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BEGIN:VEVENT
DTSTART;TZID=UTC:20211006T183000
DTEND;TZID=UTC:20211006T201500
DTSTAMP:20211006T084221Z
CREATED:20210916T093907Z
LAST-MODIFIED:20211006T084221Z
UID:10332-1633545000-1633551300@www.sqiff.org
SUMMARY:SQIFF 2021 Opening Night Shorts SOLD OUT
DESCRIPTION:**Please note this event is now sold out – we may be able to release more tickets nearer the screening** \nOur festival opens this year with the first of our 2021 Scottish Shorts programmes\, including multiple works giving a taster of the many themes to expect from the festival. \nFeaturing a poetic film in British Sign Language (Affirmation #6)\, selections from queer Black artists from Fringe of Colour (Ixwa Blue\, Space 2: We’ve Come A Long Way\, black queer nature poem for khadijah (and all of us))\, sweet musings on trans life in Glasgow (You can run)\, and lots more. We hope that there will be something for everyone in our multifaceted queer community on our opening night. \nCurated by Nat Lall. We hope to welcome several of the filmmakers for a Q&A. All ticket holders are invited to join us for a drink at CCA after the screening. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a pay what you can sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below or call the CCA Box Office on 0141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873627516′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nEnglish and Portuguese audio with English language captions. BSL-English interpretation by Lisa Li and live captioning by Louisa McDaid provided for the intro and Q&A. \nAudio description available. Headsets available at the cinema entrance. \n\n\nThe films are 60 minutes long with opening night speeches at the start and a Q&A afterwards. \nWe have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2021\, please contact info@sqiff.org. \nAudio Description Credits for short film ixwa blue:\nPerformed by Sri Gordon\, written by Elizabeth Capot\, QC by Stephen Christopher\, Production and Sound Engineering by Stephen Kellner \nAudio Description Credits for short film Space 2:\nPerformed by Sri Gordon\, written by Elizabeth Capot\, QC by Stephen Christopher\, Production and Sound Engineering by Stephen Kellner
URL:https://www.sqiff.org/event/sqiff-2021-opening-night-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,Films,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2021/09/EVERYMAN_DUALITY_OF_MAN-e1631414683205.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201018T170000
DTEND;TZID=UTC:20201018T190000
DTSTAMP:20201018T114536Z
CREATED:20200909T114554Z
LAST-MODIFIED:20201018T114536Z
UID:10029-1603040400-1603047600@www.sqiff.org
SUMMARY:Watch Party: Queer Scotland Shorts
DESCRIPTION:We are always proud to present some of the astonishing queer filmmaking made by local talent. This year features meditation on the queer body and its owner’s cultural history\, the potential for zine culture to assist in the recovery from mental health difficulties\, being censored when writing LGBTQ characters\, living as a gay man in the era of 1950s McCarthyism\, feminist sci-fi baby-making adventures\, love on the mind of an admirer\, and Deaf identities. \nThe screening will be followed by a filmmaker Q&A. There will be an award for Best Scottish Short voted for online by audiences. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-queer-scotland-shorts-tickets-120180504123′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nThe films have Arabic and English audio with English language captions. BSL interpretation\, live captioning\, and live audio description are provided for the event. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival. \nThe films will be around 1 hour long with a brief introduction at the start and a 30 minute Q&A. \nContent notes: discussion of homophobia\, misogyny\, ableism\, mental health issues\, and suicide; depiction of homophobia\, nudity\, grief\, and death. \n\n\n\n\nThe films in SQIFF Shorts: Queer Scotland include some abrasive sound effects. \n\n\n\n\nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org. \nTickets \nTickets for most live events are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more\, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going. \nPROGRAMME \nSaturnrania (5m)\nDir: Holly McLean\, Country: UK\, Year: 2019\, Language/s: English\nA feminist sci-fi adventure documentary following an experimental physicist on her quest to have a baby. \nThe Fabric of You (11m)\nDir: Josephine Lohoar Self\, Country: UK\, Year: 2019\, Language/s: English\nSet in the Bronx\, in the era of 1950s McCarthyism\, everybody wants to look the same. Michael a gay\, twenty-something-year old mouse\, hides his true identity while he works as a tailor. \nWhen Isaac enters the shop one day he offers the escapism and love Michael craves. In Michael’s confined apartment\, he becomes tormented by the memories of Isaac’s tragic death. Michael’s memories and flashbacks are triggered when he notices Isaac’s jacket draped on the back of a chair. Haunted by the solace Isaac once offered\, he struggles to come to terms with his loss. \nLet My Body Speak (10m)\nDir: Madonna Adib\, Country: UK\, Year: 2020\, Language/s: Arabic\nThis documentary is a personal and intimate journey exploring the repression experienced by the filmmaker during her childhood when she faced sexual control in a Damascus also experiencing a growing socio-political repression in the late 80s and early 90s. Through the creative use of family archive in Damascus mixed with current footage of her body she reconstructs the pain of the past absorbed by her body. \nWhat is Wrong with Her? (7m)\nDir: Leah Francisco\, Country: UK\, Year: 2020\, Language/s: BSL and English\nLeah finds life and identity by moving past other people’s labels in this British Sign Language poem travelling through time and space. Produced by Solar Bear Theatre company through their digital arts programme\, Solar Flares. \nZine There Done That (8m)\nDir: Fergus Cruickshank\, Ana Hine\, Country: UK\, Year: 2019\, Language/s: English\nAs Ana recovers from a serious mental health breakdown\, she discovers the potential for zines to rebuild her life and rediscover her voice. This intimate documentary is captured on an eclectic mix of formats to mirror the delicate piecing together of Ana and her connection to the underground mental health zine community in the UK. A tender\, creative\, and ultimately empowering look at how art can bring people together to take ownership of their lives. \nBe Seen (2m)\nDir: Sophie Stone\, Country: UK\, Year: 2020\, Language/s: BSL\nLove fully explored in the mind of the admirer. Produced by Solar Bear Theatre company through their digital short programme\, Solar Snaps. \nAll the reasons behind a kiss (3m)\nDir: Aimie Willemse\, Country: UK\, Year: 2020\, Language/s: English\nA theatre student gets rebuked for writing LGBTQ+ characters in her zombie apocalypse play as “following the latest trend”\, however it turns out\, she has a personal reason to do so. \nReal Boy (11m)\nDir: Jamie Rea\, Country: UK\, Year: 2020\, Language/s: BSL\nAll the parts of life from the smallest atom to the meaning of life converge and form into a feeling of completeness within Joe. We share in this journey. Produced by Solar Bear Theatre company through their digital arts programme\, Solar Flares.
