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X-WR-CALDESC:Events for SQIFF
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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241012T113000
DTEND;TZID=UTC:20241012T133000
DTSTAMP:20241012T090554Z
CREATED:20240823T092145Z
LAST-MODIFIED:20241012T090554Z
UID:12229-1728732600-1728739800@www.sqiff.org
SUMMARY:Our World: Signs for the Future with Take One Action and Edinburgh Deaf Festival - SOLD OUT
DESCRIPTION:Listen to this Event Page\n**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly or go to their website to be added to this!** \nCurated by Charlie Little\, a queer\, deafblind film access consultant and curator\, ‘Signs for the Future’ is a collection of short films interwoven with intersections of identity\, our natural world and elements\, and climate justice issues. These films capture Deaf and disabled perspectives and intersectional identity\, seeking to spark conversations about collective\, intertwined struggles and how our climate plays a role in our unity.  \nThis special showcase will also feature the short film Bee’s Journey\, which was produced by emerging Deaf filmmakers and created in response to the Scottish Sensory Centre’s ‘Rewilding BSL’ project. This project led to the creation of over 400 British Sign Language signs for climate and environment-related terms\, making climate justice action and environmental discussions more accessible for BSL users.  \nBee’s Journey came to life during a filmmaking workshop\, ‘Filming Our World: Rewilding BSL & Queer Ecologies\,’ facilitated by Take One Action Film Festivals\, SQIFF\, and Edinburgh Deaf Festival this summer. The workshop presentations were led by Dr. Audrey Cameron\, Will Clark\, and Klarissa Webster. \nCurated by Charlie Little. \n  \nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, £8\, £10\, or £12. To book\, click here or call the CCA Box Office on 0141 352 4900. \n  \nAccessibility: \nThis programme has: \n\nAmerican Sign Language\, British Sign Language\, English audio English language descriptive subtitles\nEnglish-BSL interpretation for the introduction.\nLive Captioning for the introduction.\n\nThis screening is 60 minutes long and has an age recommendation of N/C 12+. \nYou can find out more information about accessibility at SQIFF 2024 here. If you have any questions about accessibility at SQIFF 2024\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \n  \nBee’s Journey\, Sandra Duguid\, Audrey Cameron\, Tanya\, 2024\, United Kingdom\, 3 min \nFilmed in the serene wildness of Salisbury Centre’s communal garden space\, Bee’s Journey follows the perspectives of three individuals and their connection to nature and their identity. This film was imagined and manifested during a Deaf and climate justice-focused filmmaking workshop in collaboration with Take One Action\, SQIFF\, and Edinburgh Deaf Festival. \nContent notes: Discussion of ADHD. \n  \nScotland\, Forgive Me\, Dir. Will Clark\, 2022\, United Kingdom\, 6 min \nSet against a picturesque Scottish beach\, a Deaf person writes a love letter to Scotland and to people looking for a place to belong\, using poetry to explore their struggles of identity and connection to the country they were born in.  \n  \nBattery\, Dir. Ewan Marshall\, 2023\, United Kingdom\, 14 min \nIn this apocalyptic love story\, Elliot uses his last remaining wheelchair battery to navigate a city devastated by climate disaster\, hoping to reunite with his deaf boyfriend.  \nContent notes: Physical violence. \n  \nOctopus\, Dir. Ella Glendining\, 2022\, United Kingdom\, 12 min \nUpon returning to her sleepy seaside home town for a funeral\, a young woman reconnects with the friends she left behind. \nContent notes: Discussion of grief\, death. \n  \nThe Beauty of Being Deaf\, Dir. Chella Man\, 2021\, United States\, 3 min \nSubmerged underwater\, three people explore and express their celebration of identity and hearing loss.  \n  \nHow to Carry Water\, Dir. Sasha Worztel\, 2024\, United States\, 15m \nThis punk rock fairytale doubles as a portrait of Shoog McDaniel – a fat\, queer\, and disabled photographer working in and around northern Florida’s vast network of freshwater springs\, the state’s source of precious drinking water.  \nContent notes: Depiction of nudity. Discussion of sexual references\, references to fatphobia.\n \nAccess notes: Strobe effects. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: The Beauty of Being Deaf\, Dir. Chella Man\, 2021
