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X-WR-CALDESC:Events for SQIFF
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191002T190000
DTEND;TZID=UTC:20191002T210000
DTSTAMP:20191001T095036Z
CREATED:20190802T105823Z
LAST-MODIFIED:20191001T095036Z
UID:9074-1570042800-1570050000@www.sqiff.org
SUMMARY:SQIFF 2019 Opening Night Shorts
DESCRIPTION:Sold Out – we can’t guarantee but there’s a good chance of returns if you come on the night 15 minutes before the event \nWe launch the Festival with a stellar lineup of documentary shorts focused on LGBTQIA+ community and activism. Adam and the Alphas depicts the camaraderie of gay rugby team\, the Glasgow Alphas. Bodies Like Oceans follows self-described queer fat freak and photographer\, Shoog McDaniel. I AM! We are Here! presents portraits of Queer\, Trans* and Gender Non Conforming People of Colour in the Bronx\, whilst Unspoken sees queer and trans Asian Americans writing emotional letters to their families. We Are Here follows members of the Manchester House of the Sisters of Perpetual Indulgence\, and Button OUT! is an animated homage to Canadian filmmaker Kathleen Mullen’s history of protest through the Canadian Lesbian and Gay Archives’ massive button collection. \nWe hope to welcome several of the filmmakers for a Q&A. Followed by a drinks reception at CCA sponsored by Drygate Brewing Co. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873610489/events/129085543′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nAll films have English audio with English language subtitles/captions. The introduction and Q&A will be BSL interpreted. Hearing loop available. \nAudio description available. Films are otherwise largely accessible to English-speaking blind and partially sighted audiences with lots of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nBodies Like Oceans (13m)\nDir. Kat Cory\, Country: USA\, Year: 2019\, Language/s: English\nA dreamy portrait of photographer Shoog McDaniel\, a self-described queer fat freak\, whose work with fat bodies in nature transgresses reality. \nContent note: Discussion of racism\, misogyny\, and fatphobia. \nAdam and the Alphas (12m)\nDir. Stuart Thomas Graham\, Country: UK\, Year: 2019\, Language/s: English\nMade by students on the 2019 Documentary Production course at Stirling University. \nContent note: Discussion of homophobia. \nI AM! We Are Here! (7m)\nDir: Seyi Adebanjo\, Country: USA\, Year: 2018\, Language/s: English\nI AM! We Are Here! multimedia project documents the vitality and spirit of Queer\, Trans* and Gender Non Conforming People of Color in the Bronx. \nContent note: None. \nUnspoken (17m)\nDir: Patrick G. Lee\, Country: USA\, Year: 2019\, Language/s: English\nUnspoken is the collective outpouring of six queer and trans Asian Americans as they grapple with their queerness and consider what family acceptance might look like. The interviewees hail from across the Asian diaspora—from Sri Lanka and Myanmar to China and South Korea. Some are not yet out to their parents\, and this film is their way of doing so. \nContent note: Discussion of homophobia and transphobia. \nWe Are Here (12m)\nDir. Ellie Hodgetts\, Country: UK\, Year: 2019\, Language/s: English\nThis documentary follows members of the Manchester House of the Sisters of Perpetual Indulgence – a worldwide order of Queer nuns whose motto is to promulgate universal joy and expiate stigmatic guilt – as they continue to take a stand against ignorance and spread love wherever they go. \nContent note: Discussion and depiction of homophobia and transphobia\, including scenes of violence. \nButton OUT! (4m)\nDir: Kathleen Mullen\, Country: Canada\, Year: 2018\, Language/s: English\nButton OUT! is a lively animated personal homage to the filmmaker’s own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at the Canadian Lesbian and Gay Archives in Toronto. \nContent note: Reference to sex\, homophobia\, transphobia\, and racism.
URL:https://www.sqiff.org/event/sqiff-2019-opening-night-shorts/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,Bisexual,BSL,Documentary,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Trans,Woman director
ATTACH;FMTTYPE=image/png:https://www.sqiff.org/wp-content/uploads/2019/07/opening_shorts-e1564741728235.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T151500
DTEND;TZID=UTC:20191004T164500
DTSTAMP:20190901T120755Z
CREATED:20190828T110139Z
LAST-MODIFIED:20190901T120755Z
UID:9187-1570202100-1570207500@www.sqiff.org
SUMMARY:SX presents: What Brings You On Here?
