, Dir. Campbell X): Archive footage of Black history from the Caribbean, United Kingdom, United States and the African continent is interwoven with Black actors speaking direct to camera. Performers are Black – trans / non-binary, and cis including Martina Laird, Michelle Tiwo, Kim Tatum and Don Warrington. Included are poems A Negro Dreams of Rivers by Langston Hughes and Yemoja by Olive Senior. Still We Thrive is a balm to Black people’s mental health now being assailed by images of violence and trauma.
Aangan ‘a blooming space’ (2023, Dir. Shiv Priya): In the world of insensitivity and insecurity, some plants of the new generation of LGBTQI+ community members especially transgenders are flourishing in the courtyard of their Maai(Mother).

ACCESSIBLITY
Content Warnings:

Discussion of transphobia, homophobia, violence, jail, Section 28, bullying, colonisation, racism, slavery, physical abuse, mental abuse, sexual abuse, violence, abduction, sex work.

This screening has an age recommendation of N/C 18+.
85 minutes long with a Q&A after the screening.
English and Hindi audio with English language captions. BSL-English interpretation and live captioning provided for the intro and panel discussion.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Still We Thrive (2022, Campbell X)

Closing Film: Mutt - SOLD OUT
2023-09-30 19:00 - 21:00 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly to be added to this!**
Mutt tells the story of a young trans man named Feña reacquainting with family and friends he has not seen since before his transition.
Feña (Lío Mehiel) experiences contrasting moments of hostility and heartfelt care upon reintroduction to his father, younger sister and ex-boyfriend. The father shows signs of intimidation by his child’s new masculinity, the ex-boyfriend questions his own sexuality and the younger sister naively asks questions that hit a nerve.
Mutt is the final film of our 2023 festival and will be followed by a short closing ceremony. Join us to celebrate another year of the Scottish Queer International Film Festival.
Curated by Nat Lall.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
Content Warnings:

Discussion of transphobia, mental health, dysphoria;
Depiction of sex, violence.

This screening has an age recommendation of N/C 16+.
97 minutes long with a introduction by SQIFF.
English and Spanish audio with English language captions. BSL-English interpretation and live captioning provided.
Audio description available for the film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Mutt (2023, Dir. Vuk Lungulov-Klotz)

SQIFF x Porty Pride Film Night
2024-06-28 19:00 - 21:00 (Europe/London) | Portobello Town Hall, 147-149 Portobello High Street, Edinburgh, EH15 1AF
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This year SQIFF and Porty Pride are partnering to bring an exciting selection of short films from Scotland and beyond to Portobello Town Hall!
This screening presents a mix of animation, documentary and fiction film exploring various queer identities. The Singer, Coming Out Autistic and Living with It are Scottish films made by queer people with various disabilities. Still We Thrive is an experimental documentary directed by Campbell X, showcasing a rich tapestry of image, music and poetry is interwoven in this powerful meditation on Black resilience. Digital Natives is a personal film and exploration of Jo’s relationship to the internet. Finally, Not Quite That is a raw documentary about a queer woman and breast cancer survivor in Canada. The film is an intimate and insightful exploration of how we are seen, how we see ourselves, and why it matters.
Join us for an incredible conversation after the screening with Scottish filmmaker Holly Summerson, and hosted by Nat Lall. BSL-English Interpretation, and wheelchair access are available at this event.
Curated by Indigo Korres.
Tickets are on a pay what you can sliding scale of £5, or £10. To book, please click here.