URL:https://www.sqiff.org/event/watch-party-queer-scotland-shorts/
CATEGORIES:Audio description,BSL,Deaf,Disability,Films,Shorts,Speech to Text,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/09/02_Open-eye-e1599651604488.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201011T190000
DTEND;TZID=UTC:20201011T210000
DTSTAMP:20201003T183545Z
CREATED:20200908T231612Z
LAST-MODIFIED:20201003T183545Z
UID:9976-1602442800-1602450000@www.sqiff.org
SUMMARY:Watch Party: Blindsided
DESCRIPTION:A documentary narrative about Patricia Livingstone\, a deafblind\, lesbian artist facing a series of losses and gains. The film weaves intimate\, real time scenes shot over the course of eight years with home videos and photographs\, relaying the story of a woman whose spark did not fade even in the face of hardship and loss. Screening with local short film\, Blind Spot\, exploring and attempting to simulate the experience of visual impairment. \nAfter the screening\, filmmaker and poet\, Ross Wilcock\, and film journalist and accessibility consultant\, Charlotte Little\, will respond to the films and discuss the experiences of Deaf and Disabled LGBTQIA+ people. Blindsided and Blind Spot will also be available on SQIFF’s Vimeo on Demand channel between 5 and 18 October. \n\n\n\n\n\n\n\n\n\n\n\n\nTickets are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/watch-party-blindsided-tickets-120124713251′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nThe films have English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A. \nThe event has live audio description. The films have lots of dialogue and voiceover\, all English language. \nThe films are 80 minutes long with a brief introduction at the start\, a 5 minute comfort break after the film\, and a discussion lasting approximately 45 minutes. \nContent notes: discussion of homophobia\, ableism\, domestic abuse\, and brief mention of suicide; depiction of ableism\, domestic abuse\, and surgery. \nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org. \nTickets \nTickets for most live events are on a sliding scale of FREE\, £2\, £4\, £6\, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more\, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.
URL:https://www.sqiff.org/event/watch-party-blindsided/
CATEGORIES:Audio description,BSL,Deaf,Disability,Documentary,English language,Feature,Films,Lesbian
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/09/VisuallyImpaired-e1599606581107.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201010T140000
DTEND;TZID=UTC:20201010T160000
DTSTAMP:20201004T131845Z
CREATED:20200908T222504Z
LAST-MODIFIED:20201004T131845Z
UID:9960-1602338400-1602345600@www.sqiff.org
SUMMARY:Dream Access Focus Group SOLD OUT
DESCRIPTION:**Please note this event is now sold out. You can join a waiting list by clicking Buy Tickets below and we will contact you if a space becomes available** \nDisability provision is almost always a second thought even in places that are all about radical inclusivity – this is the case with queer spaces as well. This workshop is an opportunity to listen to advocates experiencing diverse disabilities\, and to find solutions for radical access provisions in a collaborative way. Documentation of the event\, in the form of a zine to share with SQIFF and other festivals\, will provide a community-based\, co created list of problems and suggested solutions\, prioritising input from excluded communities rather than theoretical ‘best practices.’ \nEvent led by Disabled activist Luke Murphy. Zine created by Dr of medieval queer+trans theology\, storyteller\, and zine-maker\, Jonah Coman. \nPlease note this workshop is intended for Deaf and Disabled participants. \n\n\n\n\n\n\n\n\n\n\n\n\nTickets are free. To book\, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand. \n[bra_button text=’Buy Tickets’ url=’https://www.eventbrite.co.uk/e/dream-access-focus-group-tickets-120119848701′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nBSL interpretation\, live captioning\, and live audio description are provided for the workshop. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival. \nThe workshop is 2 hours long with a comfort break in the middle. \nWe have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up\, please contact info@sqiff.org. \nIf you have any questions about accessibility at SQIFF 2020\, please contact info@sqiff.org.
URL:https://www.sqiff.org/event/dream-access-focus-group/
CATEGORIES:Audio description,BSL,Deaf,Disability,Discussion,Free event,Speech to Text,Workshops
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/09/SQIFF2019_Day3_highres-103-e1599603645906.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200612T170000
DTEND;TZID=UTC:20200712T170000
DTSTAMP:20200613T091255Z
CREATED:20200613T091255Z
LAST-MODIFIED:20200613T091255Z
UID:9771-1591981200-1594573200@www.sqiff.org
SUMMARY:Sqifflix & Chill
DESCRIPTION:Click here to access the full programme. \nOur shorts programme Sqifflix & Chill\, as the title suggests\, includes a varied bunch of films about romantic love\, its joys\, pain\, and complexities. Sweet stories of intense connection are found in Selina Robertson’s Couple Time and Dickie Heart’s Passengers. Some of the painful and problematic aspects of love and dating are considered in Sam Berliner’s Dating Sucks about seeking love whilst trans\, and Rob Eagle’s Harding & his camera\, which investigates traces of illicit love in archives and the white gaze. Violent and oppressive structures that try to curtail who gets to be with who are the core of Adrian Garcia Gomez’s Mikveh about governments refusing to recognise certain relationships\, and Kiana Kalantar-Hormozi’s Poly Amour\, which decontructs conventional romantic structures. For a dark comedy approach to the madness that sometimes interferes with people’s love life\, Netflix & Chips is about a woman with a hot date who can’t get her chip shop job off her mind. \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nCouple Time (6m) [click here to watch]\nDir: Selina Robertson\, Country: UK\, Year: 2015\nA suitcase full of Super 8 memories from Berlin. \nLanguage/s: English (not spoken) and German\n \nAccessibility for blind and partially sighted people: No spoken English; mostly visual ideas and onscreen text; mix of bright and dark images.\n \nSound design access notes: None\n \nAge recommendation: 12+ \nContent note: None\n \nDating Sucks: A Genderqueer Misadventure (13m) [click here to watch]\nDir: Sam Berliner\, Country: USA\, Year: 2013\nDating Sucks: A Genderqueer Misadventure is Episode 1 of an animated documentary webseries about the successes\, failures\, and incredible confusion of trying to date as a genderqueer/trans person. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover; bright images. \nSound design access notes: None \nAge recommendation: 12+ \nContent note: Discussion of sex and queerphobia.\n \nMikveh (6m) [click here to watch]\nDir: Adrian Garcia Gomez\, Country: USA\, Year: 2016\nIn this reinterpretation of the mikveh – a purifying ritual bath performed by Jewish brides about to marry – the filmmaker and his husband’s immersions are disrupted by a government which refuses to recognise their marriage. \nLanguage/s: No spoken language\n \nAccessibility for blind and partially sighted people: No dialogue – just sound effects; quite bright images. \nSound design access notes: Some abrasive and repetitive sound effects.\n \nAge recommendation: 12+ \nContent note: None\n \nHarding & his camera (12m) [click here to watch]\nDir: Rob Eagle\, Country: Palestine\, Israel\, Year: 2017\nAn ambiguous ‘love story’ documentary told through the 1930s archive of a British archaeologist who took a camera on his digs in the British Mandate for Palestine and fell in love with his Bedouin assistant. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images.\n \nSound design access notes: None \nAge recommendation: 18+ \nContent note: Discussion of racism.\n \nPoly Amour (7m) (version with audio description integrated) [click here to watch]\nDir: Kiana Kalantar-Hormozi\, Country: UK\, Year: 2016\nHow capable are we to love boundlessly? This film explores polyamory\, deconstructing conventional stereotypes of the romantic relationship structure. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and quite bright images. Version with integrated audio description.\n \nSound design access notes: Loud\, abrasive sound effects at start of film. \nAge recommendation: 12+ \nContent note: Depiction of anti-polyamory sentiments. \nPassengers (5m) [click here to watch]\nDir: Dickie Hearts\, Country: UK\, Year: 2015\nA cab driver puts up with a series of irksome hearing passengers before picking up a cute guy more on his wavelength. \nLanguage/s: American Sign Language and English\n \nAccessibility for blind and partially sighted people: Limited dialogue\, mostly in ASL with subtitles; mostly bright images.\n \nSound design access notes: None \nAge recommendation: 12+ \nContent note: Depiction of ableism. \nNetflix & Chips (6m) [click here to watch]\nDir: Lock Up Your Daughters\, Country: UK\, Year: 2015\nA woman who works in a chip shop has a hot date but can’t get her job off her mind. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images.\n \nSound design access notes: None \nAge recommendation: 12+ \nContent note: Depiction of mental health issues.
