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X-WR-CALDESC:Events for SQIFF
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TZOFFSETTO:+0000
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DTSTART:20180101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T183000
DTEND;TZID=UTC:20191002T193000
DTSTAMP:20190922T110341Z
CREATED:20190802T105844Z
LAST-MODIFIED:20190922T110341Z
UID:9078-1570041000-1570044600@www.sqiff.org
SUMMARY:Autism-friendly Opening Night Shorts
DESCRIPTION:We are putting on an autism-friendly screening of our Opening Night Shorts programme. Autism-friendly screenings are designed to make the cinema more inclusive and accessible for people with sensory sensitivities\, and others who can benefit from this environment. We will not book the cinema more than half full. Lights will be left on low and sound turned down. People are welcome to make noise and move around. We will have a Quiet Space in the Intermedia Gallery on the top floor of CCA available for anyone to take some time out. \nThe programme features a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610490/events/129085544′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nAll films have English audio with English language subtitles/captions. Hearing loop available. \nFilms are largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBodies Like Oceans (13m)\nDir. Kat Cory\, Country: USA\, Year: 2019\, Language/s: English\nA dreamy portrait of photographer Shoog McDaniel\, a self-described queer fat freak\, whose work with fat bodies in nature transgresses reality. \nContent note: Discussion of racism\, misogyny\, and fatphobia. \nAdam and the Alphas (12m)\nDir. Stuart Thomas Graham\, Country: UK\, Year: 2019\, Language/s: English\nMade by students on the 2019 Documentary Production course at Stirling University. \nContent note: Discussion of homophobia. \nI AM! We Are Here! (7m)\nDir: Seyi Adebanjo\, Country: USA\, Year: 2018\, Language/s: English\nI AM! We Are Here! multimedia project documents the vitality and spirit of Queer\, Trans* and Gender Non Conforming People of Color in the Bronx. \nContent note: None. \nUnspoken (17m)\nDir: Patrick G. Lee\, Country: USA\, Year: 2019\, Language/s: English\nUnspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents\, and this film is their way of doing so. \nContent note: Discussion of homophobia and transphobia. \nWe Are Here (12m)\nDir. Ellie Hodgetts\, Country: UK\, Year: 2019\, Language/s: English\nThis documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go. \nContent note: Discussion and depiction of homophobia and transphobia\, including scenes of violence. \nButton OUT! (4m)\nDir: Kathleen Mullen\, Country: Canada\, Year: 2018\, Language/s: English\nButton OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto. \nContent note: Reference to sex\, homophobia\, transphobia\, and racism.
URL:https://www.sqiff.org/event/autism-friendly-opening-night-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Autism-friendly,Bisexual,Documentary,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/07/opening_shorts_autism-e1564742015859.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T190000
DTEND;TZID=UTC:20191002T210000
DTSTAMP:20191001T095036Z
CREATED:20190802T105823Z
LAST-MODIFIED:20191001T095036Z
UID:9074-1570042800-1570050000@www.sqiff.org
SUMMARY:SQIFF 2019 Opening Night Shorts
DESCRIPTION:Sold Out – we can’t guarantee but there’s a good chance of returns if you come on the night 15 minutes before the event \nWe launch the Festival with a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. Adam and the Alphas depicts the camaraderie of gay rugby team\, the Glasgow Alphas. Bodies Like Oceans follows self-described queer fat freak and photographer\, Shoog McDaniel. I AM! We are Here! presents portraits of Queer\, Trans* and Gender Non Conforming People of Colour in the Bronx\, whilst Unspoken sees queer and trans Asian Americans writing emotional letters to their families. We Are Here follows members of the Manchester House of the Sisters of Perpetual Indulgence\, and Button OUT! is an animated homage to Canadian filmmaker Kathleen Mullen’s history of protest through the Canadian Lesbian and Gay Archives’ massive button collection. \nWe hope to welcome several of the filmmakers for a Q&A. Followed by a drinks reception at CCA sponsored by Drygate Brewing Co. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610489/events/129085543′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nAll films have English audio with English language subtitles/captions. The introduction and Q&A will be BSL interpreted. Hearing loop available. \nAudio description available. Films are otherwise largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBodies Like Oceans (13m)\nDir. Kat Cory\, Country: USA\, Year: 2019\, Language/s: English\nA dreamy portrait of photographer Shoog McDaniel\, a self-described queer fat freak\, whose work with fat bodies in nature transgresses reality. \nContent note: Discussion of racism\, misogyny\, and fatphobia. \nAdam and the Alphas (12m)\nDir. Stuart Thomas Graham\, Country: UK\, Year: 2019\, Language/s: English\nMade by students on the 2019 Documentary Production course at Stirling University. \nContent note: Discussion of homophobia. \nI AM! We Are Here! (7m)\nDir: Seyi Adebanjo\, Country: USA\, Year: 2018\, Language/s: English\nI AM! We Are Here! multimedia project documents the vitality and spirit of Queer\, Trans* and Gender Non Conforming People of Color in the Bronx. \nContent note: None. \nUnspoken (17m)\nDir: Patrick G. Lee\, Country: USA\, Year: 2019\, Language/s: English\nUnspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents\, and this film is their way of doing so. \nContent note: Discussion of homophobia and transphobia. \nWe Are Here (12m)\nDir. Ellie Hodgetts\, Country: UK\, Year: 2019\, Language/s: English\nThis documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go. \nContent note: Discussion and depiction of homophobia and transphobia\, including scenes of violence. \nButton OUT! (4m)\nDir: Kathleen Mullen\, Country: Canada\, Year: 2018\, Language/s: English\nButton OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto. \nContent note: Reference to sex\, homophobia\, transphobia\, and racism.
URL:https://www.sqiff.org/event/sqiff-2019-opening-night-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,Bisexual,BSL,Documentary,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/07/opening_shorts-e1564741728235.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191003T120000
DTEND;TZID=UTC:20191003T131500
DTSTAMP:20190906T204522Z
CREATED:20190828T110654Z
LAST-MODIFIED:20190906T204522Z
UID:9151-1570104000-1570108500@www.sqiff.org
SUMMARY:SQIFF Shorts: Luv Sucks
DESCRIPTION:Romantic relationships can be tough. SQIFF offers up an alternative to punching walls and texting your ex when pished with these shorts from the heart – as in stomping all over it and dumping it in the trash. A bisexual trio have a bust up in a toilet. A boy in a bath pines over his unavailable roommate. A woman has a near-but-not-quite romantic encounter with a fellow deafie. The vast power of the cosmos can’t prevent a bickering lesbian couple from breaking up. A sex worker has his hopes dashed by the man he loves. And in 2033 Botswana\, a man loses his lover to dystopian despair. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611637/events/129089814′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have a mixture of Arabic\, English\, Spanish\, Portuguese\, and Tswana audio and BSL with English subtitles/captions. Hearing loop available. \nMost of the films are not very accessible to English-speaking blind and partially sighted audiences with largely visual storytelling\, minimal dialogue\, and majority non-English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nTo Starboard\, I Vomit (6m)\nDir: Tarek Sardi\, Country: Tunisia\, Year: 2019\, Language/s: Arabic\nZarga\, Dorra\, and Mohammed find themselves after years of separation together\, reunited in a club’s toilet. Between betrayal and unspoken truths\, the old classmates reveal their deepest secrets and taboos. \nContent note: Depiction of homophobia\, misogyny\, and violence; discussion of sex. \nYour Towel (3m)\nDir: Zhizi Hao\, Country: UK\, Year: 2017\, Language/s: English\nA young gay man and his roommate’s intimate moment in the bathtub. \nContent note: Discussion of sex. \nAlmost… (5m)\nDir: Teresa Garratty\, Country: UK\, Year: 2019\, Language/s: BSL\, English\nA chance encounter between two girls sparks an unspoken connection. Everything seems so effortless\, so perfect… Almost. Written and directed by award winning filmmaker\, Teresa Garratty\, produced by Flashing Lights Media\, and funded by BSLBT. \nContent note: None. \nSolarity (8m)\nDir: Marianne Verrone\, Country: USA\, Year: 2019\, Language/s: English\nAn exploration of perception\, proximity\, and intimacy within a queer cosmos. \nContent note: None. \nLast Words [sic] (6m)\nDir: Hugo Ljungbäck\, Country: USA\, Sweden\, Year: 2017\, Language/s: No spoken language\nLast Words [sic] revisits an angry email the artist received from an ex-boyfriend. The text is taken verbatim from his goodbye-letter\, and tells a humorously painful story of lost