The Singer (2023, Dir. Cora Bissett): In the loud streets of Glasgow, deaf song-writer Joe meets busker Andy. The two learn to communicate over their love of music and realise together they can create something unique.
Coming Out Autistic (2023, Steven Fraser): This animated documentary explores the experience of telling the world that you are autistic when you also identify as LGBTQ+.
Living with It (2023, Holly Summerson): Perfectionist Lee must adapt to the imperfect reality of living with an illness – brought to life as her chaotic supernatural flatmate Bug.
Still We Thrive (2021, Campbell X): A rich tapestry of image, music and poetry is interwoven in this powerful meditation on Black resilience.
Digital Natives (2022, Jo Reid): A film by Jo Reid (2022) – an exploration of Jo’s relationship to the internet.
Not Quite That (2023, Ali Grant): Might a genetic mutation be the very thing that allows this nice Jewish butch lesbian to be fully seen at last? Meet Sarah, 57. Lesbian? For sure. Jewish? Yes and no. Mother? In all but one sense. Trans? No, just often mistaken as such. Breast cancer survivor? Well, that’s the plan, the survival bit, but without the cancer or the breasts. Not Quite That is an intimate and insightful exploration of how we are seen, how we see ourselves, and why it matters.

ACCESSIBLITY
Content Warnings:

Discussion of cancer diagnosis, surgery, colonialism, body image;
Depictions of pregnancy, nudity, drains, hospitalisation, ableism.

This screening has an age recommendation of N/C 16+.
89 minutes long with a introduction and Q&A.
English audio and British Sign Language with English language descriptive subtitles. BSL-English interpretation provided.
If you have any questions about accessibility at for this event, please get in touch with us at info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case.
Image: from Living with It (2023, Dir. Holly Summerson)

Crossing
2024-07-22 20:10 - 22:10 UTC | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
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Glasgow Film Theatre, Mubi and SQIFF are collaborating on a beautiful screening of Crossing by Levan Akin on Monday 22nd July at 8:10pm at the Glasgow Film Theatre!
From acclaimed director Levan Akin (And Then We Danced), Crossing is a moving and tender tale of identity, acceptance and unlikely connection that transcends borders and generations.
Lia, a retired school teacher living in Georgia, hears from a young neighbour Achi that her long lost niece Tekla, a transgender woman, has crossed the border into Türkiye. Hoping to bring Tekla home after a period of estrangement, Lia travels to Istanbul with the unpredictable Achi to find her. Exploring the hidden depths of the city, they cross paths with a transgender lawyer called Evrim, who helps them in their search. As a reluctant and surprising friendship forms between Achi and Lia, the unexpected duo begin to discover that Tekla may not want to be found.
With remarkably authentic performances from Mzia Arabuli and newcomers Lucas Kankava and Deniz Dumanli, Akin’s third film offers a vibrant and evocative portrait of the city of Istanbul. Humanistic and compassionate, this hopeful vision of forgiveness is a heartfelt portrayal of overcoming the degrees of separation that divide us.
This screening of Crossing will be introduced by SQIFF’s Director, Indigo Korres. You don’t want to miss it!
Tickets are available through the Glasgow Film Theatre website, click here.

ACCESSIBLITY
This screening has an age recommendation of 15+.
106 minutes long with a 15 minutes captioned introduction.
English, Georgian, and Turkish audio with English language descriptive subtitles.
If you have any questions about accessibility at for this event, please get in touch with us at info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case.
Image: Crossing (2024, Dir. Levan Akin)

Donate:
Donate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨

Filming Our World: Queer Ecologies and Rewilding BSL (Showcase)
2024-08-13 13:00 - 15:30 UTC | Deaf Action, Deaf Action - GEIKIE SUITE - 49 Albany St, EDINBURGH, EH1 3QY, United Kingdom
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What does it mean for our world to be truly ‘ours’? Join Take One Action, SQIFF and Edinburgh Deaf Festival for a special lunchtime showcase of short films by emerging deaf filmmakers created in response to the Scottish Sensory Centre’s ‘Rewilding BSL’ project.
Exploring the intersections between Deafness, queer ecologies and climate justice, this short film programme celebrates the power in our collectivity, and how we can centre wildness in our intertwined struggles.
Featuring food and informal networking as an opportunity to meet other folk interested in climate storytelling on film.
Tickets are FREE (optional £5 or £10 donation). To book, click here.

ACCESSIBLITY
This screening has an age recommendation of N/C 12+.
Screening with introduction and Q&A.
English and British Sing Language with English language descriptive subtitles. BSL-English interpretation provided. Induction Loop available.
If you have any questions about accessibility at for this event, please get in touch with us at info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case.