URL:https://www.sqiff.org/event/sqifflix-chill/
CATEGORIES:Around one hour or less,Deaf,Films,Free event,Gay men,Lesbian,Polyamory,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/06/Mikveh-e1592039560949.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200428T173000
DTEND;TZID=UTC:20200527T173000
DTSTAMP:20200428T171448Z
CREATED:20200428T170145Z
LAST-MODIFIED:20200428T171448Z
UID:9725-1588095000-1590600600@www.sqiff.org
SUMMARY:Sqifflix: Funny Stuff
DESCRIPTION:Click here to access the full programme. \nFunny Stuff features comedy shorts with queer narratives and musings involving love potions\, a mystery trail of takeaway food\, Fisher Price characters brought to life\, cyborgs\, and zombies! \nAll films have English language subtitles or captions. See notes for below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nFloozy Suzy (25m) [click here to watch]\nDir: Otavio Chamorro\, Country: Brazil\, Year: 2015\nA hilarious-love-potion-gone-wrong tale where the aim is to win the love of the hottest guy at school. \nLanguage/s: Portuguese \nAccessibility for blind and partially sighted people: All in Portuguese; bright images. \nSound design access notes: Loud music and sound effects. \nAge recommendation: 18+ \nContent note: Depiction of misogyny\, homophobia\, ableism\, and mild violence.\n \nThe Usual (5m) [click here to watch]\nDir: Ruth McNally\, Country: Ireland\, Year: 2014\nIn a small country pub\, three Irish farmers are enjoying an afternoon’s drink when an unusual stranger walks in. His curious behaviour entertains them for a while but they won’t want someone like him hanging around their local for too long. \nLanguage/s: English (Irish dialect)\n \nAccessibility for blind and partially sighted people: Limited dialogue with lots of visual storytelling; mostly bright images. \nAge recommendation: 12+ \nContent note: Reference to homophobia.\n \nBig Queer Failure (7m) [click here to watch]\nDir: Rebecca Tritschler and Ellie Fawcett\, Country: UK\, Year: 2017\nA DIY film celebrating and asserting our right to fail at life as individuals and communities. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover and bright images. \nAge recommendation: 12+ \nContent note: None \nMy Aunt Mame (9m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2015\nA funny/sad dramatization of a woman’s childhood visits to her working-class butch great aunt\, and what happened when she came out to her mom\, told through Fisher-Price people in homemade sets. \nLanguage/s: English with one line in Irish Gaelic \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue and bright images. \nSound design access notes: Some loud music \nAge recommendation: 12+ \nContent note: Discussion of sex\, the AIDS crisis\, and hospitalisation; depiction of hospitalisation.\n \nMymy (14m) [click here to watch]\nDir: Anna Helme\, Country: Australia\, Year: 2014\nIn a mythic cyberfeminist universe\, a frustrated young man yearns for affinity and connection. In an age of digital avatars\, he crafts a version of himself that is far more corporeal – by stitching together parts of himself to become his own cyborg twin. However\, his new clone has been corrupted by a techno-magick virus… \nLanguage/s: English \nAccessibility for blind and partially sighted people: Little spoken dialogue\, mostly image-based storytelling; mix of light and dark images. \nSound design access notes: Some loud and abrasive sound effects \nAge recommendation: 12+ \nContent note: Depiction of sex and nudity.\n \nThe Deaf vs The Dead – Episode 1: “Outbreak” (7m) [click here to watch]\nDir: Dickie Hearts\, Country: USA\, Year: 2017\nWhen the undead apocalypse breaks out in Los Angeles\, an out Deaf man must find a way to survive and protect his loved ones\, even if it means teaming up with some unlikely people. \nLanguage/s: ASL and English \nAccessibility for blind and partially sighted people: Limited spoken dialogue\, lots of visual storytelling; quite bright images. \nAge recommendation: 12+ \nContent note: Depiction of ableism and comedy violence.
URL:https://www.sqiff.org/event/sqifflix-funny-stuff/
CATEGORIES:Deaf,Free event,Gay men,Lesbian,People of colour,Shorts,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2020/04/Floozy-Suzy-image-1-e1587937734702.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200427T173000
DTEND;TZID=UTC:20200527T173000
DTSTAMP:20200427T163702Z
CREATED:20200427T163702Z
LAST-MODIFIED:20200427T163702Z
UID:9729-1588008600-1590600600@www.sqiff.org
SUMMARY:Sqifflix: Fighting for Justice
DESCRIPTION:Click here to access the full programme. \nIn our very first Sqifflix outing we showcase activist short films in which people fight for their right to exist and against oppressive forces. The movies cover identities including Deaf\, Disabled\, and Two Spirit\, battle against patriarchy\, white supremacy\, and ableism\, and feature hip-hop\, a robot\, and superhero finger puppets. \nAll films have English language subtitles or captions. See notes below for each film’s language/s\, level of accessibility for blind and partially sighted people\, age recommendation\, content notes\, and if the film contains flashing lights or sound levels that might be disturbing for some. These notes are also found on each film’s page on vimeo. \nThe films are all free to watch with thanks to the filmmakers. Click here to donate to LGBT Unity Scotland to support LGBTQIA+ refugees\, asylum seekers\, and other migrants.\n \nRegalia: Pride in Two Spirits (5m) [click here to watch]\nDir: David Ng\, Jen Sungshine\, Country: Canada\, Year: 2016\nThe story of Duane and his journey as someone who identifies as Two Spirit – a queer Aboriginal person. \nLanguage/s: English\n \nAccessibility for blind and partially sighted people: Lots of voiceover; mostly bright images. \nAge recommendation: 12+ \nContent note: Discussion of homophobia.\n \nLike a Riot (2m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2016\n“Like anyone who grew up with the Muppets and Fraggle Rock\, I have always wanted to have a puppet self. And of course I want my puppet self to hang out with Campbell X’s puppet self. Krissy Mahan has made it happen!” So Mayer \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mostly bright images \nAge recommendation: 12+ \nContent note: None\n \nTrans*march (2m) [click here to watch]\nDir: Simon Schultz von Dratzig\, Country: Germany/Canada\, Year: 2013\, Language/s: English\nAs the most politicized of the three marches during Pride week in San Francisco\, trans*march\, which had been running for ten years at the time this film was made\, has a tradition of raising visibility of a marginalised group within queer culture. This documentary records queer voices during the 2013 march and reflects political discussions concerning trans* and LGBT movements. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue; bright images. \nAge recommendation: 12+ \nContent note: Discussion of transphobia and racism.\n \nAmar: Deaf is an Identity (4m) [click here to watch]\nDir: David Ng\, Jen Sungshine\, Country: Canada\, Year: 2016\nAmar shares his journey as a queer South Asian activist\, and explains how it intersects with his identity and culture as a Deaf person. \nLanguage/s: ASL \nAccessibility for blind and partially sighted people: No spoken sound\, all in ASL with subtitles; mostly bright images. \nAge recommendation: 12+ \nContent note: None\n \nTax on Me (4m) [click here to watch]\nDir: Kiana Kalantar-Hormozi\, Country: UK\, Year: 2017\nLocal authorities in Scotland charge people for their care costs\, obliging people with disabilities to pay more than others to achieve the same basic human rights. Tax on Me is a hip-hop music video by filmmaker Kiana Kalantar-Hormozi and media coop responding to the Care Tax and the effect it has on people who need support. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Quite a lot of voiceover and dialogue; mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of ableism.\n \nUntil Justice Rolls (4m) [click here to watch]\nDir: Krissy Mahan\, Country: USA\, Year: 2013\nFaggotgirl\, a butch dyke superhero action figure\, and her friend Robot want to meet for a drink. But the New York City public transportation system is barely accessible for people with different kinds of bodies and their journey is thwarted by stairs\, gaps\, and poorly maintained curbs. \nLanguage/s: English \nAccessibility for blind and partially sighted people: Only song lyrics with lots of onscreen text and visual storytelling; mix of bright and dark images \nAge recommendation: 12+ \nContent note: Discussion of ableism. \nDisability Justice for Palestine (1m) [click here to watch]\nDir: Sins Invalid and Micah Bazant\, Country: USA\, Year: 2014\nDisability Justice for Palestine is a Public Service Announcement created by Sins Invalid during the extended attacks on Gaza in the Summer of 2014. “We add our words and faces to a movement for global solidarity with the people of Palestine\, articulating the struggle for Palestinian liberation as a disability justice issue.” \nLanguage/s: English \nAccessibility for blind and partially sighted people: Lots of voiceover/dialogue; mix of bright and dark images. \nAge recommendation: 12+ \nContent note: Discussion of violence.