URL:https://www.sqiff.org/event/our-world-signs-for-the-future-with-take-one-action-and-edinburgh-deaf-festival/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Deaf,Disability,Live Captioning
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250221T150000
DTEND;TZID=UTC:20250221T170000
DTSTAMP:20250210T114009Z
CREATED:20250210T114009Z
LAST-MODIFIED:20250210T114009Z
UID:12586-1740150000-1740157200@www.sqiff.org
SUMMARY:Confessions of a Reformed Activist
DESCRIPTION:Listen to this Event Page\n  \nAn engaging\, participatory session led by filmmaker and artist Kiana Kalantar-Hormozi\, exploring the limits of activist filmmaking and how new narratives of unique individual truths can lead to greater societal understanding. \nOpen to all Scotland-based filmmakers\, moving image artists\, producers and cinematographers. \nThrough an open and reflective discussion\, we will critically examine the role of activism in the current climate\, explore new ways to use film as a tool for dialogue and social change\, and consider how empathetic storytelling and reimagined activism can help shape a more liberated future— where the personal and political intersect in our creative practice. \nPlease note: This session will involve discussions around activism\, identity\, and social change\, which may include topics that some participants find sensitive or triggering. We are committed to fostering a supportive environment\, and a quiet area will be available for anyone who may need a break at any point during the session. \n  \nHOW TO APPLY\nThis session is part of our Filmmakers Circle\, an intimate and collaborative space designed for industry professionals and peers to demystify documentary filmmaking by nurturing a holistic understanding of the craft and engaging in ongoing topical dialogues. \nIn order to join the Circle\, please fill out the application form by the end of Wednesday 12 February. \n  \nTICKET INFO\n\n\n\n\n\n\nSpace is limited\, we encourage you to submit your early to secure your spot. \nTickets are available at a flexible\, pay-what-you-can rate (£2/£4/£6). A link to make the payment will be sent to the selected applicants to confirm their place in the Circle. \nTo ensure accessibility for all\, travel and accessibility bursaries are available and will be considered on a case-by-case basis\, so financial constraints don’t prevent participation. \n  \n\n\n\n\n\n\nACCESS\nWe aim to create a comfortable environment for the session which will include breaks\, refreshments\, comfortable seating\, and access to a quiet area. To find out more about accessibility at Glasgow Women’s Library click here. \nIf you have any specific access needs or concerns\, please feel free to let us know in the application form. \nConfessions of a Reformed Activist is presented by SDI in collaboration with Take One Action and SQIFF. \n  \n\nKiana Kalantar-Hormozi is creative\, entrepreneur and Akashic reader. Based in Glasgow\, Kiana works with collaborators all over the world on creative\, ground-breaking\, and social justice projects. \nKiana studied BA (Hons) Film and Media/Psychology at the University of Stirling\, then went on to get an MA Film from Screen Academy Scotland in 2016\, before beginning my internship at media co-op to create her hip-hop protest film Tax on Me in 2017. She also holds an LLB Law Degree from the Open University. \nKiana’s work has challenged societal narratives and sparked important conversations about justice and inclusion. Her debut hip-hop protest short film Tax on Me in 2017\, making a media splash and bringing to attention the injustices of the care tax. Tax on Me received press attention and provoked a parliamentary motion which praised its impact on bringing to light human rights issues faced by thousands of disabled people across the UK\, as well being a catalyst for policy change. Kiana was named one of 30under30 most inspirational women in Scotland 2017 and MDUK Campaigner of the Year 2018. \nShe is currently developing her autobiographical documentary\, Kiana: Stargazing and Spinraza; and working on new music releases as a singer/songwriter. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nImage Credit: Kiana Kalantar-Hormozi
URL:https://www.sqiff.org/event/confessions-of-a-reformed-activist/