Donate:
Donate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨

SQIFF 2024 Opening Night Scottish Shorts - SOLD OUT
2024-10-08 20:20 - 22:20 UTC | Glasgow Film Theatre, 12 Rose Street, Glasgow, G3 6RB, United Kingdom
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**Please note this event is now sold out – we may be able to release more tickets nearer the screening.**
We warmly welcome you back to another year of SQIFF with our ‘Scottish Shorts’. This screening exclusively contains short films by artists based in Scotland and highlights outstanding local talent. We are also delighted to showcase three new films made by SQIFF’s very own Queer Filmmakers Group. Expect a screening that celebrates community, resistance and various filmmaking media. We hope to welcome several of the filmmakers for a Q&A after the screening.
All filmmakers in this screening and ‘Scottish Shorts 2’ are automatically entered into a competition to win the title of Best Scottish Short. The winner will be announced at the closing screening of SQIFF 2024.
Curated by Nat Lall and Huss.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, £10, or £12. To book, click here or call the GFT Box Office on 0141 332 6535.

Accessibility
This programme has:

English audio with English language descriptive captions
English to BSL interpretation for introduction and panel discussion
Live Captioning for introduction and panel discussion
Audio Description

This screening is 75 minutes long and has an age recommendation of N/C 15+.
You can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.

Films in this programme include:

Films not Bombs: Soup, Stickers and Solidarity, Dirs. Rosie Bowyer, Léo Paiva Capocci, Morgan Gabriel Hares, Kat Robertson, 2024, United Kingdom, 11 min
Films Not Bombs is a community film about Glasgow’s Food Not Bombs chapter in Govanhill. It highlights how the group offers free food weekly to challenge war and capitalism, demonstrating the transformative power of community action. Created through a University of Glasgow and GMAC course, the film features Glasgow’s queer community and is the debut film for three of its creators.
Content Notes: Depiction of police. Discussion of food scarcity, capitalism.

A Float, Dir. Isabel Barfod, 2023, United Kingdom, 3 min
A Float explores subtle modes of refusal through the lens of a Black Queer swimmer in a hostile environment. Set in a Victorian era public swimming pool, A Float follows our protagonist as they access alternate realities, speculated futures and enact small acts of revenge.
Content Notes: Depiction of racism.
Access Notes: Contains flashing imagery.

In Our Millions, Dirs. Meli Vasiloudes Bayada, Ally Lloyd, Esme Haddrill Selman, 2023, United Kingdom, 3 min
‘In Our Millions’ is a short film about Scottish solidarity with Palestine filmed during the November 11th protests. It is a Super8 film collaboratively shot and ecologically hand-processed over the course of a day as part of a workshop run by Lydia Beilby and Take One Action.
Content Notes: Depiction of a protest.

Just Jackie, Dir. Michael Lee Richardson, 2023, United Kingdom, 12 min
JACKIE (9) loves sweets, trying on their mum’s clothes and make up, and admiring girl-next-door TEGAN (11) on her trampoline from the bedroom window.
Jackie adores her, and they’ll do anything to get close to her. Even, to health-conscious mum CAROL’s surprise, ask for a trampoline.
Content Notes: Depiction of deadnaming. Discussion of dieting.

Planet Abundance, Dirs. Emma Bowen, Ailie Rutherford, 2022, United Kingdom, 4 min
This short film documents The Planet Abundance project, a series of artist-led workshops at Category Is Books. Participants imagined a feminist world of abundance and post-work society, exploring alternatives to capitalism through speculative science fiction based on Teresa Feldmann’s draft. Commissioned by Feminist Exchange Network (Glasgow) and curated by Ailie Rutherford, the project fosters radical political imagination.

A Different Home, Dir. Jules Lacave-Fontourcy, 2024, United Kingdom, 15 min
Where is “home” for queer people who live in a city but grew up rural? This documentary explores the tensions between craving rural life and thriving in urban queer communities while feeling alienated from both. Visually rooted to the land, this film reflects on what it means to grieve a home which remains but does not welcome us as who we are.
Content Notes: Discussion of queerphobia, ableism, transphobia, misgendering, deadnaming, and trauma.