URL:https://www.sqiff.org/event/sqifflix-fighting-for-justice/
CATEGORIES:Around one hour or less,Deaf,Disability,Films,Free event,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2020/04/Disability-Justice-For-Palestine-e1588003723981.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T151500
DTEND;TZID=UTC:20191005T170000
DTSTAMP:20190910T144322Z
CREATED:20190828T105841Z
LAST-MODIFIED:20190910T144322Z
UID:9202-1570288500-1570294800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:We present a round-up of the excellent\, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson\, Wei Zhang\, Siri Rødnes\, Eleanor Capaldi\, and Natasha Lall\, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet\, a queer reimagining of a working men’s club\, sending naked pics via dating apps\, Chinese mythology and human binaries\, trans masculine culture\, BSL poetry\, LGBT people in the asylum system\, and loads more are explored in our 2019 Queer Scotland programme. \nWe hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611621/events/129089654′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available. \nAudio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nFrontiers (4m)\nDir. Eve McConnachie\, Year: 2019\nFrontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space\, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow. \nContent note: None. \nwe were always here (4m)\nDir. Michael Lee Richardson\, Garry Mac\, Year: 2019\nA queer reimagining of the working men’s club. A dance-powered journey through space and time. \nContent note: None. \nAcceptable Face (6m)\nDir: Holly Summerson\, Year: 2019\n“The sort of person who someone might say: ‘oh he’s gay\, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look\, act\, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people\, this experimental charcoal animation explores the pressure to be a ‘good example’\, and the joy of refusing to conform. \nContent note: Discussion of homophobia and transphobia. \nDix Pix (4m)\nDir. Steven Fraser\, Year: 2019\nDix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity\, queerness\, solitude\, and the body. \nContent note: Depiction of animated nudity and sex. \n2x+xy=1 (12m)\nDir. Wei Zhang\, Year: 2019\nWei Zhang’s practice is an experimental film created by multi post-production technologies\, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary\, the expression of emotion and the symbol of predicament. \nContent note: Depiction of nudity. \nNone of the Above (16m)\nDir. Siri Rødnes\, Year: 2018\nEmbarking upon a distinctly postmodern cyber experiment\, Cassie charts her dating odyssey on her personal vlog\, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral\, she becomes a media pariah. \nContent note: Depiction of homophobia\, mental health issues\, and suicide (graphic). \nRoberta Cowell’s Story (1m)\nDir. Melissa J Clifford\, Year: 2019\nRoberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge  #39 AMBITION. The short was created by Melissa Joan Clifford\, a trans woman\, and was made in the style of an archival film. \nContent note: Reference to transphobia. \nA Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)\nDir. Nastia Nikolskaya\, Year: 2019\nTitled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate\, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes\, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives\, driving our short-term and long-term decisions. \nContent note: None. \nGlue (4m)\nDir. Eleanor Capaldi\, Year: 2019\nWhen you’ve been dreaming of the past for so long\, what do you do when she’s finally there? Agnes meets her ex\, Anna\, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new. \nContent note: None. \nPossessive Skin (2m)\nDir. Myles McEachan\, Year: 2019\n“To accept yourself against the face of adversity\, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community\, and how in an age that prides itself on inclusion\, we still find segregation and discrimination within even the most marginalised of people\, which reflects us inwards. \nContent note: Description of mental health issues and transphobia. \nWhat Is Happiness? (6m)\nDir. Claire Clark\, Year: 2019\nWhat Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form. \nContent note: None. \nThe 16mb\, Future Sounds & A Mini City (15m)\nDir. Natasha Lall\, Year: 2018\nThe 16mb\, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi\, lo-fi films shot in Glasgow. \nContent note: None. \nCrypsis (9m)\nDir. Christopher McGill\, Year: 2019\nAfter fleeing for his life\, a gay refugee files for asylum in Scotland. Lacking evidence\, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process\, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them. \nContent note: Discussion of homophobic violence; depiction of trauma.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-3/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Speech to Text,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/queer_scotland-e1565724436473.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T211500
DTEND;TZID=UTC:20191004T224500
DTSTAMP:20190901T120530Z
CREATED:20190828T110020Z
LAST-MODIFIED:20190901T120530Z
UID:9280-1570223700-1570229100@www.sqiff.org
SUMMARY:Luke+Jack present: Sexxxy Beasts and Wheelchairs
DESCRIPTION:How we are (un)represented as Deaf and Disabled people has a huge impact on our lives. Exploring such representation\, we take a look at queer porn made by and about Deaf and Disabled queer people. With work by DIY queer filmmaker and activist\, Loree Erickson\, and self-described “bad ass\, fat ass\, Jew\, dyke amputee\,” Nomy Lamm. Also featuring films by Morty Diamond\, Nikki Silver\, and Pandora Blake with Deaf and Disabled performers taking control of their own narratives. Join us for everyday ableism crossed with seductive images of disability; pervy\, polyamorous BDSM; sexy nurse roleplay; even sexxxier wheelchairs; and fat-bodied\, amputee eroticism. \nFilmmaker Loree Erickson will join us after the screening for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612022/events/129093023′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n\n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English audio with English language subtitles/captions. BSL interpretation for Q&A. Hearing loop available. \nFilms are moderatly accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and limited dialogue but all English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nTrans Entities: The Nasty Love of Papí and Wil (20m)\nDir: Morty Diamond\, Country: USA\, Year: 2007\, Language/s: English\nPapi and Will is a film about a hot\, pervy\, loving\, polyamorous transgender couple. On screen Papi and Will share with the viewer everything from their unique perspective on gender identity to how they negotiate multiple partners in their life. The sex scenes are filled with raw\, uninhibited exploration and incorporate BDSM\, roleplay\, and a lot of hot sex! This scene shows Papi and Will playing with a partner who is Deaf. \nContent note: Depiction of graphic sex and consensual non-consent; discussion of racism. \nWant (9m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nWant weaves together sexually explicit images with everyday moments and scenes of the ableist world. It works to get people hot and poses an insightful\, complex\, honest\, and sexy image of disability. \nContent note: Depiction of sex and ableism. \nSexxxy (3m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nSexxxy compels the viewer to take a closer look at wheelchairs and the people who use them. \nContent note: None. \nWaiting for Beast (10m)\nDir: Nikki Silver\, Country: USA\, Year: 2014\, Language/s: English\n“Waiting for Beast is at once a whimsical nod at the camp of queer porn and a political\, intimate commentary on life. As a wheelchair punk my DIY\, my freedom\, is mutual aid. We work with what we got! During the making of this film\, I was waiting for a new power chair\, waiting for folks to meet me as they can\, and in turn\, people wait for me as I romp around and am pushed in my manual chair. This is wheelchair smut\, and we have various ways of getting our chairs and our sexy selves where we need to go.” Lyric Seal \nContent note: Depiction of sex including light BDSM. \nSadistic Nurse (11m)\nDir: Pandora Blake\, Country: UK\, Year: 2015\, Language/s: English\nThis hot and very edgy spanking scenario was written by the performers\, real-life couple David Weston and Talia Lane. They wanted to explore a humiliating punishment that incorporates David’s wheelchair\, creating a scene in which his character is completely helpless. \nContent note: Depiction of sex including BDSM and consensual non-consent. \nWall of Fire (6m)\nDir: Lisa Ganser\, Nomy Lamm\, Country: USA\, Year: unknown\, Language/s: English\nRoles switch\, paddles hit & control shifts when two fat bodied gender queer women\, lovers off camera\, push limits of pleasure\, penetration & trust\, engaged in an afternoon of tender making out and consensual amputee sex. \nContent note: Depiction of sex including BDSM.