DESCRIPTION:Filmmaker and poet Ross Wilcock presents films focusing on the experiences of gay men with online dating. A history of gay sex and cruising from the 70s to the internet takeover of today. Dissatisfaction with emotionless encounters and the yearning for something more. Meeting up with men online as a way of expressing your queerness when you’re not out. The sometimes all-consuming obsession of people with their phones. Grindr\, swiping left\, hooking up\, insecurities\, getting tested\, and a bit of hot sex are all contained in this challenging selection. \nCurated by Ross Wilcock\, who will host a discussion after the screening with director Sean Lìonadh. In partnership with SX\, Sex Health Wellbeing for Gay & Bisexual Men provided by Waverley Care. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611626/events/129089660′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio with English language subtitles/captions. The discussion will be BSL interpreted. Hearing loop available. \nAudio description available. Films are otherwise relatively accessible to English-speaking blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and relatively bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nHave We Met Before? (12m)\nDir: Oliver Mason\, Country: UK\, Year: 2019\, Language/s: English\nA short docudrama exploring the history of sex in the gay community from the 1970s to the present day\, and how the internet has changed the way queer men meet forever. \nContent note: Depiction of sex. \nFun Only (9m)\nDir: Lukas Revzin\, Country: UK\, Year: 2018\, Language/s: English\nGrowing tired with emotionless digital encounters\, Matt yearns for something more substantial. \nContent note: Depiction of sex. \nJamie (10m)\nDir: Christopher Manning\, Country: UK\, Year: 2016\, Language/s: English\nShy\, quiet Jamie spends a revealing afternoon with Ben after meeting on a dating app. As they chat\, Jamie finds himself opening up and letting loose his hopes and fears in an unexpected awakening. \nContent note: Discussion of homophobia. \nThe Date (15m)\nDir: Christopher Birk\, Country: USA\, Year: 2015\, Language/s: No dialogue\nTwo guys meet on a date – but it is not your ordinary date\, as they both soon discover. \nContent note: None. \nThirst (8m)\nDir: Eoin Maher\, Country: UK\, Year: 2017\, Language/s: English\nDrew leaves another disappointing gay hook up and wonders why he feels so alone. This revealing monologue delves deep into the mind of a lonely gay man. His desires\, his insecurities\, and his wavering belief he’ll find love. \nContent note: Brief depictions of sex and blood. \nTonight (2m)\nDir: Sean McInally\, Country: UK\, Year: 2017\, Language/s: English\nLooking for fun\, looking for home\, looking for assurances\, but maybe not tonight. Tonight is a circular short film by Sean McInally exploring the relationship of a user with his hook-up app. From swiping left to getting tested\, Tonight shows the reality for many. \nContent note: Brief depictions of sex and blood.
URL:https://www.sqiff.org/event/sx-presents-what-brings-you-on-here/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Around one hour or less,Audio description,BSL,Discussion,English language,Films,Gay men,Hearing loop,Shorts
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/sqiff_shorts_what_brings_you_on_here-e1565721966210.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191005T151500
DTEND;TZID=UTC:20191005T170000
DTSTAMP:20190910T144322Z
CREATED:20190828T105841Z
LAST-MODIFIED:20190910T144322Z
UID:9202-1570288500-1570294800@www.sqiff.org
SUMMARY:SQIFF Shorts: Queer Scotland
DESCRIPTION:We present a round-up of the excellent\, idiosyncratic new queer filmmaking produced within Scotland. We welcome the return of filmmakers who have screened at SQIFF before including Michael Lee Richardson\, Wei Zhang\, Siri Rødnes\, Eleanor Capaldi\, and Natasha Lall\, and are excited by a whole host of new names bringing very impressive work packed with stylistic invention and stimulating ideas. Gender roles in ballet\, a queer reimagining of a working men’s club\, sending naked pics via dating apps\, Chinese mythology and human binaries\, trans masculine culture\, BSL poetry\, LGBT people in the asylum system\, and loads more are explored in our 2019 Queer Scotland programme. \nWe hope to be joined by a number of the filmmakers for a Q&A. With a cash prize for Best Scottish Short sponsored by Gender Studies at University of Stirling in memory of Kat Lindner. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611621/events/129089654′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 15+. \nFilms have English audio and BSL with English language subtitles/captions. BSL interpretation and Speech to Text for the Q&A. Hearing loop available. \nAudio description available. Films are otherwise all English language but not hugely accessible to blind and partially sighted audiences with lots of visual storytelling and minimal dialogue. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here. \n  \nFrontiers (4m)\nDir. Eve McConnachie\, Year: 2019\nFrontiers questions traditional gendered roles in classical ballet by refusing to adhere to dated stereotypes: women powerfully command the space\, men intimately embrace each other. Frontiers contrasts the fluidity of the human form with the brutalist concrete motorways that cut through the heart of Glasgow. \nContent note: None. \nwe were always here (4m)\nDir. Michael Lee Richardson\, Garry Mac\, Year: 2019\nA queer reimagining of the working men’s club. A dance-powered journey through space and time. \nContent note: None. \nAcceptable Face (6m)\nDir: Holly Summerson\, Year: 2019\n“The sort of person who someone might say: ‘oh he’s gay\, but he’s lovely!’” Acceptable Face is an animated discussion about the ‘ideal’ respectable queer person. How would they look\, act\, and let people know that they’re not “that kind of gay”? Based on a series of interviews with LGBTQ+ people\, this experimental charcoal animation explores the pressure to be a ‘good example’\, and the joy of refusing to conform. \nContent note: Discussion of homophobia and transphobia. \nDix Pix (4m)\nDir. Steven Fraser\, Year: 2019\nDix Pix is a short animated documentary that looks at the gay male/trans/non-binary body and why it is common for people to send naked pictures via dating apps. The documentary takes an experimental approach in its visual style and tackles themes of masculinity\, queerness\, solitude\, and the body. \nContent note: Depiction of animated nudity and sex. \n2x+xy=1 (12m)\nDir. Wei Zhang\, Year: 2019\nWei Zhang’s practice is an experimental film created by multi post-production technologies\, including 3D animation. 2x+xy=1 is constructed by the abstract fluid matters and concrete polygons to display the feature of the non-binary and the binary\, the expression of emotion and the symbol of predicament. \nContent note: Depiction of nudity. \nNone of the Above (16m)\nDir. Siri Rødnes\, Year: 2018\nEmbarking upon a distinctly postmodern cyber experiment\, Cassie charts her dating odyssey on her personal vlog\, posting regular updates to her ever-growing number of followers. But when sensitive rendezvous footage goes viral\, she becomes a media pariah. \nContent note: Depiction of homophobia\, mental health issues\, and suicide (graphic). \nRoberta Cowell’s Story (1m)\nDir. Melissa J Clifford\, Year: 2019\nRoberta Cowell’s Story is a one minute short detailing the life and achievements of one of the most prolific British Trans Women of the 20th century. It originally debuted as one of five short films in DOCMA filmmaking challenge  #39 AMBITION. The short was created by Melissa Joan Clifford\, a trans woman\, and was made in the style of an archival film. \nContent note: Reference to transphobia. \nA Woman is Her Most Beautiful on Her Wedding Day / Someone I Hate (3m)\nDir. Nastia Nikolskaya\, Year: 2019\nTitled both A Woman is Her Most Beautiful on Her Wedding day and Someone I hate\, this film draws on the filmmaker/artist’s own upbringing in a more conservative and gender constrained environment. Employing ubiquitous wedding videography x perfume advertisement tropes\, the work is a humorous exploration of how the narratives we have absorbed dictate our daily lives\, driving our short-term and long-term decisions. \nContent note: None. \nGlue (4m)\nDir. Eleanor Capaldi\, Year: 2019\nWhen you’ve been dreaming of the past for so long\, what do you do when she’s finally there? Agnes meets her ex\, Anna\, for the first time since their break up and needs to decide whether to stay stuck in the past or move on to the new. \nContent note: None. \nPossessive Skin (2m)\nDir. Myles McEachan\, Year: 2019\n“To accept yourself against the face of adversity\, is the purest form of courage.” A self-reflective insight into the fundamentals of culture within the Trans masculine community\, and how in an age that prides itself on inclusion\, we still find segregation and discrimination within even the most marginalised of people\, which reflects us inwards. \nContent note: Description of mental health issues and transphobia. \nWhat Is Happiness? (6m)\nDir. Claire Clark\, Year: 2019\nWhat Is Happiness? is a British Sign Language poem shining a light on some of the elements of that impossible question and showcasing positive representation of BSL poetry as an art form. \nContent note: None. \nThe 16mb\, Future Sounds & A Mini City (15m)\nDir. Natasha Lall\, Year: 2018\nThe 16mb\, Future Sounds & A Mini City explores retrofuturism through the lens of a shy and naïve queer. 3 short sci-fi\, lo-fi films shot in Glasgow. \nContent note: None. \nCrypsis (9m)\nDir. Christopher McGill\, Year: 2019\nAfter fleeing for his life\, a gay refugee files for asylum in Scotland. Lacking evidence\, he decides to photograph himself in the dark techno world of a queer underground scene. Based on accounts of real-life African LGBT refugees and the challenges they face during the asylum process\, Crypsis is a raw depiction of a grim reality obscured by vitriolic public debate about refugees and the broken system that surrounds them. \nContent note: Discussion of homophobic violence; depiction of trauma.
