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BEGIN:VEVENT
DTSTART;TZID=UTC:20261019T203000
DTEND;TZID=UTC:20261019T223000
DTSTAMP:20260915T051326Z
CREATED:20260915T051326Z
LAST-MODIFIED:20260915T051326Z
UID:13750-1792441800-1792449000@www.sqiff.org
SUMMARY:Opening Night: Scottish Shorts
DESCRIPTION:Listen to this Event Page\n  \nWe cordially invite you to our Opening Night event\, Scottish Shorts 1. This event showcases the outstanding talent of queer filmmakers here in our homeland\, Scotland. Before we embark on a week exploring queer international cinema\, Scottish Shorts celebrates the diverse range of films coming out of Scotland right now. Expect big muscles\, punk rebellion\, experimental textures\, heartfelt conversations and more. \nThe screening will be followed by a Q&A with local filmmakers. All films in this screening and ‘Scottish Shorts 2’ are in with a chance to win the title of Best Scottish Short. The winner will be announced at the closing screening of SQIFF 2026. \nCurated by Nat Lall & Huss. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and Q&A. The interpreter for this event is TBC.\nBritish Sign Language\, English and Scottish Gaelic audio\, with English language Descriptive Subtitles.\nLive Captioning for the introduction and Q&A.\nAudio Description for all films.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 92 minutes long and has an age recommendation of N/C 18+ \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \n  \nVALLTE – ARPEGGI\, Dir. Reese Leitch\, 2026\, United Kingdom\, 2 min \nA short experimental film about difficulties finding pride as a trans woman. \nAccess notes: Flashing imagery\, flashing lights\, strobes. \nContent notes: Depiction of suggested nudity. Discussion of upsetting themes. \n  \nPang\, Dir. Lara Delmage\, 2026\, United Kingdom\, 12 min \nSurreal\, sexy\, and spectral. The summer before Cam leaves for university\, childhood best friends Cam and Evie are haunted by the breakdown of their grey-area\, queer friendship. As they laze by the pool\, they test the limits of their relationship\, and try to define who they are to each other. \nContent notes: Depiction of animal cruelty\, emotional stress. \n  \nDid I Feel It?\, Dir. Emma McIntyre\, 2026\, United Kingdom\, 12 min \nDid I Feel It? Is a creative documentary that reflects on and through a recent surgery\, convalescing and energies that are vital in living with lifelong disabilities. By sharing this small insight I hope to draw focus to the complexities and expansive journeys of queer disabled lives. \nAccess notes: Flashing imagery\, loud noises. \nContent notes: Depiction of hospitals\, scars. \n  \nThe Muscle Knows Better Than To Wait\, Dir. Erica Monde\, 2025\, United Kingdom\, 4 min \nA portrait of an LGBT weightlifting club in Sheffield\, exploring the embodiment of queer and trans power. \nContent notes: Discussion of transphobia. \n  \nThe Collective\, Dirs. Beth Johnston\, Daniel Archibald\, 2025\, United Kingdom\, 7 min \nIn a dystopian Glasgow\, a feminist punk collective interrupt a government radio broadcast to protest against the fascist regime. \n \n  \nWake and Bake\, Dir. Luca Kerr\, 2026\, United Kingdom\, 5 min \nCousins Fionn and Aonghas bond over their inability to fit into their family of saints at their grandmother’s wake. \nContent notes: Depiction of implied drug use\, smoking. Discussion of bereavement. \n  \nXTalk by HommAges\, Dir. Craig Mulholland\, 2026\, United Kingdom\, 21 min \nOperating as material phenomenon and metaphor\, XTalk reframes autonomy\, objectification and porous boundaries between subject and object within BDSM culture\, fetish materiality and Queer ontology\, foregrounding adjacency\, interference\, surface\, contact and erotic material intersection. \nAccess notes: Flashing imagery\, flashing lights. \nContent notes: Depiction of fetishism. \n  \nThey Bend Stars\, Dir. Diego Migliorini\, 2025\, United Kingdom\, 11 min \nA genderless alien tortured in an underground facility learns that the key to return to their purple planet lies within. They must escape their captor and find their way back to their distant home. \nAccess notes: Flashing lights\, visual effects that may trigger people with photosensitive epilepsy. \n  \nExiled for Existing\, Dir. Vilte Vaitkute\, 2026\, United Kingdom\, 7 min \nLGBTQ+ Refugees living in the UK speak about their experiences and the community they’ve found in Scotland. \nContent notes: Discussion of emotional displacement\, homophobia\, physical violence. \n  \nReconnection\, Dir. Amy Helena\, 2025\, United Kingdom\, 11 min \nA couple’s argument is interrupted by a blackout. In candlelight\, silence gives way to honesty\, helping them reconnect and bridge the emotional distance between them. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: PANG\, 2026\, Dir. Lara Delmage