URL:https://www.sqiff.org/event/lukejack-present-sexxxy-beasts-and-wheelchairs/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,BSL,Deaf,Disability,English language,Films,Hearing loop,Lesbian,Shorts,Speech to Text,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sexxxy_beasts_and_wheelchairs-e1566388218751.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T120000
DTEND;TZID=UTC:20191003T131500
DTSTAMP:20190906T204522Z
CREATED:20190828T110654Z
LAST-MODIFIED:20190906T204522Z
UID:9151-1570104000-1570108500@www.sqiff.org
SUMMARY:SQIFF Shorts: Luv Sucks
DESCRIPTION:Romantic relationships can be tough. SQIFF offers up an alternative to punching walls and texting your ex when pished with these shorts from the heart – as in stomping all over it and dumping it in the trash. A bisexual trio have a bust up in a toilet. A boy in a bath pines over his unavailable roommate. A woman has a near-but-not-quite romantic encounter with a fellow deafie. The vast power of the cosmos can’t prevent a bickering lesbian couple from breaking up. A sex worker has his hopes dashed by the man he loves. And in 2033 Botswana\, a man loses his lover to dystopian despair. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611637/events/129089814′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have a mixture of Arabic\, English\, Spanish\, Portuguese\, and Tswana audio and BSL with English subtitles/captions. Hearing loop available. \nMost of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling\, minimal dialogue\, and majority non-English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nTo Starboard\, I Vomit (6m)\nDir: Tarek Sardi\, Country: Tunisia\, Year: 2019\, Language/s: Arabic\nZarga\, Dorra\, and Mohammed find themselves after years of separation together\, reunited in a club’s toilet. Between betrayal and unspoken truths\, the old classmates reveal their deepest secrets and taboos. \nContent note: Depiction of homophobia\, misogyny\, and violence; discussion of sex. \nYour Towel (3m)\nDir: Zhizi Hao\, Country: UK\, Year: 2017\, Language/s: English\nA young gay man and his roommate’s intimate moment in the bathtub. \nContent note: Discussion of sex. \nAlmost… (5m)\nDir: Teresa Garratty\, Country: UK\, Year: 2019\, Language/s: BSL\, English\nA chance encounter between two girls sparks an unspoken connection. Everything seems so effortless\, so perfect… Almost. Written and directed by award winning filmmaker\, Teresa Garratty\, produced by Flashing Lights Media\, and funded by BSLBT. \nContent note: None. \nSolarity (8m)\nDir: Marianne Verrone\, Country: USA\, Year: 2019\, Language/s: English\nAn exploration of perception\, proximity\, and intimacy within a queer cosmos. \nContent note: None. \nLast Words [sic] (6m)\nDir: Hugo Ljungbäck\, Country: USA\, Sweden\, Year: 2017\, Language/s: No spoken language\nLast Words [sic] revisits an angry email the artist received from an ex-boyfriend. The text is taken verbatim from his goodbye-letter\, and tells a humorously painful story of lost love\, betrayal\, and desire\, as the writer grows increasingly delusional\, defensive\, and passive-aggressive with each paragraph. \nContent note: Discussion of sex. \nFree Fall (14m)\nDir: Santiago Henao Vélez\, Country: Colombia\, Year: 2018\, Language/s: Spanish\nOut of the hunting shadows of sexual underground Medellin\, sixteen-year-old Jhony is excitedly hopeful about a date with the boy he loves. \nContent note: Depiction of sex and drug-taking. \nTea for Two (20m)\nDir: Julia Katharine\, Country: Brazil\, Year: 2018\, Language/s: Portuguese\nSilvia is a middle-aged filmmaker having a life crisis. The same night that she is surprised by the visit of her ex-wife\, who left her a few years ago\, she meets another woman who fascinates her. Tea For Two is thought to be the first film directed by a trans person to ever be commercially released in Brazilian cinemas. \nContent note: Depiction of transphobia. \n2064 (12m)\nDir: Joseph Adesunloye\, Country: Botswana\, Year: 2019\, Language/s: Tswana\nDevastating population growth\, famine\, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting\, ever-warming climate\, and a ballooning population.  A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful\, and the continent’s wildlife begins to flourish again. In 2064\, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull. \nContent note: Discussion and depiction of death and suicide.
