SQIFF

Q&A: Game on: queer disruptions in sport
2020-10-12 18:00 - 18:45 UTC
Game on: Queer Disruptions in Sport is a documentary which shines a light on the experiences of those with diverse identities within grassroots sport. The film features the stories of gay runners Csaba and Benjamin from Hungary; Natalie, a Scottish lesbian boxer; Pol, an intersex rower from Bulgaria, and a German trans woman footballer called Jessi. Join us for a live Q&A with the film’s director Maria Takacs, protagonists from the film, and LEAP Sports.
Presented in partnership with LEAP Sports Scotland, promoting LGBTI participation and ending LGBTI-phobia in sport. The Q&A will also be live-streamed to Facebook.

Free event. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
The event has BSL interpretation and live captioning.
The event is 45 minutes long.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.

Watch Party: The Wound + South African Shorts
2020-10-13 19:00 - 21:30
Despite a rich queer history and long fight to guarantee the rights of queer people under the first democratic government of Nelson Mandela, queer and trans South Africans face many challenges, which intersect with class and cultural identities. This screening attests to those challenges but demonstrates that love and support comes from surprising and subversive places. The Wound explores the relationship between traditional Xhosa initiation rituals and queer identity, also alluded to in My Transgender Life (12m) by Yonela Simetu. The Men Who Speak Gayle (11m) celebrates a secret language used during the apartheid era to hide queer identities from the authorities.
Curated by Harvey Dimond and followed by a Q&A with Yonela Simetu, a Cape Town-based filmmaker and the director of My Transgender Life. Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and Lottery funding from the BFI.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have Xhosa and English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
The films are 2 hours long with a brief introduction at the start and a 30 minute Q&A after the films.
Content notes: discussion of racism, homophobia, transphobia, misogyny, swearing, and violence; depiction of nudity, sex, violence, blood, death, and graphic depictions of animal slaughter.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Workshop: Queer Speculative Fiction with Katalina Watt
2020-10-14 18:00 - 19:00
Katalina Watt is an Edinburgh-based author and publisher with a background in digital publishing, copywriting, and bookselling. A champion of representative voices and stories, she has been published in various anthologies and magazines, and was longlisted for Penguin Random House UK’s 2020 Write Now programme. She is currently working on her debut Horror-Fantasy short story collection inspired by folklore of the Philippine islands. As part of the festival’s focus on all things speculative and fantastic, this informal event will feature an introduction to Katalina’s work, discussions around representation in new writing, and a chance for writers in the audience to talk through some next steps on what to do with their own work.
With thanks to the Scottish BAME Writers Network.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This workshop has an age recommendation of 15+.
BSL interpretation and live captioning are provided for the workshop.
The workshop is 1 hour long.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.

Watch Party: Lesbian Shorts by Shu Lea Cheang
2020-10-14 21:00 - 22:00
Shu Lea Cheang’s work from the early-to-mid 1990s demonstrated an exciting fusion of identity politics and erotic exploration, making her one of the period’s most prominent queer media artists.
This collection presents two of her solo works and two collaborations, alongside a Q&A with Cheang hosted by scholar and critic B. Ruby Rich.
Part of our Shu Lea Cheang Retrospective, Cruising the Future. Cheang is a multi-media artist working in experimental video and net art since the early 1980s. Her work deals with the techno body, queer erotics and politics, race relations, and governmental and institutional power. Click here to access Cheang’s 2000 feature film I.K.U. on our Vimeo on Demand. Click here to access Fluidø (2017).

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. We will send out a Zoom link for the event to ticket holders on the day.

ACCESS
This screening has an age recommendation of N/C 18+.
The films have Japanese and English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
Content notes: discussion of cancer, death, and sex; depiction of nudity and sex.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.

PROGRAMME
Sex Fish (6m)
Dir: Shu Lea Cheang, Country: USA, Year: 1993, Language/s: English
An erotic lesbian video involving swimming upstream, female power, and fish love. Made as a collaboration under the name E.T. (Ela Troyano) Baby (Jane Castle) Maniac (Cheang).
“In Sex Fish water provides the common denominator for nature imagery and explicit sex. Unlike 1970s feminist imagery, however, nature is sexualized rather than sex naturalized. Dripping from the faucet, spraying against a shower curtain, swirling down a toilet, water leads viewers from one sex scene to another, private to public and back again. Swimming through the video are various fish, seemingly unaware of the derogatory pun they enact, and all gulping enviously as cunnilingus surrounds them.”
—Chris Straayer, Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press, 1996)
Sex Bowl (8m)
Dir: Shu Lea Cheang, Country: USA, Year: 1994, Language/s: English
All forms of human sport become sites for sexual play and celebratory eroticism.
“The tape’s images are quick, suggestive, and sexy: fingers moving into bowling balls, shoe-smelling and toe-sucking, a dog wearing chain jewelry, fish being wrapped at the market, young naked couples having sex…. Edited like a music video, the image track is a constant flow of fetishes that lure us into the promiscuous pace of girls who keep lists of their sexual encounters.”
—Chris Straayer, Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video (New York: Columbia University Press, 1996)
Fingers and Kisses (5m)
Dir: Shu Lea Cheang, Country: Japan, Year: 1995, Language/s: Japanese, English
Cheang has taken her camera to the streets for a candid glimpse of lesbian public sexuality. If Asian women and lesbians share a certain amount of invisibility in the culture, Fingers and Kisses offers not only a bold representation of both, but a challenge to the question “What do lesbians do?” Tokyo’s own out-and-loud music by Chu punctuates the narrative as what begins in the streets continues under the sheets.
Coming Home (5m)
Dir: Shu Lea Cheang, Country: USA, Year: 1995, Language/s: Japanese, English
This humorous video begins with two women—one white, the other Asian—attempting to fit into a Japanese bathtub. The awkward fitting of bodies into a small space is just one of the allegorical scenarios dramatized in a pressing appeal for lesbian rights. In a game of hanafuda (flower cards), the terms of lesbian domesticity are cleverly played out according to such legalities as joint property, social security, and pensions.

Discussion: Film Programming for QTIPOC
2020-10-15 18:30 - 20:00
A conversation with QTIPOC film programmers from across the UK. We’ll be tackling questions such as: What does it mean to programme for us, by us? What unique and specific challenges are we facing? How do we curate safe and nourishing spaces for our communities? How do we take care of our selves while doing this grassroots work? Guest speakers include queer crip Black fat femme and Fringe! Queer film & arts fest and freelance film curator, Tara Brown, Director of CineQ and Festival Manager of SHOUT Festival, Rico Johnson-Sinclair, and Scottish-Zimbabwean artist, researcher, and curator, Natasha Thembiso Ruwona.
This event is only open to QTIPOC (queer, trans, and intersex people of colour).