URL:https://www.sqiff.org/event/opening-night-scottish-shorts/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,Descriptive Subtitles,Films,Live Captioning,Scottish premiere,Shorts,World premiere
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2026/09/PANG-03-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261020T154500
DTEND;TZID=UTC:20261020T173000
DTSTAMP:20260915T051227Z
CREATED:20260915T051227Z
LAST-MODIFIED:20260915T051227Z
UID:13780-1792511100-1792517400@www.sqiff.org
SUMMARY:SATURATE
DESCRIPTION:  \nListen to this Event Page\n  \nScottish queer cinema goes DIY with 9 world premieres of subversive and irreverent shorts made in this years’ SQIFF queer filmmaking course: SATURATE. Positioning queer filmmaking in Scotland as cinematic counterculture\, SATURATE was a Glasgow based filmmaking course that brought together 31 emerging LGBTQIA+ Scotland-based directors to develop zero-budget short films over the summer of 2026.  \nThis eclectic programme of unconventional shorts offers a window into queer imaginaries across Glasgow in 2026\, positioning LGBTQIA+ cinema at the forefront of Scotland’s indie filmmaking culture. Local filmmakers explored everything from camp horror on AI data centres taking over Glasgow flats\, sensorial documentary on the relationship between the queer body and the city centre\, performative reimaginings of the reproductive cycle in a trans revision of Frankenstein\, to magical realist drama exploring migration in the UK\, Chinese folklore\, the endurance of queer love\, and more. \nThe screening will be followed by a Q&A with this year’s SATURATE participants and Erica Monde\, Glasgow based filmmaker and leader of this year’s SATURATE course. \nCurated by Erica Monde & Indigo Korres. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and Q&A. The interpreter for this event is TBC.\nEnglish audio with English language Descriptive Subtitles.\nLive Captioning for the introduction and Q&A.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 66 minutes long and has an age recommendation of N/C 15+ \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \n  \nMADE THINGS\, Dirs. April Stewart\, Jo Hauge\, Betty/Chaoying Rao 饶超颖 / Femme Castratrice\, 2026\, United Kingdom\, 7min. \nDiscover the reproductive process of the species Homo dykefagicus… \nA speculative\, camp mingling of the horror trope of re-animation and the heterosexual marriage plot\, where Mummy\, Daddy and Baby are part of a delicious and slimy circular reproductive cycle that doesn’t progress but goes around and around and around. \nContent notes: Depiction of nudity\, references of sex. \n  \nBuilding Bodies\, Dirs. Lish Adam\, Ilaria Lipperi\, Priscila Froes\, 2026\, United Kingdom\, 11 min. \nSounds\, sights\, touch and memory come together in this sensory and emotional reflection on experiences living in and passing through the City Centre of Glasgow. This experimental documentary uses real testimonies\, voiceover\, footage and sound from the City Centre to convey an experience shared by residents and the built environment itself.  \nContent notes: Depiction of religious march. Discussion of capitalism\, racism\, violence. \n  \nHelp! My Room8te is Trying to Kill Me!\, Dirs. Andy Neilson Smith\, Ophelia Steele Davis\, Yexabel Rivero\, 2026\, United Kingdom\, 10 min. \nSam is anxious around their flatmate Jordan’s imminent move and whether their friendship will survive beyond it. The arrival of Big Tech’s latest invention changes the dynamic in the flat even more so in strange and mysterious ways. Through resisting this physical cyber-attack\, unspoken feelings finally come to the surface. \nContent notes: Depiction of action fighting\, cigarette use. Discussion of data centres. \n  \nA Matter of Record\, Dir. Eleanor Capaldi\, 2026\, United Kingdom\, 8 min. \nFrom early crushes on Hollywood stars to lesbian discos in 1970s Glasgow\, anchored by a 40 year love story at its heart\, Elizabeth Elliott brings to life lesbian experiences that are too easily lost. Through receipts to photographs\, to recollection\, the film questions the archival process\, while becoming a record itself.  \nContent notes: Discussion of homophobia\, police violence. \n  \nIn Transit\, Dir. AAidan (A-A. W. Summers)\, Jessica Payne\, Zebib K. Abraham\, 2026\, United Kingdom\, 6 min. \nA journey through leather\, warmth and light\, and the disembodied fear of catching the last train home. Our film has taken shape through a mix of live action\, stop motion\, and visual programming that connects the rural and the digital to form a journey in transit\, flicking between both spatial planes in this search for home. \nAccess notes: Flashing Imagery\, Flashing Lights. \n  \nHow To Be A Better Serial Killer\, Dirs. Joe Dunn\, Leah Francisco\, Louis Utieyin\, Muratiwa Chinake\, 2026\, United Kingdom\, 6 min. \nIt’s 2026\, the job market is shit. Someone calls into a radio show\, The Unemployment Line\, where you can get tips on how to improve your skills and get help seeking a job. However\, when a bizarre call throws the host off kilter\, the unsuspecting host gives helpful tips and motivates an aspiring serial killer to achieve their dream. Will the caller succeed\, who will be their next victim? \nAccess notes: Depiction of a dead body. \n  \nWhy (Do U) Care?\, Dir. Cameron Prince\, Sara Bucheeri\, Ashley Wolf\, 2026\, United Kingdom\, 6 min. \nOn the run after battering a couple of bigots with his skateboard\, Bo climbs through a window into the flat of his ex-lover\, who holds resentment towards him since their messy separation. She is now a trad-wife\, and he is a rogue transsexual. Why (Do U) Care? explores lost queerness. \nContent notes: Depiction of deadnaming\, strong language. \n  \nDrift\, Dirs. ACE V!S!ON\, Elsa Kerscher\, Jo Lee\, 2026\, United Kingdom\, 6 min. \nDrift is an intimate exploration of what it means to be trapped in the sick body. This collaborative film tries to make the edges of the body visible and gesture towards the in-between state of sickness\, loneliness and the domestic. \nAccess notes: Flickering TV Screen. \n  \nAcross the Magpie Bridge\, Dirs. Angela/Anqi Sun\, Fatima\, Matin Cheng\, Shivani Krishna\, 2026\, United Kingdom\, 6 min. \nIn a retelling of old Chinese folklore about two lovers separated by the Gods\, Kuhu\, a queer immigrant\, navigates her way through Glasgow and the UK immigration system\, dreaming of reuniting with her lover\, Qiqi. \nAccess notes: Distorted Imagery. \nContent notes: Depiction of police\, strong language use. Discussion of home office bureaucracy. \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: Made Things\, Dirs. April Stewart\, Jo Hauge\, Betty/Chaoying Rao 饶超颖 / Femme Castratrice\, 2026
URL:https://www.sqiff.org/event/saturate/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:BSL,Deaf,Descriptive Subtitles,Films,Live Captioning,Shorts,Trans,World premiere
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2026/09/3-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261021T131500
DTEND;TZID=UTC:20261021T150000
DTSTAMP:20260915T051148Z
CREATED:20260915T051148Z
LAST-MODIFIED:20260915T051148Z
UID:13797-1792588500-1792594800@www.sqiff.org
SUMMARY:Mini Docs
DESCRIPTION:  \nListen to this Event Page\n  \nThis screening showcases compelling short documentaries all under 12 minutes in length. It proves that big\, powerful stories can be told in even the tiniest films. From intimate personal portraits and participatory filmmaking\, to more experimental works\, this eclectic programme spans a number of styles\, genres\, and perspectives. Together\, these works highlight the fact that filmmakers don’t need a lot of time\, or budget\, to get their story across. Come and be inspired by this multi-faceted screening that educates\, humbles and wows in many ways. \nThe documentaries will be followed by a Q&A between Maddie Lock (Family Tides)\, Olivia Hird (Intermittent & Continuous)\, Rosie Bowyer (Listen)\, and curator Nat Lall. \nCurated by Nat Lall. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and Q&A. The interpreter for this event is TBC.\nEnglish\, French\, German\, Polish\, Russian\, Tagalog audio with English language Descriptive Subtitles\nLive Captioning for the introduction and Q&A.