URL:https://www.sqiff.org/event/sqiff-shorts-luv-sucks/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Deaf,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_luv_sucks-e1565716193434.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T123000
DTEND;TZID=UTC:20191002T135000
DTSTAMP:20190909T123927Z
CREATED:20190828T110818Z
LAST-MODIFIED:20190909T123927Z
UID:9129-1570019400-1570024200@www.sqiff.org
SUMMARY:SQIFF Shorts: Intimacies
DESCRIPTION:Touch\, connection\, sensuality\, bonding. Sharing of solidarity\, friendship\, grief\, and (com)passion. This selection of short films from the UK\, US\, Brazil\, and the Amazon trace intimacies between friends\, family\, communities\, and lovers. The revolutionary potential of femme for femme relationships. Upholding trans and immigrant identities and memory across generations. Busting childhood isolation and fear of being queer. Leaving your life behind due to youthful yearning. A slow-paced and tactile assortment of stories embracing many different faces and places. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611641/events/129089955′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have a mixture of English\, Persian\, French\, Spanish\, and Portuguese audio and ASL with English captions/subtitles. Hearing loop available. \nMost of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling\, minimal dialogue\, and majority non-English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \n#Familiar #Touch #Lost #Figures (13m)\nDir: Katy Jalili\, Country: UK\, Year: 2017\, Language/s: English\, Persian\n#Familiar #Touch #Lost #Figures is an exploration of queer ancestry and diaspora\, the hybrids between cultural traditions and contemporary queer identity. It explores brown bodies and femme for femme intimacies\, and the feeling of being between a search for home and finding home in a familiar stranger. \nContent note: Depiction of nudity. \nSilvia in the waves (13m)\nDir: Gio Olmos\, Country: Canada\, Year: 2018\, Language/s: French\nNoa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure\, identity and memory. \nContent note: Depiction of queerphobia. \nWelcome to the Ball (5m)\nDir: Adam Vincent Wright\, Country: USA\, Year: 2019\, Language/s: English\, ASL\nA child learns sign language in hopes of making a new friend. \nContent note: None. \nMy Grandson\, Charlotte (13m)\nDir: Tyler Pierreson\, Country: UK\, Year: 2019\, Language/s: English\nA transgender teen and his immigrant granddad\, a Sapeur from the Congo\, bond over their shared understanding of the importance of identity and of always being true to one’s self. \nContent note: Depiction of death. \nCarlito se va Para Siempre (13m)\nDir: Quentin Lazzarotto\, Country: UK\, Year: 2018\, Language/s: Spanish\nIn the Amazonian jungle\, the village of Palma Real resists the modern world. Carlito\, a silent young man\, decides to leave. On the muddy bed of the immense river\, an encounter reveals the secret that Carlito has hidden from his community. \nContent note: None. \nInfinite While It Lasts (19m)\nDir: Akira Kamiki\, Country: Brazil\, Year: 2019\, Language/s: Portuguese\nAfter falling in love at a party\, Danny and Seiji just want to be together. However\, their differences might prove stronger than their feelings. A fiction film about asexuality. \nContent note: Reference to sex.
URL:https://www.sqiff.org/event/sqiff-shorts-intimacies/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Asexual,Deaf,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_intimacies-e1565713848146.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190823
DTEND;VALUE=DATE:20190827
DTSTAMP:20190710T135856Z
CREATED:20190710T135110Z
LAST-MODIFIED:20190710T135856Z
UID:9054-1566532800-1566791999@www.sqiff.org
SUMMARY:SQIFF at Jupiter Rising
DESCRIPTION:We are really pleased to be taking part in Jupiter Rising music festival with 2 programmes of short films during the 3-day festival. Jupiter Rising takes place at Jupiter Artland near Edinburgh 23 to 25 August with a line-up including music\, performance\, film and moving image\, artist-led workshops\, wild swimming\, and more! \nTo find out more about Jupiter Rising and how to book tickets\, click here. \nFor information about Jupiter Artland\, how to get there\, and access information\, click here. \n  \nACCESS \nJupiter Rising is an outdoor festival\, two stages are undercover in large marquees\, one stage is located in the woods. \nEach stage will include a reserved viewing area for wheelchair users and their carers. Other areas include a bar\, cinema\, workshops and activities tent\, all of which are wheelchair accessible and undercover. \nThe ground at Jupiter Artland is grass\, paths\, natural woodland and meadow\, which can sometimes be uneven underfoot or for wheelchair users. \nAccessible camping is located in a meadow\, a short distance away from the main stages. An accessible toilet is provided. \nA quiet space will be provided throughout the event and will be highlighted on the site map. \nThere will be gender-neutral toilets and two accessible toilets located in various locations\, highlighted on the site map. \nAssistance dogs are welcome provided they are on a lead (Jupiter Artland has livestock on site). \nPlease get in touch to let us know if you require a large print version of the printed programme\, which will be available to pick up from the Box Office. \nEar plugs will be available from the Box Office. \nStrobe lighting may feature in some performances and film screenings. \nSQIFF film screenings are in a variety of languages with English language captions for D/deaf and Hard of Hearing audiences. Many of the films are based largely on visual ideas with little spoken language. \nJupiter Rising is committed to improving accessibility. If there is anything we can do to make it easier for you to attend\, or if you have any questions\, thoughts or feedback about access for this event\, please email enquiries@jupiterartland.org or call 01506 889900.
URL:https://www.sqiff.org/event/sqiff-at-jupiter-rising-music-festival/
LOCATION:Jupiter Artland\, Bonnington House Steadings\, Near Wilkieston\, Edinburgh\, EH27 8BY\, United Kingdom
CATEGORIES:Around one hour or less,Deaf,Disability,Documentary,Films,Gay men,Lesbian,Non-narrative,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/07/Black-is-me_ElliotBlue2-e1562766476648.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T180000
DTEND;TZID=UTC:20181208T190000
DTSTAMP:20181113T220828Z
CREATED:20181025T085945Z
LAST-MODIFIED:20181113T220828Z
UID:8456-1544292000-1544295600@www.sqiff.org
SUMMARY:SQIFF Shorts: Deaf Perspectives
DESCRIPTION:A showcase of work by and about Deaf queer filmmakers and artists. Films include Dickie Hearts’ latest short\, zombie spectacular The Deaf vs The Dead; a documentary about Deaf gay porn actor\, Rick; a film-poem\, featuring Donna Williams\, about translation between British Sign Language and English\, Bilingual Poet’s Dilemma; and The Unlimited House of Krip\, a doc exploring the fusion of D/deaf and disabled performers with the extravagant world of vogue culture. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598305′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English and German as well as British\, American\, and German sign languages with English language subtitles/captions. Hearing loop available. \nFilms rely to some extent on visual material but most have explanatory dialogue and voiceover\, so are relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nThe Deaf vs The Dead – Episode 1: “Outbreak” (7m)\nDir: Dickie Hearts\, Year: 2017\nWhen the undead apocalypse breaks out in Los Angeles\, an out Deaf man must find a way to survive and protect his loved ones\, even if it means teaming up with some unlikely people. \nRick (16m)\nDir. Jan-Peter Horstmann\, Year: 2017\nRicco Muller was crowned Mr Gay Switzerland in 2009 and now finds a home under the bright lights of the adult film set as Rick Louis\, coming into himself away from the limitations that society has tried to put on him as a gay\, D/deaf person. \nBilingual Poet’s Dilemma (4m)\nDir. Sandra Alland & Ania Urbanowska\, Year: 2017\nDeaf poet Donna Williams playfully shows the difficulties of translation between British Sign Language and English. Poem in English and BSL by Donna Williams; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press\, 2017)\, edited by Sandra Alland\, Khairani Barokka and Daniel Sluman. \nThe Unlimited House of Krip  (26m)\nDir. Garry Robson & Jane Farley\, Year: 2018\nExploring the fusion of D/deaf and disabled performers with the extravagant world of vogue culture. Fittings Multimedia Arts formed a “House” of Deaf performers to walk in the Legendary House of Suarez Vogue Ball and the process – from auditions to performance – was recorded as a celebration of diversity.