Tickets are free. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
BSL interpretation, live captioning, and live audio description provided for the event. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.

Watch Party: The Cancer Journals Revisited
2020-10-16 18:00 - 20:10
The Cancer Journals Revisited is prompted by the question of what it means to re-visit and re-vision Black lesbian feminist poet Audre Lorde’s classic 1980 memoir of her breast cancer experience today. At the invitation of filmmaker Lana Lin, who was diagnosed with breast cancer in 2010, twenty-seven writers, artists, activists, health care advocates, and current and former patients recite Lorde’s manifesto aloud on camera, collectively dramatising it and producing an oration for the screen. The film is both a critical commentary and a poetic reflection upon the precarious conditions of survival within the intimate and politicised public sphere of illness.
Followed by a Q&A with director Lana Lin hosted by Anahit Behrooz. Anahit is an arts journalist based in Edinburgh, currently working as events editor at The Skinny and commissioning editor at Bella Caledonia, with bylines in The List, Girls on Tops, and Club des Femmes among others. Presented in partnership with Scottish Documentary Institute.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have English, Spanish, and German audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
The film is 98 minutes long with a brief introduction at the start, a 5 minute comfort break after the film, and a 30 minute Q&A.
Content notes: discussion of racism including anti-Blackness, violence, cancer, and death.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Workshop: Documentary Filmmaking with Lana Lin SOLD OUT
2020-10-17 16:00 - 18:15
**Please note this event is now sold out.**
Join us for a workshop in collaboration with Scottish Documentary Institute with Lana Lin, a filmmaker, artist, and writer whose creative practice concerns embodied vulnerabilities. Lana’s most recent film The Cancer Journals Revisited is a brave feature prompting the question of what it means to re-visit and re-vision Black lesbian feminist poet Audre Lorde’s classic 1980 memoir of her breast cancer experience today.
The workshop will be broken down into two one-hour sessions. In the first hour Lana will give an overview of her practice, particularly focussing on ethics of documentary filmmaking. For the second half of the session, Lana will workshop a couple of selected projects from submissions. Attendees are welcome to join with or without a film project in the making.

Tickets are free. To book, click the button below. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This workshop has an age recommendation of 18+.
BSL interpretation and live captioning are provided for the workshop.
The workshop is 2 hours long with a 15 minute break in the middle.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.

Watch Party: Transdimensional Voices
2020-10-17 19:00 - 20:30
This collection of shorts uplifts trans* voices and showcases a wide range of trans* identifying talent based within Glasgow. Jamie Crewe’s “The Ideal Bar” — “Le Narcisse” — “Alec’s” touches on experiences of transphobia and LGBTQIA+ solidarity and conflict. Sorcha Clelland presents Where the Red Fern Grows, interrogating performance, queer club space aesthetics, and the consistent demolition of community spaces which seek to aid queer voices. Powder Snowdrop Catatonic is a performance featuring various camp characters by Sgàire Wood. The films cover a multitude of themes, depending on the viewer’s perception of the work.
Curated and hosted by Glasgow-based artist TAAHLIAH. There will be a Q&A with the filmmakers after the screening.

Image credit: Sorcha Clelland’s Where the Red Fern Grows.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have English audio with English language captions. BSL interpretation and live captioning provided for introduction and Q&A.
The films are 32 minutes long with a brief introduction at the start and a 45 minute Q&A.
Content notes: depiction of violence, gruesome imagery, and an animal in distress.

The films in Transdimensional Voices include some loud music and abrasive sound effects, disorientating editing, and flashing lights.

We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.
PROGRAMME
“The Ideal Bar” – “Le Narcisse” – “Alec’s” (2m)
Dir: Jamie Crewe, Country: UK, Year: 2020, Language/s: No spoken language
“The Ideal Bar” – “Le Narcisse” – “Alec’s” is a dramatised exchange between two characters in a Glasgow nightclub, inspired by a sequence in Radclyffe Hall’s The Well of Loneliness in which Stephen Gordon encounters a repellent reflection of herself in a Parisian gay bar. Their exchange is punctuated, as in Radclyffe Hall’s text, by the image of a panting, dying fox. Though it demands compassion, this fox is not real, and its blood looks perhaps more like lipstick. The video is scored by a hyperventilating concertina.
These characters are portrayed by performance maker and ogre Sorcha Clelland, and performance artist and music producer TAAHLIAH. In this version, TAAHLIAH is standing, and Sorcha is seated.
Powder Snowdrop Catatonic (17m)
Dir: Sgàire Wood, Country: Scotland, Year: 2020, Language/s: English and French languages
Produced in one room over the course of a week in the heart of lockdown, Sgàire Wood’s Powder Snowdrop Catatonic is an irreverent pantomime performance of mental deterioration under mandatory quarantine. Summoning a cast of capricious characters, Wood runs a Kübler-Ross style gamut of emotions precipitated by self-isolation, from misanthropic smugness to mind-bending ennui and cabin fever. Seen solely through the narrow lens of a smartphone camera, she dances before the flimsy trompe l’oeil facade of a Victorian parlour, existing in the space between coziness and claustrophobia, flippancy and sincerity. The film’s celebratory intimacy pays tribute to queer, radicalised or feminised practices which, being underrepresented in traditional art spaces, are relegated to the realm of domesticity and how under the circumstances in which the film was produced, have found a new appreciation and importance.
Where the Red Fern Grows (11m)
Dir: Sorcha Clelland, Country: UK, Year: 2020, Language/s: No spoken language
Sorcha Clelland’s Where the Red Fern Grows, titled after Wilson Rawls’ 1961 children’s book about hunting dogs, exists as a love letter to a rave and venue in Ibrox, Glasgow. Filmed at The African Arts Centre in May 2020 during the venue’s demolition and Scotland’s lockdown from COVID-19. The novel begins with an aspiration to heal and a birth of kinship. Character growth is continued through belief in a magic. Performing as SHREK 666, the embodiment of a demonic ogre shifting through monstrous transformation chained to catholicism, he revisits a site and performance which was formerly a scene of Queer Intimacy.
“The Ideal Bar” – “Le Narcisse” – “Alec’s” (2m)
Dir: Jamie Crewe, Country: UK, Year: 2020, Language/s: No spoken language
“The Ideal Bar” – “Le Narcisse” – “Alec’s” is a dramatised exchange between two characters in a Glasgow nightclub, inspired by a sequence in Radclyffe Hall’s The Well of Loneliness in which Stephen Gordon encounters a repellent reflection of herself in a Parisian gay bar. Their exchange is punctuated, as in Radclyffe Hall’s text, by the image of a panting, dying fox. Though it demands compassion, this fox is not real, and its blood looks perhaps more like lipstick. The video is scored by a hyperventilating concertina.
These characters are portrayed by performance maker and ogre Sorcha Clelland, and performance artist and music producer TAAHLIAH. In this version, Sorcha is standing, and TAAHLIAH is seated.