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 66 minutes long and has an age recommendation of N/C 15+  \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \nDrag Kings: Question Time. A Day with the Fans\, Dir. Orlando Myxx\, 2025\, United Kingdom\, 9 min. \nAfter 10 years on the stage\, PECS Drag Kings Collective gathers for a one-day festival in London to celebrate their anniversary with the queer community. Critical thinker and Drag King fan Diana G. penetrates Shoreditch Town Hall to ask the audience a crucial question. Have Drag Kings and Things changed the landscape of Gender and Sexuality? In this short documentary the camera turns towards the audience of a London Drag Kings Festival to understand what Drag Kinging means to them\, how it has evolved and what challenges it faces. \n  \nSome of us really can’t\, Dir. Noa Meli\, 2026\, Germany\, Poland\, Switzerland\, 10 min. \nThis film is about the fear of prejudice\, heteronormative posters and statues\, binary clothing stores… and a coming-out that never happened. In 2019\, places in Poland became known in the media as “LGBT-free zones”. This film\, set in one of these zones\, explores why LGBTQAI+ people are invisible. Is it possible to remain invisible for a lifetime? After the filmmaker fails to find affected individuals\, they start looking for the reasons behind their invisibility. \nContent notes: Depiction of queerphobia. Discussion of isolation\, suicide. \n  \nThe Beat in my Chest\, Dir. Ramona Bendig\, 2025\, Germany\, Spain\, 7 min \nSerhii\, a young deaf Ukrainian rebuilding his life in Barcelona after fleeing war and homophobia\, experiences music beyond sound. Through techno’s bass and vibrations\, rhythm becomes something felt deep within his body. Between friends\, work and nights of techno\, the film discovers a life lived with an infectious appetite for being alive. \nContent notes: Discussion of displacement\, mental health\, police brutality. \n  \nAll the Worlds I Could Lift\, Dir. Samantha Lee\, 2026\, Philippines\, 6 min. \nA group of queer women use weightlifting to reclaim bodies and spaces that have excluded them as they redefine strength and use female masculinity as an act of resistance. \n  \nlisten\, Dir. Rosie Bowyer\, 2026\, United Kingdom\, 11 min. \nlisten is a short film about Listen Gallery\, an experimental sound arts gallery and communal listening space run by Riah Naief. As the security of DIY spaces becomes increasingly precarious\, how can we work together and fight to build a future that supports community-centred\, free spaces such as Listen Gallery? \nAccess notes: Flashing imagery\, flashing lights. \n  \nIntermittent & Continuous\,  Dir. Olivia Hird\, 2025\, United Kingdom\, 11 min. \nIn the Peak District\, Rita is living out a childhood dream: working in a quarry. In a male-dominated industry\, she carves out her place through determination and persistence. Listening closely to the machinery\, past and present unexpectedly converge\, transporting her towards the irretrievable. \nContent notes: Discussion of bereavement. \n  \nFamily Tides\, Dir. Maddie Lock\, 2026\, United Kingdom\, 10 min. \nEveryone deserves to feel like they belong in their hometown. Family Tides is a documentary that explores growing up queer and trans in small seaside towns\, opening up the conversation about what it feels like to lack a traditional sense of home\, and how that can be found in community. \nAccess notes: Flashing imagery. \nContent notes: Discussion of homophobia\, transphobia. \n  \nWhile construction is in progress\, shops will remain open\, Dir. Mordred Guadagno\, 2026\, France\, 2 min. \nBetween 2021 and 2025\, the city was under massive construction to prepare for a new streetcar line. As the works finally come to an end\, I grapple with the ending of a construction of my own. \nContent notes: Depiction of needles. \n \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: The Beat in my Chest\, Dir. Ramona Bendig\, 2025
URL:https://www.sqiff.org/event/mini-docs/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:BSL,Deaf,Descriptive Subtitles,European premiere,Films,Live Captioning,Scottish premiere,Shorts,World premiere
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2026/09/The_Beat_in_My_Chest_Still_03.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261022T130000
DTEND;TZID=UTC:20261022T150000
DTSTAMP:20260915T051057Z
CREATED:20260915T051057Z
LAST-MODIFIED:20260915T051057Z
UID:13855-1792674000-1792681200@www.sqiff.org
SUMMARY:We Are Eternal