URL:https://www.sqiff.org/event/sqiff-shorts-deaf-perspectives/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Deaf,Disability,Documentary,Films,Gay men,Hearing loop,People of colour,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/06jpgRICK2-e1540475407573.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T153000
DTEND;TZID=UTC:20181208T171000
DTSTAMP:20190326T112300Z
CREATED:20181025T091127Z
LAST-MODIFIED:20190326T112300Z
UID:8462-1544283000-1544289000@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:Our 2018 Scottish shorts programme contains another exciting range of work by and about LGBTQ+ people and communities within our (un)fair land. Among the imagery and themes included are the search for community and intimacy\, trans embodiment\, anti-queer conditioning\, erotic fantasies in rural landscapes\, lost love\, spinsterhood\, tarot cards\, crayfish\, and witches! Featuring a spectrum of narrative and experimental styles encompassing melodrama\, film-poetry\, animation\, collective filmmaking\, documentary\, and diaristic footage. \nWe hope to be joined by a number of the filmmakers for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598307′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in English\, Scottish Gaelic\, and British sign languages with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available. \nA mixture of film styles with around half relying on visual material to convey ideas and half conveying ideas via dialogue or voiceover. The large majority of films are English language. So\, the screening is relatively accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nMy Loneliness is Killing Me (16m)\nDir: Tim Courtney\, Year: 2018\nA young genderqueer individual searches for community and intimacy\, uncovering an unexpected sexual and emotional connection within the darker edges of the nocturnal metropolis. \nThese Are My Hands (8m)\nDir. Evi Tsiligaridou\, Year: 2018\nThese Are My Hands is a short documentary film-poem written and performed by radical British playwright\, Jo Clifford. It is a deeply moving\, personal account of transgender embodiment in a lifetime\, speaking of wounds\, challenges\, victories\, and the journey towards self-empowerment. The poet’s voice is embraced by a lyrical\, mesmerising soundtrack and together with the graceful and intimate visuals composes a profoundly tender piece. \nEnid & Valerie (2m)\nDir. Matthew Kennedy\, Year: 2018\nEnid & Valerie is a short film about a lone spinster named Valerie. Here we venture in to her dreams\, where she meets Enid (a witch). Could this be the start of an unlikely friendship? \nLong Lost Lover (5m)\nDir. Sandra Alland & Ania Urbanowska\, Year: 2017\nBisexual deaf poet\, Bea Webster\, performs a poem in British Sign Language about her return to Thailand. Poem in English and BSL by Bea Webster; reading of poem by K. Yvonne Strain. Part of Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches Press\, 2017)\, edited by Sandra Alland\, Khairani Barokka and Daniel Sluman. \nHEARTS (8m)\nDir. Nas Saraei\, Year: 2018\nSarah\, a lost and stuck in a rut 20-something\, ponders and reflects on love in Edinburgh\, after losing the ‘one’ she thought was the ‘one’. \nPouring On House (10m)\nDir. Conor Baird\, Year: 2018\nPouring On House engages with the gradual event of leaving a longtime family home. This strange grief is caught between the familiarity and fascination of interiors and the surrounding suburban sites. Throughout\, a body surveys potential presences of contamination whilst coming to realise a disorientating hopelessness felt from ongoing anti-queer conditioning. \nSubmerged Village (21m)\nDir. Andrew Black\, Year: 2017\nExpanding on elements of Pamela Colman Smith’s drawing for The Moon tarot card – two dogs\, a freshwater crayfish\, a pool of water\, a mountainous landscape – Submerged Village takes discrete moments at rural locations in Yorkshire and the West coast of Scotland and claims them as queer experiences.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-2/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Deaf,Documentary,Films,Gay men,Hearing loop,Lesbian,People of colour,Scottish premiere,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/MLiKM-Bathroom-No-Title-Web-e1540467376929.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181208T123000
DTEND;TZID=UTC:20181208T133500
DTSTAMP:20181025T111512Z
CREATED:20181025T092302Z
LAST-MODIFIED:20181025T111512Z
UID:8468-1544272200-1544276100@www.sqiff.org
SUMMARY:East Asia Focus: Until Rainbow Dawn
DESCRIPTION:After meeting at their Deaf school in Central Japan\, Hana and Ayumi become close friends\, and quickly fall in love. But when Hana comes out to her parents\, they throw her out of the house.  Ayumi takes Hana along to a queer Deaf meetup in Tokyo\, where they meet and befriend a supportive group of trans\, gay and lesbian Deaf people who tell them their own personal stories.  Made by a majority Deaf cast and crew\, Until Rainbow Dawn is a remarkable\, authentic story of queer Deaf Japanese culture. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598309′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nFilms in Japanese and Japanese sign languages with simultaneous Japanese and English subtitles/captions. Hearing loop available. \nFilm relies a lot on visual material to convey ideas and uses almost all Japanese sign language\, so is less accessible for blind and partially sighted audiences. Large print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/east-asia-focus-until-rainbow-dawn/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Deaf,Feature,Films,Gay men,Hearing loop,Lesbian,People of colour,Trans,Woman director
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/until-rainbow-dawn-e1540466104226.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181205T150000
DTEND;TZID=UTC:20181205T163000
DTSTAMP:20181130T145314Z
CREATED:20181025T113949Z
LAST-MODIFIED:20181130T145314Z
UID:8595-1544022000-1544027400@www.sqiff.org
SUMMARY:Discussion: Deaf & Disabled Aesthetics in Film
DESCRIPTION:Availability of access measures such as captions and audio description is often seen as an ‘extra’\, sitting separately from films as works of art. However\, many D/deaf and Disabled and ally filmmakers and cultural workers integrate accessibility into their style of filmmaking\, or consider artistic ideas in their creation of access measures. This session will feature presentations from people working in Deaf and Disabled film aesthetics\, including actor\, filmmaker\, and Artistic Director of Turtléar\, EJ Raymond and artist\, curator\, and consultant\, Caglar Kimyoncu. Followed by an open discussion hosted by SQIFF’s Access & Engagement Coordinator and artist\, Alison Smith. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873598359/events/128819682′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThe event will be BSL interpreted with any film clips subtitled/captioned. Hearing loop available. \nLarge print versions of handouts available. \nCCA has good access for wheelchair users. Click here for more details on venue access. \nComfy seating (bean bags) available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/discussion-deaf-disabled-aesthetics-in-film/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:BSL,Deaf,Disability,Discussion,Hearing loop
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2018/10/SQIFF2017fullres-332-e1540467749178.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180426T190000
DTEND;TZID=UTC:20180426T211500
DTSTAMP:20180418T222516Z
CREATED:20180404T200512Z
LAST-MODIFIED:20180418T222516Z
UID:8142-1524769200-1524777300@www.sqiff.org
SUMMARY:An Unashamed Claim to Visibility
DESCRIPTION:As queer communities strive to embrace intersectional politics\, those with a disability or functional diversity are often left behind. This programme presents an exciting selection of work by and about functionally diverse filmmakers exploring the intersections of queerness and disability. Followed by a discussion with guest speakers to be announced. \nAges 18+ only. \nContent note: discussion of violence\, including sexual violence. \nTicket prices are on a sliding scale. Choose between free\, £2\, £4\, £6\, or £8 depending on what you can afford. No proof of your situation will be asked for. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873590172′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nEVENT SCHEDULE \n6.45pm – doors to Theatre open\n7pm – event starts\, short introduction from host followed by short films (81 minutes running time)\n8.30pm – access break\n8.45pm – discussion\n9.15pm – event ends \nACCESS \n– venue has level access at Sauchiehall Street entrance with Theatre on 1st floor accessible via a lift\n– accessible and gender neutral bathrooms on ground\, 1st\, and 2nd floors\n(Please note there is currently redevelopment on Sauchiehall Street meaning some disruption to accessing the main doors – contact the venue on 0141 352 4900 or dutymanagers@cca-glasgow.com if you have any questions about this)\n– closest blue badge spaces to CCA are currently on Blythswood Square when approaching from Douglas Street or West George Street\n– detailed venue access information can be found here: http://cca-glasgow.com/about-cca/access-statement\n– we have a limited fund to assist with travel for those who require this for any reason to be able to attend\n– large print versions of handouts available\n– films mostly in English language with one film in German language\n– audio description for films available – please ask for a headset at CCA box office when you arrive\n– films have English language captions or subtitles\n– hearing loop at box office and in the Theatre\n– BSL interpreter for introduction and discussion\n– limited comfy seating (beanbags at front of Theatre) available\n– Theatre will be no more than two thirds full of people\n– relaxed event with people welcome to make noise and move around \nTo request travel costs\, book a beanbag or a seat in the front row or if you have any questions about access\, please contact Helen on helen@sqiff.org or by calling or texting 07735 273 245 (if calling\, please do so Monday to Friday between 9am and 5pm). SQIFF volunteers will be available during the event if you have any questions or anything we can help you with. \nPart of a Queer Film Network (QFN) tour. QFN is a strategic Film Hub Wales project and receives support from the BFI Film Audience Network.