Call & Response: Reading and Writing for the Future
2020-10-18 14:00 - 16:00
A workshop and reading group led by Martha Williams. The discussion and activities will be based around one or more of the texts selected for the Many Black Moons Ago, To Go programme. Texts will be sent to participants prior to the workshop.
The workshop is for Black people only.
Martha Adonai Williams is a writer, facilitator, and community organiser. She is a coordinator for the Black Feminist Bookshop and runs the Black womxn/non-binary writing space, Call+Response.

Free event. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
The event has an age recommendation of 18+.
BSL interpretation, live captioning, and live audio description provided for the event. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival.
The workshop is 2 hours long with a comfort break in the middle.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.

Watch Party: Queer Scotland Shorts
2020-10-18 17:00 - 19:00
We are always proud to present some of the astonishing queer filmmaking made by local talent. This year features meditation on the queer body and its owner’s cultural history, the potential for zine culture to assist in the recovery from mental health difficulties, being censored when writing LGBTQ characters, living as a gay man in the era of 1950s McCarthyism, feminist sci-fi baby-making adventures, love on the mind of an admirer, and Deaf identities.
The screening will be followed by a filmmaker Q&A. There will be an award for Best Scottish Short voted for online by audiences.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
This screening has an age recommendation of N/C 15+.
The films have Arabic and English audio with English language captions. BSL interpretation, live captioning, and live audio description are provided for the event. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival.
The films will be around 1 hour long with a brief introduction at the start and a 30 minute Q&A.
Content notes: discussion of homophobia, misogyny, ableism, mental health issues, and suicide; depiction of homophobia, nudity, grief, and death.

The films in SQIFF Shorts: Queer Scotland include some abrasive sound effects.

We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.
PROGRAMME
Saturnrania (5m)
Dir: Holly McLean, Country: UK, Year: 2019, Language/s: English
A feminist sci-fi adventure documentary following an experimental physicist on her quest to have a baby.
The Fabric of You (11m)
Dir: Josephine Lohoar Self, Country: UK, Year: 2019, Language/s: English
Set in the Bronx, in the era of 1950s McCarthyism, everybody wants to look the same. Michael a gay, twenty-something-year old mouse, hides his true identity while he works as a tailor.
When Isaac enters the shop one day he offers the escapism and love Michael craves. In Michael’s confined apartment, he becomes tormented by the memories of Isaac’s tragic death. Michael’s memories and flashbacks are triggered when he notices Isaac’s jacket draped on the back of a chair. Haunted by the solace Isaac once offered, he struggles to come to terms with his loss.
Let My Body Speak (10m)
Dir: Madonna Adib, Country: UK, Year: 2020, Language/s: Arabic
This documentary is a personal and intimate journey exploring the repression experienced by the filmmaker during her childhood when she faced sexual control in a Damascus also experiencing a growing socio-political repression in the late 80s and early 90s. Through the creative use of family archive in Damascus mixed with current footage of her body she reconstructs the pain of the past absorbed by her body.
What is Wrong with Her? (7m)
Dir: Leah Francisco, Country: UK, Year: 2020, Language/s: BSL and English
Leah finds life and identity by moving past other people’s labels in this British Sign Language poem travelling through time and space. Produced by Solar Bear Theatre company through their digital arts programme, Solar Flares.
Zine There Done That (8m)
Dir: Fergus Cruickshank, Ana Hine, Country: UK, Year: 2019, Language/s: English
As Ana recovers from a serious mental health breakdown, she discovers the potential for zines to rebuild her life and rediscover her voice. This intimate documentary is captured on an eclectic mix of formats to mirror the delicate piecing together of Ana and her connection to the underground mental health zine community in the UK. A tender, creative, and ultimately empowering look at how art can bring people together to take ownership of their lives.
Be Seen (2m)
Dir: Sophie Stone, Country: UK, Year: 2020, Language/s: BSL
Love fully explored in the mind of the admirer. Produced by Solar Bear Theatre company through their digital short programme, Solar Snaps.
All the reasons behind a kiss (3m)
Dir: Aimie Willemse, Country: UK, Year: 2020, Language/s: English
A theatre student gets rebuked for writing LGBTQ+ characters in her zombie apocalypse play as “following the latest trend”, however it turns out, she has a personal reason to do so.
Real Boy (11m)
Dir: Jamie Rea, Country: UK, Year: 2020, Language/s: BSL
All the parts of life from the smallest atom to the meaning of life converge and form into a feeling of completeness within Joe. We share in this journey. Produced by Solar Bear Theatre company through their digital arts programme, Solar Flares.

SQIFF Closing Night Pub Quiz
2020-10-18 20:00 - 23:00
Join us for the closing night event of SQIFF 2020. Test your queer culture knowledge with our fun and accessible quiz covering everything from camp classics to contemporary movie controversies – plus some sport, music & history, all with an LGBTQIA+ flavour! You can join in with or without a team. There will be some exciting prizes on offer! We’ll also announce the winner of this year’s Best Scottish Short and say our heartfelt thank yous and tearful goodbyes to this year’s fest.
Quiz teams of up to 4 people. If you are in separate households, you will need an alternative way to communicate as we are running the Quiz via Zoom Webinar for access reasons. This means audiences will have their videos and sound off and can’t communicate with each other.

Tickets are on a sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below. You can book a ticket up to one hour before the start time. We will send out a Zoom link for the event to ticket holders a day or two beforehand.

ACCESS
BSL interpretation, live captioning, and live audio description are provided for the event. We will send instructions on how to access the live AD to all ticket holders before the event. Contact us by emailing info@sqiff.org if you would like any more information about live AD during the Festival.
The quiz will be 3 hours long with comfort breaks throughout.
We have a limited access fund to assist people with no or limited internet access to attend the Festival. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2020, please contact info@sqiff.org.
Tickets
Tickets for most live events are on a sliding scale of FREE, £2, £4, £6, or £8. Our sliding scale allows you to choose what to pay based on what you feel you can afford. No evidence or proof of circumstances is required. If you can afford to pay more, we really appreciate it as we rely on this income to pay queer people fairly for their work and keep the festival going.