URL:https://www.sqiff.org/event/sqiff-shorts-queer-scotland-3/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Deaf,English language,Films,Gay men,Hearing loop,Lesbian,People of colour,Shorts,Speech to Text,Trans,Working class
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/queer_scotland-e1565724436473.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191006T173000
DTEND;TZID=UTC:20191006T190000
DTSTAMP:20190930T190925Z
CREATED:20190828T104839Z
LAST-MODIFIED:20190930T190925Z
UID:9234-1570383000-1570388400@www.sqiff.org
SUMMARY:Vision Portraits
DESCRIPTION:Vision Portraits is a vivid and hypnotic exploration by filmmaker Rodney Evans illuminating the compelling stories of four visually impaired artists – photographer John Dugdale\, dancer Kayla Hamilton\, writer Ryan Knighton\, and the filmmaker himself. Evans contrasts their journeys with his own personal and professional one as a filmmaker gradually losing his vision and as a gay man. Evans’ self-reflexive approach emphasises how each artist adapted creatively and thrived as their process evolved with their unique perspectives. An important film for anyone interested in disability aesthetics\, demonstrating how blindness and visual impairment bring about distinct artistic viewpoints. \nScreening with Fashion in the Dark I and II (8m) by Emily Ford-Halliday exploring fashion and identity with people who are visually impaired or blind. Presented in association with Royal National Institute of Blind People Scotland. With an introduction by filmmaker and poet\, Ross Wilcock\, and filmmaker and academic\, Emily Ford-Halliday. \nTickets are priced on a sliding scale £0-£8 depending on what you can afford. To book\, please use the button below or call CCA box office on +44 (0)141 352 4900. \n[bra_button text=’Buy Tickets’ url=’https://ccaglasgow.ticketsolve.com/shows/873611608/events/129089638′ target=’_blank’ size=’medium’ style=’rounded’ color=’pink’] \n  \nACCESS \nThis screening has an age recommendation of N/C 12+. \nFilms have English audio with English language subtitles/captions. BSL interpretation for introduction. Hearing loop available. \nAudio description available. Films are relatively accessible to blind and partially sighted audiences with some visual storytelling but a reasonable amount of explanatory dialogue and voiceover and bright images. Large print versions of handouts available. \nCCA has good access for wheelchair users\, gender neutral toilets\, and welcomes assistance animals. Click here for CCA’s Accessibility Guide. \nA Quiet Space and programme content notes will be available. Click here for a list of content notes for the 2019 Festival. \nComfy seating (bean bags) are available. If you would like to reserve this\, please contact access@sqiff.org. \nWe have a limited travel fund to assist people to come to the Festival for those who could not otherwise afford to attend. If you would like to apply for this\, please contact access@sqiff.org. \nTickets \nIn order to make SQIFF more accessible to those on a low income\, we use a sliding scale ticket price of £0-£8 for our events. You can choose what you pay based on your circumstances – you won’t be asked for any proof / ID\, we just ask that you are honest! Our ticket sales go towards supporting the vital work of LGBTQ+ filmmakers\, artists and organisers. If you have a free ticket and can no longer use it\, please contact the relevant venue box office to let them know so it can be used by someone else. For more info on what you should pay\, click here.
URL:https://www.sqiff.org/event/vision-portraits/
LOCATION:Centre for Contemporary Arts\, 350 Sauchiehall Street\, Glasgow\, G2 3JD\, United Kingdom
CATEGORIES:Audio description,BSL,Disability,Documentary,English language,Feature,Films,Gay men,Hearing loop,People of colour
ATTACH;FMTTYPE=image/jpeg:https://www.sqiff.org/wp-content/uploads/2019/08/vision_portraits-p1di6c8o8n194j9561fav11a18an-0-e1565730003715.jpg
END:VEVENT
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