LOCATION:Glasgow Women’s Library\, 23 Landressy Street\, Glasgow\, G40 1BP\, United Kingdom
CATEGORIES:Disability,Discussion,People of colour,Workshops
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DTSTART;TZID=UTC:20251101T100000
DTEND;TZID=UTC:20251101T120000
DTSTAMP:20251028T132825Z
CREATED:20250910T110710Z
LAST-MODIFIED:20251028T132825Z
UID:13270-1761991200-1761998400@www.sqiff.org
SUMMARY:Queer Freedom
DESCRIPTION:Listen to this Event Page\n  \nOska Brights very own Head Programmer\, Matthew Hellett is back at SQIFF with a fearless\, unapologetic celebration of Learning Disabled and autistic filmmakers stories\, who are reshaping cinema with their unique voices\, powerful stories\, and visionary perspectives. He presents a specially curated programme of some of his highlights from over the years at Oska Bright Film Festival. After the screening\, stay tuned for a special conversation hosted by Stella Nicholson with Matthew Hellett. \nCurated by Matthew Hellett. \n  \nClick here to book your ticket for this event \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis programme has: \n\nEnglish audio with English language Descriptive Subtitles\nEnglish-BSL interpretation for introduction and panel discussion. The interpreter for this event is Lou Hanson.\nLive Captioning for introduction and panel discussion\n\nThis screening is 54 minutes long and has an age recommendation of N/C 15+. \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, bean bag seating\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. If you are attending with companions and they need seating with you please also let us know. We will provide one free PA ticket for people who require any type of assistance (all tickets are pay what you can). We will do our best to work with you whilst also managing the capacity of each venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2025 here. If you have any questions about accessibility at SQIFF 2025\, please get in touch with us at info@sqiff.org or by phone on 07873 331 036. \n  \nFilms in this programme include: \nJust Me\, Dir. Mattie Kennedy\, 2014\, United Kingdom\, 3 min \nA film about individual identities and family ties\, Versions is made through the technique of stop-motion and collage in which the filmmaker uses various silhouettes\, which could potentially represent rebirth. \nContent notes: Discussion of ableism. \n  \nIzzy Aman: The Joy of Drag\, Dir. Isabella Walton\, 2023\, United Kingdom\, 13 min \nThis film explores the rich expressive world of drag kinging through the experience of one individual: Isabel Adomakoh Young\, known as Izzy Aman in the drag world. \nContent notes: Discussion of patriarchy\, racism\, toxic masculinity. \n  \nComing out Autistic\, Dir. Steven Fraser\, 2023\, United Kingdom\, 4 min \nComing out Autistic is a short animated documentary that explores the experience of telling the world that you are autistic when you also identify as LGBTQ+.\n \n  \nS.A.M.\, Dirs. Neil Ely\, Lloyd Eyre-Morgan\, 2020\, United Kingdom\, 16 min \nS.A.M. is a short drama film in which two teenagers bond after meeting in a park after school. \nContent notes: Depiction of ableism. \n  \nSparkle\, Dir. Matthew Hellett\, 2008\, United Kingdom\, 3 min \nSparkle\, made by Matthew Hellett\, charts his transformation into a glamorous alternative persona\, the drag queen Mrs. Sparkle. \n  \n(Un)fit to Work\, Dir. Yasmin Godo\, 2023\, United Kingdom\, 5 min \nA disabled mechanic takes us on a musical journey of 80s disco & ballroom through his imagination after he’s denied access to apply for the job he’s best suited for at his local job center. \nContent notes: Depiction of ableism. \n  \nBorn to Dance with an Extra Chromosome: the Drag Queens (and Kings) with Down’s Syndrome\, Dir. Nikolay Nikolov\, 2020\, United Kingdom\, 10 min \nBorn to dance with an extra chromosome: the drag queens (and kings) with Down syndrome. This short film follows Drag Syndrome during a performance at the Ace Hotel in East London. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: Izzy Aman: The Joy of Drag\, Dir. Isabella Walton\, 2023
URL:https://www.sqiff.org/event/queer-freedom/
LOCATION:The Social Hub\, The Social Hub\, Candleriggs Square\, Glasgow\, G1 1TQ
CATEGORIES:BSL,Deaf,Descriptive Subtitles,Disability,Films,Hearing loop,Live Captioning,Shorts
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