Sanctuary shorts in association with SQIFF + Q+A
2021-10-03 18:00 - 20:00 | Online
This community-curated programme* explores the acceptance of identity, self, and of the world around us, while highlighting the universal experience of being queer–with a special focus on being lesbian. The films’ instinctive narratives show the lows of being ‘othered’, and the highs of finding a safe space within that, no matter what age, country, or time period. Join us for powerfully diverse stories, told with heart, honesty, and a perfect amount of humour. You’ll leave the event with a new community of queer film-lovers: your very own sanctuary.
*Back in July, Sanctuary collaborated with SQIFF producer and co-founder Helen Wright to offer 2 online workshops for LGBTQIA+ people, aged 18+, to learn about film programming. Participants worked together to watch a selection of queer short films and make decisions about a final shorts programme. Thanks to Ewan McPherson, Kate Hammer, Liam Rees, JD Stewart, Merik Tiz, Ben Cave, Beth Cooper, Jonathan McLean, Vee Smith and Sand Owsnett.
This is a free event. Book tickets using the button below.

ACCESS
We’ll be using Zoom Webinar for this screening event and Q&A. Audience members will be able to interact with the discussion through the chat function. Once you book a ticket you’ll be sent a link to access the event, 24 hours before the event starts.
The films are in a mixture of spoken languages with English language captions and the Q&A will have live captions and BSL-English interpretation available. The event is suitable for ages 16+. If you have any questions or access requests for this event, please get in touch by emailing info@sqiff.org.
The total films running time is 1 hour 25 minutes.
This film and discussion may include reference to: mental health breakdown, homophobia, transphobia, alcohol or substance addiction. We appreciate this list is not comprehensive and encourage you to confidentially get in touch if there is a particular subject matter not listed you wish to avoid: hello@sanctuaryqueerarts.com.
PROGRAMME
The Way We Are (16m)
Dir: Amanda Ann-Min Wong, Country: Canada, Year: 2020, Language/s:
English
“The Way We Are” shares excerpts of stories from audio interviews with 4 queer Asian women: Katherine Chun, Wenda Li, Tamai Kobayashi, and Nancy Seto. Told in the present-tense, these stories are arranged in a way that explores the past as the present, and in doing so, immersing viewers into the real-lived experiences from a different generation.

A Story of Wedding (27m)
Dir: Wei Zhao, Country: France, Year: 2021, Language/s: Mandarin
To satisfy their families, Huanlin, a gay man, and Ziqiao, a lesbian, have agreed to have a marriage of convenience, which will be held online due to the pandemic. In addition, they have also agreed to have and raise a baby together. However, this decision is changing their lives before they know it.

Fora de Época | Out of Place (13m)
Dir: Drica Czech, Laís Catalano Aranha, Country: Brazil, Year: 2020,
Language/s: Portuguese
2018: Brazil’s general election. Emotionally shaken by the possibility of Bolsonaro being elected, a young lesbian takes refuge in her family’s farm. As she tries to understand why her mother spent the last days of her life alone in the old house, she is faced with revelations about her own story.

Subjekträume (Subject Spaces) (29m) Dir: Kat Voss, Country: Germany, Year: 2020, Language/s: German
Leather, metal, fur: Pelze Multimedia, West Berlin 1981-1996, provided a space for art, musix, sex parties, experiments. A glimpse into an almost forgotten site of lesbian/queer history.

SQIFF 2021 Opening Night Shorts SOLD OUT
2021-10-06 18:30 - 20:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
**Please note this event is now sold out – we may be able to release more tickets nearer the screening**
Our festival opens this year with the first of our 2021 Scottish Shorts programmes, including multiple works giving a taster of the many themes to expect from the festival.
Featuring a poetic film in British Sign Language (Affirmation #6), selections from queer Black artists from Fringe of Colour (Ixwa Blue, Space 2: We’ve Come A Long Way, black queer nature poem for khadijah (and all of us)), sweet musings on trans life in Glasgow (You can run), and lots more. We hope that there will be something for everyone in our multifaceted queer community on our opening night.
Curated by Nat Lall. We hope to welcome several of the filmmakers for a Q&A. All ticket holders are invited to join us for a drink at CCA after the screening.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below or call the CCA Box Office on 0141 352 4900.

ACCESS
This screening has an age recommendation of N/C 12+.
English and Portuguese audio with English language captions. BSL-English interpretation by Lisa Li and live captioning by Louisa McDaid provided for the intro and Q&A.
Audio description available. Headsets available at the cinema entrance.

The films are 60 minutes long with opening night speeches at the start and a Q&A afterwards.
We have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2021, please contact info@sqiff.org.
Audio Description Credits for short film ixwa blue:
Performed by Sri Gordon, written by Elizabeth Capot, QC by Stephen Christopher, Production and Sound Engineering by Stephen Kellner
Audio Description Credits for short film Space 2:
Performed by Sri Gordon, written by Elizabeth Capot, QC by Stephen Christopher, Production and Sound Engineering by Stephen Kellner

A New Chapter Begins
2021-10-09 18:30 - 20:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
SQIFF is proud to present a showcase of films from deaf filmmakers telling stories of love, understanding, and courage. In each of these short films, we see human beings reaching out to connect with one another through sign language, endeavouring to discover not only themselves but a larger truth. We are reminded in the journey of each character and story that love is not limited to the words we speak but is greater than ourselves and transcends the language we use.
Curated by Jamie Rea. We are happy to be joined by filmmakers Teresa Garratty and David Ellington for a Q&A after the films.
The Q&A for this event will be live-streamed online and open to all. The shorts programme will also be available to rent online from SQIFF’s Vimeo on Demand channel 2 to 10 October.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below or call the CCA Box Office on 0141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
English and French audio and British and American Sign Language with English language captions. BSL-English interpretation by Catherine King, Yvonne Strain, Katy Smillie, and Lisa Li and live captioning by Louisa McDaid for intro and Q&A.

53 minutes long with a Q&A afterwards.
We have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2021, please contact info@sqiff.org.

Poetics of the Visual SOLD OUT
2021-10-09 20:45 - 22:15 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly to be added to this!**
An evening of visually striking films that offer us a space to explore what it is to be a human being through a visual poetic medium. Each work uses a diverse way to express ideas of human feelings, thoughts, and voices in beautiful and startling ways. Dialogues, monologues, and poetry fill this programme. Featuring Em Johrden’s poetic documentary on trans folks’ relationship with their own bodies and identities focusing on aspects of euphoria and joy in it belongs to me.
Curated by Jamie Rea.
Followed by a conversation about the ideas raised in the screening.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below or call the CCA Box Office on 0141 352 4900.