DESCRIPTION:Listen to this Event Page\n  \nLove takes many shapes. In this selection of shorts from Brazil\, different kinds of love move through distinct relationships. Not eternal as in forever unchanged\, but constantly evolving: a throuple that keeps choosing each other as illness rewrites what they remember. Travesti friends who sit together inside grief rather than apart from it. Lovers locked out of their own home\, borrowing warmth from strangers until morning. A father and estranged son bound by an ache neither can name. A deaf man and a stranger\, something quiet beginning\, while an old friendship watches close by. \nThese films hold each of these bonds as a kind of eternity\, not because it lasts unchanged\, but because it keeps being shaped and reshaped. Every connection here is built\, lost\, and often but not always built again. Eternity is not permanence\, but persistence. Love that survives by being chosen\, over and over again. \nCurated by Indigo Korres and Ricky Mastro. Presented in partnership with Mostra Queer Brasil. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction. The interpreter for this event is TBC.\nBrazilian Sign Language\, French\, Portuguese\, Spanish audio with English language Descriptive Subtitles.\nLive Captioning for the introduction.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 56 minutes long and has an age recommendation of N/C 18+ \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \nEverything You Want\, Dir. Mariana Machado\, 2025\, Brazil\, 20 min. \nAfter finding themselves locked out of their house\, three queer Brazilian lovers spend a day and night navigating the streets of Brussels. We follow their journey and the people they encounter along the way. The film offers a heartfelt portrayal of their search for belonging in a foreign land. \nContent notes: Depiction of alcohol use\, cigarette use. \n  \nIceberg\, Dir. Will Domingos\, 2021\, Brazil\, 25 min \nDuring the COVID-19 pandemic in Rio de Janeiro\, water runs dry at a LGBTQI+ youth shelter. Renê\, one of the residents\, paints the anguish of a spirit haunting the mansion’s pipes. Across town\, his estranged father\, a solitary plumber\, is tormented by the same dark curse. \nContent notes: Depiction of partial nudity. \n  \nWhat’s Left of Us When Humanity Fades?\, Dir. Vita Pereira\, 2026\, Brazil\, 23 min. \nAfter the death of a friend\, five travestis discover a mysterious hole inside their own home. \nAccess notes: Flashing imagery. \nContent notes: Depiction of cigarette use\, misgendering\, religion\, strong language use. Discussion of death. \n  \nMorpheus and Charon\, Dirs. Luiz Ulian\, Jocimar Dias Jr.\, 2026\, Brazil\, 14 min. \nA throuple of queer elderly men deals with the proximity of death — Zito\, who has been diagnosed with dementia\, and his two lovers\, Morpheus and Charon. As the illness progresses\, the boundaries between dream and reality blur: Zito imagines his last days as if his whole life was a Brazilian samba musical extravaganza\, while his partners in life take care of him until their last farewell. \nContent notes: Depiction of nudity\, explicit sex. \n  \nWaves of Silence (Special Preview Screening)\, Dir. Caio J. Bonfim\, 2026\, Brazil\, 20 min. \nBetween helping his mother run her hotel and looking after his birds\, Amon who is deaf\, feels an immediate connection with new water delivery man\, Roberto\, as best friend Daniella sets her eyes on him also. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: Iceberg\, Dir. Will Domingos\, 2021
URL:https://www.sqiff.org/event/we-are-eternal/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:BSL,Deaf,Descriptive Subtitles,European premiere,Films,Live Captioning,Scottish premiere,Shorts
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2026/09/Screenshot-2026-09-08-at-23.32.17.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261022T203000
DTEND;TZID=UTC:20261022T223000
DTSTAMP:20260915T051008Z
CREATED:20260915T051008Z
LAST-MODIFIED:20260915T051008Z
UID:13867-1792701000-1792708200@www.sqiff.org
SUMMARY:Scottish Shorts 2
DESCRIPTION:Listen to this Event Page\n  \nScottish Shorts 2 moves across Edinburgh summers\, dinner tables\, supermarket bins\, political stages and the search for beauty in a new home.  \nThese films look at what it means to be shut out\, misunderstood or left behind\, but also at the strange and inventive ways people make space for themselves. Relationships begin to slip\, conversations become inaccessible\, outrage turns into spectacle and discarded food becomes the centre of a new ritual.  \nMoving between fiction\, documentary and experiment\, the programme finds tenderness\, humour and resistance in unexpected places\, asking what remains when the world fails to make room for you.  \nThe screening will be followed by a Q&A with local filmmakers. All films in this screening and ‘Scottish Shorts 1’ are in with a chance to win the title of Best Scottish Short. The winner will be announced at the closing screening of SQIFF 2026.  \nCurated by Nat Lall & Huss. \n  \nClick here to book your ticket for this event. \nTickets are on a pay what you can sliding scale of FREE\, £4\, £8\, £12\, £16\, or £20\, in order to make SQIFF more accessible to those on a low income. You can choose what you pay based on your circumstances – you won’t be asked for any proof/ID. We just ask that you are honest! Please find the ‘What Should I Pay?’ guidance here. \n  \nAccessibility  \nThis event has: \n\nEnglish-BSL interpretation for the introduction and Q&A. The interpreter for this event is TBC.\nBritish Sign Language\, English\, Scottish Gaelic\, Tagalog audio with English language Descriptive Subtitles.\nLive Captioning for the introduction and Q&A.\nAn induction loop is available at the GFT Box Office. Enhanced Audio (EA) is available in their screening rooms via headset. \n\nThis screening is 92 minutes long and has an age recommendation of N/C 18+ \nIf you require access seating please get in touch. Access seating includes: wheelchair spaces\, sitting in the front row / in the aisle / at the back. If you need any other provisions\, please let us know by emailing info@sqiff.org with your name\, ticket information and access request. We will do our best to work with you whilst also managing the capacity of  the venue. Thank you for working with us on this.  \nYou can find out more information about accessibility at SQIFF 2026 here. If you have any questions about accessibility at SQIFF\, please get in touch with us at info@sqiff.org \n  \nFilms in this programme include: \nBinderella\, Dir. Edie Barnabas\, 2026\, United Kingdom\, 8 min. \nPraying to their Goddess of the Bins\, Binderella\, a community rummages through supermarket bins in search of sovereignty\, sustainability\, and a fully intact trifle. \n  \nPicture This\, Dir. Emma Malins\, 2026\, United Kingdom\, 13 min. \nPicture This is an experimental documentary focusing on what it means to love and enjoy cinema when you can’t see the image. It explores the power of shared stories and the importance of audio description and accessible film. \nAccess notes: Flashing imagery. \nContent notes: Discussion of sight loss\, social isolation. \n  \nEach to their own World\, Dir. Klarissa Webster\, 2025\, United Kingdom\, 15 min. \nEach to Their Own World offers intimate insight into the lives of oral deaf people. Experience a taste of their lives navigating social norms and clashing cultures. \n  \nWhat Remains\, Dir. Bernardo Battistini\, 2025\, United Kingdom\, 11 min. \nWhat Remains follows two boys in Edinburgh over the course of a summer\, as their fragile relationship is tested by a rare genetic illness. As memory begins to slip away\, one of them must remember for both. \n  \nThe Room Where It Happened\, Dir. Chris Harrison\, 2025\, United Kingdom\, 8 min. \nAs presidential candidate Nathan Stanaway prepares to address a cheering crowd\, young intern Charlotte emerges from a private encounter with him. As his polished public persona gives way to increasingly divisive rhetoric\, Charlotte is left confronting the reality behind the man on stage and finding the strength to resist. \nContent notes: Depiction of discrimination\, implication of sexual coercion\, far-right politics\, religion. \n  \nNight Adrift\, Dir. Yuki Neoh\, 2025\, United Kingdom\, 23 min. \nA short experimental film about difficulties finding pride as a trans woman. \nContent notes: Depiction of and partial nudity\, sexual imagery\, strong language use. \n  \ni want things to be beautiful: a love letter to the becoming\, Dir. Sean Coyle\, 2026\, United Kingdom\, 15 min. \nIWTTBB explores different concepts of love by seeking beauty in its surroundings. Through intimate visual reflections and poetic imagery\, the film becomes a sentimental love letter to the self in the progress of becoming. \nAccess notes: Flashing imagery. \n  \nDonate: \nDonate to SQIFF via PayPal or sign up to one of our four Patreon tiers to support our work and show us you’re a big SQIFF fan 🌈✨ \n  \nSupported by Screen Scotland\, the BFI Audience Projects Fund and Film Hub Scotland (part of the BFI Film Audience Network)\, all awarding National Lottery funding. \n  \nImage Credit: Each to their own World\, Dir. Klarissa Webster\, 2025
URL:https://www.sqiff.org/event/scottish-shorts-2-4/
LOCATION:Glasgow Film Theatre\, 12 Rose Street\, Glasgow\, G3 6RB\, United Kingdom
CATEGORIES:BSL,Deaf,Descriptive Subtitles,Films,Live Captioning,Scottish premiere,Shorts
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