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X-WR-CALDESC:Events for SQIFF
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T151500
DTEND;TZID=UTC:20191005T170000
DTSTAMP:20190910T144322Z
CREATED:20190828T105841Z
LAST-MODIFIED:20190910T144322Z
UID:9202-1570288500-1570294800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:We present a round-up of the excellent\, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson\, Wei Zhang\, Siri Rødnes\, Eleanor Capaldi\, and Natasha Lall\, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet\, a queer reimagining of a working men’s club\, sending naked pics via dating apps\, Chinese mythology and human binaries\, trans masculine culture\, BSL poetry\, LGBT people in the asylum system\, and loads more are explored in our 2019 Queer Scotland programme. \nWe hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611621/events/129089654′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available. \nAudio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nFrontiers (4m)\nDir. Eve McConnachie\, Year: 2019\nFrontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space\, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow. \nContent note: None. \nwe were always here (4m)\nDir. Michael Lee Richardson\, Garry Mac\, Year: 2019\nA queer reimagining of the working men’s club. A dance-powered journey through space and time. \nContent note: None. \nAcceptable Face (6m)\nDir: Holly Summerson\, Year: 2019\n“The sort of person who someone might say: ‘oh he’s gay\, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look\, act\, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people\, this experimental charcoal animation explores the pressure to be a ‘good example’\, and the joy of refusing to conform. \nContent note: Discussion of homophobia and transphobia. \nDix Pix (4m)\nDir. Steven Fraser\, Year: 2019\nDix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity\, queerness\, solitude\, and the body. \nContent note: Depiction of animated nudity and sex. \n2x+xy=1 (12m)\nDir. Wei Zhang\, Year: 2019\nWei Zhang’s practice is an experimental film created by multi post-production technologies\, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary\, the expression of emotion and the symbol of predicament. \nContent note: Depiction of nudity. \nNone of the Above (16m)\nDir. Siri Rødnes\, Year: 2018\nEmbarking upon a distinctly postmodern cyber experiment\, Cassie charts her dating odyssey on her personal vlog\, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral\, she becomes a media pariah. \nContent note: Depiction of homophobia\, mental health issues\, and suicide (graphic). \nRoberta Cowell’s Story (1m)\nDir. Melissa J Clifford\, Year: 2019\nRoberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge  #39 AMBITION. The short was created by Melissa Joan Clifford\, a trans woman\, and was made in the style of an archival film. \nContent note: Reference to transphobia. \nA Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)\nDir. Nastia Nikolskaya\, Year: 2019\nTitled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate\, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes\, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives\, driving our short-term and long-term decisions. \nContent note: None. \nGlue (4m)\nDir. Eleanor Capaldi\, Year: 2019\nWhen you’ve been dreaming of the past for so long\, what do you do when she’s finally there? Agnes meets her ex\, Anna\, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new. \nContent note: None. \nPossessive Skin (2m)\nDir. Myles McEachan\, Year: 2019\n“To accept yourself against the face of adversity\, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community\, and how in an age that prides itself on inclusion\, we still find segregation and discrimination within even the most marginalised of people\, which reflects us inwards. \nContent note: Description of mental health issues and transphobia. \nWhat Is Happiness? (6m)\nDir. Claire Clark\, Year: 2019\nWhat Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form. \nContent note: None. \nThe 16mb\, Future Sounds & A Mini City (15m)\nDir. Natasha Lall\, Year: 2018\nThe 16mb\, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi\, lo-fi films shot in Glasgow. \nContent note: None. \nCrypsis (9m)\nDir. Christopher McGill\, Year: 2019\nAfter fleeing for his life\, a gay refugee files for asylum in Scotland. Lacking evidence\, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process\, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them. \nContent note: Discussion of homophobic violence; depiction of trauma.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-3/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Speech to Text,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/queer_scotland-e1565724436473.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T190000
DTEND;TZID=UTC:20191005T203000
DTSTAMP:20190901T120205Z
CREATED:20190828T105537Z
LAST-MODIFIED:20190901T120205Z
UID:9311-1570302000-1570307400@www.sqiff.org
SUMMARY:Stonewall Scotland presents: Before Stonewall
DESCRIPTION:On June 27 1969\, police raided The Stonewall Inn\, a gay bar in New York. In a spontaneous show of support and frustration\, the city’s queer community rioted for three nights\, an event often considered the birth of the modern LGBT Rights Movement. Revealing and often humorous\, Before Stonewall exposes the fascinating decade-by-decade history of homosexuality in America\, from 1920s Harlem through to World War II and the witch hunt trials of the McCarthy era. Essential viewing for all those who have celebrated their sexuality\, or have been persecuted because of it. \nIn partnership with Stonewall Scotland\, working to ensure LGBT communities here and abroad are Accepted Without Exception. \n#ComeOutForLGBT \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/stonewall-scotland-presents-before-stonewall-tickets-70497539037′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis event has an age rating of 12. \nFilm has English audio with English language subtitles/captions. \nFilm is relatively accessible to English-speaking blind and partially sighted audiences – there is some visual storytelling but a reasonable amount of explanatory dialogue with moderately bright images. Large print versions of handouts available. \nThe Seamore Neighbourhood Cinema has reasonable access for wheelchair users and welcomes assistance animals. Please get in touch with access@sqiff.org for further venue access information. \nProgramme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nIf you would like to reserve seating at this event\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/stonewall-scotland-presents-before-stonewall/
LOCATION:The Seamore Neighbourhood Cinema\, 304 Maryhill Road\, Glasgow\, G20 7YE\, United Kingdom
CATEGORIES:Documentary,English language,Feature,Films,Gay men,Lesbian,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/BeforeStonewall_Image6-e1566827771400.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T211500
DTEND;TZID=UTC:20191005T224500
DTSTAMP:20190901T120114Z
CREATED:20190802T105416Z
LAST-MODIFIED:20190901T120114Z
UID:9086-1570310100-1570315500@www.sqiff.org
SUMMARY:Pity Party Film Club presents: Evil Come\, Evil Go
DESCRIPTION:Pity Party Film Club presents a rare screening of Walt Davis’ lesbian sexploitation opus Evil Come\, Evil Go. Sister Sarah Jane (Cleo O’Hara) is hellbent on ridding the world of evil\, sex-obsessed men. Taking to the streets of Los Angeles\, she quickly befriends a gullible young woman and the two embark on a mad\, sex-filled killing spree. \nPrior to the film\, two of Glasgow’s most outrageous drag artists\, SHREK 666 and Puke\, will be teaming up for a thrilling performance exploring religion in their own irreverent way. \nPart of our strand on queerness and religion\, You Gotta Have Faith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610485/events/129085539′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilm has English audio with English language subtitles/captions. The introduction and drag performance will be BSL interpreted. Hearing loop available. \nFilm is moderately accessible to blind and partially sighted audiences with some explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/pity-party-film-club-presents-evil-come-evil-go/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,English language,Feature,Films,Hearing loop,Lesbian,Performance,You Gotta Have Faith
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/07/evilcomeevilgo1-e1564010623896.jpg
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