ACCESS
This screening has an age recommendation of N/C 18+.
English audio and British Sign Language with English language captions. BSL-English interpretation by Catherine King and Yvonne Strain and live captioning by Louisa McDaid for intro and post-film conversation.
Audio description available. Headsets available at the cinema entrance.
54 minutes long with a post-film conversation.
We have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2021, please contact info@sqiff.org.

Workshop: Unlocking Your Imagination with Joe Dunn
2021-10-10 15:00 - 17:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Artist Joe Dunn hosts a workshop on exploring creativity and identity through the art of collages and getting messy and creative with tee shirts! No restrictions on imagination. Attendees can bring their own materials along such as newspapers, magazines, or old books, and any art supplies they wish to use. There will also be materials provided.
Curated by Jamie Rea. The workshop will be in BSL with BSL-English interpretation and live captioning available. Please note the workshop prioritises deaf and hard of hearing participants.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below or call the CCA Box Office on 0141 352 4900.

ACCESS
Ages 16+.
BSL-English interpretation by Yvonne Strain and David Allan and live captioning provided.
120 minutes long.
We have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2021, please contact info@sqiff.org.

Closing Film: Changing the Game with LEAP Sports Scotland SOLD OUT
2021-10-10 18:30 - 20:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly to be added to this!**
Changing the Game (Michael Barnett, 2019) follows the lives of three trans teen athletes in the USA. Sarah is a skier and activist policymaker; Andraya is a track star; and Mack is the Texas State Champion in wrestling. This documentary takes us into their personal lives and showcases the challenges faced by trans teens in sports.
It is an incredible exploration into intersectional identities in sports. In partnership with LEAP Sports Scotland, and followed by an exploration of the myths presented throughout the film and how local LGBTQIA+ sports activists’ experiences in Scotland compare.
All ticket holders are invited to join us for a drink at CCA after the screening.
This film will also be available to rent from SQIFF’s Vimeo on Demand channel 2 to 10 October.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, or £8. To book, click the button below or call the CCA Box Office on 0141 352 4900.

ACCESS
This screening has an age recommendation of N/C 15+.
English audio with English language captions. BSL-English interpretation by Lisa Li and live captioning by Louisa McDaid provided for the intro and Q&A.
Audio description available. Headsets available at the cinema entrance.
95 minutes long with closing night speeches at the start and a Q&A afterwards.
We have an Audience Access Fund for travel and internet data top-up costs. If you would like to take this up, please contact info@sqiff.org.
If you have any questions about accessibility at SQIFF 2021, please contact info@sqiff.org.

Workshop: d/Deaf approaches to Filmmaking with Jamie Rea
2022-10-21 12:00 - 14:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Artist Jamie Rea hosts a workshop on d/Deaf approaches to filmmaking, creating a networking experience for deaf and hard of hearing queer filmmakers of all levels of expertise. This session will be used to discuss intersectional identities and their influence in filmmaking. All materials will be provided.
The workshop will be in BSL with BSL-English interpretation, and live captioning as well as induction loop available. Please note the workshop prioritises deaf and hard of hearing participants.
Supported by Film Hub Scotland, part of the BFI’s Film Audience Network, and funded by Screen Scotland and National Lottery funding from the BFI.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click the button below or call the CCA Box Office on 0141 352 4900.

Accessibility:
Live Captioning
Induction Loop
BSL-English Interpreter
Wheelchair Accessible
Quiet Space in the Intermedia Lab at the CCA
Audience Travel and Access Fund
If you would like to discuss any access needs, please get in touch with us at info@sqiff.org.

SQIFF Queer Filmmakers Group
2023-07-01 16:00 - 18:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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Are you a queer filmmaker wanting to meet other queer filmmakers and develop project ideas together?
The SQIFF Queer Filmmakers Group is an initiative to bring local queer filmmakers together for monthly two-hour group sessions to network and support each other in the development of film projects. These sessions will be facilitated by a SQIFF member. We aim to grow the group in the future to become a collective of queer filmmakers in Glasgow.
The group is open for any level of filmmaking and we really encourage people just starting out in the medium to come along.
We got enough funding to run the monthly SQIFF Queer Filmmakers Group sessions until June 2024, hope to see you all in every single session. Moreover, during one of the sessions later this year, we will run a short films pitch contest and we will be giving £500 to contribute towards the production of two films.
Session (1/12)
Supported by the National Lottery Community Fund.
Tickets are FREE. To book, click here

Accessibility:
BSL-English interpretation for the whole event.
Relaxed event.
Wheelchair Access.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the event if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.

SQIFF Queer Filmmakers Group
2023-08-12 16:00 - 18:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Listen to this Event Page
Are you a queer filmmaker wanting to meet other queer filmmakers and develop project ideas together?
The SQIFF Queer Filmmakers Group is an initiative to bring local queer filmmakers together for monthly two-hour group sessions to network and support each other in the development of film projects. These sessions will be facilitated by a SQIFF member. We aim to grow the group in the future to become a collective of queer filmmakers in Glasgow.
The group is open for any level of filmmaking and we really encourage people just starting out in the medium to come along.
We got enough funding to run the monthly SQIFF Queer Filmmakers Group sessions until June 2024, hope to see you all in every single session. Moreover, during one of the sessions later this year, we will run a short films pitch contest and we will be giving £500 to contribute towards the production of two films.
Session (2/12)
Supported by the National Lottery Community Fund.
Tickets are FREE. To book, click here

Accessibility:
BSL-English interpretation for the whole event.
Relaxed event.
Wheelchair Access.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.

SQIFF Queer Filmmakers Group
2023-09-02 16:00 - 18:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
Listen to this Event Page
Are you a queer filmmaker wanting to meet other queer filmmakers and develop project ideas together?
The SQIFF Queer Filmmakers Group is an initiative to bring local queer filmmakers together for monthly two-hour group sessions to network and support each other in the development of film projects. These sessions will be facilitated by a SQIFF member. We aim to grow the group in the future to become a collective of queer filmmakers in Glasgow.
The group is open for any level of filmmaking and we really encourage people just starting out in the medium to come along.
We got enough funding to run the monthly SQIFF Queer Filmmakers Group sessions until June 2024, hope to see you all in every single session. Moreover, during one of the sessions later this year, we will run a short films pitch contest and we will be giving £500 to contribute towards the production of two films.
Session (3/12)
Supported by the National Lottery Community Fund.
Tickets are FREE. To book, click here

Accessibility:
BSL-English interpretation for the whole event.
Relaxed event.
Wheelchair Access.
We have an Audience Access Fund for travel costs. If you would like to take this up, please contact info@sqiff.org.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. Surgical masks will be available for free by the Quiet Space.
If you have any other access needs you would like to discuss with us, please get in touch with us at info@sqiff.org.