love\, betrayal\, and desire\, as the writer grows increasingly delusional\, defensive\, and passive-aggressive with each paragraph. \nContent note: Discussion of sex. \nFree Fall (14m)\nDir: Santiago Henao Vélez\, Country: Colombia\, Year: 2018\, Language/s: Spanish\nOut of the hunting shadows of sexual underground Medellin\, sixteen-year-old Jhony is excitedly hopeful about a date with the boy he loves. \nContent note: Depiction of sex and drug-taking. \nTea for Two (20m)\nDir: Julia Katharine\, Country: Brazil\, Year: 2018\, Language/s: Portuguese\nSilvia is a middle-aged filmmaker having a life crisis. The same night that she is surprised by the visit of her ex-wife\, who left her a few years ago\, she meets another woman who fascinates her. Tea For Two is thought to be the first film directed by a trans person to ever be commercially released in Brazilian cinemas. \nContent note: Depiction of transphobia. \n2064 (12m)\nDir: Joseph Adesunloye\, Country: Botswana\, Year: 2019\, Language/s: Tswana\nDevastating population growth\, famine\, and mass internal displacement pushes Africa to the brink. Many of the continent’s animals are wiped out due to hunting\, ever-warming climate\, and a ballooning population.  A federation of African States is created and institutes an annual cull of four million men. Soon the policy is successful\, and the continent’s wildlife begins to flourish again. In 2064\, a nascent freedom movement led by the ‘Ladies in White’ is fighting for the emancipation of the condemned men and to put an end to the human cull. \nContent note: Discussion and depiction of death and suicide.
URL:https://www.sqiff.org/event/sqiff-shorts-luv-sucks/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Deaf,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_luv_sucks-e1565716193434.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T210000
DTEND;TZID=UTC:20191004T230000
DTSTAMP:20190901T120558Z
CREATED:20190828T110044Z
LAST-MODIFIED:20190901T120558Z
UID:9193-1570222800-1570230000@www.sqiff.org
SUMMARY:From Zero to I Love You
DESCRIPTION:This captivating relationship comedy begins when Peter bumps into handsome but married Jack in a gay bar. They begin a passionate affair and Peter woes the fact he always seems to end up with married men\, a scenario bringing its own special set of tensions. Gossip\, heartbreak\, and coincidence play their part and eventually Peter is forced to admit that he needs something to change in order to maintain self-respect. He attempts to face head on the challenges of finding and keeping love in the big city that is Philadelphia. An emotionally engaging drama with a sophisticated and original approach to bisexuality and the turbulence of relationships. \nDirector Doug Spearman will join us after the screening for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611624/events/129089658′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilm has English audio with English language subtitles/captions. The Q&A will be BSL interpreted. Hearing loop available. \nFilm is relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and quite bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/from-zero-to-i-love-you/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,BSL,English language,Feature,Films,Gay men,Hearing loop,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/from_zero_to_i_love_you-e1565722752549.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T211500
DTEND;TZID=UTC:20191004T224500
DTSTAMP:20190901T120530Z
CREATED:20190828T110020Z
LAST-MODIFIED:20190901T120530Z
UID:9280-1570223700-1570229100@www.sqiff.org
SUMMARY:Luke+Jack present: Sexxxy Beasts and Wheelchairs
DESCRIPTION:How we are (un)represented as Deaf and Disabled people has a huge impact on our lives. Exploring such representation\, we take a look at queer porn made by and about Deaf and Disabled queer people. With work by DIY queer filmmaker and activist\, Loree Erickson\, and self-described “bad ass\, fat ass\, Jew\, dyke amputee\,” Nomy Lamm. Also featuring films by Morty Diamond\, Nikki Silver\, and Pandora Blake with Deaf and Disabled performers taking control of their own narratives. Join us for everyday ableism crossed with seductive images of disability; pervy\, polyamorous BDSM; sexy nurse roleplay; even sexxxier wheelchairs; and fat-bodied\, amputee eroticism. \nFilmmaker Loree Erickson will join us after the screening for a Q&A. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873612022/events/129093023′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n\n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English audio with English language subtitles/captions. BSL interpretation for Q&A. Hearing loop available. \nFilms are moderatly accessible to English-speaking blind and partially sighted audiences with a lot of visual storytelling and limited dialogue but all English language. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nTrans Entities: The Nasty Love of Papí and Wil (20m)\nDir: Morty Diamond\, Country: USA\, Year: 2007\, Language/s: English\nPapi and Will is a film about a hot\, pervy\, loving\, polyamorous transgender couple. On screen Papi and Will share with the viewer everything from their unique perspective on gender identity to how they negotiate multiple partners in their life. The sex scenes are filled with raw\, uninhibited exploration and incorporate BDSM\, roleplay\, and a lot of hot sex! This scene shows Papi and Will playing with a partner who is Deaf. \nContent note: Depiction of graphic sex and consensual non-consent; discussion of racism. \nWant (9m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nWant weaves together sexually explicit images with everyday moments and scenes of the ableist world. It works to get people hot and poses an insightful\, complex\, honest\, and sexy image of disability. \nContent note: Depiction of sex and ableism. \nSexxxy (3m)\nDir: Loree Erickson\, Country: Canada\, Year: 2006\, Language/s: English\nSexxxy compels the viewer to take a closer look at wheelchairs and the people who use them. \nContent note: None. \nWaiting for Beast (10m)\nDir: Nikki Silver\, Country: USA\, Year: 2014\, Language/s: English\n“Waiting for Beast is at once a whimsical nod at the camp of queer porn and a political\, intimate commentary on life. As a wheelchair punk my DIY\, my freedom\, is mutual aid. We work with what we got! During the making of this film\, I was waiting for a new power chair\, waiting for folks to meet me as they can\, and in turn\, people wait for me as I romp around and am pushed in my manual chair. This is wheelchair smut\, and we have various ways of getting our chairs and our sexy selves where we need to go.” Lyric Seal \nContent note: Depiction of sex including light BDSM. \nSadistic Nurse (11m)\nDir: Pandora Blake\, Country: UK\, Year: 2015\, Language/s: English\nThis hot and very edgy spanking scenario was written by the performers\, real-life couple David Weston and Talia Lane. They wanted to explore a humiliating punishment that incorporates David’s wheelchair\, creating a scene in which his character is completely helpless. \nContent note: Depiction of sex including BDSM and consensual non-consent. \nWall of Fire (6m)\nDir: Lisa Ganser\, Nomy Lamm\, Country: USA\, Year: unknown\, Language/s: English\nRoles switch\, paddles hit & control shifts when two fat bodied gender queer women\, lovers off camera\, push limits of pleasure\, penetration & trust\, engaged in an afternoon of tender making out and consensual amputee sex. \nContent note: Depiction of sex including BDSM.
URL:https://www.sqiff.org/event/lukejack-present-sexxxy-beasts-and-wheelchairs/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,BSL,Deaf,Disability,English language,Films,Hearing loop,Lesbian,Shorts,Speech to Text,Trans
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sexxxy_beasts_and_wheelchairs-e1566388218751.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T210000
DTEND;TZID=UTC:20191005T222500
DTSTAMP:20190901T120137Z
CREATED:20190828T105517Z
LAST-MODIFIED:20190901T120137Z
UID:9214-1570309200-1570314300@www.sqiff.org
SUMMARY:SQIFF Shorts: Some Like it Rough
DESCRIPTION:We delve into the varied practices of BDSM and societal attitudes towards this age-old erotic preference\, which continues to be subject to stigmatisation and censorship. In Lasting Marks\, one of sixteen gay men put on trial for taking part in consensual sadomasochism in late 80s England narrates his experience. Berlin-based conscious BDSM practitioner\, Caritia\, explains her spiritual journey through eroticism and life in Rituals + Worship. In French dramedy\, Dressed for Pleasure\, a young disabled woman seeks a more exhilarating sexual satisfaction. Mockumentary No Democracy Here sees a lefty dominatrix employed by right-wing Israeli men to force them into recanting their politics. The programme concludes with super hot non-binary\, lesbian action with a punk boidyke given the rough-tender treatment in Driven. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611616/events/129089648′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 18+. \nFilms have English\, French\, Hebrew\, and German audio with English language subtitles/captions. Hearing loop available. \nFilms are moderately accessible to blind and partially sighted audiences with two of them English language with explanatory dialogue and voiceover but the others non-English language\, a fair amount of visual storytelling throughout\, and a mix of dark and bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nLasting Marks (14m)\nDir: Charlie Lyne\, Country: UK\, Year: 2018\, Language/s: English\nThe story of sixteen men put on trial for sadomasochism in the dying days of Thatcher’s Britain was told by the police\, the prosecution\, and the tabloid press — but not by those in the dock. Director Charlie Lyne has created an experimental recreation of what happened offered by the men themselves. \nContent note: Discussion of sex including BDSM\, homophobia\, mental health issues\, and police persecution. \nRituals + Worship (13m)\nDir: Morgana Muses\, Country: Germany\, Year: 2015\, Language/s: English\nA short BDSM documentary that explores the workshop culture in Berlin and focuses on conscious BDSM practitioner\, Caritia. \nContent note: Depiction of BDSM. Discussion of racism. \nDressed for Pleasure (17m)\nDir: Marie de Maricourt\, Country: Switzerland\, Year: 2017\, Language/s: French\nSarah\, a young disabled woman\, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner\, Victoria\, a trans woman\, will upset the family balance. \nContent note: Depiction of nudity\, sex including reference to BDSM\, and transphobia. \nNo Democracy Here (25m)\nDir: Liad Hussein Kantorowicz\, Country: Germany\, Palestine\, Israel\, Year: 2017\, Language/s: Hebrew\nNo Democracy Here deals with the topic of political domination. Liad\, a lefty human rights defender dominatrix\, re-educates her Israeli right-wing-leaning obedient submissive slaves to follow upstanding leftist ethos and morals\, like freedom of movement\, economic justice\, direct democracy and human rights by using domination practices such as humiliation\, doggy-training\, coercion\, and administration of pain. \nContent note: Depiction of light BDSM and racism. \nDriven (13m)\nDir: Toni Karat\, Country: Germany\, Year: 2018\, Language/s: German\, English\nA punk boidyke\, handcuffed\, facing the wall in a sparse\, empty room\, breathes heavily with anxiety and expectation. And anxious she should be\, for the rough treatment she will face in the 13 minutes that follow! The film is a contribution to much-needed lesbian visibility – conveying a proud and unashamed image of dyke eroticism and BDSM – also at the age of 50+! \nContent note: Depiction of BDSM including consensual non-consent.
URL:https://www.sqiff.org/event/sqiff-shorts-some-like-it-rough/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Bisexual,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T194500
DTEND;TZID=UTC:20191006T210000
DTSTAMP:20190927T082328Z
CREATED:20190828T104813Z
LAST-MODIFIED:20190927T082328Z
UID:9237-1570391100-1570395600@www.sqiff.org
SUMMARY:We Are Parable presents: Dirty Computer: An Emotion Picture by Janelle Monae
DESCRIPTION:As part of their season “The Art of the Black Visual Album” We Are Parable partner with SQIFF to present a special screening of Janelle Monae’s Dirty Computer visual album or\, as she calls it\, “emotion picture.” Set in a dystopian nightmare\, Jane 57821 (played by Monae) is being subjected to having her memories removed or “cleaned\,” ones that mainly involve her relationship with Zen (Tessa Thompson). As the removal of her thoughts and feelings takes place\, we’re taken on a journey to find out who Jane really is\, with her emotions displayed as songs from Dirty Computer. \nPreceded by our Closing Night speeches and awards. After the screening\, we invite you to a listening party where CC TIME and SQU!SHY will perform a homage to Janelle Monae\, playing Dirty Computer in its entirety alongside other tunes. Includes tasty beers sponsored by Drygate Brewing Co. \nThis screening is part of the BFI Musicals nationwide season. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611607/events/129089636′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilm has English audio with English language subtitles/captions. BSL interpretation for introduction. Hearing loop available. \nFilm is relatively accessible to blind and partially sighted audiences – there is a lot of visual storytelling but a reasonable amount of explanatory dialogue and lots of song lyrics. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/we-are-parable-presents-dirty-computer-an-emotion-picture-by-janelle-monae/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Bisexual,BSL,English language,Feature,Films,Hearing loop,People of colour
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END:VCALENDAR