A Tight Five Hours, Dir. Ewan McPherson, 2024, United Kingdom, 15 min
As the queer comic Ewan McPherson battles his stammer while performing live, a worker inside his brain tries frantically to prevent the damage caused by negative thoughts by recalling memories of interviews with fellow queer performers and promoters”.
Content Notes: Discussion of homophobia.
Access Notes: Short length distorted imagery.

Hot Young Geek Seeks Bloodsucking Freak, Dir. Heath Virgoe, 2024, United Kingdom, 12 min
When best friends Max and Ricky find themselves the prey of an angry vampire, they must ditch their Halloween plans to hide out at home. But when a forgotten pizza delivery shows up, can they risk letting the driver in? Can they stop arguing with each other? And can Max find the courage to face the one thing worse than death – coming out?
Content Notes: Discussion of sex, role-play. Depiction of death.
Access Notes: Contains flashing imagery.

Donate:
Donate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨

Image Credit: Just Jackie, Dir. Michael Lee Richardson, 2023

Blossoming Wilt - SOLD OUT
2024-10-09 15:30 - 17:30 UTC | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!**
Blossoming Wilt is a visually striking short film screening programme that delves into the delicate and often heartbreaking nature of queer love. Each film captures the fragility of relationships and the poignant moments of connection and separation, offering an evocative exploration of love’s complexities. This programme presents a collection of films that depict the tender and vulnerable aspects of queer love, highlighting the beauty and pain that often accompany it. Through exquisite cinematography and heartfelt storytelling, these films offer a profound reflection on the transience and resilience of Queer love.
The screening starts with a poetry performance by Esraa Husain, a freelance creative writer, community curator, researcher and facilitator based in Glasgow.
Curated by Nat Lall.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, £10, or £12. To book, click here or call the CCA Box Office on 0141 352 4900.

Accessibility
This programme has:

Arabic, Chinese, English, Greek, Hindi audio with English language descriptive subtitles
English-BSL interpretation for introduction and performance
Live Captioning for introduction and performance

This screening is 109 minutes long and has an age recommendation of N/C 18+.
You can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.

Films in this programme include:

Bubbling, Dir. Che-ming Chang, 2023, Taiwan, 24 min
Guang has difficulty focusing during school choir. He’s distracted by something more enticing than singing. When a charismatic new student arrives, Guang’s curiosity and sexual desire is taken to a new level.

Pigeons are dying when the city is on fire, Dir. Stavros Markoulakis, 2023, Greece, 21 min
On the warmest day of the year, two boys meet. A few hours later a pigeon gets trapped with them. During this heatwave, all creatures dream of escaping from the city that’s burning.
Content Notes: Depiction of cigarette use, sex, nudity.

Places I’ve Called My Own, Dir. Sushma Khadepaun, 2023, India, 29 min
After several years in the US, Tara, in the midst of her IVF process, returns to India for the funeral of her father. There, she finds a mother in denial about her sexual orientation, an ex-girlfriend who has rebuilt her life with a man, and the shadow of the paterfamilias that continues to hang over the home.
Content Notes: Depiction of injection. Discussion of COVID-19, pregnancy, death, family discord, homophobia.

Like Wave Like Cloud, Dir. Yulin Yang, 2023, China, 16 min
On a surfing trip, a female couple with an age difference attempts to navigate their uncertain relationship. Yet after an unexpected change in circumstance, they each begin to see themselves and their relationship in a new light.
Content Notes: Depiction of sex, alcohol use. Discussion of death.

Mondial 2010, Dir. Roy Dib, 2013, Lebanon, 19 min
Mondial 2010 is a film on love and place. A Lebanese gay couple decides to take a road trip to Ramallah. The film is recorded with their camera as they chronicle their journey. The viewers are invited through the couple’s conversations into the universe of a fading city.
Content notes: Depiction of alcohol use, tear gas, illegal israeli settlements.

Donate:
Donate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨

Image Credit: Pigeons are dying when the city is on fire, Dir. Stavros Markoulakis, 2023