Are you into emotional edging?
2023-09-27 15:30 - 17:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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Join us for a journey of conscious and unconscious thoughts. This screening features distinct experimental shorts made by trans and non-binary people that focuses on the varied ways our community tell stories of forming and navigating relationships, both digitally and in real life.
The films in this programme utilise archival footage, found footage, digital glitch, chemical abstraction, digital animation, layered imagery, and direct animation to explore the telling of our stories.
Milo Clenshaw will be hosting a panel discussion after the screening with special guests Hogan Seidel, director of The Backside of God, and Jamie Crewe, director of A Luxury.
Curated by Indigo Korres.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

A Luxury (2021, Dir. Jamie Crewe): A film commssioned by Edinburgh International Book Festival, 2021, in response to Shola Von Reinhold’s novel LOTE (2020). Made in homage to Curtis Harrington’s film The Wormwood Star (1956), a portrait of the artist Cameron, the film finds Shola in the attic of Preston Hall, Midlothian, undergoing a transportation. A section of LOTE is read over churning abstract liquids, and finally an escape.
A Trans with a Movie Camera (2018, Dir. Frances Damian Arpaia): A non-narrative cine-essay that collaboratively explores the potentials for trans-feminine representation in film.
The Backside of God (2020, Dir. Hogan Seidel): The Backside of God is an experimental documentary utilizing archival footage, digital glitch, chemical abstraction, and direct animation to explore the intricacies of the artist’s relationship with their familial, religious, and queer identity.
Bigger on the Inside (2022, Dir. Angelo Madsen Minax): From an isolated wooded cabin a trans man star gazes, scruff chats with guys, watches youtube tutorials, takes drugs, and lies about taking drugs – feeling his way through a cosmology of embodiment. Relative to the immensity of longing, the bodily insides become both portal and lens through which to probe the porousness between interior and exterior, the micro and macro. Nudes and landscapes are equally erotic, as Eros is an issue of boundaries: When i desire you, a part of me is gone.

ACCESSIBLITY
Content Warnings:

Discussion of transphobia, misogyny, religious views, homophobia, emotional edging, mental health, sex;
Depiction of masturbation, sex.

Access Notes:

Glitchy imagery

This screening has an age recommendation of N/C 16+.
61 minutes long with a Q&A after the screening.
English, Latin, Portuguese, and Vietnamese audio and screens with English language captions. BSL-English interpretation and live captioning provided.
Audio description available for the film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact by emailing info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Bigger on the Inside (2022, Dir. Angelo Madsen Minax)

Kokomo City
2023-09-28 15:30 - 17:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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Kokomo City presents the stories of four Black transgender sex workers in New York and Georgia. Shot in striking black and white, the boldness of the facts of these women’s lives and the earthquaking frankness they share complicate this enterprise, colliding the everyday with cutting social commentary and the excavation of long-dormant truths. Unfiltered, unabashed, and unapologetic, D. Smith and her collaborators offer a refreshing rawness and vulnerability unconcerned with purity and politeness.
In honour of Koko Da Doll, this screening is hosted by House Ball Scotland, holding an aftercare space which will be detailed on the evening.
House Ball Scotland is a QTIBIPOC-led community and platform for the underground ball scene in Scotland.
Co-curated by Nusa.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
Content Warnings:

Discussions of abuse, violence, trauma, transphobia, racism, sex work.

This screening is recommended for ages 18+
73 minutes long with an optional aftercare space.
English audio with English captions. BSL-English interpretation and live captioning provided.
Audio description is available for this film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Kokomo City (2023, Dir. D Smith)

Fleeting Love
2023-09-28 18:00 - 20:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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‘Fleeting Love’ is a collection of short films that capture brief (but tender) romantic encounters. Expect sepia-toned super 8 clips, wind blowing through long hair, lustful stares and tugs on your heartstrings. The pace of the films in the selection ebbs and flows with runtimes ranging from 3 to 20 minutes. Films such as Swimming in the Dark bring slower romantic builds alongside slow rippling water. Whereas the closing film Strangers is the shortest of the collection and follows two lovers clinging on to each other as they zoom past the camera on a motorbike.
Curated by Nat Lall.
The screening starts with poetry from local queer poet Hatty Nestor.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

Heart Fruit (2022 , dir. Kim Allamand): Late summer heats up the city where people search for their own form of love.
Dreaming of You (2023 , dir. Andrzej Kosma Perliński): A Polish-Danish story of a cross-cultural encounter during a winter night in 1986. It’s a dreamy reminiscence focusing on the choreography of glances, breaths, and communication beyond language when meeting a magnetic stranger. The fantasy starts to prevail with the night getting darker, but will it still be there at sunrise?
Swimming in the Dark (2022, dir. Pin Ru Chen): When the swimming competition is coming, Wen is under lots of pressure. Ann who is inseparable from her found out something different. To confront Wen’s closure and trauma, Ann decides to be closer to Wen. But, when she gets closer to Wen, it pushes them further…
i get so sad sometimes (2021 , dir. Trishtan Tala Perez): In the small town of Pagadian, a gay teenager eagerly waits for a mature man to reveal his face after developing an anonymous sexual relationship with him online.
Scaffold (2023 , dir. Billy Klotsa): Fragments of bereavement and collapsing love appear in an isolated house between the land and the sea. Death arrives. The landscape shivers. What holds us close in moments of rupture?
Strangers (2022 , dir. Ahan Kadam): Moments like seeing an ex-partner at a gas station are always filled with a deep sense of nostalgia and sadness, the tragedy of seeing someone you once knew so intimately now be a complete stranger to you.