URL:https://www.sqiff.org/event/an-unashamed-claim-to-visibility/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,Disability,Discussion,Documentary,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2018/04/Rick-e1522872243676.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170930T193000
DTEND;TZID=UTC:20170930T203000
DTSTAMP:20170926T152931Z
CREATED:20170817T180039Z
LAST-MODIFIED:20170926T152931Z
UID:7453-1506799800-1506803400@www.sqiff.org
SUMMARY:SQIFF Shorts: Defiant Dykes
DESCRIPTION:Proudly presenting dykes defying society\, each other\, themselves\, and the demands and expectations of both hetero and queer culture. A feisty granny drags her granddaughter out of the closet\, 3 Butch/Femme and Stud/Fem lesbian couples from working-class backgrounds share fragments from their lives\, a 17-year-old from a West Bank settlement goes to a gay club for the first time\, a child visits their working-class butch great aunt\, a Deaf couple get into a storming signing fight on their honeymoon\, and a rapper and breakdancer explores their identity. \nKrissy Mahan\, director of My Aunt Mame\, Roman Manfredi\, director of Everything That I’m Not\, and Azara Meghie & Kai Fiáin\, filmmakers of Breaking Down My Translation will be in attendance for a Q&A after the screening. If you require BSL interpretation\, please contact info@sqiff.org to make arrangements. \nACCESS: Level access at entrance of CCA with lift up to first floor for Theatre space. Accessible toilets available. Various languages with English subtitles/captions. BSL interpretation for Q&A. Hearing loop. \nTicket prices on a sliding scale according to your circumstances. Choose between FREE\, £2\, £4\, £6\, or £8 (prices include CCA booking fee) according to what you can afford. See our ticketing information for more details. \nTo book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873580442/events’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nOh-Be-Joyful (13m)\nDir: Susan Jacobson\, Country: UK\, Year: 2015\nRita is about to kick the bucket but before she does she’s got one last job to do: drag her granddaughter out of the closet. \nMy Aunt Mame (9m)\nDir: Krissy Mahan\, Country: UK\, Year: 2015\nA funny/sad dramatization of a woman’s childhood visits to her working-class butch great aunt\, and what happened when she came out to her mom\, told through Fisher-Price people in homemade sets. \nHoneymoon (10m)\nDir: Ronit Meranda\, Country: UK\, Year: 2015\nLucy and Johanna are on their honeymoon. Johanna is partially\, and Lucy profoundly\, Deaf. They have a storming argument and signing allows them to be carefree about quarrelling in public. \nPony Tale (9m)\nDir: Moran Nakar\, Country: Israel\, the Palestinian Authority\, Year: 2016\n17-year-old Adva goes on a night journey from her life in a West Bank settlement to fulfil her fantasy of kissing and fucking a woman. \nEverything That I’m Not (15m)\nDir: Roman Manfredi\, Country: UK\, Year: 2017\nEverything That I’m Not centres the relationships of 3 Butch/Femme and Stud/Fem lesbian couples from working class backgrounds. \nBreaking Down My Translation (5m)\nDir: Azara Meghie & Kai Fiáin\, Country: UK\, Year: 2015\nA rapper and breakdancer describes feeling alienated by middle class queer culture and explores their identity.
URL:https://www.sqiff.org/event/sqiff-shorts-defiant-dykes/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,BSL,Deaf,Films,Hearing loop,Lesbian,People of colour,Shorts,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2017/08/IMG_2526-e1503018636596.jpg
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DTSTART;TZID=UTC:20170929T134500
DTEND;TZID=UTC:20170929T144000
DTSTAMP:20170926T152234Z
CREATED:20170817T180048Z
LAST-MODIFIED:20170926T152234Z
UID:7406-1506692700-1506696000@www.sqiff.org
SUMMARY:SQIFF Shorts: The Gayz
DESCRIPTION:‘The gaze’ is a term used in visual media to mean the way viewers look at images and onscreen characters look at each other\, traditionally in critique of male-centred and patriarchal movie-making. So what happens when the act of looking in films is queered? Featuring Campbell X’s new experimental short\, DES!RE\, foregrounding lust for masc AFAB people\, The Naked Body\, in which a director documents how people relate to nudity and their own body\, Leg\, Arm\, Head\, depicting a highly controlled dancer exploring her identity\, and Harding & his camera\, an ambiguous ‘love story’ told through the 1930s archive of a British archaeologist in Palestine. \nRob Eagle\, director of Harding & his camera will be in attendance for a Q&A after the screening. If you require BSL interpretation for the Q&A\, contact info@sqiff.org to make arrangements. \nACCESS: Level access at entrance of CCA with Cinema space on ground floor. Accessible toilets available. Various languages with English subtitles/captions. Hearing loop. \nTicket prices on a sliding scale according to your circumstances. Choose between FREE\, £2\, £4\, £6\, or £8 (prices include CCA booking fee) according to what you can afford. See our ticketing information for more details. \nTo book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873580429/events’ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nDES!RE (9m)\nDir: Campbell X\, Country: UK\, Year: 2017\nAn experimental film exploring desire for transmasculine\, butch\, stud\, and masculine of centre (MOC) people assigned female at birth. \nThe Naked Body (23m)\nDir: Diego Carvalho Sá\, Country: Brazil\, Year: 2016\nIn this hybrid of documentary and fiction a director documents how people relate to nudity and their own body. Meanwhile\, behind the scenes\, the director gets involved with one of his subjects. \nLeg\, Arm\, Head (11m)\nDir: Scout Stuart\, Country: UK\, Year: 2016\nA highly controlled dancer moves away from the discipline and uniformity of ballet to explore her own identity. \nHarding & his camera (12m)\nDir: Rob Eagle\, Country: UK\, Palestine\, Israel\, Year: 2017\nAn ambiguous ‘love story’ documentary told through the 1930s archive of a British archaeologist who took a camera on his digs in the British Mandate for Palestine and fell in love with his Bedouin assistant.
URL:https://www.sqiff.org/event/sqiff-shorts-the-gayz/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,Deaf,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans
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