ACCESSIBLITY
Content Warnings:

Discussions of sex, self-harm
Depiction of sex, cigarette use

This screening is recommended for ages 16+
94 minutes long with a poetry reading before the screening.
Danish, English, German, Mandarin Chinese, Polish, Swiss German, Tagalog audio with English captions. BSL-English interpretation and live captioning provided for the intro and poetry.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Heart Fruit (2022, Dir. Kim Allamand)

Queer East Presents: Alien Body, Human Dreams - SOLD OUT
2023-09-28 18:30 - 20:30 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly to be added to this!**
A series of cinematic investigations that centre the body as a potent site of hybridity, rejecting false divisions of man/woman, human/animal/alien, self/other to construct their own embodied, multifaceted ways of being. Artists in this programme purposefully employ queering as a technique to misread, re-appropriate, and puncture the systems of power projected onto the body.
In these works by queer Southeast and East Asian filmmakers, we meet a speculative reality where human body parts are sold in food trucks and witness a dance-fight between a lion dancer and a contemporary dancer. Bodyhacking, ritualising, and ceremonialising is used to knead cosmologies, folding knowledges in upon themselves.
Curated by April Lin 林森
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

to boyhood, i never knew him (2022, dir. Trâm Anh Nguyễn): Words from a transgender man float to the surface as fleeting memories go on.
Longing for the Sun to Set Upwards (2022, dir. Jao San Pedro): An ode to the multiplicity, mutability, and expansion of what constitutes a body and a self, through imaging and technological mediations.
beast (2022, dir. Aileen Ye): A martial arts inspired dance-fight between a lion dancer and queer performer reflects the tension between traditional and modern identities.
Disease of Manifestation (2011, dir. Tzu-An Wu) The work builds itself towards the anarchistic conditions of the inner scenes, can also be seem as a wrong-manifesto.
Yummy Body Truck (2021, dir. Noam Youngrak Son) A fictional food truck selling human body parts mixed with other organisms in a biotechno-queer fantasy of interspecies mixing.
BXBY (2022, dir. Soojin Chang) In this self-recorded performance blending documentary and ritual practice, a hybrid creature attempts reproduction.
Garden Amidst the Flame (2022, dir. Natasha Tontey) A playful and imaginative fantasy that challenges the hypermasculine presentation of Minahasan ritual culture and everyday life.

ACCESSIBLITY
This screening contains strobing lights, distorted imagery, distorted voice.
Content Warnings:

Discussions of cannibalism, direct reference to terminated pregnancy
Depiction of animated detached human parts, fake body parts being eaten, animal parts, recording of the inside a human bodysex, self-harm, distressing scenes, contains graphic reproductive content, imagery of the culling and dissection of a deer.

BXBY Content Warning (please note this may contain spoilers)
BXBY contains explicit content, including a close-up of a person using a speculum on themself and inserting a tube into their vagina (in a later scene they inject fluid into their vagina) and the graphic disembowelment and dismembering of a recently killed deer, which is revealed to be pregnant.
This screening is recommended for ages 16+
93 minutes long
Chinese, English, French, Indonesian audio with English captions. BSL-English interpretation and live captioning provided.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from BXBY (2022, dir. Soojin Chang)

Sex Change: Shock! Horror! Probe! with TGirlsonFilm - SOLD OUT
2023-09-28 21:00 - 23:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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**Please note this event is now sold out – we may be able to release more tickets nearer the screening. CCA Box Office are operating a waiting list for sold out events – please contact them directly to be added to this!**
Thatcherite Britain, 1989 and transexuals are fighting back. Cabaret star, Adele Anderson is facing a transphobic backlash after being cruelly outed by the press. Meanwhile in Manchester, Stephanie Anne Lloyd is a successful trans business woman selling gender affirming products to a huge cross dressing clientele, with shoulder pads and gusto. The European Court faces Mark Rees as he argues his case to be legally seen as male, whilst Christine Goodwin hurtles round East London driving a bus. The first trans MP, Racheal Webb, attempts to reclaim the guardianship of her child since transitioning. Director Kristiene Clark fought back against the transphobic media, with an appeal to gender liberation.
Director Kristiene Clark will join us for an exclusive Q&A after the screening.
Curated by Jaye Hudson.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
Content Warnings:

Discussion of sexual assault, transphobia, surgery and suicide.

This screening is recommended for ages 16+
58 minutes long with a Q&A after the screening.
English audio with English captions. BSL-English interpretation and live captioning provided for the intro and Q&A.
Audio description is available for this film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Sex Change: Shock! Horror! Probe! (1988, Dir. Kristiene Clark)

Building Community with LGBT Unity
2023-09-29 12:30 - 14:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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In the summer of 2023, SQIFF and LGBT Unity hosted filmmaking workshops for queer asylum seekers and refugees. The workshops were facilitated by filmmakers Campbell X and Ambroise of Paradax Period, and focused on not only storytelling, filming and editing, but also building community and creating accessible ways to make films.
In this screening, we bring you all the shorts made during this workshop series, followed by a small Q&A where Campbell X and Ambroise talk about this process with some of the participants.
Presented in partnership with LGBT Unity Scotland, a community-led group providing essential support to LGBTQIA+ refugees, asylum seekers, and other migrants.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
Content Warnings:

Depiction of date rape drug, being outed, drug use, alcohol use, suicide attempt;
Discussion of persecution, transphobia, abuse, assault, homophobia, conversion therapy, mental health issues.

This screening has an age recommendation of N/C 16+.
30 minutes long and a Q&A after the screening.
English and Portuguese audio and screens with English language captions. BSL-English interpretation and live captioning provided for the intro and panel discussion.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from SQIFF x LGBT Unity

Come Back to the 5 and Dime, Jimmy Dean Jimmy Dean with TGirlsonFilm
2023-09-29 15:00 - 17:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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Five girlies reunite at a five-and-dime for the 20th anniversary of James Dean’s death. They all gossip and process where life has led them over a cup of coffee, the film features five female leads, one of which is Cher and another is a glamorous transexual. Based on a play and directed by Robert Altman, this is trans director Kristiene Clarke’s favourite trans representation.
Curated by Jaye Hudson. Presented with TGirlsonFilm and Introduction by Kristiene Clarke.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
Content Warnings:

Depiction of transmisogyny, ableism, outdated language and sexism.

This screening has an age recommendation of BBFC 15.
109 minutes long.
English audio and screens with English language captions. BSL-English interpretation and live captioning provided.
Audio description available for the film. Headsets available at the cinema entrance.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Come Back to the 5 and Dime, Jimmy Dean Jimmy Dean (1982, Dir. Robert Altman)

Animation Now
2023-09-29 18:00 - 20:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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‘Animation Now’ celebrates a new generation of queer animators. The programme includes both 2D and 3D animation in the form of narrative shorts, experimental art film and an immersive game walkthrough.
The screening starts with the heartfelt 3D animation Dear Nana telling the story of the narrator’s late grandmother who was a supportive figure throughout their life. Clotilde follows in a stop-motion animated medium and provides a playful light-hearted moment in the programme.
The screening ends with a panel featuring some of the filmmakers in the programme on the newest wave of digital animation. Expect talk of gaming-inspired filmmaking.
Curated by Nat Lall.

Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

Dear Nana (2023, Dir. Han Nguyen): Dear Nana is a deeply personal work that reflects my own childhood memory of living as a queer kid in a small, conservative town in North Central Coast, Vietnam. It is made in memory of my maternal grandmother who passed away in 2011. She was the first person to teach me that there is no shame in being myself and doing whatever makes me happy instead of trying to conform to the norm and doing what is expected of me. This work is both about remembering her and reassuring myself that she would still be supportive of me now that I have come so far in my journey of self-expression. The film also features aspects of Vietnamese culture, such as the tradition to venerate our ancestors and pray for their blessings.
Clotilde (2023, Dir. Maria João Lourenço): In a planet where reproduction is mandatory in the daily life of its inhabitants, there is an alien who just wishes to pleasure herself.
White-Haired Witch and Black-Haired Witch (2023, Dir. Yini Yang): In a distant corner of the universe, amidst flowers, vines, and an endless expanse of crimson water, numerous placentas float. One of the placentas connects two fetuses, and in a flash of lightning, the placenta is divided into two halves. From one of the halves, a white-haired witch grows gradually, longing to find the other half of the fetus but unable to locate it. Consequently, it gives birth to a black-haired witch from its own body to coexist. One day, the black-haired witch embarks on a journey, leaving behind a letter documenting its travels for the white-haired witch. While waiting, the white-haired witch finds answers and returns to the primordial dream.
Living with It (2023, Dir. Holly Summerson): Perfectionist Lee (Annabelle Davis) must adapt to the imperfect reality of living with an illness – brought to life as a chaotic supernatural flatmate – Bug (Lawrence Chaney). Accepting the long-term effects of illness – and making the best of an imperfect situation – are explored through the relationship between two dysfunctional flatmates in this dark comedy animated short.
Coming Out Autistic (2023, Dir. Steven Fraser): Coming out Autistic is a short animated documentary that explores the experience of telling the world that you are autistic when you also identify as LGBTQ+. Queer coming out stories are well documented, but the occurrence of telling friends, family, co-workers and strangers that you are autistic is less explored. Parallels with queer experiences are investigated and a wide range of individuals are interviewed to express the array of feelings and reactions that are encountered.
Desire’s Exhibition (2023, Dir. Salmo Pagão): With the aim of finding Desire, so-and-so performs a ritual to go down in the depths of himself. There he came across an exhibition of Desire’s works which had until then haunted his dreams and non-dreams in land. It is important to him confront the works, recognize them, and rise with crucial answers.
A mother’s love for her baby (2022, Dirs. Éiméar McClay & Cat McClay): Using a combination of 3D animation and experimental prose, A mother’s love for her baby explores the corruption and conditions endemic in the Magdalene Laundries and mother and baby homes run by the Catholic church in Ireland throughout the 20th century. Influenced by Saidiya Hartman’s concept of “critical fabulation” – the use of storytelling to fill the gaps left in historical records – the film advocates for a bottom-up form of historiography: centring historically marginalised voices of Irish women and critiquing the structures of power that (re)produce their dispossession.
Junior & The Kid (2023, Dir. Dani Wasserman): Junior & The Kid is a sparse retelling of a fictional love affair between an unnamed western cowboy and 90s baseball superstar and heartthrob Ken Griffey Jr.
Where the Mouth is (Machinima Version) (2022, Dir. Benjamiin Hall): Set in the Saxon-era archipelago once where Oxford now stands, “Where the Mouth” is (re)builds Oxfordshire as an interactive world outside of time, leaping off from the collections of the public Museum of Oxford. You are let loose in the swampy terrain to observe the local tradition of ‘beating the bounds’ – marking parish boundary stones with a stick in order to embed them in the memory of the town’s residents. The mouth of that collective memory has issued many truths, half-truths, desires, cries, anecdotes, apocryphal stories, and tiny reminders of a future from the past.
Originally commissioned by the Museum of Oxford and Digital Artist Residency, with later support from Bloomberg New Contemporaries Digital Fellowships; Soundtrack by Peter Talisman (Slugabed and Samuel Organ) as mixed from their 2021 album ‘Lord of the Harvest’; Movement/ motion capture performance by Anya Sirina; Special thanks to Tom Milnes.
Patches (2021, Dir. Georgie Athanasopoulos): Outcast due to physical differences, a lonely little boy in the 1920’s makes an unlikely friend and finds belonging through sacrifice.
The Prince’s Dilemma (2023, Dir. Devin Rowe): The film follows Prince Philip, who longing to be with a prince of his own, must decide to follow the traditional tale expected of him or forge his own happily ever after.

ACCESSIBLITY
Content Warnings:

Discussion of living with a chronic illness;
Depictions of animated genitalia, animated masturbation.

This screening has an age recommendation of N/C 16+.
74 minutes long with a Q&A after the screening.
English, Latin, Portuguese, and Vietnamese audio and screens with English language captions. BSL-English interpretation and live captioning provided for the intro and panel discussion.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact by emailing info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Coming Out Autistic (2023, Dir. Steven Fraser)

Queer East Presents: Peafowl 공작새
2023-09-29 21:00 - 23:00 | Centre for Contemporary Arts, 350 Sauchiehall Street, Glasgow, G2 3JD, United Kingdom
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Shin-myung is a transgender woman and dancer who competes in waacking. Having cut ties with her family and rural hometown, Shin-myung seeks various ways to fund her gender reassignment surgery. But one day, she is informed that her estranged father, a master of Nongak folk music, has died. He stipulated that Shin-myung can receive her inheritance money if she returns to the village and performs a traditional drum dance, as part of his memorial rituals. Unwilling to yield to her intolerant father’s posthumous demands, the unapologetic Shin-myung is forced to reluctantly reconnect with her past while staying true to herself. Driven by an empowering vision of trans identity, this assured debut feature from Byun Sung-bin contemplates the possibilities – and limits – of forgiveness.
Tickets are on a pay what you can sliding scale of FREE, £2, £4, £6, £8, or £10. To book, click here or call the CCA Box Office on 0141 352 4900.

ACCESSIBLITY
This screening has an age recommendation of N/C 16+.
115 minutes long.
Korean audio with English language captions. BSL-English interpretation and live captioning provided.
We have an Audience Access Fund for travel. If you would like to take this up, please visit the access desk at the entrance of the CCA, or contact info@sqiff.org.
You can find out more information about accessibility at SQIFF 2023 here. If you have any questions about accessibility at SQIFF 2023, please get in touch with us at info@sqiff.org or by phone on 07873 331 036.
We ask that you wear a mask if possible and please don’t attend the screening if you have any symptoms of Covid-19 or have been in recent contact with a confirmed case. FFP2 masks will be available for free around the building.
Image: from Peafowl 공작새 (2022, Dir. Byun Sung-bin)
